Irving Berlin · aftercurtain

Shows & credits

Annie Get Your Gun

Music and Lyrics · Musical · 1946

When the traveling Buffalo Bill's Wild West show visits Cincinnati, Ohio ("Colonel Buffalo Bill"), Frank Butler, the show's handsome, womanizing star ("I'm a Bad, Bad, Man"), challenges anyone in town to a shooting match. Foster Wilson, a local hotel owner, doesn't appreciate the Wild West show taking over his hotel, so Frank gives him a side bet of one hundred dollars on the match. Annie Oakley enters and shoots a bird off Dolly Tate's hat, and then explains her simple backwoods ways to Wilson with the help of her siblings ("Doin' What Comes Natur'lly"). When Wilson learns she's a brilliant shot, he enters her in the shooting match against Frank Butler. While waiting for the match to start, Annie meets Frank Butler and is instantly smitten with him, not knowing he will be her opponent. When she asks Frank if he likes her, Frank explains that the girl he wants will "wear satin... and smell of cologne" ("The Girl That I Marry"). The rough and naive Annie comically laments that "You Can't Get a Man with a Gun". At the shooting match, Annie finds out that Frank is the "big swollen-headed stiff" from the Wild West show. She wins the contest, and Buffalo Bill and Charlie Davenport, the show's manager, invite Annie to join the Wild West Show. Annie agrees because she loves Frank even though she has no idea what "show business" is. Frank, Charlie, and Buffalo Bill explain that "There's No Business Like Show Business". Over the course of working together, Frank becomes enamored of the plain-spoken, honest, tomboyish Annie and, as they travel to Minneapolis, Minnesota, on a train, he explains to her what "love" is ("They Say It's Wonderful"). Buffalo Bill and Charlie discover that their rival, Pawnee Bill's Far East Show, will be playing in Saint Paul, Minnesota, while the Wild West show plays in nearby Minneapolis. They ask Annie to do a special shooting stunt on a motorcycle to draw Pawnee Bill's business away. Annie agrees because the trick will surprise Frank. She sings her siblings to sleep with the "Moonshine Lullaby". As Annie and Frank prepare for the show, Frank plans to propose to Annie after the show and then ruefully admits that "My Defenses Are Down". When Annie performs her trick and becomes a star, Chief Sitting Bull adopts her into the Sioux tribe ("I'm An Indian Too"). Hurt and angry, Frank walks out on Annie and the show, joining the competing Pawnee Bill's show. Returning to New York from a tour of Europe with the Buffalo Bill show, Annie learns that the show has gone broke. Sitting Bull, Charlie, and Buffalo Bill plot to merge Buffalo Bill's show with Pawnee Bill's as they believe that show is doing well financially. Annie, now well-dressed and more refined and worldly, still longs for Frank ("I Got Lost in His Arms"). At a grand reception for Buffalo Bill's troupe at the Hotel Brevoort, Pawnee Bill, Dolly, and Frank also plot a merger of the two companies, assuming Buffalo Bill's show made a fortune touring Europe. When they all meet, they soon discover both shows are broke. Annie, however, has received sharpshooting medals from all the rulers of Europe worth one hundred thousand dollars, and she decides to sell the medals to finance the merger, rejoicing in the simple things ("I Got the Sun in the Mornin'"). When Frank appears, he and Annie confess their love and decide to marry, although with comically different ideas: Frank wants "some little chapel", while Annie wants "A wedding in a big church with bridesmaids and flower girls/ A lot of ushers in tail coats/ Reporters and photographers" ("An Old-Fashioned Wedding"o). When Annie shows Frank her medals, Frank again has his pride hurt. They call off the merger and the wedding, but challenge each other to one last shooting match to decide who is the best shot. On the ferry to the Governors Island match site, Dolly attempts to ruin Annie's chances by tampering with her guns. She is caught and stopped by Sitting Bull and Charlie. However, they then decide to follow through with Dolly's plan so that Annie will lose the match, knowing that would soothe Frank's ego allowing the two to reconcile and the merger to take place. As the match is ready to begin, Annie and Frank's egos come out again with each claiming they are better than the other ("Anything You Can Do"). Sitting Bull convinces Annie to deliberately lose the match to Frank, reminding her that she "can't get a man with a gun." That done, Frank and Annie finally reconcile, deciding to marry and merge the shows. Notes: This description is based on the 1966 revised book. In the 1999 book, Frank also deliberately misses his shots in the final match, which ends in a tie. o written for 1966 revision and included in 1999 Broadway Revival; not in the original production § omitted from the 1999 Broadway Revival

