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The play opens on the garden of Villa I Tatti near Florence. The famous art critic Bernard Berenson, referred to as ‘BB’, is fearful of the rising power of Mussolini, who he refers to as ‘the Duck’, and increasingly anxious about the state of his finances. His wife, Mary, is in poor health while he continues having an affair with his secretary, Nicky. Duveen's assistant Fowles arrives to deliver a copy of a painting, and to tell Berenson that Duveen would like him to reconsider his attribution of a painting, The Adoration of the Shepherds. Berenson has already declared it to be by Titian, but Duveen would like him to change his mind and attribute it to Giorgione, and so increase its value considerably. Duveen is keen to sell the painting to the art collector, Mellon. Other art critics have already decided it is a Giorgione, but Berenson, whose reputation is pre-eminent, refuses to change his mind. Fowles leaves. Later that evening Duveen arrives, unannounced, to convince Berenson to change his mind in person. From there the intense and turbulent nature of their long working relationship unfolds.
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