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A distinct musical setting of Metastasio’s libretto Alessandro nell’Indie by Egidio Duni. A setting reported for the Prato Carnival; the source flags authorship as doubtful. The source does not provide a setting-specific plot synopsis; the libretto concerns Alexander’s campaign in India and the conflict involving King Porus, Cleofide, and their court.
A three-act comedy with ariettes inspired by the rosière festival tradition of the French village of Salency. André Grétry later presented a new version with a reworked libretto in 1774.
Knight Robert is imprisoned in a seventh-century French court controlled by women and must answer the question of what gives women the most pleasure. He must agree to marry an old woman, who is transformed into the beautiful Marton.
A two-act French opéra comique with music by Egidio Duni and a libretto by Louis Anseaume.
A three-act French opéra comique based on George Lillo’s play The London Merchant.
A distinct musical setting of Metastasio’s libretto Alessandro nell’Indie by Egidio Duni. A setting reported for the Prato Carnival; the source flags authorship as doubtful. The source does not provide a setting-specific plot synopsis; the libretto concerns Alexander’s campaign in India and the conflict involving King Porus, Cleofide, and their court.
A three-act comedy with ariettes inspired by the rosière festival tradition of the French village of Salency. André Grétry later presented a new version with a reworked libretto in 1774.
Knight Robert is imprisoned in a seventh-century French court controlled by women and must answer the question of what gives women the most pleasure. He must agree to marry an old woman, who is transformed into the beautiful Marton.
A two-act French opéra comique with music by Egidio Duni and a libretto by Louis Anseaume.
A three-act French opéra comique based on George Lillo’s play The London Merchant.