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The Angel of the Lord calls Gideon to save Israel from idolatry by leading 300 Israelites against 120,000 Midianites. Gideon questions his covenant with God, refusing to kill idolatrous leaders because of his pity for people, and challenges the limits of divine law.
Adapted from the 1976 film, the play stages its story as a live television studio with an onstage restaurant, making audience members diners and studio spectators. Its Howard Beale closes with a warning about absolute beliefs and an appeal for compassion and connection.
A tax adviser persuades a successful writer who identifies as homosexual to marry a prostitute for financial advantage. The play follows the marriage's unexpected turn and the writer's growing absorption in corporate and tax schemes as his mental state deteriorates.
Paddy Chayefsky's play dramatizes the life of Josef Stalin, set in Russia from 1917 to 1924 and placing Stalin and Lenin among its central figures.
In a small Long Island synagogue, elderly Russian Jewish men gather the ten adults required for a minyan to exorcise a dybbuk possessing a member’s granddaughter. They enlist a hungover young man who falls in love with her as the progressive rabbi agrees to lead the ritual.
The Angel of the Lord calls Gideon to save Israel from idolatry by leading 300 Israelites against 120,000 Midianites. Gideon questions his covenant with God, refusing to kill idolatrous leaders because of his pity for people, and challenges the limits of divine law.
Adapted from the 1976 film, the play stages its story as a live television studio with an onstage restaurant, making audience members diners and studio spectators. Its Howard Beale closes with a warning about absolute beliefs and an appeal for compassion and connection.
A tax adviser persuades a successful writer who identifies as homosexual to marry a prostitute for financial advantage. The play follows the marriage's unexpected turn and the writer's growing absorption in corporate and tax schemes as his mental state deteriorates.
Paddy Chayefsky's play dramatizes the life of Josef Stalin, set in Russia from 1917 to 1924 and placing Stalin and Lenin among its central figures.
In a small Long Island synagogue, elderly Russian Jewish men gather the ten adults required for a minyan to exorcise a dybbuk possessing a member’s granddaughter. They enlist a hungover young man who falls in love with her as the progressive rabbi agrees to lead the ritual.