Call Me Madam

Music and Lyrics · Musical · 1950

Sally Adams, a wealthy widow from Oklahoma, lives in Washington, D.C., where she is known as "the hostess with the mostest," famed for throwing the best parties in town. Despite her complete lack of experience, she is tapped as ambassador to the tiniest country in Europe, the Grand Duchy of Lichtenburg. The young press attaché Kenneth Gibson accompanies her as her aide. Sally is disappointed to find that Lichtenburg's foreign minister, Cosmo Constantine, is a formal and standoffish person who refuses to accept America's offer of foreign aid. She hatches a plot to get Cosmo promoted to the office of prime minister, thinking that he can be replaced by a foreign minister more open to her American manners and way of thinking. Meanwhile, Kenneth meets Princess Maria, daughter of the duke and duchess. Her parents are planning to marry her to a wealthy suitor whose fortune will help the duchy financially. Despite the fact that she is forbidden to speak to commoners, the princess and Kenneth fall in love. Cosmo learns of Sally's plans for him and resigns his position, opening the way for the country's first general election in twenty years. Sally openly campaigns for Cosmo to become prime minister, and is recalled to Washington for interfering in another country's internal affairs. However, the spirit of democracy has awakened in Lichtenburg: Cosmo is elected prime minister and the duke and duchess grant permission for Maria and Kenneth to marry.

Double Feature (A Ballet in Two Acts)

Composer · Ballet · 2004

Susan Stroman's two-act ballet uses music by Irving Berlin and Walter Donaldson. The first act, The Blue Necklace, uses Berlin songs; the second, Makin' Whoopee, uses Donaldson songs and has a libretto based on Seven Chances.

Face the Music

Music and Lyrics · Musical · 1932

Producer Hal Reisman desperately seeks backers for his Broadway show. Because of the Great Depression, once-rich investors are "Lunching at the Automat". Kit Baker, a former musical-comedy star and her boyfriend Pat Mason are now out of work and poor ("Let's Have Another Cup of Coffee"). In his search, Reisman meets crooked policemen who need to get rid of their illegal money before they are found out. The corrupt police chief Martin van Buren Meshbesher and his eccentric wife Myrtle become investors in the show, expecting it to be a failure. In the show-within-the-show, Rodney St. Clair sings "My Beautiful Rhinestone Girl". However, when risqué material is added the show is raided and the government tries to close it. The flop becomes a hit because of the publicity.

