Dames at Sea

About the show

In the early 1930s, a Broadway musical is in rehearsal. Mona Kent is its temperamental diva star, Joan a wise-cracking chorus girl, and Hennesy the producer/manager/director. The naive Ruby arrives from Utah, with "nothing but tap shoes in her suitcase and a prayer in her heart", determined to be a Broadway star. She promptly faints into the arms of Dick, a sailor and aspiring songwriter ("It's You"). Ruby gets a job in the chorus, but Hennesy informs the cast that the theater must be torn down, and they must find another place, which turns out to be a ship, for the show. Joan and Lucky, another sailor and her former boyfriend, renew their romance ("Choo-Choo Honeymoon") while Ruby admits her feelings for Dick ("The Sailor of My Dreams"). Dick and Lucky persuade their Captain to volunteer the use of their ship ("Dames at Sea"). Mona recognizes the Captain as a former boyfriend ("The Beguine"). When Mona kisses Dick, to persuade him to give her one of his songs, Ruby notices and becomes despondent ("Raining In My Heart"). Dick explains the misunderstanding and the couple make up ("There's Something About You"). While rehearsing on the actual ship, Mona becomes seasick ("The Echo Waltz"); Ruby steps in to save the show and becomes a star ("Star Tar"). The three couples decide to marry ("Let's Have A Simple Wedding"). John Wilson in The New York Times pointed out that the music is a mixture of parody, such as the torch song "That Mister Man", pastiche ("Raining in My Heart"), and the real thing. Wilson wrote that "The pastiche songs, built around phrases borrowed from or close to actual songs of the genre, usually project an appealing period flavor." The joke was that, while spoofing the large, lavish movie musicals, Dames at Sea did it with a cast of six, two pianos and percussion, and a tiny stage. In the 2015 Broadway production, director Randy Skinner noted that this was "the first time in New York that 'Dames at Sea' will be heard with an orchestra, and the show will have more dancing than ever before with all new dance and vocal arrangements by Rob Berman". This production opened with movie credits projected onto a screen, reproducing exactly the font used by Warner Bros. in the early 1930s. Skinner received a 2016 Tony Award nomination for his choreography.