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In 1985, financier Robert Merkin promotes the idea that debt is an asset and attempts a takeover of an iconic American manufacturing company. The deal triggers a financial conflict among executives, workers, lawyers and journalists.
The two one-act plays examine intimacy and isolation: in Missing Marisa, Terry and Eli debate the disappearance of the woman both men love; in Kissing Christine, a separated married man and a woman recovering from a traumatic accident meet on a first date and form a tentative connection.
In 1985, financier Robert Merkin promotes the idea that debt is an asset and attempts a takeover of an iconic American manufacturing company. The deal triggers a financial conflict among executives, workers, lawyers and journalists.
The two one-act plays examine intimacy and isolation: in Missing Marisa, Terry and Eli debate the disappearance of the woman both men love; in Kissing Christine, a separated married man and a woman recovering from a traumatic accident meet on a first date and form a tentative connection.