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Reading the program before the lights go down. Fictional development profile.
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Reading the program before the lights go down. Fictional development profile.
Attendance totals and following are public. Individual diary entries and want-to-see plans stay private. Public reviews are shared separately by their author.


The playful scenes and the darker music sat surprisingly well together. The orchestral details were a pleasure, especially when the stage grew quiet. Glad I made time for this one.

Every pause seemed to set up another joke. The cast let the language do the work, and the smallest changes of expression got some of the biggest laughs. Worth sitting with for a while afterward.

The way the stories knot together is a joy to follow. Then the second act asks much harder questions than the first half prepares you for. Glad I made time for this one.

The orchestral sweep is still irresistible. I enjoyed the theatricality most when the production trusted the music and let a scene breathe. Worth sitting with for a while afterward.

The family scenes were the heart of it for me. The familiar songs worked best when they felt like part of a conversation. Worth sitting with for a while afterward.

The ensemble sound was the highlight. Even knowing the score so well, I found new details in the quieter scenes and overlapping lines. Glad I made time for this one.

The precision makes it look effortless. The band, choreography, and dry delivery all share the same sly sense of humor. Glad I made time for this one.

Much funnier than I expected, and then unexpectedly lonely. The rhythm between the two leads made the waiting itself interesting. Worth sitting with for a while afterward.

I liked the restraint in the family scenes. The production left space for uncertainty rather than explaining every feeling. Glad I made time for this one.