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In a historical political satire using Marathi folk-theatre Tamasha, the ambitious Ghashiram seeks revenge after mistreatment by Pune's Brahmins and bargains his daughter to Nana Phadnavis for the post of kotwal. His harsh policing, her death and Nana's self-protective politics lead to Ghashiram's execution.
Set on a pre-Independence college campus in Poona, the play follows Bapu, Mitra and Nama in a love triangle shaped by Mitra's attraction to Nama and her struggle with her sexuality.
Sakharam takes in women discarded by their husbands, offering them shelter as domestic servants and sexual partners while insisting they may leave at any time. He believes his frank rules avoid hypocrisy, but the arrangement’s moral and emotional consequences become devastating.
A group of teachers rehearsing a mock trial asks a local stagehand to fill in for an absent actor. The improvised courtroom game turns accusatory when the group charges Miss Benare with infanticide and exposes her pregnancy by a missing professor.
In a historical political satire using Marathi folk-theatre Tamasha, the ambitious Ghashiram seeks revenge after mistreatment by Pune's Brahmins and bargains his daughter to Nana Phadnavis for the post of kotwal. His harsh policing, her death and Nana's self-protective politics lead to Ghashiram's execution.
Set on a pre-Independence college campus in Poona, the play follows Bapu, Mitra and Nama in a love triangle shaped by Mitra's attraction to Nama and her struggle with her sexuality.
Sakharam takes in women discarded by their husbands, offering them shelter as domestic servants and sexual partners while insisting they may leave at any time. He believes his frank rules avoid hypocrisy, but the arrangement’s moral and emotional consequences become devastating.
A group of teachers rehearsing a mock trial asks a local stagehand to fill in for an absent actor. The improvised courtroom game turns accusatory when the group charges Miss Benare with infanticide and exposes her pregnancy by a missing professor.