Holiday Inn

Music and Lyrics · Musical · 2014

In August 1946, song-and-dance trio Jim Hardy, Ted Hanover, and Lila Dixon perform at a club in New York City ("Steppin' Out With My Baby/I'll Capture Her Heart"). Afterwards, Jim proposes to Lila. She accepts, and he tells her that he bought Mason Farm in Midville, Connecticut, intending for them to leave show business to raise a family ("The Little Things in Life"). Lila is reluctant to give up performing. When Ted and his manager Danny announce that the trio has booked a six-week tour, Jim rejects the offer, but Lila agrees to tour with Ted as a duo, promising to join Jim in Connecticut after the tour. Eager to settle down, Jim moves to Midville ("Blue Skies"). Jim finds the old farmhouse falling apart, and local boy Charlie Winslow, on behalf of the local bank, presents Jim with a bill for back taxes. Jim is visited by the spirited Linda Mason, an aspiring performer-turned-schoolteacher who had lived on the farm. Linda and Jim are attracted to each other and awkwardly express their shared loneliness and longing to move forward with their lives ("Marching Along With Time"). Linda introduces Jim to Louise Badger, an overly enthusiastic farmhand who has worked at Mason Farm since Linda was a child. Jim and Louise tend to the farm with little success. Jim misses Lila; meanwhile, Ted and Lila have a successful tour ("Heat Wave"). Lila finally visits Jim ("It's A Lovely Day Today"), but she breaks off their engagement; she will continue performing with Ted. By Thanksgiving, Ted and Lila are in Las Vegas ("Plenty to Be Thankful For"); although Louise tries to push Linda and Jim closer together, the two fail to connect, and Linda laments her loneliness ("Nothing More to Say"). On Christmas Eve, Jim and Louise decorate the farmhouse; he notes the irony of decorating a house for only themselves, but Louise has invited Jim's old performing friends to visit, so they all throw a party ("Shakin' the Blues Away"). Linda arrives and is impressed by the festivities. Jim realizes how much he misses performing. He and Louise decide to turn the farm into an inn – only open on holidays – as a way to satisfy his desire to perform while still living a quiet life most of the year, and to bring in money. Jim will write songs for each holiday, to be performed by him, Linda, and his friends. He plays Linda a Christmas song he wrote as an example of the type of song he might perform at the Inn ("White Christmas"), and he decides to stage the first performance on New Year's Eve. A week later, "Holiday Inn" is having its inaugural performance, and it proves popular ("Happy Holiday"). To ring in both the new year and Jim's new business, Linda performs publicly for the first time in many years ("Let's Start the New Year Right"). Ted drunkenly wanders into the inn, interrupts the song and begins dancing with her. Jim jealously punches Ted in the face, and Linda storms out. Ted wakes up in Louise's bed, hung over; Lila has left their act to marry a millionaire in Texas; he cannot remember who he danced with before passing out, but he decides she must be his new dance partner. Jim, worried that Ted will steal Linda from him, pretends not to have seen Ted's new partner. Ted sets out to dance with every woman he sees, trying to track down the right one ("You're Easy to Dance With"). Linda is humiliated by Jim and Ted's behavior; Jim apologizes and offers to start over ("Let's Take an Old-Fashioned Walk"). She agrees to give him another chance, and in time they begin a relationship. By the Valentine's Day show, Jim loves Linda, and he writes a song about her for the Inn ("Be Careful, It's My Heart"). While he sings it to her, Ted walks in and realizes Linda is the girl he seeks. Jim objects that he does not want Ted to steal Linda from him, but Ted and Linda reassure him and perform together for the first time, headlining the performance. Jim jealously tries to prevent Ted and Linda from getting too close to each other, by cuing the band to change style and tempo several times ("Cheek to Cheek"). Jim apologizes for sabotaging the number, but he does so again in the Easter show by entering at the end of the song and singing with Linda and Ted ("Easter Parade"). Ted asks Danny to put an end to Jim's meddling. Danny reveals to Ted that two Hollywood producers are interested in putting Ted and Lila in a movie, and they will attend the next Holiday Inn performance. Louise hears this and calls Lila, asking her to come to the Inn. As Linda prepares for the Independence Day performance ("Song of Freedom"), Louise locks her in the barn to prevent the producers from seeing her. With Linda missing, Ted improvises a solo tap number with fireworks ("Let's Say It With Firecrackers"). Lila arrives but mistakenly enters the barn where Linda is trapped, and reveals that the man she left Ted for owed millions rather than owning them; not knowing that Linda is Ted's new dance partner, she mentions the producers. Linda assumes Jim has sabotaged her again and leaves Lila locked in the barn, returning to the stage to join Ted for the end of his number. After the performance, Linda confronts Jim, but he has no knowledge of the producers nor of Lila's presence, and Louise admits she orchestrated the sabotage. As Linda forgives Jim, Danny reveals that the producers want to make a movie about Holiday Inn, starring Ted and Linda with Jim as a songwriter and consultant, but Jim wants to stay at the Inn. Linda is hurt by Jim's stoicism and leaves with Ted to make the movie ("Nothing More to Say" (reprise)). Jim and Louise spend another Thanksgiving alone; with no headliners, they cancel the Holiday Inn shows. Louise motivates the despondent Jim and sends him to win back Linda in Hollywood. On the set of the movie, Linda is having a tough time with the fictionalization of the story, interrupting shots and proving difficult for the director and producers to work with. As she sings "White Christmas," Jim enters the studio and sings with her, halting the production. Jim proposes to Linda and she accepts, quitting the film to be with him. Danny objects, but Ted lets her go. It is early in production, and Linda is replaced by Lila. An excerpt of the finished film is shown. (As an alternative scene, instead of the film excerpt, Lila talks with a reporter at the red-carpet movie premiere.) Later in Midville, Ted and Lila reunite at the wedding of Linda and Jim, who vow to continue performing at the Inn ("Finale").

