Carmelina
Carmelina is a musical with a book by Joseph Stein and Alan Jay Lerner, lyrics by Lerner, and music by Burton Lane.
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Carmelina is a musical with a book by Joseph Stein and Alan Jay Lerner, lyrics by Lerner, and music by Burton Lane.
In 1930s New York, aspiring actor David Kolowitz tries to escape his overprotective parents' plan for him to become a married pharmacist and to navigate two girlfriends, while confronting his lack of acting talent.
Tevye is a poor Jewish milkman in Czarist Russia. He and his bossy, sharp-tongued wife Golde have five daughters (eldest to youngest): Tzeitel, Hodel, Chava, Shprintze and Bielke. Tevye explains the customs of the Jews in the Russian shtetl of Anatevka in 1905, where their lives are as precarious as the perch of a fiddler on a roof ("Tradition"). At Tevye's home, everyone is busy preparing for the Sabbath meal, with Golde directing their daughters. Yente, the village matchmaker, arrives to tell Golde that widowed Lazar Wolf – the wealthy local butcher, who is older than Tevye – wants to wed Tzeitel. Hodel and Chava are excited about Yente's visit, but Tzeitel illustrates how it could have bad results ("Matchmaker, Matchmaker"). A girl from a poor family must take whatever husband Yente brings; yet Tzeitel wants to marry her childhood friend, Motel the tailor. Tevye is delivering milk, pulling the cart himself, as his horse is lame. He asks God: Whom would it hurt "If I Were a Rich Man"? The bookseller tells Tevye news from the outside world of pogroms and expulsions. Perchik, a student from the university in Kyiv, hears their conversation and scolds them for doing nothing more than talk. The men dismiss Perchik as a radical, but Tevye invites him home for the Sabbath meal and offers him food and a room in exchange for tutoring his two youngest daughters. Golde tells Tevye to meet Lazar after the Sabbath but does not tell him why, knowing that Tevye does not like Lazar. Worried that Yente will find her a husband soon, Tzeitel tells Motel to ask Tevye for her hand before the Sabbath dinner. Motel resists, as he fears Tevye's temper, and tradition says that a matchmaker must arrange marriages. Motel is also very poor and is saving up to buy a sewing machine before he approaches Tevye, to show that he can support a wife. The family gathers for the "Sabbath Prayer". After the Sabbath, Tevye meets Lazar for a drink at the village inn, assuming mistakenly that Lazar wants to buy his cow. Once the misunderstanding is cleared up, Tevye agrees to let Lazar marry Tzeitel – with a rich butcher, his daughter will never want for anything. All join in the celebration of Lazar's good fortune; even the Russian youths at the inn join in the celebration and show off their dancing skills ("To Life"). Outside the inn, Tevye happens upon the Russian Constable, who has jurisdiction over the Jews in the town. The Constable warns him that there is going to be a "little unofficial demonstration" in the coming weeks (a euphemism for a minor pogrom). The Constable has sympathy for the Jewish community but is powerless to prevent the violence. The next morning, after Perchik's lessons with the younger sisters, Tevye's second daughter Hodel mocks Perchik's Marxist interpretation of a Bible story. He, in turn, criticizes her for hanging on to the old traditions of Judaism, noting that the world is changing. To illustrate this, he dances with her, defying the prohibition against opposite sexes dancing together. The two begin to fall in love. Later, a hungover Tevye announces that he has agreed that Tzeitel will marry Lazar Wolf. Golde is overjoyed, but Tzeitel is devastated and begs Tevye not to force her. Motel arrives and tells Tevye that he is the perfect match for Tzeitel and that he and Tzeitel gave each other a pledge to marry. He promises that Tzeitel will not starve as his wife. Tevye is stunned and outraged at this breach of tradition, but impressed at the timid tailor's display of backbone. After some soul-searching ("Tevye's Monologue"), Tevye agrees to let them marry, but he worries about how to break the news to Golde. An overjoyed Motel celebrates with Tzeitel ("Miracle of Miracles"). In bed with Golde, Tevye pretends to be waking from a nightmare. Golde offers to interpret his dream, and Tevye "describes" it ("Tevye's Dream"). Golde's grandmother Tzeitel returns from the grave to bless the marriage of her namesake, but to Motel, not to Lazar Wolf. Lazar's formidable late wife, Fruma-Sarah rises from her grave to warn, in graphic terms, of severe retribution if Tzeitel marries Lazar. The superstitious Golde is terrified, and she quickly counsels that Tzeitel must marry Motel. While returning from town, Tevye's third daughter, the bookish Chava, is teased and intimidated by some gentile youths. One, Fyedka, protects her, dismissing the others. He offers Chava the loan of a book, and a secret relationship begins. The wedding day of Tzeitel and Motel arrives, and all the Jews join the ceremony ("Sunrise, Sunset") and the celebration ("The Wedding Dance"). Lazar gives a fine gift, but an argument arises with Tevye over the broken agreement. Perchik ends the tiff by breaking another tradition: he crosses the barrier between the men and women to dance with Tevye's daughter Hodel. The celebration ends abruptly when a group of Russians rides into the village to perform the "demonstration". They disrupt the party, damaging the wedding gifts and wounding Perchik, who attempts to fight back, and wreak more destruction in the village. Tevye instructs his family to clean up the mess. Months later, Perchik tells Hodel he must return to Kyiv to work for the revolution. He proposes marriage, admitting that he