
The Lion King
The visual storytelling is the star for me. Some comic scenes run long, but the inventiveness of the staging never stops being a pleasure. Glad I made time for this one.
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Talking about the show all the way home. Fictional development profile.
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Talking about the show all the way home. Fictional development profile.
Attendance totals and following are public. Individual diary entries and want-to-see plans stay private. Public reviews are shared separately by their author.

The visual storytelling is the star for me. Some comic scenes run long, but the inventiveness of the staging never stops being a pleasure. Glad I made time for this one.

The spoken sections sometimes interrupted the momentum, but the musical passages were worth the wait. Papageno brought a welcome lightness. Worth sitting with for a while afterward.

A lovely reminder of how much fun a well-timed line can be. A couple of scenes leaned a little broad for me, but the ensemble had terrific rhythm. Glad I made time for this one.


The small gestures were more unsettling than the spectacle. A compelling evening, although I wanted more space around some of the quieter scenes. Glad I made time for this one.


Warm without becoming too sugary. I had forgotten how much tension sits underneath the story once the second act begins. Glad I made time for this one.

A big emotional evening, though the pace occasionally left the characters little room to settle. The final ensemble made a strong impression. Worth sitting with for a while afterward.

Loved the stripped-back approach. A few jokes felt familiar, but the ensemble found enough bite to keep the satire sharp. Worth sitting with for a while afterward.

A wonderfully atmospheric score, even when the story stretches credibility. The contrast between the intimate duets and opera scenes is the real draw. Glad I made time for this one.