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Afgar is an operetta by Charles Cuvillier, originally written with Michel Carré and André Barde and first staged in Paris in 1909. A London adaptation with a book by Fred Thompson and Worton David and lyrics by Douglas Furber opened in 1919.
Battling Buttler is a musical in three acts with music by Philip Braham and a book and lyrics by Stanley Brightman, Austin Melford and Douglas Furber, which opened in London in 1922. It was then greatly revised by Walter L. Rosemont (music) and Ballard MacDonald (book and lyrics) and produced on Broadway in 1923 after tryouts in Detroit and Chicago. The farcical story concerns a man who pretends to be a championship boxer whom he resembles, until the two men are confused with one another, with humorous results.
Setting: London, in and around Hareford Hall, Hampshire; Mayfair and Lambeth in the later 1930s. Act I The Harefords, a family of haughty aristocrats, are seeking the legitimate heir to the title of Earl of Hareford. Bill Snibson, a Cockney from Lambeth, is found and named as that heir. The 13th Earl had secretly and briefly wed a girl from a bad neighbourhood, and Bill is the couple's son. His rough behaviour does not satisfy the very proper executors of the 13th Earl's estate (Maria, Duchess of Dene, and Sir John Tremayne). Under the terms of the Earl's will, he must learn gentlemanly manners to their satisfaction to inherit the title and estate. The Duchess thinks that she can make Bill "fit and proper", but not his Cockney girlfriend, Sally Smith. The Duchess plans a party in Bill's honour, but Sally is not to be invited. Sir John tells Sally that she and Bill ought to return to Lambeth, but he is moved by Sally's heartfelt declaration of love for Bill ("Once You Lose Your Heart"). At the party, Bill puts on airs and tries to please his new-found upper-class lawyers, family and servants, but his everyman roots quickly begin to show. Sally shows up in inappropriate garb, with her Lambeth friends, saying that she is going back to where she belongs. Bill seconds this at first, but then teaches the nobility "The Lambeth Walk". Act II Bill must make a speech in the House of Lords in coronet and "vermin"-trimmed peer's robes. Sally leaves, telling him to marry someone with good blood, and, in a scene inspired by Gilbert and Sullivan's Ruddigore, the portraits of Bill's ancestors awaken to remind him of his noblesse oblige. Bill and Sally have gained an ally in Sir John, who offers to help them by engaging a speech professor (implied to be Henry Higgins from Pygmalion) to help Sally impress the Duchess. Bill constantly bemoans his separation from Sally. Preparing another party for Bill, the Duchess realises how much Sally means to him. This puts her in a romantic mood, and she accepts an offer of marriage from Sir John. Bill, dressed in his old outrageous Cockney clothes, declares that he is going home and goes upstairs to pack. Just then, Sally astonishes everyone by arriving in an elegant gown and tiara and speaking with a perfect upper-crust accent. When Bill returns downstairs, Sally conceals her identity; once she reveals it, Bill is relieved and the couple gain the acceptance of the family.
Afgar is an operetta by Charles Cuvillier, originally written with Michel Carré and André Barde and first staged in Paris in 1909. A London adaptation with a book by Fred Thompson and Worton David and lyrics by Douglas Furber opened in 1919.
Battling Buttler is a musical in three acts with music by Philip Braham and a book and lyrics by Stanley Brightman, Austin Melford and Douglas Furber, which opened in London in 1922. It was then greatly revised by Walter L. Rosemont (music) and Ballard MacDonald (book and lyrics) and produced on Broadway in 1923 after tryouts in Detroit and Chicago. The farcical story concerns a man who pretends to be a championship boxer whom he resembles, until the two men are confused with one another, with humorous results.
Setting: London, in and around Hareford Hall, Hampshire; Mayfair and Lambeth in the later 1930s. Act I The Harefords, a family of haughty aristocrats, are seeking the legitimate heir to the title of Earl of Hareford. Bill Snibson, a Cockney from Lambeth, is found and named as that heir. The 13th Earl had secretly and briefly wed a girl from a bad neighbourhood, and Bill is the couple's son. His rough behaviour does not satisfy the very proper executors of the 13th Earl's estate (Maria, Duchess of Dene, and Sir John Tremayne). Under the terms of the Earl's will, he must learn gentlemanly manners to their satisfaction to inherit the title and estate. The Duchess thinks that she can make Bill "fit and proper", but not his Cockney girlfriend, Sally Smith. The Duchess plans a party in Bill's honour, but Sally is not to be invited. Sir John tells Sally that she and Bill ought to return to Lambeth, but he is moved by Sally's heartfelt declaration of love for Bill ("Once You Lose Your Heart"). At the party, Bill puts on airs and tries to please his new-found upper-class lawyers, family and servants, but his everyman roots quickly begin to show. Sally shows up in inappropriate garb, with her Lambeth friends, saying that she is going back to where she belongs. Bill seconds this at first, but then teaches the nobility "The Lambeth Walk". Act II Bill must make a speech in the House of Lords in coronet and "vermin"-trimmed peer's robes. Sally leaves, telling him to marry someone with good blood, and, in a scene inspired by Gilbert and Sullivan's Ruddigore, the portraits of Bill's ancestors awaken to remind him of his noblesse oblige. Bill and Sally have gained an ally in Sir John, who offers to help them by engaging a speech professor (implied to be Henry Higgins from Pygmalion) to help Sally impress the Duchess. Bill constantly bemoans his separation from Sally. Preparing another party for Bill, the Duchess realises how much Sally means to him. This puts her in a romantic mood, and she accepts an offer of marriage from Sir John. Bill, dressed in his old outrageous Cockney clothes, declares that he is going home and goes upstairs to pack. Just then, Sally astonishes everyone by arriving in an elegant gown and tiara and speaking with a perfect upper-crust accent. When Bill returns downstairs, Sally conceals her identity; once she reveals it, Bill is relieved and the couple gain the acceptance of the family.