Cain
Cain refuses to thank God for life and resents his mortality. Lucifer takes him on a journey through space and a vision of Earth's violent natural history; Cain returns disillusioned and kills Abel, ending in banishment.
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Cain refuses to thank God for life and resents his mortality. Lucifer takes him on a journey through space and a vision of Earth's violent natural history; Cain returns disillusioned and kills Abel, ending in banishment.
A four-act Czech-language opera based on Lord Byron’s poem Don Juan.
In 1457 Venice, Jacopo Foscari, son of Doge Francesco, is tried by the Council of Ten and sentenced to further exile for murder. His wife Lucrezia pleads with the Doge to intervene, but he insists he must uphold Venetian law. Jacopo is sent away; before departure, he dies. Evidence later arrives proving his innocence, but the Council orders Francesco to surrender his office. He renounces the trappings of power and dies as the bell announces his successor.
The corsair Corrado leaves his island to attack the Pasha Seid, leaving his lover Medora behind. After rescuing Gulnara and the harem women from a fire, Corrado is captured. Gulnara kills Seid and helps him escape. They return to the island, where Medora, believing Corrado dead, has taken poison. She dies after they reunite, and Corrado leaps from a cliff.
After Adam reveals that Abel and Ada are children of his former companion Lilith, Kain resents his position in the family and his relationship with Ada is challenged. Abel returns describing a fertile land; he and Ada decide to leave together. Kain follows them and kills Abel offstage, then tells Adam, “I have killed him.”
A guilt-ridden nobleman in the Bernese Alps summons supernatural spirits and seeks relief from his remorse over Astarte’s death. Unable to escape his past, he rejects the religious redemption offered to him and chooses death.
In 1355 Venice, doge Marino Faliero is enraged when Michele Steno receives only a month’s imprisonment for an insulting libel against Faliero’s wife. Faliero joins a conspiracy to overthrow Venice’s constitution in revenge, but the plot is discovered and he is executed.
In a soliloquy Salemenes deplores the life of slothful luxury led by his brother-in-law Sardanapalus, king of Assyria. The king enters, and Salemenes reproaches him with his lack of ambition for military glory and his unfaithfulness to his queen, Salemenes' sister. He warns him of possible rebellion by treacherous courtiers. Sardanapalus answers by extolling the virtues of mild and merciful rule and condemning bloodshed, but is finally persuaded to give Salemenes his signet so that he can arrest the rebel leaders. Salemenes leaves, and Sardanapalus reflects, Till now, no drop from an Assyrian vein Hath flow'd for me, nor hath the smallest coin Of Nineveh's vast treasures e'er been lavish'd On objects which could cost her sons a tear: If then they hate me, 'tis because I hate not: If they rebel, 'tis because I oppress not. The Greek slave-girl Myrrha, Sardanapalus' favourite, enters; when Sardanapalus proposes to spend the evening banqueting by the Euphrates she persuades him not to go, fearing some danger there. The Chaldean astrologer Beleses predicts the downfall of Sardanapalus, then meets the satrap Arbaces and plots the king's murder with him. Salemenes enters and tries forcibly to arrest both men, but Sardanapalus arrives unexpectedly and, not wanting to believe that Beleses and Arbaces could be traitors, breaks up the struggle. Salemenes and the king leave, and Arbaces, shamed by the king's clemency, momentarily abandons his regicidal intentions. A messenger arrives from the king, telling the two satraps to return to their respective provinces without their troops. Beleses believes this to be the prelude to a death sentence. Arbaces agrees: Why, what other Interpretation should it bear? it is The very policy of orient monarchs – Pardon and poison – favours and a sword – A distant voyage, and an eternal sleep […] How many satraps have I seen set out In his sire's day for mighty vice-royalties, Whose tombs are on their path! I know not how, But they all sicken'd by the way, it was So long and heavy. They leave, resolving to defend themselves by rebellion. Sardanapalus and Salemenes enter, and it becomes clear that Sardanapalus is now persuaded of the plotters' guilt, but still does not repent of sparing them. Myrrha joins the king and urges him to execute Beleses and Arbaces, but he, as ever, rejects the shedding of blood. The king is banqueting when news reaches him that the two satraps have refused to leave the city and have led their troops in rebellion. Sardanapalus arms himself and, after admiring his newly martial appearance