loves her, and says that he will send for her. She agrees ("Now I Have Everything"). They tell Tevye that they are engaged, and he is appalled that they are flouting tradition by making their own match, especially as Perchik is leaving. When he forbids the marriage, Perchik and Hodel inform him that they do not seek his permission, only his blessing. After more soul searching, Tevye relents – the world is changing, and he must change with it ("Tevye's Rebuttal"). He informs the young couple that he gives them his blessing and his permission. Tevye explains these events to an astonished Golde. "Love", he says, "it's the new style." Tevye asks Golde, despite their own arranged marriage, "Do You Love Me?" After dismissing Tevye's question as foolish, she eventually admits that, after 25 years of living and struggling together and raising five daughters, she does. Meanwhile, Yente tells Tzeitel that she saw Chava with Fyedka. News spreads quickly in Anatevka that Perchik has been arrested and exiled to Siberia ("The Rumor/I Just Heard"), and Hodel is determined to join him there. At the railway station, she explains to her father that her home is with her beloved, wherever he may be, although she will always love her family ("Far From the Home I Love"). Time passes. Motel has purchased a used sewing machine, and he and Tzeitel have had a baby. Chava finally gathers the courage to ask Tevye to allow her marriage to Fyedka. Again Tevye reaches deep into his soul, but marriage outside the Jewish faith is a line he will not cross. He forbids Chava to speak to Fyedka again. When Golde brings news that Chava has eloped with Fyedka, Tevye wonders where he went wrong ("Chavaleh Sequence"). Chava returns and tries to reason with him, but he refuses to speak to her and tells the rest of the family to consider her dead. Meanwhile, rumors are spreading of the Russians expelling Jews from their villages. While the villagers are gathered, the Constable arrives to tell everyone that they have three days to pack up and leave the town. In shock, they reminisce about "Anatevka" and how hard it will be to leave what has been their home for so long. As the Jews leave Anatevka, Chava and Fyedka stop to tell her family that they are also leaving for Kraków, unwilling to remain among the people who could do such things to others. Tevye still will not talk to her, but when Tzeitel says goodbye to Chava, Tevye prompts her to add "God be with you." Motel and Tzeitel go to Poland as well but will join the rest of the family when they have saved up enough money. As Tevye, Golde and their two youngest daughters leave the village for America, the fiddler begins to play. Tevye beckons with a nod, and the fiddler follows them out of the village.
Irene is a musical with a book by James Montgomery, lyrics by Joseph McCarthy, and music by Harry Tierney. Based on Montgomery's play Irene O'Dare, it is set in New York City's Upper West Side and focuses on immigrant shop assistant Irene O'Dare, who is introduced to Long Island's high society when she is hired to tune a piano for a society gentleman. The musical opened on Broadway in 1919 and ran for 675 performances, at the time the record for the longest-running musical in Broadway history, which it maintained for nearly two decades. It starred Edith Day in the title role, who repeated the role in the London production. It was revived on Broadway in 1923, filmed twice, and had a major Broadway revival in 1973, starring Debbie Reynolds, that ran for 594 performances, followed by a 1976 London run that lasted 974 performances.
Juno is a musical with music and lyrics by Marc Blitzstein and book by Joseph Stein, based closely on the 1924 play Juno and the Paycock by Seán O'Casey. The story centers on the disintegration of an Irish family in Dublin in the early 1920s, during the Irish War of Independence. Juno is a hardworking matriarch who strives to hold her family together in the face of war, betrayal, and her worthless husband's drinking. The original production opened on Broadway in 1959 and closed after only 16 performances. Its somber tone did not please the critics, who were disappointed that its stars, particularly Shirley Booth, did not have an opportunity to play comedy. The score and original cast album have found some praise. Several revivals have been staged, but none has met with great success.
King of Hearts is a 1978 musical with a book by Joseph Stein, lyrics by Jacob Brackman, and music by Peter Link, orchestrated by Bill Brohn. It is based on the 1966 anti-war cult film of the same name.
Mr. Wonderful is a musical with a book by Joseph Stein and Will Glickman, and music and lyrics by Jerry Bock, Larry Holofcener, and George David Weiss. Written specifically to showcase the talents of Sammy Davis Jr., the thin plot, focusing on entertainer Charlie Welch's show business struggles, primarily served as a springboard for an extended version of Davis's Las Vegas nightclub act. The Broadway production, staged by Jack Donohue, opened on March 22, 1956, at The Broadway Theatre, following a tryout in Philadelphia on February 20, 1956. In addition to Davis, the cast included his father Sammy Sr. and uncle Will (who together with Davis had performed as the Will Mastin Trio), Olga James, Jack Carter, Chita Rivera, Malcolm Lee Beggs, Marilyn Cooper and Patricia Marshall. The Broadway production was panned by critics but surprised everyone, including the producers, to go on to be a commercial success, recouping its $225,000 investment. Davis had initially signed a contract for one year but, with the poor critical reception, made other commitments for the following year and, as he was considered irreplaceable, the play closed on February 23, 1957, after 383 performances.
