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At a retirement home for musicians, three former opera singers reunite with Jean, a onetime star and Reginald’s former wife. They consider performing Verdi’s Rigoletto quartet at a birthday gala, but one resists; the play ends with the four lip-syncing to an old recording.
In a postwar denazification investigation, German conductor Wilhelm Furtwängler faces charges that he served the Nazi regime; the play draws in part on his diary of interrogation sessions and ends with his clearance by the tribunal.
The Good Companions is a musical with a book by Ronald Harwood, music by André Previn, and lyrics by Johnny Mercer. It is based on the 1929 novel of the same title by J. B. Priestley.
At a retirement home for musicians, three former opera singers reunite with Jean, a onetime star and Reginald’s former wife. They consider performing Verdi’s Rigoletto quartet at a birthday gala, but one resists; the play ends with the four lip-syncing to an old recording.
In a postwar denazification investigation, German conductor Wilhelm Furtwängler faces charges that he served the Nazi regime; the play draws in part on his diary of interrogation sessions and ends with his clearance by the tribunal.
The Good Companions is a musical with a book by Ronald Harwood, music by André Previn, and lyrics by Johnny Mercer. It is based on the 1929 novel of the same title by J. B. Priestley.