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A troubled family faces disaster as a rising river threatens their home. Two brothers try to shore it up while their father dismisses their efforts; their sister’s vanity brings her close to death, and the youngest son comes of age amid the collapse.
Chuck and Edith wait for their adult children and confront how empty their marriage has become.
An elderly couple, Herbert and Muriel, struggle through a scattered conversation as they try to remember their past relationships.
A long-married couple, Harriet and George, shop for twin beds. George objects to the change and finds common ground with Jill, a much younger shopper who shares his view.
In this one-act comedy, playwright Jack Barnstable auditions Richard Pawling for a role requiring nudity. The overeager actor’s willingness to strip transforms the audition into an awkward comic encounter.
In The Shock of Recognition, playwright Jack Barnstable auditions Richard Pawling for a role that requires nudity and discovers the overeager actor is more than willing to show his stuff. The Footsteps of Doves focuses on Harriet and George, a married couple shopping for twin beds after many years of marriage. George, who is opposed to the change, strikes up a conversation with Jill, a considerably younger fellow shopper who shares his view. In I'll Be Home for Christmas, Chuck and Edith realize how empty their marriage has become as they await the arrival of their adult children. I'm Herbert is a scattered conversation between Herbert and Muriel, an elderly couple with memory problems who try in vain to recall their earlier relationships. After 15 previews, the original Broadway production opened on March 13, 1967, at the Ambassador Theatre. It transferred twice, to the Broadhurst Theatre and then the Lunt-Fontanne Theatre, before it completed its run of 756 performances on January 4, 1969. Directed by Alan Schneider, the opening night cast included Eileen Heckart, Martin Balsam, George Grizzard, and Melinda Dillon. Replacements later in the run included Larry Blyden, Irene Dailey, and William Redfield. Costume design was by Theoni V. Aldredge and lighting design was by Jules Fisher. Balsam won the Tony Award for Best Performance by a Leading Actor in a Play. Schneider was nominated for the Tony Award for Best Direction of a Play but lost to Mike Nichols for Plaza Suite.
A troubled family faces disaster as a rising river threatens their home. Two brothers try to shore it up while their father dismisses their efforts; their sister’s vanity brings her close to death, and the youngest son comes of age amid the collapse.
Chuck and Edith wait for their adult children and confront how empty their marriage has become.
An elderly couple, Herbert and Muriel, struggle through a scattered conversation as they try to remember their past relationships.
A long-married couple, Harriet and George, shop for twin beds. George objects to the change and finds common ground with Jill, a much younger shopper who shares his view.
In this one-act comedy, playwright Jack Barnstable auditions Richard Pawling for a role requiring nudity. The overeager actor’s willingness to strip transforms the audition into an awkward comic encounter.
In The Shock of Recognition, playwright Jack Barnstable auditions Richard Pawling for a role that requires nudity and discovers the overeager actor is more than willing to show his stuff. The Footsteps of Doves focuses on Harriet and George, a married couple shopping for twin beds after many years of marriage. George, who is opposed to the change, strikes up a conversation with Jill, a considerably younger fellow shopper who shares his view. In I'll Be Home for Christmas, Chuck and Edith realize how empty their marriage has become as they await the arrival of their adult children. I'm Herbert is a scattered conversation between Herbert and Muriel, an elderly couple with memory problems who try in vain to recall their earlier relationships. After 15 previews, the original Broadway production opened on March 13, 1967, at the Ambassador Theatre. It transferred twice, to the Broadhurst Theatre and then the Lunt-Fontanne Theatre, before it completed its run of 756 performances on January 4, 1969. Directed by Alan Schneider, the opening night cast included Eileen Heckart, Martin Balsam, George Grizzard, and Melinda Dillon. Replacements later in the run included Larry Blyden, Irene Dailey, and William Redfield. Costume design was by Theoni V. Aldredge and lighting design was by Jules Fisher. Balsam won the Tony Award for Best Performance by a Leading Actor in a Play. Schneider was nominated for the Tony Award for Best Direction of a Play but lost to Mike Nichols for Plaza Suite.