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Lachenmann’s two-part Musik mit Bildern reworks Andersen’s tale of the little match girl through added political and philosophical texts. The work explores icy cold and social indifference; Lachenmann described Gudrun Ensslin as a distorted variant of the girl, while Leonardo da Vinci’s text adds a wider perspective. Its two sopranos and choirs narrate and reflect on the story in an experimental musical form. The entry does not give a continuous plot.
The central figure N. represents both Nietzsche and Dionysos. Scenes draw on Nietzsche’s life and the Dionysos myth, presenting different views on life rather than a linear narrative.
Oedipus solves the Sphinx’s riddle and becomes king of Thebes, where a plague leads him to investigate the unsolved murder of the former king, Laius. The seer Tiresias identifies Oedipus as the killer. Oedipus gradually learns that Laius and Jocasta were his parents and that he killed his father and married his mother, as foretold. Jocasta dies by suicide; Oedipus blinds himself and is banished by Creon, leaving his children behind. Rihm fragments and reframes the myth across scenes drawing on Sophocles, Nietzsche and Heiner Müller.
Lachenmann’s two-part Musik mit Bildern reworks Andersen’s tale of the little match girl through added political and philosophical texts. The work explores icy cold and social indifference; Lachenmann described Gudrun Ensslin as a distorted variant of the girl, while Leonardo da Vinci’s text adds a wider perspective. Its two sopranos and choirs narrate and reflect on the story in an experimental musical form. The entry does not give a continuous plot.
The central figure N. represents both Nietzsche and Dionysos. Scenes draw on Nietzsche’s life and the Dionysos myth, presenting different views on life rather than a linear narrative.
Oedipus solves the Sphinx’s riddle and becomes king of Thebes, where a plague leads him to investigate the unsolved murder of the former king, Laius. The seer Tiresias identifies Oedipus as the killer. Oedipus gradually learns that Laius and Jocasta were his parents and that he killed his father and married his mother, as foretold. Jocasta dies by suicide; Oedipus blinds himself and is banished by Creon, leaving his children behind. Rihm fragments and reframes the myth across scenes drawing on Sophocles, Nietzsche and Heiner Müller.