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The play depicts a typical day inside a U.S. Marine Corps brig, following the rigid routines and treatment of imprisoned Marines. It draws on Kenneth H. Brown’s own experience of spending 30 days in a brig while serving in Japan.
A producer and writer attempt to stage a play about society’s underbelly using “real” addicts. The addicts, some of them jazz musicians, wait for their dealer—their connection—while their dialogue is interspersed with jazz.
The play depicts a typical day inside a U.S. Marine Corps brig, following the rigid routines and treatment of imprisoned Marines. It draws on Kenneth H. Brown’s own experience of spending 30 days in a brig while serving in Japan.
A producer and writer attempt to stage a play about society’s underbelly using “real” addicts. The addicts, some of them jazz musicians, wait for their dealer—their connection—while their dialogue is interspersed with jazz.