A comedy centered on Mrs. Gibbons, the mother of three delinquent boys.
Plain and Fancy is a musical comedy with a book by Joseph Stein and Will Glickman, lyrics by Arnold B. Horwitt, and music by Albert Hague. One of the first depictions of an Amish community in American popular culture, it includes a traditional barn raising and an old-fashioned country wedding. The musical ran on Broadway in 1955–56, and has been produced yearly at the Round Barn Theatre in Nappanee, Indiana since 1986.
So Long, 174th Street is a musical with a book by Joseph Stein and lyrics and music by Stan Daniels. Based on Stein's play Enter Laughing, which had been adapted from the Carl Reiner book of the same name and served as the basis for a 1967 film, it focuses on the journey of David Kolowitz from factory helper to actor and from insecure adolescence to self-assured adulthood in three whirlwind days in New York City in the late 1930s.
Take Me Along is a 1959 musical based on the 1933 Eugene O'Neill play Ah, Wilderness!, with music and lyrics by Bob Merrill and book by Joseph Stein and Robert Russell.
The act opens in the early autumn of the mid-1930s in the small French village of Concorde. At a local cafe, the proprietor's wife, Denise, tends to her chores while singing "Chanson" in both French and English. Through the song, she reflects on her repetitive daily routine and expresses a desire for unexpected change. Focus is shifted to the customers at the tables. Bits of conversation are heard: complaints from a gardener whose neighbor's tree is shading his spinach; an argument between the local priest and the school teacher who has been teaching that Joan of Arc "thought" she heard voices; the owner of a well quarrelling with the neighbor whose dog had breached that well seven years previously. The bickering villagers insist to one another that their lives would be much better "If It Wasn't for You". All are anticipating the arrival of the baker: the village has been without bread since the previous baker died, and tensions are running higher than normal. The Marquis enters with his three "nieces" and welcomes the new baker, Aimable Castagnet. Accurately named, he is a jolly, middle-aged fellow. With him is his young and beautiful wife Geneviève, whom the Marquis mistakes for the baker's daughter. The error is quickly addressed, but does not go unremarked by the townspeople. With Pompom, their cat, the couple is shown to their new home — with comments from the townsfolk, about the baker robbing the cradle, following in their wake. In their new bakery, Aimable is clearly pleased with his new shop. To Geneviève, he sings "Merci, Madame", as enchanted with her as he is with his new surroundings. He is excited about the prospects of a prosperous life with a family. The villagers, too, are pleased with the return of "Bread" to the small town. The customers argue about their place in line in the small shop, eager to sample the wares of the new baker. Others gossip about the Marquis and his nieces; and Antoine, one of the villagers, asks Aimable how an old man like him was able to snare the beautiful Geneviève. "God was good to me," he replies, and Geneviève reminds the villagers that not only did her husband choose her, she chose him, too — and, she insists, she couldn't be happier. She smiles at the customers but, embarrassed by their prying, rushes inside in tears. She sings of the "Gifts of Love" she's received from men in her past: her passionate affair with a married man named Paul, and her gentler feelings for Aimable. Closing the door on her past, she resolves to be a good wife to the baker. While picking up the Marquis' pastry order, his driver, Dominique, eyes Geneviève, mistaking her for the baker's daughter, just as the Marquis himself did earlier. Geneviève corrects the handsome chauffeur, but he cockily insists on addressing her as Mademoiselle. Geneviève insists, "Madame!", but he continues flirting with her, flustering her. Aimable returns after trying to find Pompom and reports that the cat has run off. Some time later in the village square, Dominique again advances upon Geneviève. She rebuffs him, reminding him that she is happily married, but he resolves that he will be with his "Proud Lady". The villagers gather again outside the café, engaged in their usual squabbles. The baker and his wife arrive and sit at a table near Antoine who continues to tease them about the difference in their ages. He implies that while the baker may be able to create the perfect croissant, his ability to create a child might have passed. Dominique comes to the couple's defense, hitting Antoine, but Genevieve is humiliated by the entire scene and exits in a huff. The men of the village slyly advise one another to "Look For the Woman" whenever conflict arises among them: "It's when the hen walks into the barnyard that the roosters start pecking at each other." That evening, we see three couples — including the baker and his wife — getting ready for bed. Dominique and his guitar-toting friend Philippe plot their evening in the town square, and as the three couples end their reprise of "Chanson", Dominique and Philippe start their "Serenade". The baker believes their song is a tribute offered in thanks for his baking, but Geneviève understands correctly that Dominique is singing to her. Aimable, ever the good man, sends Geneviève to give Dominique some unsold baguettes. She castigates her insistent suitor, but Dominique is undeterred. Despite her protests, Geneviève is unable to resist him, and they decide to meet an hour later and run off together. Aimable calls down to Geneviève, and she replies that she'll return to bed in a minute. As he drops off to sleep, she contemplates her situation, singing the legend of the "Meadowlark". In the story, the bird decides to stay with the old king who adored her — and perishes of sadness, having missed her opportunity to fly away with the sun-god who had wooed her. Resisting the meadowlark's