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A Dadaist ironic tragedy composed of fifteen short acts, each accompanied by commentary and influenced by serialized fiction and cinema. Tzara conceived its action for a platform at the center of a box-like room from which the actors cannot leave.
In this three-act Dada parody, Mouth, Ear, Eye, Nose, Neck and Eyebrow trade absurd, metaphorical non sequiturs rather than pursue a conventional plot. Their exchanges suggest courtship and desire, while brief dance sequences and a closing arrangement of words and drawings further unsettle theatrical form.
A Dadaist ironic tragedy composed of fifteen short acts, each accompanied by commentary and influenced by serialized fiction and cinema. Tzara conceived its action for a platform at the center of a box-like room from which the actors cannot leave.
In this three-act Dada parody, Mouth, Ear, Eye, Nose, Neck and Eyebrow trade absurd, metaphorical non sequiturs rather than pursue a conventional plot. Their exchanges suggest courtship and desire, while brief dance sequences and a closing arrangement of words and drawings further unsettle theatrical form.