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Writer Richard Rowan returns to Ireland from Rome with Bertha, his partner and the mother of their son. Their old friends Robert Hand and Beatrice Justice complicate the couples’ relationships; the play sustains uncertainty about what happened between Hand and Bertha while Rowan and Bertha confront jealousy, freedom, and trust.
The opera juxtaposes the story of Simeon Stylites, who lives for decades on a column and is venerated as a saint, with scenes involving Stephen Dedalus from James Joyce’s Ulysses. The action moves between the Syrian Desert and Dublin at night.
A contemporary dance work for eight dancers, built from small choreographic units and ensemble movement. Gallotta described it as balancing abstract and theatrical tendencies, drawing on the figures of Homer’s Odyssey and James Joyce’s Ulysses.
Leopold Bloom and Stephen Dedalus visit a brothel in Dublin's Nighttown in a stage adaptation of the Circe episode of Joyce's Ulysses.
Writer Richard Rowan returns to Ireland from Rome with Bertha, his partner and the mother of their son. Their old friends Robert Hand and Beatrice Justice complicate the couples’ relationships; the play sustains uncertainty about what happened between Hand and Bertha while Rowan and Bertha confront jealousy, freedom, and trust.
The opera juxtaposes the story of Simeon Stylites, who lives for decades on a column and is venerated as a saint, with scenes involving Stephen Dedalus from James Joyce’s Ulysses. The action moves between the Syrian Desert and Dublin at night.
A contemporary dance work for eight dancers, built from small choreographic units and ensemble movement. Gallotta described it as balancing abstract and theatrical tendencies, drawing on the figures of Homer’s Odyssey and James Joyce’s Ulysses.
Leopold Bloom and Stephen Dedalus visit a brothel in Dublin's Nighttown in a stage adaptation of the Circe episode of Joyce's Ulysses.