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Hatter Cox works by day, while printer Box works by night; their landlord Sergeant Bouncer secretly rents the same room to both. They meet when Cox unexpectedly has a day off and discover Bouncer’s deception. The lodgers become friends, but learn they were both engaged to Penelope Ann. When she announces that she is marrying Mr. Knox, Cox and Box discover they are long-lost brothers.
King Ferdinand loves Felice, the adopted daughter of a woodman, while Princess Chloris loves Prince Max. Max devises a plan for Chloris to elope with him and for Felice to take her place. A trunk carried by Felice contains proof that she is Chloris’s older sister and the person originally intended to marry Ferdinand.
In this short sequel, Box and Cox have inherited titles from Spanish and Venetian relatives and compete to marry the wealthy widow Penelope Anne. Their quarrel ends when she introduces her new husband, General Bouncer.
Mrs Bardell loves Pickwick, while Baker competes for her affection. Pickwick’s suggestion that he employ a manservant is mistaken for a marriage proposal, leading to a sequence of misunderstandings and a confrontation with Baker.
The Ladrones force English tourist Peter Grigg to become their chief and marry Inez, though he is already married. Later, his wife Dolly arrives, and the band helps him conceal the marriage while the missing original chief, Ferdinand, is discovered and happily resumes his position.
Two aesthetic impostors try to control a family fortune by converting a man's wife and mother-in-law to aestheticism. An unhappy husband seeks escape with a widow, but his American colonel friend intervenes to restore domestic harmony and marries the widow.
A band of Spanish brigands must choose a new chief, and a law makes the first passing foreigner their leader and Inez’s husband. They force English tourist Adolphus Grigg into the role and scheme to have him killed, but he helps protect captive Rita until her fiancé Vasquez arrives; the band is pardoned and Rita is freed.
This pantomime burlesque retells Ali Baba and the Forty Thieves through four scenes—at Ali Baba’s house, in the wood, back at his house and in the cave—followed by a transformation and a harlequinade.
Hatter Cox works by day, while printer Box works by night; their landlord Sergeant Bouncer secretly rents the same room to both. They meet when Cox unexpectedly has a day off and discover Bouncer’s deception. The lodgers become friends, but learn they were both engaged to Penelope Ann. When she announces that she is marrying Mr. Knox, Cox and Box discover they are long-lost brothers.
King Ferdinand loves Felice, the adopted daughter of a woodman, while Princess Chloris loves Prince Max. Max devises a plan for Chloris to elope with him and for Felice to take her place. A trunk carried by Felice contains proof that she is Chloris’s older sister and the person originally intended to marry Ferdinand.
In this short sequel, Box and Cox have inherited titles from Spanish and Venetian relatives and compete to marry the wealthy widow Penelope Anne. Their quarrel ends when she introduces her new husband, General Bouncer.
Mrs Bardell loves Pickwick, while Baker competes for her affection. Pickwick’s suggestion that he employ a manservant is mistaken for a marriage proposal, leading to a sequence of misunderstandings and a confrontation with Baker.
The Ladrones force English tourist Peter Grigg to become their chief and marry Inez, though he is already married. Later, his wife Dolly arrives, and the band helps him conceal the marriage while the missing original chief, Ferdinand, is discovered and happily resumes his position.
Two aesthetic impostors try to control a family fortune by converting a man's wife and mother-in-law to aestheticism. An unhappy husband seeks escape with a widow, but his American colonel friend intervenes to restore domestic harmony and marries the widow.
A band of Spanish brigands must choose a new chief, and a law makes the first passing foreigner their leader and Inez’s husband. They force English tourist Adolphus Grigg into the role and scheme to have him killed, but he helps protect captive Rita until her fiancé Vasquez arrives; the band is pardoned and Rita is freed.
This pantomime burlesque retells Ali Baba and the Forty Thieves through four scenes—at Ali Baba’s house, in the wood, back at his house and in the cave—followed by a transformation and a harlequinade.