A Gaiety Girl
A Gaiety Girl is an English musical comedy in two acts by a team of musical comedy neophytes: Owen Hall (book, on an outline by James T. Tanner), Harry Greenbank (lyrics) and Sidney Jones (music).
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A Gaiety Girl is an English musical comedy in two acts by a team of musical comedy neophytes: Owen Hall (book, on an outline by James T. Tanner), Harry Greenbank (lyrics) and Sidney Jones (music).
Heliodorus, a Persian soothsayer, looks into the future love lives of his wealthy matrons of Imperial Rome. His daughter Maia pretends to have the gifts of an oracle, and utters incomprehensible prophecies at a suitable price. Among their servants is one Archias, a talented sculptor, whose most recent achievement is a statue of Eros, God of Love, for which his fellow slave Diomed has acted as model. Maia has fallen in love with Diomed. The princess Antonia comes to the soothsayer in disguise and Maia, egged on by the Prefect Pomponius, who has been spurned by the princess, plans a humiliating trick. She announces to the princess that the God of Love has fallen in love with her. The statue is brought forth, and Heliodorus prepares to 'bring it to life'. Diomed is substituted and serenades the princess. But Heliodorus is planning a double-cross. He disapproves of his daughter's fancy for a slave, and when the seance is over and Maia has intended that Antonia should walk off with the statue, Heliodorus arranges that the real Diomed falls to the princess. But it does her little good. The slave, in his luxurious new surroundings, pines for Maia, and Antonia's love-making goes for nothing. Pomponius, who was anxious to see his marble lady wasting her affection on a marble statue, is furious at the social slight involved, and Heliodorus finds himself in hot water. Eventually, in the middle of the Roman Saturnalia, all is cleared up, and the correct pairs of lovers are united.
An Artist's Model is a two-act musical by Owen Hall, with lyrics by Harry Greenbank and music by Sidney Jones, with additional songs by Joseph and Mary Watson, Paul Lincke, Frederick Ross, Henry Hamilton and Leopold Wenzel.
King of Cadonia is an English musical in two acts with a book by Frederick Lonsdale, lyrics by Adrian Ross and Arthur Wimperis and music by Sidney Jones and Frederick Rosse. It opened at the Prince of Wales Theatre in London on 3 September 1908, produced by Frank Curzon, and ran for 333 performances. It starred Isabel Jay, Huntley Wright, and Bertram Wallis. There was a brief Broadway production in 1910 with additional music by Jerome Kern at the Fifth Avenue Theatre and directed by Joseph W. Herbert. This was Lonsdale's first success. Famous songs included "The Wind of Love", "The Portrait" and "Disguises".
Vivacious Lady Molly Martingale disguises herself as a man to win the man she loves.
Stationed in Japan, far from his fiancée Molly, Lt. Reggie Fairfax of the Royal Navy is lonely. He begins to spend much of his free time at the Tea House of Ten Thousand Joys which is run by Chinaman Wun-Hi. There he meets the geisha O Mimosa San, with whom he builds a friendship, but she is in love with Katana, a soldier, so she discourages him with her tale of 'The Amorous Goldfish'. However, Reggie gives Mimosa a lesson in kissing. The relationship does not go unnoticed by Lady Constance Wynne, a touring English aristocrat, who catches Reggie engaged in his tête-a-tête with Mimosa and reminds him that he is engaged to Molly. Lady Constance contacts Molly, telling her to travel to Japan as quickly as possible. The local overlord Marquis Imari, who also fancies Mimosa, is annoyed that his intended bride is consorting with the newly-arrived British sailors, and he orders that the teahouse be closed and the girls be sold off. The Marquis himself is pursued by the French interpreter Juliette. Molly arrives unexpectedly. Left alone, Molly is joined by Mimosa and Lady Constance, who tell her how fond Reggie has become of one geisha in particular. Mimosa then suggests that Molly should dress up as a geisha herself to try and win him back. It is now time for the sale of the geishas' indentures. The Marquis tries to buy Mimosa for himself, but Lady Constance manages to outbid him to keep her out of his clutches. Unfortunately, she cannot stop him from purchasing lot number 2, a new geisha called Roli Poli whom nobody has seen before. Only after the Marquis has made his purchase is it revealed that this geisha is actually Molly in disguise. In the chrysanthemum gardens of the Imari palace, Molly, still disguised as Roli Poli, awaits her impending marriage to the Marquis, who has become much attracted to her. Mimosa proposes a plan to save Molly from her fate: Mimosa will sneak into the bridal suite and exchange the veiled Molly for another veiled bride - Juliette, the French interpreter. The wedding ceremony starts, and the plan is put into effect: Juliette is exchanged with Molly, and the Marquis unwittingly marries the wrong bride. On discovering the ruse, he accepts his fate philosophically, concluding that "every man is disappointed in his wife at some time or other". Mimosa is now free to marry her lover Katana, and Molly is re-united with Reggie, declaring that she would never marry a foreign nobleman when she could have a British sailor.
The Happy Day is a musical comedy in two acts by Seymour Hicks, with music by Sidney Jones and Paul Rubens, and lyrics by Adrian Ross and Rubens. It was produced by George Edwardes's company (by the estate's executor, Robert Evett) and was directed by Evett. Set in the fictional country of Valaria, the story concerns a royal couple who dislike each other but ultimately fall in love. A masquerade scene provides opportunities for mistaken identity. The musical opened at Daly's Theatre in London on 13 May 1916 and ran for 241 performances. It starred Winifred Barnes, José Collins and Arthur Wontner, who played the Ruritanian prince. Later Bertram Wallis joined the cast.
