A Country Girl
A Country Girl, or, Town and Country is a musical play in two acts by James T. Tanner, with lyrics by Adrian Ross, additional lyrics by Percy Greenbank, music by Lionel Monckton and additional songs by Paul Rubens.
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A Country Girl, or, Town and Country is a musical play in two acts by James T. Tanner, with lyrics by Adrian Ross, additional lyrics by Percy Greenbank, music by Lionel Monckton and additional songs by Paul Rubens.
Houp La! is an Edwardian musical comedy extravaganza, with music by Nat D. Ayer and Howard Talbot, lyrics by Percy Greenbank and Hugh E. Wright, and a book by Fred Thompson and Hugh E. Wright. The story combines the comic financial troubles of a circus owner with a love triangle. The original production of the show was mounted by Charles B. Cochran at London's new St Martin's Theatre, opening on 23 November 1916 and starring Gertie Millar, George Graves, Nat Ayer and Ida Adams. It was the first production at the St Martin's, which was leased by Cochran. Although the critics found the music innovative, and the cast included stars of the day, the show ran for only three months in London. A Manchester production followed.
Vivacious Lady Molly Martingale disguises herself as a man to win the man she loves.
Act I Mrs. Millicent Meebles, a remarried widow, habitually understates the age of her son, Hughie Cavanaugh, to make herself appear several years younger. Consequently, the 19-year-old lad is taken for a 14-year-old boy and appears to be precocious. Hughie, that "Sporty Boy", flirts with astonishing skill with his beautiful music teacher. Act II Hughie also precociously introduces his step-father, Mr. Meebles, a magistrate, to the nightclub in the Cosmos Hotel. They are followed by Millicent, who wishes to warn a friend not to divulge the boy's true age. When the nightclub is raided by the police, Mr. Meebles escapes without capture, having a comically difficult time. Mr. Meebles arrives at court just in time to hear the case that results from the raid and must, as magistrate, sentence his wife and sister-in-law, Diana Fairlie (whose lover is Albany Pope), to incarceration. Fortunately, a fellow magistrate, Mr. Burridge comes to the ladies' rescue by over-ruling the sentence on a technicality. At home, Millicent confesses that she has exaggerated Hughie's age. All is forgiven.
The Cingalee or Sunny Ceylon is an Edwardian musical comedy in two acts by James T. Tanner, with music by Lionel Monckton, lyrics by Adrian Ross and Percy Greenbank, and additional material by Paul Rubens. The story is set in the Edwardian era in the then-tranquil island of Ceylon (modern-day Sri Lanka) and follows the story of British colonial tea planters (one of the most popular songs in the score is called "Tea, tea, tea"). The piece opened at Daly's Theatre in London, managed by George Edwardes, on 5 March 1904 and ran until 11 March 1905 for a total of 365 performances. The musical had a short Broadway run, opening at Daly's Theatre in New York on 24 October 1904, and running for 33 performances. A production in Sydney, Australia, in May 1905 by J C Williamson's Royal Comic Opera Company, opened on 6 May, starring Margaret Thomas as Nanoya.
The Earl and the Girl is a musical comedy in two acts, with a book by Seymour Hicks, lyrics by Percy Greenbank and music by Ivan Caryll. It was produced by William Greet and opened at the Adelphi Theatre in London on 10 December 1903.
A Country Girl, or, Town and Country is a musical play in two acts by James T. Tanner, with lyrics by Adrian Ross, additional lyrics by Percy Greenbank, music by Lionel Monckton and additional songs by Paul Rubens.
Houp La! is an Edwardian musical comedy extravaganza, with music by Nat D. Ayer and Howard Talbot, lyrics by Percy Greenbank and Hugh E. Wright, and a book by Fred Thompson and Hugh E. Wright. The story combines the comic financial troubles of a circus owner with a love triangle. The original production of the show was mounted by Charles B. Cochran at London's new St Martin's Theatre, opening on 23 November 1916 and starring Gertie Millar, George Graves, Nat Ayer and Ida Adams. It was the first production at the St Martin's, which was leased by Cochran. Although the critics found the music innovative, and the cast included stars of the day, the show ran for only three months in London. A Manchester production followed.
Vivacious Lady Molly Martingale disguises herself as a man to win the man she loves.
