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Everyday Rapture is a musical with a book written by Sherie Rene Scott and Dick Scanlan and music by various composers. It ran Off-Broadway in 2009 and opened on Broadway in 2010. The musical is a loose autobiography of Scott herself, showing her travels from her half-Mennonite Kansas childhood to a life in show business.
Thoroughly Modern Millie is a musical with music by Jeanine Tesori, lyrics by Dick Scanlan, and a book by Richard Morris and Scanlan. It is based on the 1967 film of the same name, which itself was based on the British musical Chrysanthemum, which opened in London in 1956. Thoroughly Modern Millie tells the story of a small-town girl, Millie Dillmount, who comes to New York City to marry for money instead of love – a thoroughly modern aim in 1922, when women were just entering the workforce. Millie soon begins to take delight in the flapper lifestyle, but problems arise when she checks into a hotel owned by the leader of a white slavery ring in China. The style of the musical is comic pastiche. Like the film on which it is based, it interpolates new tunes with some previously written songs. After previews at the La Jolla Playhouse in San Diego, California, in October 2000, the show opened on Broadway on April 18, 2002. Due to the success of the original Broadway production, there was b
Everyday Rapture is a musical with a book written by Sherie Rene Scott and Dick Scanlan and music by various composers. It ran Off-Broadway in 2009 and opened on Broadway in 2010. The musical is a loose autobiography of Scott herself, showing her travels from her half-Mennonite Kansas childhood to a life in show business.
Thoroughly Modern Millie is a musical with music by Jeanine Tesori, lyrics by Dick Scanlan, and a book by Richard Morris and Scanlan. It is based on the 1967 film of the same name, which itself was based on the British musical Chrysanthemum, which opened in London in 1956. Thoroughly Modern Millie tells the story of a small-town girl, Millie Dillmount, who comes to New York City to marry for money instead of love – a thoroughly modern aim in 1922, when women were just entering the workforce. Millie soon begins to take delight in the flapper lifestyle, but problems arise when she checks into a hotel owned by the leader of a white slavery ring in China. The style of the musical is comic pastiche. Like the film on which it is based, it interpolates new tunes with some previously written songs. After previews at the La Jolla Playhouse in San Diego, California, in October 2000, the show opened on Broadway on April 18, 2002. Due to the success of the original Broadway production, there was b