A Gaiety Girl is an English musical comedy in two acts by a team of musical comedy neophytes: Owen Hall (book, on an outline by James T. Tanner), Harry Greenbank (lyrics) and Sidney Jones (music).
Heliodorus, a Persian soothsayer, looks into the future love lives of his wealthy matrons of Imperial Rome. His daughter Maia pretends to have the gifts of an oracle, and utters incomprehensible prophecies at a suitable price. Among their servants is one Archias, a talented sculptor, whose most recent achievement is a statue of Eros, God of Love, for which his fellow slave Diomed has acted as model. Maia has fallen in love with Diomed. The princess Antonia comes to the soothsayer in disguise and Maia, egged on by the Prefect Pomponius, who has been spurned by the princess, plans a humiliating trick. She announces to the princess that the God of Love has fallen in love with her. The statue is brought forth, and Heliodorus prepares to 'bring it to life'. Diomed is substituted and serenades the princess. But Heliodorus is planning a double-cross. He disapproves of his daughter's fancy for a slave, and when the seance is over and Maia has intended that Antonia should walk off with the statue, Heliodorus arranges that the real Diomed falls to the princess. But it does her little good. The slave, in his luxurious new surroundings, pines for Maia, and Antonia's love-making goes for nothing. Pomponius, who was anxious to see his marble lady wasting her affection on a marble statue, is furious at the social slight involved, and Heliodorus finds himself in hot water. Eventually, in the middle of the Roman Saturnalia, all is cleared up, and the correct pairs of lovers are united.
An Artist's Model is a two-act musical by Owen Hall, with lyrics by Harry Greenbank and music by Sidney Jones, with additional songs by Joseph and Mary Watson, Paul Lincke, Frederick Ross, Henry Hamilton and Leopold Wenzel.
King of Cadonia is an English musical in two acts with a book by Frederick Lonsdale, lyrics by Adrian Ross and Arthur Wimperis and music by Sidney Jones and Frederick Rosse. It opened at the Prince of Wales Theatre in London on 3 September 1908, produced by Frank Curzon, and ran for 333 performances. It starred Isabel Jay, Huntley Wright, and Bertram Wallis. There was a brief Broadway production in 1910 with additional music by Jerome Kern at the Fifth Avenue Theatre and directed by Joseph W. Herbert. This was Lonsdale's first success. Famous songs included "The Wind of Love", "The Portrait" and "Disguises".
Vivacious Lady Molly Martingale disguises herself as a man to win the man she loves.
Stationed in Japan, far from his fiancée Molly, Lt. Reggie Fairfax of the Royal Navy is lonely. He begins to spend much of his free time at the Tea House of Ten Thousand Joys which is run by Chinaman Wun-Hi. There he meets the geisha O Mimosa San, with whom he builds a friendship, but she is in love with Katana, a soldier, so she discourages him with her tale of 'The Amorous Goldfish'. However, Reggie gives Mimosa a lesson in kissing. The relationship does not go unnoticed by Lady Constance Wynne, a touring English aristocrat, who catches Reggie engaged in his tête-a-tête with Mimosa and reminds him that he is engaged to Molly. Lady Constance contacts Molly, telling her to travel to Japan as quickly as possible. The local overlord Marquis Imari, who also fancies Mimosa, is annoyed that his intended bride is consorting with the newly-arrived British sailors, and he orders that the teahouse be closed and the girls be sold off. The Marquis himself is pursued by the French interpreter Juliette. Molly arrives unexpectedly. Left alone, Molly is joined by Mimosa and Lady Constance, who tell her how fond Reggie has become of one geisha in particular. Mimosa then suggests that Molly should dress up as a geisha herself to try and win him back. It is now time for the sale of the geishas' indentures. The Marquis tries to buy Mimosa for himself, but Lady Constance manages to outbid him to keep her out of his clutches. Unfortunately, she cannot stop him from purchasing lot number 2, a new geisha called Roli Poli whom nobody has seen before. Only after the Marquis has made his purchase is it revealed that this geisha is actually Molly in disguise. In the chrysanthemum gardens of the Imari palace, Molly, still disguised as Roli Poli, awaits her impending marriage to the Marquis, who has become much attracted to her. Mimosa proposes a plan to save Molly from her fate: Mimosa will sneak into the bridal suite and exchange the veiled Molly for another veiled bride - Juliette, the French interpreter. The wedding ceremony starts, and the plan is put into effect: Juliette is exchanged with Molly, and the Marquis unwittingly marries the wrong bride. On discovering the ruse, he accepts his fate philosophically, concluding that "every man is disappointed in his wife at some time or other". Mimosa is now free to marry her lover Katana, and Molly is re-united with Reggie, declaring that she would never marry a foreign nobleman when she could have a British sailor.
The Happy Day is a musical comedy in two acts by Seymour Hicks, with music by Sidney Jones and Paul Rubens, and lyrics by Adrian Ross and Rubens. It was produced by George Edwardes's company (by the estate's executor, Robert Evett) and was directed by Evett. Set in the fictional country of Valaria, the story concerns a royal couple who dislike each other but ultimately fall in love. A masquerade scene provides opportunities for mistaken identity. The musical opened at Daly's Theatre in London on 13 May 1916 and ran for 241 performances. It starred Winifred Barnes, José Collins and Arthur Wontner, who played the Ruritanian prince. Later Bertram Wallis joined the cast.