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Jupiter enlists Mercury to help him seduce Alkmene, wife of the Theban commander Amphitryon, by taking her husband’s form. When the real Amphitryon returns from war, the apparent double creates suspicion and confusion. Jupiter reveals his identity and tells Alkmene she will bear Hercules; she later awakens reconciled with her husband.
A three-act comic opera by Giselher Klebe, loosely based on Nikolai Gogol’s play The Government Inspector and ending with a significant twist.
A two-act opera about Joan of Arc by Giselher and Lore Klebe, based on Friedrich Schiller’s play The Maid of Orleans.
A two-act opera by Giselher Klebe and Lore Klebe based on Goethe’s symbolic fairy tale Das Märchen.
A one-act comic chamber opera in which meetings between three men and three women are treated as a burlesque about changing the norms of marriage.
A three-act German opera by Giselher Klebe and Lore Klebe based on Ödön von Horváth’s play of the same title.
A one-act opera by Giselher Klebe about the assassination of Julius Caesar, set in ancient Rome on the Ides of March.
A two-act opera by Giselher and Lore Klebe based on Carl Zuckmayer’s novella, set in Mainz in 1913.
A four-act German opera by Giselher Klebe based on Friedrich Schiller’s play The Robbers, set in mid-eighteenth-century Germany.
A three-act opera by Giselher Klebe based on Honoré de Balzac’s novel La Peau de chagrin.
A three-act German opera by Giselher and Lore Klebe based on John Millington Synge’s play The Playboy of the Western World.
A two-act sequel to Beaumarchais’s Figaro plays, following some of their characters during the French Revolution.
A two-act opera by Giselher Klebe with a libretto by Lore Klebe, based on Émile Zola’s novel L’Assommoir.
A four-act German opera by Giselher Klebe based on Franz Werfel’s 1944 play of the same title, set in France in 1940.
Jupiter enlists Mercury to help him seduce Alkmene, wife of the Theban commander Amphitryon, by taking her husband’s form. When the real Amphitryon returns from war, the apparent double creates suspicion and confusion. Jupiter reveals his identity and tells Alkmene she will bear Hercules; she later awakens reconciled with her husband.
A three-act comic opera by Giselher Klebe, loosely based on Nikolai Gogol’s play The Government Inspector and ending with a significant twist.
A two-act opera about Joan of Arc by Giselher and Lore Klebe, based on Friedrich Schiller’s play The Maid of Orleans.
A two-act opera by Giselher Klebe and Lore Klebe based on Goethe’s symbolic fairy tale Das Märchen.
A one-act comic chamber opera in which meetings between three men and three women are treated as a burlesque about changing the norms of marriage.
A three-act German opera by Giselher Klebe and Lore Klebe based on Ödön von Horváth’s play of the same title.
A one-act opera by Giselher Klebe about the assassination of Julius Caesar, set in ancient Rome on the Ides of March.
A two-act opera by Giselher and Lore Klebe based on Carl Zuckmayer’s novella, set in Mainz in 1913.
A four-act German opera by Giselher Klebe based on Friedrich Schiller’s play The Robbers, set in mid-eighteenth-century Germany.
A three-act opera by Giselher Klebe based on Honoré de Balzac’s novel La Peau de chagrin.
A three-act German opera by Giselher and Lore Klebe based on John Millington Synge’s play The Playboy of the Western World.
A two-act sequel to Beaumarchais’s Figaro plays, following some of their characters during the French Revolution.
A two-act opera by Giselher Klebe with a libretto by Lore Klebe, based on Émile Zola’s novel L’Assommoir.
A four-act German opera by Giselher Klebe based on Franz Werfel’s 1944 play of the same title, set in France in 1940.