Battlefield
After a devastating war, victorious Yudishtira must become king while grieving its cost. He and the former king Dritarashtra confront their responsibility for the destruction and seek a way to live with its aftermath.
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After a devastating war, victorious Yudishtira must become king while grieving its cost. He and the former king Dritarashtra confront their responsibility for the destruction and seek a way to live with its aftermath.
Urged on by the Hoopoe, a troubled nation of birds crosses seven valleys to seek its king. As companions abandon the journey or die, the survivors discover that the divine presence they sought is embodied in themselves.
An experimental, ritual-oriented performance that weaves a comprehensive myth around Prometheus. It uses an invented language alongside Classical Greek and Avestan, developed through improvisation and sound experimentation.
A theatrical research piece created through research, improvisation, and ensemble exploration, inspired by Oliver Sacks's book The Man Who Mistook His Wife for a Hat.
Peter Brook's experimental performance critiques British metropolitan attitudes toward the Vietnam War: its first half uses comic-strip anti-Americanism, then imagines the conflict arriving in London through a threatened self-immolation. It ends with the symbolic burning of a paper butterfly.
After a devastating war, victorious Yudishtira must become king while grieving its cost. He and the former king Dritarashtra confront their responsibility for the destruction and seek a way to live with its aftermath.
Urged on by the Hoopoe, a troubled nation of birds crosses seven valleys to seek its king. As companions abandon the journey or die, the survivors discover that the divine presence they sought is embodied in themselves.
An experimental, ritual-oriented performance that weaves a comprehensive myth around Prometheus. It uses an invented language alongside Classical Greek and Avestan, developed through improvisation and sound experimentation.
A theatrical research piece created through research, improvisation, and ensemble exploration, inspired by Oliver Sacks's book The Man Who Mistook His Wife for a Hat.
Peter Brook's experimental performance critiques British metropolitan attitudes toward the Vietnam War: its first half uses comic-strip anti-Americanism, then imagines the conflict arriving in London through a threatened self-immolation. It ends with the symbolic burning of a paper butterfly.