sad fate, Geneviève embarks for an unknown future with her "beautiful young man". The neighbors are awakened to a fire in the bakery's oven, where the baker finds charred loaves. Usually Geneviève is the early riser of the household, and he begins to search for her, believing that she has gone in search for Pompom. A crowd begins to gather and the gossip begins at once, "Buzz A-Buzz": they know Aimable's search will yield neither cat nor wife. The Marquis arrives and takes the baker aside, telling him that Geneviève had run off with his chauffeur in the Marquis' Peugeot. Philippe arrives and confirms the story, but Aimable chooses to believe that Geneviève has merely gone to visit her mother. As the gossip continues, the Marquis threatens to report his stolen car to the police, and to have the two lovers arrested. The gossiping townsfolk gleefully agree that the whole outrageous scandal is the "best thing to happen in this town in all my life!" The second act opens as the first, with Denise reprising her "Chanson". The villagers reprise "If It Wasn't for You", while keeping an eye on the baker: they are relieved to see him begin a new batch of dough. The teacher and the priest argue again, the priest accusing the villagers of contaminating Genevieve with their immoral conduct, the teacher championing free will. The Marquis dismisses both explanations, insisting that Genevieve's behavior was simple human nature—that we are all captive to the joys of the flesh. Aimable crosses to the café to inform the customers that the bread will be ready momentarily. The typically sober baker orders a cognac, and another, and sings tipsily that Genevieve will be home on an "Any-Day-Now Day": she has just gone to visit her mother. In an attempt to sober him up, the villagers follow him into the bakery, only to find it in a shambles. Aimable collapses amongst the spilled flour, dough hanging from the ceiling, and burnt loaves of bread. The villagers realize that the town is in danger of being once again without a baker, and they blame the despondent baker's runaway wife for the sorry state of affairs. In the closed bakery, they try to cheer up Aimable and get him baking again by telling him that he's the "Luckiest Man in the World": he's been spared the boredom and arguments of married life. The Marquis enters, telling Aimable that all he needs to cheer up is some "Feminine Companionship," even offering to loan his "nieces". The villagers ask the Marquis if the girls are really his nieces, to which he responds, "What is a niece but the daughter of a brother, and as I consider all men my brothers...." The girls surround the baker, flirting and caressing him. The priest enters and, shocked at the scene, begins feuding with the Marquis. The villagers join in the fray, and the baker throws them all out. At a town meeting in the church, Aimable admits that he knows that Geneviève has run off. He offers the Marquis his life savings to deter him from hunting down the couple. He leaves the church, and the villagers—chastened by the aging man's selflessness even in the face of profound anguish—vow to work together to find Geneviève and persuade her to return to her husband. Alone in the bakery, Aimable decides "If I Have to Live Alone", that he will do so with dignity. The villagers are again at the cafe, and Antoine enters claiming that he has found the young couple at a hotel in a nearby town. They agree to form a search party, and the Marquis, the priest, and the teacher go after the outcasts to persuade the baker's wife to return home. Left behind, the women of the town comment ruefully on the "Romance" that is missing from their own lives. In a small hotel room, Geneviève and Dominique are together, but all is not well. She admits her passion for the young man, but wonders "Where Is the Warmth?" She gathers her things and leaves him asleep. At a bus stop, the villagers encounter Geneviève on her way to Marseille. They beg her to return but, guilt-stricken and ashamed, she tells them that she can never go home again. They eventually convince her to return: "all sins are forgivable". The villagers are asked to remain in their houses so as to not embarrass Geneviève when she arrives. Escorted by the priest and the Marquis, Geneviève walks through the empty street to the bakery and cautiously approaches her door. She finds Aimable and attempts to tell him the truth, but he awkwardly refuses to listen, offering her dinner and insisting that she has returned from visiting her mother. Pompom arrives at the window, and Aimable angrily chastises the cat for running after "some tom that looked good in the moonlight." He unleashes all of his pent-up bitterness toward Geneviève on the small cat, but offers it a saucer of milk. He has faithfully refilled the milk each day, and when Aimable charges that the cat will run off yet again, a tearful Geneviève assures him that "she will not leave". Reconciled, the two begin to prepare the bread for the next day.
The Body Beautiful is a musical with a book by Joseph Stein and Will Glickman, lyrics by Sheldon Harnick, and music by Jerry Bock. The first collaboration by Harnick and Bock, and the only one to have a contemporary setting, its plot focuses on a wealthy Dartmouth College graduate who aspires to…
The musical follows Nikos, an unworldly young American who travels to Greece after inheriting a mine on Crete. He befriends the carefree and charismatic Zorba, who accompanies him and becomes his guide to the local community. As the two attempt to reopen the mine, Zorba begins a romance with the aging French courtesan Madame Hortense, while Nikos is drawn to a withdrawn young widow. Their plans and relationships are overtaken by a series of tragedies. The community's hostility toward the Widow leads to suicide, murder, and a blood feud, while an accident destroys the partners' hopes for the mine. Despite their losses, Zorba urges Nikos to accept both the joy and suffering of life.
