Hadestown
The band feels like another character in the story. I knew where it was going and still found myself hoping for a different ending. The quiet moments stayed with me as much as the big numbers.
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Published reviews
Hadestown
The band feels like another character in the story. I knew where it was going and still found myself hoping for a different ending. The quiet moments stayed with me as much as the big numbers.
Chicago
The precision makes it look effortless. The band, choreography, and dry delivery all share the same sly sense of humor.
Into the Woods
The way the stories knot together is a joy to follow. Then the second act asks much harder questions than the first half prepares you for.
The Phantom of the Opera
The orchestral sweep is still irresistible. I enjoyed the theatricality most when the production trusted the music and let a scene breathe. I would be curious to see a different production.
Les Misérables
Carmen
The orchestra brought out so many colors beyond the famous tunes. I liked the tension between the public scenes and the more intimate exchanges.
The Lion King
The opening still feels astonishing. What I noticed this time was the care in the smaller puppet movements and the way the ensemble creates the landscape. I would be curious to see a different production.
Waiting for Godot
I drifted in and out a little, but the physical comedy kept pulling me back. Some of the pauses said more than the conversations. I would be curious to see a different production.