Act I Mrs. Millicent Meebles, a remarried widow, habitually understates the age of her son, Hughie Cavanaugh, to make herself appear several years younger. Consequently, the 19-year-old lad is taken for a 14-year-old boy and appears to be precocious. Hughie, that "Sporty Boy", flirts with astonishing skill with his beautiful music teacher. Act II Hughie also precociously introduces his step-father, Mr. Meebles, a magistrate, to the nightclub in the Cosmos Hotel. They are followed by Millicent, who wishes to warn a friend not to divulge the boy's true age. When the nightclub is raided by the police, Mr. Meebles escapes without capture, having a comically difficult time. Mr. Meebles arrives at court just in time to hear the case that results from the raid and must, as magistrate, sentence his wife and sister-in-law, Diana Fairlie (whose lover is Albany Pope), to incarceration. Fortunately, a fellow magistrate, Mr. Burridge comes to the ladies' rescue by over-ruling the sentence on a technicality. At home, Millicent confesses that she has exaggerated Hughie's age. All is forgiven.
The Cingalee or Sunny Ceylon is an Edwardian musical comedy in two acts by James T. Tanner, with music by Lionel Monckton, lyrics by Adrian Ross and Percy Greenbank, and additional material by Paul Rubens. The story is set in the Edwardian era in the then-tranquil island of Ceylon (modern-day Sri Lanka) and follows the story of British colonial tea planters (one of the most popular songs in the score is called "Tea, tea, tea"). The piece opened at Daly's Theatre in London, managed by George Edwardes, on 5 March 1904 and ran until 11 March 1905 for a total of 365 performances. The musical had a short Broadway run, opening at Daly's Theatre in New York on 24 October 1904, and running for 33 performances. A production in Sydney, Australia, in May 1905 by J C Williamson's Royal Comic Opera Company, opened on 6 May, starring Margaret Thomas as Nanoya.
The Earl and the Girl is a musical comedy in two acts, with a book by Seymour Hicks, lyrics by Percy Greenbank and music by Ivan Caryll. It was produced by William Greet and opened at the Adelphi Theatre in London on 10 December 1903.
The Girl Behind the Counter is an Edwardian musical comedy with a book by Arthur Anderson and Leedham Bantock, music by Howard Talbot and lyrics by Arthur Anderson (and additional lyrics by Percy Greenbank). It opened at Wyndham's Theatre on 21 April 1906, produced by Frank Curzon and directed by Austen Hurgon. and starred Lew Fields and Connie Ediss. It toured successfully thereafter in the British provinces, the U.S., Australia and elsewhere and enjoyed several revivals.
The Messenger Boy is a musical comedy in two acts by James T. Tanner and Alfred Murray, lyrics by Adrian Ross and Percy Greenbank, with music by Ivan Caryll and Lionel Monckton, with additional numbers by Paul Rubens.
In Japan during the Russo-Japanese War O Hana San sells herself to a Geisha house to pay off the gambling debts of her lover, Captain Fujiwara. Meanwhile, Miyo Ko San, is the daughter of Japanese general, Okubo, and an English mother. She is in love with Lieutenant Makei but is betrothed to the officer Yamaki, who in turn has designs on O Hana San. Yamaki is eventually killed in an earthquake, freeing both couples to live "happily ever after."
The New Aladdin is an Edwardian musical comedy in two acts by James T. Tanner and W. H. Risque, with music by Ivan Caryll, Lionel Monckton, and additional numbers by Frank E. Tours, and lyrics by Adrian Ross, Percy Greenbank, W. H. Risque, and George Grossmith, Jr. It was produced by George Edwardes at the Gaiety Theatre, opening on 29 September 1906 and running for 203 performances. The London production starred Grossmith, Harry Grattan (who also choreographed), Lily Elsie, Edmund Payne and Gaby Deslys (making her London debut). Gertie Millar, the established star of the Gaiety soon became available and replaced Elsie in the leading role, but shortly thereafter The Merry Widow made Elsie a big star. The Aladdin story had been dramatised extensively in England before and was very popular in pantomime versions, but this was the first book musical on the subject. P. G. Wodehouse wrote a comic dramatisation of the creation of The New Aladdin called "The Cooks and the Gaiety Broth" as part of Plum Punch: The Life of Writers.
To-Night's the Night is a musical comedy composed by Paul Rubens, with lyrics by Percy Greenbank and Rubens, and a book adapted by Fred Thompson. Two songs were composed by Jerome Kern. The story is based on the farce Les Dominos roses by Alfred Hennequin and Alfred Delacour. The musical was produced by George Grossmith, Jr. and Edward Laurillard and directed by Austen Hurgon. It opened at the Shubert Theatre in New York on December 24, 1914. It then was produced at the Gaiety Theatre in London, opening on April 18, 1915 and running for a very successful 460 performances. Grossmith starred in the piece with Leslie Henson. Grossmith told The New York Times that the musical was the first Gaiety Theatre Company production presented in New York before opening in London.