Carmelina is a musical with a book by Joseph Stein and Alan Jay Lerner, lyrics by Lerner, and music by Burton Lane.
In 1930s New York, aspiring actor David Kolowitz tries to escape his overprotective parents' plan for him to become a married pharmacist and to navigate two girlfriends, while confronting his lack of acting talent.
Tevye is a poor Jewish milkman in Czarist Russia. He and his bossy, sharp-tongued wife Golde have five daughters (eldest to youngest): Tzeitel, Hodel, Chava, Shprintze and Bielke. Tevye explains the customs of the Jews in the Russian shtetl of Anatevka in 1905, where their lives are as precarious as the perch of a fiddler on a roof ("Tradition"). At Tevye's home, everyone is busy preparing for the Sabbath meal, with Golde directing their daughters. Yente, the village matchmaker, arrives to tell Golde that widowed Lazar Wolf – the wealthy local butcher, who is older than Tevye – wants to wed Tzeitel. Hodel and Chava are excited about Yente's visit, but Tzeitel illustrates how it could have bad results ("Matchmaker, Matchmaker"). A girl from a poor family must take whatever husband Yente brings; yet Tzeitel wants to marry her childhood friend, Motel the tailor. Tevye is delivering milk, pulling the cart himself, as his horse is lame. He asks God: Whom would it hurt "If I Were a Rich Man"? The bookseller tells Tevye news from the outside world of pogroms and expulsions. Perchik, a student from the university in Kyiv, hears their conversation and scolds them for doing nothing more than talk. The men dismiss Perchik as a radical, but Tevye invites him home for the Sabbath meal and offers him food and a room in exchange for tutoring his two youngest daughters. Golde tells Tevye to meet Lazar after the Sabbath but does not tell him why, knowing that Tevye does not like Lazar. Worried that Yente will find her a husband soon, Tzeitel tells Motel to ask Tevye for her hand before the Sabbath dinner. Motel resists, as he fears Tevye's temper, and tradition says that a matchmaker must arrange marriages. Motel is also very poor and is saving up to buy a sewing machine before he approaches Tevye, to show that he can support a wife. The family gathers for the "Sabbath Prayer". After the Sabbath, Tevye meets Lazar for a drink at the village inn, assuming mistakenly that Lazar wants to buy his cow. Once the misunderstanding is cleared up, Tevye agrees to let Lazar marry Tzeitel – with a rich butcher, his daughter will never want for anything. All join in the celebration of Lazar's good fortune; even the Russian youths at the inn join in the celebration and show off their dancing skills ("To Life"). Outside the inn, Tevye happens upon the Russian Constable, who has jurisdiction over the Jews in the town. The Constable warns him that there is going to be a "little unofficial demonstration" in the coming weeks (a euphemism for a minor pogrom). The Constable has sympathy for the Jewish community but is powerless to prevent the violence. The next morning, after Perchik's lessons with the younger sisters, Tevye's second daughter Hodel mocks Perchik's Marxist interpretation of a Bible story. He, in turn, criticizes her for hanging on to the old traditions of Judaism, noting that the world is changing. To illustrate this, he dances with her, defying the prohibition against opposite sexes dancing together. The two begin to fall in love. Later, a hungover Tevye announces that he has agreed that Tzeitel will marry Lazar Wolf. Golde is overjoyed, but Tzeitel is devastated and begs Tevye not to force her. Motel arrives and tells Tevye that he is the perfect match for Tzeitel and that he and Tzeitel gave each other a pledge to marry. He promises that Tzeitel will not starve as his wife. Tevye is stunned and outraged at this breach of tradition, but impressed at the timid tailor's display of backbone. After some soul-searching ("Tevye's Monologue"), Tevye agrees to let them marry, but he worries about how to break the news to Golde. An overjoyed Motel celebrates with Tzeitel ("Miracle of Miracles"). In bed with Golde, Tevye pretends to be waking from a nightmare. Golde offers to interpret his dream, and Tevye "describes" it ("Tevye's Dream"). Golde's grandmother Tzeitel returns from the grave to bless the marriage of her namesake, but to Motel, not to Lazar Wolf. Lazar's formidable late wife, Fruma-Sarah rises from her grave to warn, in graphic terms, of severe retribution if Tzeitel marries Lazar. The superstitious Golde is terrified, and she quickly counsels that Tzeitel must marry Motel. While returning from town, Tevye's third daughter, the bookish Chava, is teased and intimidated by some gentile youths. One, Fyedka, protects her, dismissing the others. He offers Chava the loan of a book, and a secret relationship begins. The wedding day of Tzeitel and Motel arrives, and all the Jews join the ceremony ("Sunrise, Sunset") and the celebration ("The Wedding Dance"). Lazar gives a fine gift, but an argument arises with Tevye over the broken agreement. Perchik ends the tiff by breaking another tradition: he crosses the barrier between the men and women to dance with Tevye's daughter Hodel. The celebration ends abruptly when a group of Russians rides into the village to perform the "demonstration". They disrupt the party, damaging the wedding gifts and wounding Perchik, who attempts to fight back, and wreak more destruction in the village. Tevye instructs his family to clean up the mess. Months later, Perchik tells Hodel he must return to Kyiv to work for the revolution. He proposes marriage, admitting that he loves her, and says that he will send for her. She agrees ("Now I Have Everything"). They