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In 1975, Korean-American Ana Woods travels to Seoul to scatter her estranged father's ashes. A bellboy who appears as Jesus gives her a journal that draws her into the story of her parents: her father Luke, an American soldier in Burma in 1944, and Number Four, a Korean comfort woman. Their histories cross again at a Seoul bridge in 1950, as the play reveals the violence behind the family mystery.
In a Ugandan church on New Year's Eve 1999, American missionary's daughter Chris and Ugandan teenager Adiel attempt to marry before child soldier Pika interrupts and kills Adiel. In 2014, Chris returns to bury her father's ashes and learns that Pika has become pastor Paul; a conflict over the church's rejection of a gay young man brings the past into the present.
"Wolf", the play's narrator, greets the audience with a monologue on the nature of theater and reality. He tells the audience to imagine he is a wolf, before revealing an Asian boy puppet. The puppet, whom Wolf operates, is the adopted son of Peter, who has also named this child "Peter" after adopting him from Korea. Due to disagreements with his wife, the elder Peter has connected with Robin via an online forum to transfer custody of the child to her and her spouse. After signing the contract, however, Peter is incensed to learn Robin is married to another woman, Ash, protesting as he leaves that his son will not have a father. Despite her own reluctance to accept the adoption, Ash quickly connects with the boy, whose real name is Jeenu, after recognizing they share an aggressive spirit: Jeenu in imagining himself as a wolf (which the narrator "Wolf" represents as his inner voice, largely invisible to the other actors) and Ash's own background as a boxer. Conflict arises within Jeenu's extended family as his new parents disagree over Jeenu's occasionally violent behavior, his reluctance to bond with Robin yet easy connection with Ash, and Peter's attempts to regain custody of Jeenu. Additionally, Robin's brother and Ash's trainer Ryan is suspicious of the boy and believes him a distraction from Ash's boxing career. Peter soon becomes friendly with Ryan and plants in his mind the idea that Ash and Robin are not fit to be parents. When Ash loses a boxing match due to being distracted by Jeenu trying to enter the ring, she tells Ryan of her intention to quit boxing and focus on raising Jeenu. Ryan tries to remove Jeenu from Ash's life by helping Peter to try to get the child back, eventually taking Robin and Ash to court. At the trial, Peter argues that the initial custody transfer was not legal, but Robin and Ash argue Peter is not fit to be a parent given he tried to sell Jeenu online in the first place. Jeenu/Wolf initially cheers on Robin and Ash but soon becomes overwhelmed at the legal language that he does not understand, and when directly asked by the judge who he wants to have custody of him, he is unable to answer, with Wolf leaving the play. In the aftermath, it is revealed that neither families got custody, and that Jeenu is to be taken by the state. The trial has had devastating consequences: it has destroyed Peter's own marriage, Ryan is now estranged from his sister, and Ash tries to share breakfast with an unresponsive Jeenu on their last morning together. Robin makes one last attempt to connect with Jeenu, addressing the lifeless puppet by repeating Wolf's monologue back to it while assuring that she will fight to get him back with all her being. Wolf returns, drawn by her words, and Robin appears to see him for the first time.
In 1975, Korean-American Ana Woods travels to Seoul to scatter her estranged father's ashes. A bellboy who appears as Jesus gives her a journal that draws her into the story of her parents: her father Luke, an American soldier in Burma in 1944, and Number Four, a Korean comfort woman. Their histories cross again at a Seoul bridge in 1950, as the play reveals the violence behind the family mystery.
In a Ugandan church on New Year's Eve 1999, American missionary's daughter Chris and Ugandan teenager Adiel attempt to marry before child soldier Pika interrupts and kills Adiel. In 2014, Chris returns to bury her father's ashes and learns that Pika has become pastor Paul; a conflict over the church's rejection of a gay young man brings the past into the present.
"Wolf", the play's narrator, greets the audience with a monologue on the nature of theater and reality. He tells the audience to imagine he is a wolf, before revealing an Asian boy puppet. The puppet, whom Wolf operates, is the adopted son of Peter, who has also named this child "Peter" after adopting him from Korea. Due to disagreements with his wife, the elder Peter has connected with Robin via an online forum to transfer custody of the child to her and her spouse. After signing the contract, however, Peter is incensed to learn Robin is married to another woman, Ash, protesting as he leaves that his son will not have a father. Despite her own reluctance to accept the adoption, Ash quickly connects with the boy, whose real name is Jeenu, after recognizing they share an aggressive spirit: Jeenu in imagining himself as a wolf (which the narrator "Wolf" represents as his inner voice, largely invisible to the other actors) and Ash's own background as a boxer. Conflict arises within Jeenu's extended family as his new parents disagree over Jeenu's occasionally violent behavior, his reluctance to bond with Robin yet easy connection with Ash, and Peter's attempts to regain custody of Jeenu. Additionally, Robin's brother and Ash's trainer Ryan is suspicious of the boy and believes him a distraction from Ash's boxing career. Peter soon becomes friendly with Ryan and plants in his mind the idea that Ash and Robin are not fit to be parents. When Ash loses a boxing match due to being distracted by Jeenu trying to enter the ring, she tells Ryan of her intention to quit boxing and focus on raising Jeenu. Ryan tries to remove Jeenu from Ash's life by helping Peter to try to get the child back, eventually taking Robin and Ash to court. At the trial, Peter argues that the initial custody transfer was not legal, but Robin and Ash argue Peter is not fit to be a parent given he tried to sell Jeenu online in the first place. Jeenu/Wolf initially cheers on Robin and Ash but soon becomes overwhelmed at the legal language that he does not understand, and when directly asked by the judge who he wants to have custody of him, he is unable to answer, with Wolf leaving the play. In the aftermath, it is revealed that neither families got custody, and that Jeenu is to be taken by the state. The trial has had devastating consequences: it has destroyed Peter's own marriage, Ryan is now estranged from his sister, and Ash tries to share breakfast with an unresponsive Jeenu on their last morning together. Robin makes one last attempt to connect with Jeenu, addressing the lifeless puppet by repeating Wolf's monologue back to it while assuring that she will fight to get him back with all her being. Wolf returns, drawn by her words, and Robin appears to see him for the first time.