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Baby is a musical with a book by Sybille Pearson, based on a story developed with Susan Yankowitz, music by David Shire, and lyrics by Richard Maltby Jr. It concerns the reactions of three couples each expecting a child. The musical first ran on Broadway from 1983 to 1984.
Act I Josh Baskin, a 12-year-old New Jersey boy, finds that whenever he sees 13-year-old Cynthia Benson, he is unaccountably speechless. He doesn't understand his new feelings, but every family on the street knows what has occurred. For him, childhood has ended; adolescence has occurred, and the long complex process of growing up has begun. ("Overture/Can't Wait"). Then he receives amazing news from his best friend, Billy Kopecki: she thinks he is "cute." All he has to do is make a move tonight at the carnival ("Talk To Her/The Carnival."). But doing so does not turn out as planned. Meeting her in line for a ride called Wild Thunder, he musters enough courage to "talk to her", only to find that she has a date who is 16. Worse, he is too short to ride the ride. Humiliated, he skateboards away and finds himself in a secluded byway of the carnival with fun house mirrors and a mysterious fortune teller machine, Zoltar Speaks. The mysterious figure in it instructs him to "Make a Wish!" Impulsively, he makes the only one on his mind: "I wish I was big!" The machine produces a card: "Your wish is granted." A clap of thunder and sudden rain send him home. The next morning, Josh wakes up and sees the face of a 30-year-old man in his mirror ("This Isn't Me"). Still a 12-year-old boy, he now inhabits the body of an adult. His mother thinks he is an intruder and drives him from the house. (In the touring and rentable versions, his song is replaced by her singing about motherhood while making breakfast ("Say Good Morning To Mom").) Only Billy understands. He decides they must go to New York City, find the machine, and let Josh wish himself back to his child life. Arcades there, however, don't have it, and locating carnivals will take six to eight weeks (three to four weeks in rented versions). He despairs at the prospect of remaining an adult for that long, and worries that he will have to find a job. In the touring and rented versions, Billy tries to calm him, telling him that he'll be fine, because "You're A Big Boy Now". Billy returns to New Jersey, leaving him to spend his first night as an adult alone in the Port Authority Bus Terminal. (In the original version, he then wishes he could go home ("I Want To Go Home").) The next day, while waiting for Billy under the clocktower at FAO Schwarz ("The Time Of Your Life") Josh meets MacMillan, the head of a toy company whose sales have suddenly plummeted. He, 12-year-old that he is, tells MacMillan what his toys lack. What the latter sees, however, is a 30-year-old man with an amazing insight into toys, children, and (when they discover a piano keyboard they can dance on) having fun ("Fun"). He offers Josh a great job. He enters the adult world of business. His innocence causes chaos. MacMillan cancels the company's Christmas toy, which his employees say "can't miss." The executives panic. Paul Seymour, V.P. in charge of product development, wants revenge for the cancellation ("Josh's Welcome"). Susan Lawrence, V.P in charge of marketing, whose affair with Paul is just ending, finds herself attracted to Josh ("Here We Go Again"). (In the touring and rental versions of the show, this scene opens with the executives singing about the toy business ("Welcome To MacMillan Toys"). Paul and Susan's songs have also been rewritten ("MacMillan Toys 2"), and she has an additional song regarding a wedding-obsessed secretary ("My Secretary's In Love").) As a perk of his job, Josh is given a loft apartment. He furnishes it with toys. Susan arrives to make a pass at him (in the tour version, "Let's Not Move Too Fast"). Misreading her intentions, he innocently tries to find something they can do together ("Do You Want To Play Games"), and finally turns on a toy planetarium that fills the room with stars ("Stars, Stars, Stars"). Beguiled, she finds herself spending the night there—angelically in separate bunks. (In the tour version, she reminisces about her first love after he has fallen asleep ("Little Susan Lawrence").) At a company party, Paul learns of Susan's night with Josh and picks a fight with him. She comforts him and once again, his innocence wins her heart. MacMillan challenges his executives to come up with a new Christmas toy, and demands for them to find a way to relate to their children. Josh suggests dancing ("Cross The Line"). He gets everyone to do a line dance, during which Susan gives him a kiss unlike any he had ever received as a boy from his mother. When Billy arrives with the list of carnivals which has finally arrived, he chooses to go off with her. The adult world is beginning to attract him. Act II In a suburban mall, Billy, angry at being jilted by Josh, seeks the company of other kids ("It's Time"). He meets Josh's mother: today is his birthday and the party would have been at the mall. Billy reassures her that he is coming home, which only makes her more aware of how fast Billy and all the children have grown up ("Stop Time"). The mall turns surreal and becomes the scene of the birthday Josh is missing ("The Night-Mare"). He wakes up in Susan's office. They have been up all night trying, unsuccessfully, to invent a toy. They try thinking as children instead of adults—she can't remember how she felt as a 13-year-old, but under his prodding the memory returns ("Dancing All The Time"). The moment fills with emotion and she moves to him. The scene freezes. Young Josh appears to sing a duet with Big Josh about his inner feelings. ("I Want To Know"). The next morning, Josh barrels into the office as a new man ("Coffee Black"). His secretary, Miss Watson, is bowled over. Not only does he feel like an actual adult, but during the night, he thought up a Christmas toy. The executives help him develop it for MacMillan. Billy returns with the list of carnivals, having located the machine. Josh is, however, full of himself and does not want to return to his former self. Billy accuses him of betraying himself, but at that moment Susan appears and kisses him. Billy finally understands why he has been dismissed, and leaves. Susan invites Josh to a dinner party with her friends, and he excitedly exclaims that he is going to a real "grown-up dinner party with Susan's grown-up friends". The party is a