tell Tevye that they are engaged, and he is appalled that they are flouting tradition by making their own match, especially as Perchik is leaving. When he forbids the marriage, Perchik and Hodel inform him that they do not seek his permission, only his blessing. After more soul searching, Tevye relents – the world is changing, and he must change with it ("Tevye's Rebuttal"). He informs the young couple that he gives them his blessing and his permission. Tevye explains these events to an astonished Golde. "Love", he says, "it's the new style." Tevye asks Golde, despite their own arranged marriage, "Do You Love Me?" After dismissing Tevye's question as foolish, she eventually admits that, after 25 years of living and struggling together and raising five daughters, she does. Meanwhile, Yente tells Tzeitel that she saw Chava with Fyedka. News spreads quickly in Anatevka that Perchik has been arrested and exiled to Siberia ("The Rumor/I Just Heard"), and Hodel is determined to join him there. At the railway station, she explains to her father that her home is with her beloved, wherever he may be, although she will always love her family ("Far From the Home I Love"). Time passes. Motel has purchased a used sewing machine, and he and Tzeitel have had a baby. Chava finally gathers the courage to ask Tevye to allow her marriage to Fyedka. Again Tevye reaches deep into his soul, but marriage outside the Jewish faith is a line he will not cross. He forbids Chava to speak to Fyedka again. When Golde brings news that Chava has eloped with Fyedka, Tevye wonders where he went wrong ("Chavaleh Sequence"). Chava returns and tries to reason with him, but he refuses to speak to her and tells the rest of the family to consider her dead. Meanwhile, rumors are spreading of the Russians expelling Jews from their villages. While the villagers are gathered, the Constable arrives to tell everyone that they have three days to pack up and leave the town. In shock, they reminisce about "Anatevka" and how hard it will be to leave what has been their home for so long. As the Jews leave Anatevka, Chava and Fyedka stop to tell her family that they are also leaving for Kraków, unwilling to remain among the people who could do such things to others. Tevye still will not talk to her, but when Tzeitel says goodbye to Chava, Tevye prompts her to add "God be with you." Motel and Tzeitel go to Poland as well but will join the rest of the family when they have saved up enough money. As Tevye, Golde and their two youngest daughters leave the village for America, the fiddler begins to play. Tevye beckons with a nod, and the fiddler follows them out of the village.
Irene is a musical with a book by James Montgomery, lyrics by Joseph McCarthy, and music by Harry Tierney. Based on Montgomery's play Irene O'Dare, it is set in New York City's Upper West Side and focuses on immigrant shop assistant Irene O'Dare, who is introduced to Long Island's high society when she is hired to tune a piano for a society gentleman. The musical opened on Broadway in 1919 and ran for 675 performances, at the time the record for the longest-running musical in Broadway history, which it maintained for nearly two decades. It starred Edith Day in the title role, who repeated the role in the London production. It was revived on Broadway in 1923, filmed twice, and had a major Broadway revival in 1973, starring Debbie Reynolds, that ran for 594 performances, followed by a 1976 London run that lasted 974 performances.
Juno is a musical with music and lyrics by Marc Blitzstein and book by Joseph Stein, based closely on the 1924 play Juno and the Paycock by Seán O'Casey. The story centers on the disintegration of an Irish family in Dublin in the early 1920s, during the Irish War of Independence. Juno is a hardworking matriarch who strives to hold her family together in the face of war, betrayal, and her worthless husband's drinking. The original production opened on Broadway in 1959 and closed after only 16 performances. Its somber tone did not please the critics, who were disappointed that its stars, particularly Shirley Booth, did not have an opportunity to play comedy. The score and original cast album have found some praise. Several revivals have been staged, but none has met with great success.
King of Hearts is a 1978 musical with a book by Joseph Stein, lyrics by Jacob Brackman, and music by Peter Link, orchestrated by Bill Brohn. It is based on the 1966 anti-war cult film of the same name.
Mr. Wonderful is a musical with a book by Joseph Stein and Will Glickman, and music and lyrics by Jerry Bock, Larry Holofcener, and George David Weiss. Written specifically to showcase the talents of Sammy Davis Jr., the thin plot, focusing on entertainer Charlie Welch's show business struggles, primarily served as a springboard for an extended version of Davis's Las Vegas nightclub act. The Broadway production, staged by Jack Donohue, opened on March 22, 1956, at The Broadway Theatre, following a tryout in Philadelphia on February 20, 1956. In addition to Davis, the cast included his father Sammy Sr. and uncle Will (who together with Davis had performed as the Will Mastin Trio), Olga James, Jack Carter, Chita Rivera, Malcolm Lee Beggs, Marilyn Cooper and Patricia Marshall. The Broadway production was panned by critics but surprised everyone, including the producers, to go on to be a commercial success, recouping its $225,000 investment. Davis had initially signed a contract for one year but, with the poor critical reception, made other commitments for the following year and, as he was considered irreplaceable, the play closed on February 23, 1957, after 383 performances.