Louisiana Purchase

Music and Lyrics · Musical · 1940

Louisiana Purchase is a musical with music and lyrics by Irving Berlin and book by Morrie Ryskind based on a story by B. G. DeSylva. Set in New Orleans, the musical lightly satirises Louisiana Governor Huey Long and his control over Louisiana politics. An honest U.S.

Miss Liberty

Music and Lyrics · Musical · 1949

Miss Liberty is a 1949 Broadway musical with a book by Robert E. Sherwood and music and lyrics by Irving Berlin. It is based on the sculpting of New York City's Statue of Liberty (Liberty Enlightening the World) in 1886. The score includes the song "Give Me Your Tired, Your Poor", a musical setting of Emma Lazarus's sonnet "The New Colossus" (1883), which was placed at the base of the monument in 1903.

Mr. President

Music and Lyrics · Musical · 1962

President Stephen Decatur Henderson is a true patriot and loves his family. His daughter Leslie has recently had a series of romantic liaisons, some liberal and some conservative. Her newest romance is with Youssein Davair, the son of a Middle Eastern ruler; the sincerity of his affection is questionable. Pat Gregory, a Secret Service agent, has watched Leslie grow up and has fallen in love with her but doesn't believe that she could be interested in a simple guy like him. With the Cold War as a backdrop, Henderson, together with Nell, his First Lady, and their children go on a "good-will tour" of Europe, including the Soviet Union. Henderson gets in trouble for jokingly comparing the Soviet leader to a "wild cat". But the President lands in Moscow anyhow and gives a conciliatory and humanizing speech, assisted by his Russian-speaking son Larry, that earns the respect of the Soviets. Nevertheless, back at home, the gaffe plagues him and hurts his party's popularity. Larry is a bit of a hot-head and punches the party chairman on TV to defend his father. The presidential term of office ends, and the Hendersons leave the White House. In Act II, Henderson finds his post-politics life in Ohio mundane. The family is invited to a party at the White House, and there Leslie finds that Youssein is now interested in Betty Chandler, the daughter of the new president, and so they break up. Leslie leaves the party with Pat. Meanwhile, one of Ohio's senators dies, and the governor asks Henderson to finish his term of office. Henderson yearns to return to public life, but he questions the governor's motives and declines the job. Soon afterwards, however, another opportunity comes: the new president asks Henderson to attend an international summit meeting on behalf of the US, because of the respect that he commands in the Soviet Union.

Still Dancing

Music · Musical · 1925

A 1925 musical revue produced by Charles B. Cochran, combining songs, comic scenes, and ballet numbers including Leonide Massine's choreography for The Rake.

The Century Girl

Lyrics · Musical · 1916

The Century Girl is a musical comedy revue with music by Victor Herbert and Irving Berlin, and lyrics by Henry Blossom and Berlin. It opened November 6, 1916, at the Century Theatre on Broadway and ran until April 28, 1917, totaling 200 performances.

