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In postwar Liverpool, three Jewish sisters navigate family life in the shadow of the Holocaust. Samuels and Oberman transpose Chekhov's family drama to a community shaped by wartime destruction, combining longing and grief with humour, bickering and fierce family loyalty.
In November 1938, after nights of violence against Jews across Germany and Austria, the British government introduced a programme called the Kindertransport (children's transport), which gave Jewish children—and only children—safe passage to the UK. Spared the horrors of the death camps, the Jewish children were uprooted, separated from their parents and transported to a different culture where they faced, not the unmitigated horror of the death camps, but a very human mixture of kindness, indifference, occasional exploitation, and the relationships between the ordinary people faced with helpless children. Eva Schlesinger, daughter of Helga and Werner, is sent away to temporarily live with a foster carer in Manchester, England, until her parents find work and move to England too. She lives with Lil, a woman who has two other children (Nora and Margaret) and is married to Jack. Lil allows Eva to smoke when she meets her which shows how Lil is not a proper guardian for Eva at first. Eva and Lil fall out as Eva skips her English lessons to go and ask round rich houses if they will give her parents jobs; Lil thinks this makes her seem desperate. She is unhappy and misses her mother. Eva and Lil both eventually become at peace with one another and get on well; Eva is shown as gradually losing her Jewish roots. One day Helga arrives when Eva is in her late teens and Eva tells Helga that Lil and Jack have adopted her and she has been naturalised as English, and her name is now Evelyn. Helga is offended and upset that Evelyn will not travel to New York with her to stay with family. Helga tells Evelyn her father is dead. They have an argument and Helga leaves, which is then followed by an imaginary vicious, angry argument between Helga and Evelyn in which Evelyn gets out all of her hatred for Helga, and she proclaims that Helga IS the Ratcatcher, a character constantly present in the play. At the same time in the present, Evelyn's daughter Faith is uncovering her mother's secret past and they have an argument, which eventually comes to rest. All of this takes place in the attic of Evelyn's house, which supposedly represents Evelyn's psyche.
In postwar Liverpool, three Jewish sisters navigate family life in the shadow of the Holocaust. Samuels and Oberman transpose Chekhov's family drama to a community shaped by wartime destruction, combining longing and grief with humour, bickering and fierce family loyalty.
In November 1938, after nights of violence against Jews across Germany and Austria, the British government introduced a programme called the Kindertransport (children's transport), which gave Jewish children—and only children—safe passage to the UK. Spared the horrors of the death camps, the Jewish children were uprooted, separated from their parents and transported to a different culture where they faced, not the unmitigated horror of the death camps, but a very human mixture of kindness, indifference, occasional exploitation, and the relationships between the ordinary people faced with helpless children. Eva Schlesinger, daughter of Helga and Werner, is sent away to temporarily live with a foster carer in Manchester, England, until her parents find work and move to England too. She lives with Lil, a woman who has two other children (Nora and Margaret) and is married to Jack. Lil allows Eva to smoke when she meets her which shows how Lil is not a proper guardian for Eva at first. Eva and Lil fall out as Eva skips her English lessons to go and ask round rich houses if they will give her parents jobs; Lil thinks this makes her seem desperate. She is unhappy and misses her mother. Eva and Lil both eventually become at peace with one another and get on well; Eva is shown as gradually losing her Jewish roots. One day Helga arrives when Eva is in her late teens and Eva tells Helga that Lil and Jack have adopted her and she has been naturalised as English, and her name is now Evelyn. Helga is offended and upset that Evelyn will not travel to New York with her to stay with family. Helga tells Evelyn her father is dead. They have an argument and Helga leaves, which is then followed by an imaginary vicious, angry argument between Helga and Evelyn in which Evelyn gets out all of her hatred for Helga, and she proclaims that Helga IS the Ratcatcher, a character constantly present in the play. At the same time in the present, Evelyn's daughter Faith is uncovering her mother's secret past and they have an argument, which eventually comes to rest. All of this takes place in the attic of Evelyn's house, which supposedly represents Evelyn's psyche.