A comedy centered on Mrs. Gibbons, the mother of three delinquent boys.
Plain and Fancy is a musical comedy with a book by Joseph Stein and Will Glickman, lyrics by Arnold B. Horwitt, and music by Albert Hague. One of the first depictions of an Amish community in American popular culture, it includes a traditional barn raising and an old-fashioned country wedding. The musical ran on Broadway in 1955–56, and has been produced yearly at the Round Barn Theatre in Nappanee, Indiana since 1986.
So Long, 174th Street is a musical with a book by Joseph Stein and lyrics and music by Stan Daniels. Based on Stein's play Enter Laughing, which had been adapted from the Carl Reiner book of the same name and served as the basis for a 1967 film, it focuses on the journey of David Kolowitz from factory helper to actor and from insecure adolescence to self-assured adulthood in three whirlwind days in New York City in the late 1930s.
Take Me Along is a 1959 musical based on the 1933 Eugene O'Neill play Ah, Wilderness!, with music and lyrics by Bob Merrill and book by Joseph Stein and Robert Russell.
The act opens in the early autumn of the mid-1930s in the small French village of Concorde. At a local cafe, the proprietor's wife, Denise, tends to her chores while singing "Chanson" in both French and English. Through the song, she reflects on her repetitive daily routine and expresses a desire for unexpected change. Focus is shifted to the customers at the tables. Bits of conversation are heard: complaints from a gardener whose neighbor's tree is shading his spinach; an argument between the local priest and the school teacher who has been teaching that Joan of Arc "thought" she heard voices; the owner of a well quarrelling with the neighbor whose dog had breached that well seven years previously. The bickering villagers insist to one another that their lives would be much better "If It Wasn't for You". All are anticipating the arrival of the baker: the village has been without bread since the previous baker died, and tensions are running higher than normal. The Marquis enters with his three "nieces" and welcomes the new baker, Aimable Castagnet. Accurately named, he is a jolly, middle-aged fellow. With him is his young and beautiful wife Geneviève, whom the Marquis mistakes for the baker's daughter. The error is quickly addressed, but does not go unremarked by the townspeople. With Pompom, their cat, the couple is shown to their new home — with comments from the townsfolk, about the baker robbing the cradle, following in their wake. In their new bakery, Aimable is clearly pleased with his new shop. To Geneviève, he sings "Merci, Madame", as enchanted with her as he is with his new surroundings. He is excited about the prospects of a prosperous life with a family. The villagers, too, are pleased with the return of "Bread" to the small town. The customers argue about their place in line in the small shop, eager to sample the wares of the new baker. Others gossip about the Marquis and his nieces; and Antoine, one of the villagers, asks Aimable how an old man like him was able to snare the beautiful Geneviève. "God was good to me," he replies, and Geneviève reminds the villagers that not only did her husband choose her, she chose him, too — and, she insists, she couldn't be happier. She smiles at the customers but, embarrassed by their prying, rushes inside in tears. She sings of the "Gifts of Love" she's received from men in her past: her passionate affair with a married man named Paul, and her gentler feelings for Aimable. Closing the door on her past, she resolves to be a good wife to the baker. While picking up the Marquis' pastry order, his driver, Dominique, eyes Geneviève, mistaking her for the baker's daughter, just as the Marquis himself did earlier. Geneviève corrects the handsome chauffeur, but he cockily insists on addressing her as Mademoiselle. Geneviève insists, "Madame!", but he continues flirting with her, flustering her. Aimable returns after trying to find Pompom and reports that the cat has run off. Some time later in the village square, Dominique again advances upon Geneviève. She rebuffs him, reminding him that she is happily married, but he resolves that he will be with his "Proud Lady". The villagers gather again outside the café, engaged in their usual squabbles. The baker and his wife arrive and sit at a table near Antoine who continues to tease them about the difference in their ages. He implies that while the baker may be able to create the perfect croissant, his ability to create a child might have passed. Dominique comes to the couple's defense, hitting Antoine, but Genevieve is humiliated by the entire scene and exits in a huff. The men of the village slyly advise one another to "Look For the Woman" whenever conflict arises among them: "It's when the hen walks into the barnyard that the roosters start pecking at each other." That evening, we see three couples — including the baker and his wife — getting ready for bed. Dominique and his guitar-toting friend Philippe plot their evening in the town square, and as the three couples end their reprise of "Chanson", Dominique and Philippe start their "Serenade". The baker believes their song is a tribute offered in thanks for his baking, but Geneviève understands correctly that Dominique is singing to her. Aimable, ever the good man, sends Geneviève to give Dominique some unsold baguettes. She castigates her insistent suitor, but Dominique is undeterred. Despite her protests, Geneviève is unable to resist him, and they decide to meet an hour later and run off together. Aimable calls down to Geneviève, and she replies that she'll return to bed in a minute. As he drops off to sleep, she contemplates her situation, singing the legend of the "Meadowlark". In the story, the bird decides to stay with the old king who adored her — and perishes of sadness, having missed her opportunity to fly away with the sun-god who had wooed her. Resisting the