The Cocoanuts

Music and Lyrics · Musical · 1925

Scene 1 – Lobby of The Cocoanuts, a hotel in Cocoanut Beach, Florida. The hotel guests love Florida, but not the hotel. Eddie, a bellhop, asks Jamison, a hotel desk clerk, when the staff will get paid. Jamison gives an evasive response and suggests that he ask Mr. Schlemmer, the hotel owner. Harvey Yates enters, followed shortly by Mrs. Potter. Mrs. Potter wants her daughter, Polly, to marry Harvey, since she has known his family for a long time. She exits as Penelope Martin enters. Penelope and Harvey know each other from their backgrounds in thievery. Penelope suggests to Harvey that he can strike it rich by marrying Polly, since Mrs. Potter has millions of dollars. Polly soon enters and makes it clear that she is romantically interested in Bob Adams, an architecture student who is currently the chief clerk of the hotel. But Mrs. Potter won't allow Polly to be seen with Bob. She comments, "One who clerks, Polly, is a clerk. And that settles it." After Mrs. Potter exits, Polly laments the restrictions placed on her ("Family Reputation"). The owner of the hotel, Henry W. Schlemmer, enters, and the bellboys go after him asking for their wages. Through fast double-talk he is able to distract them and send them on their way. He has his eyes on Mrs. Potter, trying unsuccessfully to convince her to buy the hotel. Meanwhile, Bob and Polly discuss their predicament. He has a plan to build housing on a particular lot in Cocoanut Manor. The bellhops try to convince Bob that he's fortunate ("Lucky Boy"). Schlemmer and Jamison are at the desk discussing business when Willie the Wop and Silent Sam enter and start to wreak havoc. After they leave, Harvey and Penelope discuss how she will steal Mrs. Potter's valuable necklace later that evening. Schlemmer explains to the girls why he is a "Hit With The Ladies". Detective Hennessy enters along with Willie and Sam and explains that he's looking for two wanted men whose descriptions they fit. Although he won't do anything yet, he warns them. After they leave, Bob asks Polly whether she could live on that lot in Cocoanut Manor ("A Little Bungalow"). Scene 2 – Before the Palms. Schlemmer tries to make amorous advances toward Mrs. Potter. "I don't think you'd love me if I were poor" she says, to which Schlemmer responds "I might, but I'd keep my mouth shut." To prove his interest, he tells her about "A Little Bungalow" (reprise). Scene 3 – Two adjacent rooms in the hotel. Penelope is getting ready to steal Mrs. Potter's necklace and waits for Harvey. Meanwhile, Sam sneaks in and hides under Penelope's bed. Harvey discusses with Penelope where they will put the necklace. He suggests a hollow tree stump on Cocoanut Manor and draws a map. After he leaves, Penelope studies the map and throws in the garbage, but Sam immediately retrieves it, unseen. As Penelope tries to enter Mrs. Potter's room, she and Mrs. Potter have to contend with a series of encounters with Schlemmer, Willie and Hennessey. Penelope finally succeeds in stealing the necklace and re-enters her own room, proclaiming "Alone at last," not realizing that Sam is still under the bed. Scene 4 – Before the Palms. The guests extol "Florida By The Sea". Meanwhile, Schlemmer explains to Willie how to bid in the upcoming property auction. After much misunderstanding, Willie agrees. Scene 5 – Cocoanut Manor. Frances Williams and the guest await the auction ("Monkey Doodle-Doo"). Schlemmer begins the auction. He starts the bidding, but Willie bids against himself. Lot after lot is "sold" to Willie, who seems to keep bidding higher and higher against his own bids. Finally Schlemmer reaches Lot 26, which is both the lot where Bob wants to build his house and the lot containing the hollow tree stump where Penelope and Harvey are hiding Mrs. Potter's stolen necklace. Bidding between Bob and Harvey becomes fierce. Willie knocks out Harvey, and Bob wins the auction for Lot 26. Just then, Mrs. Potter proclaims that her necklace has been stolen. Hennessey