Ein Traumspiel
A German-language opera based on August Strindberg’s play A Dream Play.
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A German-language opera based on August Strindberg’s play A Dream Play.
Set in the historical Charenton Asylum, Marat/Sade is almost entirely a "play within a play". The main story takes place on 13 July 1808; the play directed by the Marquis de Sade within the story takes place 15 years earlier, during the French Revolution, culminating in the assassination (13 July 1793) of Jean-Paul Marat, then quickly brings the audience up to date (1808). The actors are the inmates of the asylum; the nurses and supervisors occasionally step in to restore order. The bourgeois director of the hospital, Coulmier, supervises the performance, accompanied by his wife and daughter. He is a supporter of the post-revolutionary government led by Napoleon, in place at the time of the production, and believes the play he has organised to be an endorsement of his patriotic views. His patients, however, have other ideas, and they make a habit of speaking lines he had attempted to suppress, or deviating entirely into personal opinion. Having come out of the revolution no better than they went in, the inmates are not entirely pleased with the course of events as they occurred. The Marquis de Sade, the man after whom sadism is named, did indeed direct performances in Charenton with other inmates there, encouraged by Coulmier. De Sade is a main character in the play, conducting many philosophical dialogues with Marat and observing the proceedings with sardonic amusement. He remains detached and cares little for practical politics and the inmates' talk of right and justice; he simply stands by as an observer and an advocate of his own nihilistic and individualist beliefs.
A courtroom drama drawn from the Frankfurt Auschwitz trials, arranged in eleven cantos that trace victims' accounts from arrival at Auschwitz through the camp's killing process. Anonymous witnesses' testimony is set against the denials of named defendants, and the action ends before verdicts are announced.
A German-language opera based on August Strindberg’s play A Dream Play.
Set in the historical Charenton Asylum, Marat/Sade is almost entirely a "play within a play". The main story takes place on 13 July 1808; the play directed by the Marquis de Sade within the story takes place 15 years earlier, during the French Revolution, culminating in the assassination (13 July 1793) of Jean-Paul Marat, then quickly brings the audience up to date (1808). The actors are the inmates of the asylum; the nurses and supervisors occasionally step in to restore order. The bourgeois director of the hospital, Coulmier, supervises the performance, accompanied by his wife and daughter. He is a supporter of the post-revolutionary government led by Napoleon, in place at the time of the production, and believes the play he has organised to be an endorsement of his patriotic views. His patients, however, have other ideas, and they make a habit of speaking lines he had attempted to suppress, or deviating entirely into personal opinion. Having come out of the revolution no better than they went in, the inmates are not entirely pleased with the course of events as they occurred. The Marquis de Sade, the man after whom sadism is named, did indeed direct performances in Charenton with other inmates there, encouraged by Coulmier. De Sade is a main character in the play, conducting many philosophical dialogues with Marat and observing the proceedings with sardonic amusement. He remains detached and cares little for practical politics and the inmates' talk of right and justice; he simply stands by as an observer and an advocate of his own nihilistic and individualist beliefs.
A courtroom drama drawn from the Frankfurt Auschwitz trials, arranged in eleven cantos that trace victims' accounts from arrival at Auschwitz through the camp's killing process. Anonymous witnesses' testimony is set against the denials of named defendants, and the action ends before verdicts are announced.