in a mirror, goes to join Salemenes and his soldiers, now the only ones loyal to him. Myrrha, left behind, hears reports that a battle is in progress, and is going badly for the king. Sardanapalus and Salemenes return, closely followed by the rebels, but they beat the attack off and congratulate themselves on a victory. Sardanapalus admits to being slightly wounded. Sardanapalus awakes from a troubled sleep and tells Myrrha that he has had a nightmare of banqueting with his dead ancestors, the kings of Assyria. Salemenes now brings in his sister, Zarina, Sardanapalus' long-estranged wife, and these two are left alone together. Zarina proposes to take their children abroad for safety, and makes it clear that she still loves him. As they talk the king gradually becomes reconciled to his wife. She faints at the prospect of parting, and is carried out. Myrrha enters, and the king, initially embarrassed by her presence, falls under her spell again. I thought to have made mine inoffensive rule An era of sweet peace 'midst bloody annals, A green spot amidst desert centuries, On which the future would turn back and smile, And cultivate, or sigh when it could not Recall Sardanapalus' golden reign. I thought to have made my realm a paradise, And every moon an epoch of new pleasures. I took the rabble's shouts for love – the breath Of friends for truth – the lips of woman for My only guerdon – so they are, my Myrrha: [He kisses her] Kiss me. Now let them take my realm and life! They shall have both, but never thee! Salemenes enters, and the king orders an immediate attack on the rebels. As Myrrha waits in the palace, conversing with one of the courtiers, a wounded Salemenes is brought in, a javelin protruding from his side. He draws out the javelin and dies of the consequent blood-loss. Sardanapalus, who has also returned, desponds about his prospects in the unfolding battle. Then he is told that the Euphrates, being in violent flood, has torn down part of the city wall, leaving no defence against the enemy except the river itself, which must presently recede. A herald arrives and offers Arbaces' terms: Sardanapalus' life if he will surrender. The king refuses these terms, but asks for a truce of one hour. He uses this interval to have a pyre erected under his throne, and bids his last faithful officer save himself by fleeing. Sardanapalus and Myrrha say their last farewells to each other and to the world, then he climbs to the top of the pyre, and she throws a torch into it and joins him.
In fifteenth-century Venice, Jacopo Foscari is tortured and banished for life to Crete. His wife Marina and father, Doge Francesco Foscari, are bound by the city’s laws and cannot prevent his exile; Jacopo dies before leaving. The Council then forces the aged Doge from office, and he dies as the bells announce his successor.
Cain refuses to thank God for life and resents his mortality. Lucifer takes him on a journey through space and a vision of Earth's violent natural history; Cain returns disillusioned and kills Abel, ending in banishment.
A four-act Czech-language opera based on Lord Byron’s poem Don Juan.
In 1457 Venice, Jacopo Foscari, son of Doge Francesco, is tried by the Council of Ten and sentenced to further exile for murder. His wife Lucrezia pleads with the Doge to intervene, but he insists he must uphold Venetian law. Jacopo is sent away; before departure, he dies. Evidence later arrives proving his innocence, but the Council orders Francesco to surrender his office. He renounces the trappings of power and dies as the bell announces his successor.
The corsair Corrado leaves his island to attack the Pasha Seid, leaving his lover Medora behind. After rescuing Gulnara and the harem women from a fire, Corrado is captured. Gulnara kills Seid and helps him escape. They return to the island, where Medora, believing Corrado dead, has taken poison. She dies after they reunite, and Corrado leaps from a cliff.
After Adam reveals that Abel and Ada are children of his former companion Lilith, Kain resents his position in the family and his relationship with Ada is challenged. Abel returns describing a fertile land; he and Ada decide to leave together. Kain follows them and kills Abel offstage, then tells Adam, “I have killed him.”
A guilt-ridden nobleman in the Bernese Alps summons supernatural spirits and seeks relief from his remorse over Astarte’s death. Unable to escape his past, he rejects the religious redemption offered to him and chooses death.
In 1355 Venice, doge Marino Faliero is enraged when Michele Steno receives only a month’s imprisonment for an insulting libel against Faliero’s wife. Faliero joins a conspiracy to overthrow Venice’s constitution in revenge, but the plot is discovered and he is executed.
