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Eugénie has secretly married the Earl of Clarendon and is pregnant, but he deceives her about his planned marriage to another woman. After learning that their wedding was fraudulent, her family confronts him; he later admits his actions, and Eugénie chooses to marry him.
Fleeing a revolution, the Count’s household is captured at a border by the Major, who seeks power over them. The Major reveals Angelika is the Count’s child and that Serafin is the child of the Countess and Cherubino. Figaro and Susanna quarrel over whether to have a child; Susanna encounters Cherubino, now a bar proprietor, who employs her as a chanteuse. The Countess rejects the Major’s blackmail and tells the Count Serafin’s parentage; Susanna reveals she is pregnant by Cherubino. Figaro helps the family escape, shooting Cherubino. The Major’s plan to trap them at the castle fails: Figaro, Susanna, Angelika and Serafin escape through a secret passage while the Count and Countess remain.
Comic opera based on Beaumarchais’s play Le Barbier de Séville; this entry does not supply a plot summary.
La Mère coupable is a three-act opera by Darius Milhaud, with a libretto by Madeleine Milhaud. It is based on Beaumarchais' 1792 play of the same name, the third work in his Figaro trilogy.
A five-act tragédie lyrique preceded by a prologue.
Count Almaviva, in disguise as the poor student Lindoro, falls in love with Rosina, who is confined by her guardian Bartolo. With Figaro’s help, Almaviva repeatedly disguises himself to enter Bartolo’s house and reach Rosina. After Bartolo convinces Rosina that Lindoro has betrayed her, she agrees to marry Bartolo; Almaviva reveals his identity, and the pair marry before Bartolo can stop them.
Eugénie has secretly married the Earl of Clarendon and is pregnant, but he deceives her about his planned marriage to another woman. After learning that their wedding was fraudulent, her family confronts him; he later admits his actions, and Eugénie chooses to marry him.
Fleeing a revolution, the Count’s household is captured at a border by the Major, who seeks power over them. The Major reveals Angelika is the Count’s child and that Serafin is the child of the Countess and Cherubino. Figaro and Susanna quarrel over whether to have a child; Susanna encounters Cherubino, now a bar proprietor, who employs her as a chanteuse. The Countess rejects the Major’s blackmail and tells the Count Serafin’s parentage; Susanna reveals she is pregnant by Cherubino. Figaro helps the family escape, shooting Cherubino. The Major’s plan to trap them at the castle fails: Figaro, Susanna, Angelika and Serafin escape through a secret passage while the Count and Countess remain.
Comic opera based on Beaumarchais’s play Le Barbier de Séville; this entry does not supply a plot summary.
La Mère coupable is a three-act opera by Darius Milhaud, with a libretto by Madeleine Milhaud. It is based on Beaumarchais' 1792 play of the same name, the third work in his Figaro trilogy.
A five-act tragédie lyrique preceded by a prologue.
Count Almaviva, in disguise as the poor student Lindoro, falls in love with Rosina, who is confined by her guardian Bartolo. With Figaro’s help, Almaviva repeatedly disguises himself to enter Bartolo’s house and reach Rosina. After Bartolo convinces Rosina that Lindoro has betrayed her, she agrees to marry Bartolo; Almaviva reveals his identity, and the pair marry before Bartolo can stop them.
Count Almaviva seeks to marry Rosina despite the schemes of her controlling guardian. With Figaro’s help, disguises and misunderstandings multiply in a musical reworking of Beaumarchais’s comedy and Rossini’s opera.
Count Almaviva disguises himself as a poor student to court Rosine, who is kept confined by her guardian Dr. Bartholo. With Figaro's help, he evades Bartholo's schemes and marries Rosine before the doctor can force her to marry him.
Twenty years after The Marriage of Figaro, Bégearss exploits the Countess's secret relationship with Chérubin to manipulate the Almaviva family and pursue the Count's fortune through marriage to Florestine. Figaro and Suzanne expose his scheme, allowing Léon and Florestine to marry.
On the day of Figaro and Suzanne's wedding, Count Almaviva pursues Suzanne while the household schemes, lawsuits, disguises, and mistaken identities expose his plans and reconcile the couples.
On the day Figaro and Susanna are to marry, Count Almaviva pursues Susanna while her father schemes to stop the match. Susanna, Figaro, and the Countess plot to expose the Count. A lawsuit over Figaro’s debt reveals Marcellina and Bartolo are his parents, and the two older lovers marry. At night, the Count mistakes his wife in Susanna’s clothes for Susanna, while Figaro recognizes his disguised bride; when the true identities are revealed, the Count asks the Countess for forgiveness, and she grants it.