Don't Bother Me,; I Can't Cope
Don't Bother Me, I Can't Cope is a musical revue first staged in 1971 with music, lyrics and book by Micki Grant. It was originally produced by Edward Padula.
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Don't Bother Me, I Can't Cope is a musical revue first staged in 1971 with music, lyrics and book by Micki Grant. It was originally produced by Edward Padula.
In the morning all the workers are getting ready for their jobs (All the Livelong Day). Mike Dillard, a steelworker, talks about the dangers of his job. Some people get caught in a (Traffic Jam) on the highway. Some of the cars stop at an office building where Al Calinda, a parking lot attendant is working. He parks the cars and states that he has been parking cars his whole life, and probably will for the rest of his life (Lovin Al). On top of the parking lot there is an office building. Amanda McKenny is displeased that people stereotype her with her job. She has a strained relationship with her boss, Rex Winship, who tells us he wants to be a teacher. Rose Hoffman, a teacher who has one year left until retirement, is unhappy with the changes she sees in the school system (Nobody Tells Me How). She remembers a student of hers, Babe Secoli, who is now a checker at the Treasure Island Supermarket. Babe explains that her job requires work from every part of the body (I'm Just Movin). Her bag boy, Roberto Núñez, is unhappy with the music that is playing in the market, which is the Cuban Revolution celebratory song along with the hardships of working on a farm and hopes a better day will come (Un Mejor Día Vendrá). In the neighborhood, Conrad Swibel is on his UPS delivery route, talking about the perks of his job: meeting women, and the bad parts, getting chased by dogs. After he leaves, John Rushton delivers the newspaper and tells of his dreams for the future (Neat to be a Newsboy). His mother, Kate Rushton, a housewife, who complains that people doubt her intelligence because she chooses to stay at home and look after her family (Just a Housewife). Candy Cottingham says that she needs to separate people from their jobs for her job as a political fundraiser. Grace Clements explains that she does not want to see any young people doing her job as a millworker because of the physical stress on the body (Millwork). As evening rolls in, all the workers remember their dreams of old (If I Could've Been). Anthony Coelho likes his job because in a hundred years people will still see his work (The Mason). On the highway, Frank Decker and Dave are driving their truck (Brother Trucker). Frank explains that he barely sees his family because of his schedule. He makes a call and because of the signal is transferred to the operator, Heather Lamb. She, Sharon Atkins, and Enid DuBois explain that sometimes it's hard not to listen in on phone conversations. Dolores Dante loves her job and is proud to be a waitress (It's an Art). At the park Joe Zutty, a retired man, talks about his life (Joe). He spends his days as a volunteer firefighter. Tom Patrick, who also works as a firefighter, gets emotional talking about the lives he saved. Maggie Holmes talks about wanting a better life for her daughter (Cleanin' Women). Finally, Ralph Werner recounts his dream life. Mike Dillard comes back and relates how much time he has missed with his family because of work (Fathers and Sons). The ensemble boasts about their accomplishments as workers (Something to Point To).
Your Arms Too Short to Box with God: A Soaring Celebration in Song and Dance is a Broadway musical based on the Biblical Book of Matthew, with music and lyrics by Alex Bradford and a book by Vinnette Carroll, who also directed. Micki Grant was credited for "additional music and lyrics". A 1980 revival was the Broadway debut of star Jennifer Holliday, then billed as Jennifer-Yvette Holliday.
Don't Bother Me, I Can't Cope is a musical revue first staged in 1971 with music, lyrics and book by Micki Grant. It was originally produced by Edward Padula.
In the morning all the workers are getting ready for their jobs (All the Livelong Day). Mike Dillard, a steelworker, talks about the dangers of his job. Some people get caught in a (Traffic Jam) on the highway. Some of the cars stop at an office building where Al Calinda, a parking lot attendant is working. He parks the cars and states that he has been parking cars his whole life, and probably will for the rest of his life (Lovin Al). On top of the parking lot there is an office building. Amanda McKenny is displeased that people stereotype her with her job. She has a strained relationship with her boss, Rex Winship, who tells us he wants to be a teacher. Rose Hoffman, a teacher who has one year left until retirement, is unhappy with the changes she sees in the school system (Nobody Tells Me How). She remembers a student of hers, Babe Secoli, who is now a checker at the Treasure Island Supermarket. Babe explains that her job requires work from every part of the body (I'm Just Movin). Her bag boy, Roberto Núñez, is unhappy with the music that is playing in the market, which is the Cuban Revolution celebratory song along with the hardships of working on a farm and hopes a better day will come (Un Mejor Día Vendrá). In the neighborhood, Conrad Swibel is on his UPS delivery route, talking about the perks of his job: meeting women, and the bad parts, getting chased by dogs. After he leaves, John Rushton delivers the newspaper and tells of his dreams for the future (Neat to be a Newsboy). His mother, Kate Rushton, a housewife, who complains that people doubt her intelligence because she chooses to stay at home and look after her family (Just a Housewife). Candy Cottingham says that she needs to separate people from their jobs for her job as a political fundraiser. Grace Clements explains that she does not want to see any young people doing her job as a millworker because of the physical stress on the body (Millwork). As evening rolls in, all the workers remember their dreams of old (If I Could've Been). Anthony Coelho likes his job because in a hundred years people will still see his work (The Mason). On the highway, Frank Decker and Dave are driving their truck (Brother Trucker). Frank explains that he barely sees his family because of his schedule. He makes a call and because of the signal is transferred to the operator, Heather Lamb. She, Sharon Atkins, and Enid DuBois explain that sometimes it's hard not to listen in on phone conversations. Dolores Dante loves her job and is proud to be a waitress (It's an Art). At the park Joe Zutty, a retired man, talks about his life (Joe). He spends his days as a volunteer firefighter. Tom Patrick, who also works as a firefighter, gets emotional talking about the lives he saved. Maggie Holmes talks about wanting a better life for her daughter (Cleanin' Women). Finally, Ralph Werner recounts his dream life. Mike Dillard comes back and relates how much time he has missed with his family because of work (Fathers and Sons). The ensemble boasts about their accomplishments as workers (Something to Point To).
Your Arms Too Short to Box with God: A Soaring Celebration in Song and Dance is a Broadway musical based on the Biblical Book of Matthew, with music and lyrics by Alex Bradford and a book by Vinnette Carroll, who also directed. Micki Grant was credited for "additional music and lyrics". A 1980 revival was the Broadway debut of star Jennifer Holliday, then billed as Jennifer-Yvette Holliday.