steps forward and tries to investigate. Sam produces the necklace from the hollow tree stump. Harvey suggests that Bob must know something about the necklace, since he won the lot in an auction. Penelope steps forward and fabricates a story in which she teases Bob for stealing the necklace. That's enough for Hennessey, who arrests Bob and takes him away. Mrs. Potter then announces the engagement of Harvey to Polly, to be celebrated with a dinner at the hotel that night. All exit except Polly who is left crying. Sam consoles Polly but winks at the audience. Scene 1 – The Lounge of the hotel. Penelope and the guests have "Five O'Clock Tea". Polly asks Schlemmer for 2,000 dollars to get Bob out of jail. Schlemmer humorously discusses this with Willie and Sam, and eventually Mrs. Potter, without telling her what the money is for. Everyone dances ("They're Blaming the Charleston"). Harvey and Penelope worry about the map he drew, which would implicate them in the robbery. Willie enters, and they realize he has the map. They leave, and Schlemmer enters with Bob, whom he got out of jail for nineteen hundred dollars – "They had a sale," he explains. Willie shows Bob the map, and Bob realizes that the map is evidence. That makes him feel better, and together with Polly, they comment, "We Should Care". Mrs. Potter enters with Schlemmer to discuss the engagement dinner. Hennessey is conducting an investigation, hampered by Willie, Sam and Schlemmer. He asks to hear from Penelope ("Minstrel Days"). Hennessey continues the investigation, but Willie and Sam take his shirt. Hennessey wonders what happened to his shirt. Scene 2 – Before the Palms. Schlemmer introduces a musical specialty number played by the De Marcos, who he describes as not being Spaniards, but Span-Yids (i.e. Jewish musicians). Scene 3 – The Patio of the hotel. Penelope dances a tango ("Spain"). After agreement with Bob, Polly suggests to Harvey that they elope at midnight at Cocoanut Manor, and Harvey agrees. But since Polly doesn't know where it is, she gets Harvey to draw a map of how to get there. She thanks him, takes the map, and leaves. As more guests enter for dinner, Hennessey laments his lost shirt ("The Tale of a Shirt"; the melody combines the Habanera and Toreador song from Carmen). As master of ceremonies, Schlemmer makes a speech concerning the engagement of Harvey to Polly. He then introduces Mrs. Potter, who makes a few short remarks interrupted by constant interjections by Schlemmer, Willie and Sam. Harvey makes a short speech. Then Willie plays a piano number, followed by Sam playing the harp. Polly dashes in and proclaims that she has new evidence, showing the map that Harvey drew for her alongside the one he drew for Penelope. Hennessey sees for himself that the handwriting is identical. Bob enters and says that a millionaire from Miami wants to buy Cocoanut Manor, which will enable him to realize his architectural dreams. Polly shows the maps to her mother, who announces a "slight change" – that Polly will be engaged to Bob Adams. Everyone rejoices ("A Little Bungalow" reprise). Note: In the original script, Schlemmer, Willie, and Sam are identified as Julius, Chico and Harpo.

Watch Your Step

Music and Lyrics · Musical · 1914

Watch Your Step is a musical with music and lyrics by Irving Berlin and a book by Harry B. Smith. Set over the course of one day in New York City, the musical takes place after the death of a wealthy man who leaves his fortune to whichever relative has never been in love and never been kissed.

White Christmas

Music and Lyrics · Musical · 2000

White Christmas is a musical based on the Paramount Pictures 1954 film of the same name. The book is by David Ives and Paul Blake, with music and lyrics by Irving Berlin. The original St. Louis production starred Lara Teeter, Karen Mason, Lauren Kennedy, and Lee Roy Reams, and the 2004 San Francisco production starred Brian D'Arcy James, Anastasia Barzee, Meredith Patterson, and Jeffry Denman.

All shows

Loading credits…