meadowlark's sad fate, Geneviève embarks for an unknown future with her "beautiful young man". The neighbors are awakened to a fire in the bakery's oven, where the baker finds charred loaves. Usually Geneviève is the early riser of the household, and he begins to search for her, believing that she has gone in search for Pompom. A crowd begins to gather and the gossip begins at once, "Buzz A-Buzz": they know Aimable's search will yield neither cat nor wife. The Marquis arrives and takes the baker aside, telling him that Geneviève had run off with his chauffeur in the Marquis' Peugeot. Philippe arrives and confirms the story, but Aimable chooses to believe that Geneviève has merely gone to visit her mother. As the gossip continues, the Marquis threatens to report his stolen car to the police, and to have the two lovers arrested. The gossiping townsfolk gleefully agree that the whole outrageous scandal is the "best thing to happen in this town in all my life!" The second act opens as the first, with Denise reprising her "Chanson". The villagers reprise "If It Wasn't for You", while keeping an eye on the baker: they are relieved to see him begin a new batch of dough. The teacher and the priest argue again, the priest accusing the villagers of contaminating Genevieve with their immoral conduct, the teacher championing free will. The Marquis dismisses both explanations, insisting that Genevieve's behavior was simple human nature—that we are all captive to the joys of the flesh. Aimable crosses to the café to inform the customers that the bread will be ready momentarily. The typically sober baker orders a cognac, and another, and sings tipsily that Genevieve will be home on an "Any-Day-Now Day": she has just gone to visit her mother. In an attempt to sober him up, the villagers follow him into the bakery, only to find it in a shambles. Aimable collapses amongst the spilled flour, dough hanging from the ceiling, and burnt loaves of bread. The villagers realize that the town is in danger of being once again without a baker, and they blame the despondent baker's runaway wife for the sorry state of affairs. In the closed bakery, they try to cheer up Aimable and get him baking again by telling him that he's the "Luckiest Man in the World": he's been spared the boredom and arguments of married life. The Marquis enters, telling Aimable that all he needs to cheer up is some "Feminine Companionship," even offering to loan his "nieces". The villagers ask the Marquis if the girls are really his nieces, to which he responds, "What is a niece but the daughter of a brother, and as I consider all men my brothers...." The girls surround the baker, flirting and caressing him. The priest enters and, shocked at the scene, begins feuding with the Marquis. The villagers join in the fray, and the baker throws them all out. At a town meeting in the church, Aimable admits that he knows that Geneviève has run off. He offers the Marquis his life savings to deter him from hunting down the couple. He leaves the church, and the villagers—chastened by the aging man's selflessness even in the face of profound anguish—vow to work together to find Geneviève and persuade her to return to her husband. Alone in the bakery, Aimable decides "If I Have to Live Alone", that he will do so with dignity. The villagers are again at the cafe, and Antoine enters claiming that he has found the young couple at a hotel in a nearby town. They agree to form a search party, and the Marquis, the priest, and the teacher go after the outcasts to persuade the baker's wife to return home. Left behind, the women of the town comment ruefully on the "Romance" that is missing from their own lives. In a small hotel room, Geneviève and Dominique are together, but all is not well. She admits her passion for the young man, but wonders "Where Is the Warmth?" She gathers her things and leaves him asleep. At a bus stop, the villagers encounter Geneviève on her way to Marseille. They beg her to return but, guilt-stricken and ashamed, she tells them that she can never go home again. They eventually convince her to return: "all sins are forgivable". The villagers are asked to remain in their houses so as to not embarrass Geneviève when she arrives. Escorted by the priest and the Marquis, Geneviève walks through the empty street to the bakery and cautiously approaches her door. She finds Aimable and attempts to tell him the truth, but he awkwardly refuses to listen, offering her dinner and insisting that she has returned from visiting her mother. Pompom arrives at the window, and Aimable angrily chastises the cat for running after "some tom that looked good in the moonlight." He unleashes all of his pent-up bitterness toward Geneviève on the small cat, but offers it a saucer of milk. He has faithfully refilled the milk each day, and when Aimable charges that the cat will run off yet again, a tearful Geneviève assures him that "she will not leave". Reconciled, the two begin to prepare the bread for the next day.
The Body Beautiful is a musical with a book by Joseph Stein and Will Glickman, lyrics by Sheldon Harnick, and music by Jerry Bock. The first collaboration by Harnick and Bock, and the only one to have a contemporary setting, its plot focuses on a wealthy Dartmouth College graduate who aspires to…
The musical follows Nikos, an unworldly young American who travels to Greece after inheriting a mine on Crete. He befriends the carefree and charismatic Zorba, who accompanies him and becomes his guide to the local community. As the two attempt to reopen the mine, Zorba begins a romance with the aging French courtesan Madame Hortense, while Nikos is drawn to a withdrawn young widow. Their plans and relationships are overtaken by a series of tragedies. The community's hostility toward the Widow leads to suicide, murder, and a blood feud, while an accident destroys the partners' hopes for the mine. Despite their losses, Zorba urges Nikos to accept both the joy and suffering of life.