In a soliloquy Salemenes deplores the life of slothful luxury led by his brother-in-law Sardanapalus, king of Assyria. The king enters, and Salemenes reproaches him with his lack of ambition for military glory and his unfaithfulness to his queen, Salemenes' sister. He warns him of possible rebellion by treacherous courtiers. Sardanapalus answers by extolling the virtues of mild and merciful rule and condemning bloodshed, but is finally persuaded to give Salemenes his signet so that he can arrest the rebel leaders. Salemenes leaves, and Sardanapalus reflects, Till now, no drop from an Assyrian vein Hath flow'd for me, nor hath the smallest coin Of Nineveh's vast treasures e'er been lavish'd On objects which could cost her sons a tear: If then they hate me, 'tis because I hate not: If they rebel, 'tis because I oppress not. The Greek slave-girl Myrrha, Sardanapalus' favourite, enters; when Sardanapalus proposes to spend the evening banqueting by the Euphrates she persuades him not to go, fearing some danger there. The Chaldean astrologer Beleses predicts the downfall of Sardanapalus, then meets the satrap Arbaces and plots the king's murder with him. Salemenes enters and tries forcibly to arrest both men, but Sardanapalus arrives unexpectedly and, not wanting to believe that Beleses and Arbaces could be traitors, breaks up the struggle. Salemenes and the king leave, and Arbaces, shamed by the king's clemency, momentarily abandons his regicidal intentions. A messenger arrives from the king, telling the two satraps to return to their respective provinces without their troops. Beleses believes this to be the prelude to a death sentence. Arbaces agrees: Why, what other Interpretation should it bear? it is The very policy of orient monarchs – Pardon and poison – favours and a sword – A distant voyage, and an eternal sleep […] How many satraps have I seen set out In his sire's day for mighty vice-royalties, Whose tombs are on their path! I know not how, But they all sicken'd by the way, it was So long and heavy. They leave, resolving to defend themselves by rebellion. Sardanapalus and Salemenes enter, and it becomes clear that Sardanapalus is now persuaded of the plotters' guilt, but still does not repent of sparing them. Myrrha joins the king and urges him to execute Beleses and Arbaces, but he, as ever, rejects the shedding of blood. The king is banqueting when news reaches him that the two satraps have refused to leave the city and have led their troops in rebellion. Sardanapalus arms himself and, after admiring his newly martial appearance in a mirror, goes to join Salemenes and his soldiers, now the only ones loyal to him. Myrrha, left behind, hears reports that a battle is in progress, and is going badly for the king. Sardanapalus and Salemenes return, closely followed by the rebels, but they beat the attack off and congratulate themselves on a victory. Sardanapalus admits to being slightly wounded. Sardanapalus awakes from a troubled sleep and tells Myrrha that he has had a nightmare of banqueting with his dead ancestors, the kings of Assyria. Salemenes now brings in his sister, Zarina, Sardanapalus' long-estranged wife, and these two are left alone together. Zarina proposes to take their children abroad for safety, and makes it clear that she still loves him. As they talk the king gradually becomes reconciled to his wife. She faints at the prospect of parting, and is carried out. Myrrha enters, and the king, initially embarrassed by her presence, falls under her spell again. I thought to have made mine inoffensive rule An era of sweet peace 'midst bloody annals, A green spot amidst desert centuries, On which the future would turn back and smile, And cultivate, or sigh when it could not Recall Sardanapalus' golden reign. I thought to have made my realm a paradise, And every moon an epoch of new pleasures. I took the rabble's shouts for love – the breath Of friends for truth – the lips of woman for My only guerdon – so they are, my Myrrha: [He kisses her] Kiss me. Now let them take my realm and life! They shall have both, but never thee! Salemenes enters, and the king orders an immediate attack on the rebels. As Myrrha waits in the palace, conversing with one of the courtiers, a wounded Salemenes is brought in, a javelin protruding from his side. He draws out the javelin and dies of the consequent blood-loss. Sardanapalus, who has also returned, desponds about his prospects in the unfolding battle. Then he is told that the Euphrates, being in violent flood, has torn down part of the city wall, leaving no defence against the enemy except the river itself, which must presently recede. A herald arrives and offers Arbaces' terms: Sardanapalus' life if he will surrender. The king refuses these terms, but asks for a truce of one hour. He uses this interval to have a pyre erected under his throne, and bids his last faithful officer save himself by fleeing. Sardanapalus and Myrrha say their last farewells to each other and to the world, then he climbs to the top of the pyre, and she throws a torch into it and joins him.
In fifteenth-century Venice, Jacopo Foscari is tortured and banished for life to Crete. His wife Marina and father, Doge Francesco Foscari, are bound by the city’s laws and cannot prevent his exile; Jacopo dies before leaving. The Council then forces the aged Doge from office, and he dies as the bells announce his successor.