Abele
A Genesis-inspired tramelogedia bringing together the first humans after creation—Adam, Eva, Cain and Abel—and spiritual beings including God, Beelzebub, Sin, Envy, Death, angels and demons.
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A Genesis-inspired tramelogedia bringing together the first humans after creation—Adam, Eva, Cain and Abel—and spiritual beings including God, Beelzebub, Sin, Envy, Death, angels and demons.
Unemployed philosopher Vinerblut arrives on a Mediterranean island to seek a miraculous fishing machine owned by the local landowner Pigliatutto. Mistaken for an expected visitor, he poses as a clairvoyant and predicts disaster while offering an antidote. As islanders plot to take the machine and Candeggina hopes to escape with Vinerblut, he steals it and prepares to leave. The machine breaks apart in a struggle. Pigliatutto’s real visitor, investor Ivenmor, arrives with plans for a resort and proposes employing the would-be conspirators as entertainers.
The opera draws on Ovid’s story of Myrrha and her father Cinyras, mediated through a play by Vittorio Alfieri. The entry gives no specific plot events.
A five-act tragedy compresses Saul’s final day on Mount Gilboa into a unified action: the king’s jealousy of David intensifies into delirium as the Philistines attack, and Saul regains a sense of integrity by taking his own life.
A Genesis-inspired tramelogedia bringing together the first humans after creation—Adam, Eva, Cain and Abel—and spiritual beings including God, Beelzebub, Sin, Envy, Death, angels and demons.
Unemployed philosopher Vinerblut arrives on a Mediterranean island to seek a miraculous fishing machine owned by the local landowner Pigliatutto. Mistaken for an expected visitor, he poses as a clairvoyant and predicts disaster while offering an antidote. As islanders plot to take the machine and Candeggina hopes to escape with Vinerblut, he steals it and prepares to leave. The machine breaks apart in a struggle. Pigliatutto’s real visitor, investor Ivenmor, arrives with plans for a resort and proposes employing the would-be conspirators as entertainers.
The opera draws on Ovid’s story of Myrrha and her father Cinyras, mediated through a play by Vittorio Alfieri. The entry gives no specific plot events.
A five-act tragedy compresses Saul’s final day on Mount Gilboa into a unified action: the king’s jealousy of David intensifies into delirium as the Philistines attack, and Saul regains a sense of integrity by taking his own life.