Avalon
An unperformed two-act music drama about Avalon, one of the separately titled works in Boughton’s Arthurian cycle.
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An unperformed two-act music drama about Avalon, one of the separately titled works in Boughton’s Arthurian cycle.
An unperformed four-scene music drama about Galahad, one of the separately titled works in Boughton’s Arthurian cycle.
The opening music drama of Boughton’s Arthurian cycle concerns the begetting of Arthur, with a libretto by Reginald Buckley that Boughton heavily revised.
The shadowy Dalua brings mortal king Eochaidh and faery princess Etain together, though Etain has lost her immortal memories. A year later, Etain’s immortal lover Midir arrives disguised as a harpist and awakens her origins with his song. She leaves with Midir, and Dalua touches the heartbroken Eochaidh, who collapses dead.
Boughton’s three-act music drama treats the story of Elaine of Astolat within the Arthurian cycle.
A three-act music drama in Boughton’s Arthurian cycle, based on the Arthurian material associated with Malory’s Le Morte d’Arthur.
An unperformed two-act music drama about Avalon, one of the separately titled works in Boughton’s Arthurian cycle.
An unperformed four-scene music drama about Galahad, one of the separately titled works in Boughton’s Arthurian cycle.
The opening music drama of Boughton’s Arthurian cycle concerns the begetting of Arthur, with a libretto by Reginald Buckley that Boughton heavily revised.
The shadowy Dalua brings mortal king Eochaidh and faery princess Etain together, though Etain has lost her immortal memories. A year later, Etain’s immortal lover Midir arrives disguised as a harpist and awakens her origins with his song. She leaves with Midir, and Dalua touches the heartbroken Eochaidh, who collapses dead.
Boughton’s three-act music drama treats the story of Elaine of Astolat within the Arthurian cycle.
A three-act music drama in Boughton’s Arthurian cycle, based on the Arthurian material associated with Malory’s Le Morte d’Arthur.