Al gran sole carico d’amore
In two non-linear parts, women associated with the Paris Commune of 1871 and the Russian Revolution of 1905 perish while attempting to stop the violence of their times.
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In two non-linear parts, women associated with the Paris Commune of 1871 and the Russian Revolution of 1905 perish while attempting to stop the violence of their times.
A migrant leaves a mining village to return home, but police arrest him during a peace demonstration and torture him with other prisoners. He escapes with an Algerian prisoner. In the second part, he joins a woman in opposing war and disaster; they reach a flooded river near his homeland and drown together.
A sequence of nine sections draws on different versions of the Prometheus myth through texts by Aeschylus, Walter Benjamin, Rainer Maria Rilke and others, without narrating one version literally.
In two non-linear parts, women associated with the Paris Commune of 1871 and the Russian Revolution of 1905 perish while attempting to stop the violence of their times.
A migrant leaves a mining village to return home, but police arrest him during a peace demonstration and torture him with other prisoners. He escapes with an Algerian prisoner. In the second part, he joins a woman in opposing war and disaster; they reach a flooded river near his homeland and drown together.
A sequence of nine sections draws on different versions of the Prometheus myth through texts by Aeschylus, Walter Benjamin, Rainer Maria Rilke and others, without narrating one version literally.