Susan Birkenhead · aftercurtain

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High Society

Lyrics · Musical · 1997

Glamorous but pretentious Long Island socialite Tracy Samantha Lord is planning a lavish June 1938 wedding to an equally pretentious executive, George Kittredge. Guests include her mother, grumpy little sister Dinah, and absent-minded Uncle Willy, who lives in a house near the Lord estate. Willy is hosting a party for the wedding guests that evening, the night before the wedding. Tracy's unwelcome ex-husband and neighbor, C.K. Dexter Haven, sails up to the estate in his yacht. Dexter informs Tracy and her family that tabloid reporters Mike Connor and Liz Imbrie will be covering the wedding for Spy while pretending to be guests. Dexter invited them to stop Spy from publishing an exposé of Tracy's father Seth, who is estranged from Tracy's mother because he is having an affair with a dancer, Tina Mara. Dexter tries to convince the suspicious Dinah of his good intentions. When Mike and Liz arrive, Tracy and Dinah do not let on that they know of the reporters' charade. Tracy pretends that Uncle Willie is her father, but when her father arrives, she pretends that he is Uncle Willie. Dexter confronts Tracy about their relationship, leaving her confused; suddenly George seems so pompous. She also is finding Mike to be sweet and remembers some good times with Dexter on his yacht. She starts drinking champagne before the party at Uncle Willie's even begins. After the party, Tracy is still drinking champagne, and she misbehaves, dancing with the staff and Mike. George is angry and embarrassed. Dinah hurries to Dexter's house, finding him packing for a trip. She calls him a coward and informs him that Tracy is drinking champagne, which he knows makes her wild. After many farcical comings and goings back at the estate, George reminds Tracy of their wedding the next day, warns her about her behavior and stomps away. Mike tells Tracy that George is not good enough for her. He kisses her, and she tipsily invites him to go skinny dipping in the pool. Dexter and Dinah return to witness other romantic entanglements unfolding between Seth and his wife and Uncle Willy and Liz, who really loves Mike. As soon as Tracy gets in the water, the champagne catches up with her, and Mike puts her innocently in her bed. In the morning, Tracy realizes that she was in the pool with Mike and, her memory hazy, fears that she had sex with him, ruining her wedding and social standing. All works out in the end, however, with Tracy's parents reuniting, the blackmail threat quashed, Mike realizing that he is really in love with Liz, and Tracy reuniting with Dexter. Since the wedding is already scheduled and paid for, Dexter steps up and all ends happily.

Jelly's Last Jam

Lyrics · Musical · 1991

The musical opens with the recently deceased Morton in a state of limbo, looking back on his life. He is reluctantly guided by the mysterious 'Chimney Man,' who forces him to recall the more painful moments of his life when he attempts to ignore or embellish them. Born into an old and wealthy mixed-race Creole family in New Orleans, the young Morton rebels against his upbringing by going into the streets and absorbing the rhythms of the vendors and poor blacks, meeting blues musician Buddy Bolden. When his Creole grandmother discovers his new lifestyle, she disowns him. Forced to go on the road, Morton becomes a prominent composer and musician, and the self-proclaimed creator of jazz. His sadness over his family's rejection causes him to stress his Creole ancestry and claim that there are 'no black notes in my song.' Eventually his pride and racism cause him to betray his best friend and the woman he loves. In his later years, as the Jazz culture continues to grow, Morton is largely forgotten and reduced to dealing with crooked music publishers and gangsters, eventually dying of a knife wound in the colored wing of a Los Angeles hospital. At the moment of his death, Morton at last admits to his heritage - "Ain't no black notes in my song/I was wrong/ I was wrong." At this moment, the shadows of the people in his life surround him to congratulate him, and Morton takes his place in history among the other Jazz legends.

The Secret Life of Bees

Lyrics · Musical · 2019

The Secret Life of Bees is a stage musical with a book by Lynn Nottage, music by Duncan Sheik and lyrics by Susan Birkenhead. The musical premiered Off-Broadway in 2019 to critical acclaim, winning the Outer Critics Circle Award for Outstanding New Off-Broadway Musical, along with Best New Musical nominations from the Drama Desk Awards, Lucille Lortel Awards, and the Drama League Awards. The musical is set in the 1960s in South Carolina, and tells the story of Lily Owens and Rosaleen, two young women who become friends in the face of adversity, and embark on an adventure of self discovery thanks to the Boatwright sisters, three women they meet who work as beekeepers on a honey farm. The story had previously been adapted as a film of the same name, released in 2008, directed and written by Gina Prince-Bythewood.

Triumph of Love

Lyrics · Musical · 1996

Triumph of Love is a musical with a book by James Magruder, lyrics by Susan Birkenhead, and music by Jeffrey Stock. It is based on a play of the same name by the 18th-century French playwright Pierre de Marivaux.

Working

Lyrics · Musical · 1977

In the morning all the workers are getting ready for their jobs (All the Livelong Day). Mike Dillard, a steelworker, talks about the dangers of his job. Some people get caught in a (Traffic Jam) on the highway. Some of the cars stop at an office building where Al Calinda, a parking lot attendant is working. He parks the cars and states that he has been parking cars his whole life, and probably will for the rest of his life (Lovin Al). On top of the parking lot there is an office building. Amanda McKenny is displeased that people stereotype her with her job. She has a strained relationship with her boss, Rex Winship, who tells us he wants to be a teacher. Rose Hoffman, a teacher who has one year left until retirement, is unhappy with the changes she sees in the school system (Nobody Tells Me How). She remembers a student of hers, Babe Secoli, who is now a checker at the Treasure Island Supermarket. Babe explains that her job requires work from every part of the body (I'm Just Movin). Her bag boy, Roberto Núñez, is unhappy with the music that is playing in the market, which is the Cuban Revolution celebratory song along with the hardships of working on a farm and hopes a better day will come (Un Mejor Día Vendrá). In the neighborhood, Conrad Swibel is on his UPS delivery route, talking about the perks of his job: meeting women, and the bad parts, getting chased by dogs. After he leaves, John Rushton delivers the newspaper and tells of his dreams for the future (Neat to be a Newsboy). His mother, Kate Rushton, a housewife, who complains that people doubt her intelligence because she chooses to stay at home and look after her family (Just a Housewife). Candy Cottingham says that she needs to separate people from their jobs for her job as a political fundraiser. Grace Clements explains that she does not want to see any young people doing her job as a millworker because of the physical stress on the body (Millwork). As evening rolls in, all the workers remember their dreams of old (If I Could've Been). Anthony Coelho likes his job because in a hundred years people will still see his work (The Mason). On the highway, Frank Decker and Dave are driving their truck (Brother Trucker). Frank explains that he barely sees his family because of his schedule. He makes a call and because of the signal is transferred to the operator, Heather Lamb. She, Sharon Atkins, and Enid DuBois explain that sometimes it's hard not to listen in on phone conversations. Dolores Dante loves her job and is proud to be a waitress (It's an Art). At the park Joe Zutty, a retired man, talks about his life (Joe). He spends his days as a volunteer firefighter. Tom Patrick, who also works as a firefighter, gets emotional talking about the lives he saved. Maggie Holmes talks about wanting a better life for her daughter (Cleanin' Women). Finally, Ralph Werner recounts his dream life. Mike Dillard comes back and relates how much time he has missed with his family because of work (Fathers and Sons). The ensemble boasts about their accomplishments as workers (Something to Point To).

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