disaster ("The Real Thing"). Josh humiliates himself and realizes how far he is from being an adult. Susan takes this moment to tell him her true feelings for him ("One Special Man"), feelings that he is too young to return. (In the tour and rental versions, this is replaced by a reprise of "The Real Thing.") He tells her the truth: that he is really a 13-year-old boy. She, seeing only a grown man, assumes this is some kind of elaborate brush-off. It breaks her heart to have been wrong about another man. For the first time, he understands that being an adult is more than just being big. It is being responsible – in this case, for someone who you care for and who does so in return. He realizes that everything you say and do carries a certain weight that a kid can't imagine when you're an adult ("When You're Big"). He returns to his neighborhood, and watches boys go through the first nervous motions of pairing-off events appropriate to being 13 ("Skateboard Ballet"). He finds Billy and tells him he wants to go home. Billy has found the machine in a warehouse filled with discarded remnants of amusement parks. Josh asks Susan to meet him there. Before he can make his wish and leave the adult world for the time being, he must say goodbye to make sure she understands. Arriving, she finally accepts the magic of what has happened to him. She tells him how he changed her life ("I Want To Go Home/Stars, Stars, Stars (reprise)") and, understanding that it's the only way, tells him to make his wish. As he does, his mother enters with Billy. Josh returns to his former self, and as he and his mother embrace, the curtain closes with Billy examining the machine. (In the touring and rental versions, the finale number is "We're Gonna Be Fine")
Closer Than Ever is a musical revue in two acts, with words by Richard Maltby, Jr. and music by David Shire. The revue contains no dialogue, and Maltby and Shire have described this show as a "bookless book musical." The show was originally conceived by Steven Scott Smith as a one act revue…
Baby is a musical with a book by Sybille Pearson, based on a story developed with Susan Yankowitz, music by David Shire, and lyrics by Richard Maltby Jr. It concerns the reactions of three couples each expecting a child. The musical first ran on Broadway from 1983 to 1984.
Act I Josh Baskin, a 12-year-old New Jersey boy, finds that whenever he sees 13-year-old Cynthia Benson, he is unaccountably speechless. He doesn't understand his new feelings, but every family on the street knows what has occurred. For him, childhood has ended; adolescence has occurred, and the long complex process of growing up has begun. ("Overture/Can't Wait"). Then he receives amazing news from his best friend, Billy Kopecki: she thinks he is "cute." All he has to do is make a move tonight at the carnival ("Talk To Her/The Carnival."). But doing so does not turn out as planned. Meeting her in line for a ride called Wild Thunder, he musters enough courage to "talk to her", only to find that she has a date who is 16. Worse, he is too short to ride the ride. Humiliated, he skateboards away and finds himself in a secluded byway of the carnival with fun house mirrors and a mysterious fortune teller machine, Zoltar Speaks. The mysterious figure in it instructs him to "Make a Wish!" Impulsively, he makes the only one on his mind: "I wish I was big!" The machine produces a card: "Your wish is granted." A clap of thunder and sudden rain send him home. The next morning, Josh wakes up and sees the face of a 30-year-old man in his mirror ("This Isn't Me"). Still a 12-year-old boy, he now inhabits the body of an adult. His mother thinks he is an intruder and drives him from the house. (In the touring and rentable versions, his song is replaced by her singing about motherhood while making breakfast ("Say Good Morning To Mom").) Only Billy understands. He decides they must go to New York City, find the machine, and let Josh wish himself back to his child life. Arcades there, however, don't have it, and locating carnivals will take six to eight weeks (three to four weeks in rented versions). He despairs at the prospect of remaining an adult for that long, and worries that he will have to find a job. In the touring and rented versions, Billy tries to calm him, telling him that he'll be fine, because "You're A Big Boy Now". Billy returns to New Jersey, leaving him to spend his first night as an adult alone in the Port Authority Bus Terminal. (In the original version, he then wishes he could go home ("I Want To Go Home").) The next day, while waiting for Billy under the clocktower at FAO Schwarz ("The Time Of Your Life") Josh meets MacMillan, the head of a toy company whose sales have suddenly plummeted. He, 12-year-old that he is, tells MacMillan what his toys lack. What the latter sees, however, is a 30-year-old man with an amazing insight into toys, children, and (when they discover a piano keyboard they can dance on) having fun ("Fun"). He offers Josh a great job. He enters the adult world of business. His innocence causes chaos. MacMillan cancels the company's Christmas toy, which his employees say "can't miss." The executives panic. Paul Seymour, V.P. in charge of product development, wants revenge for the cancellation ("Josh's Welcome"). Susan Lawrence, V.P in charge of marketing, whose affair with Paul is just ending, finds herself attracted to Josh ("Here We Go Again"). (In the touring and rental versions of the show, this scene opens with the executives singing about the toy business ("Welcome To MacMillan Toys"). Paul and Susan's songs have also been rewritten ("MacMillan Toys 2"), and she has an additional song regarding a wedding-obsessed secretary ("My Secretary's In Love").) As a perk of his job, Josh is given a loft apartment. He furnishes it with toys. Susan arrives to make a pass at him (in the tour version, "Let's Not Move Too Fast"). Misreading her intentions, he innocently tries to find something they can do together ("Do You Want To Play Games"), and finally turns on a toy planetarium that fills the room with stars ("Stars, Stars, Stars"). Beguiled, she finds herself spending the night there—angelically in separate bunks. (In the tour version, she reminisces about her first love after he has fallen asleep ("Little Susan Lawrence").) At a company party, Paul learns of Susan's night with Josh and picks a fight with him. She comforts him and once again, his innocence wins her heart. MacMillan challenges his executives to come up with a new Christmas toy, and demands for them to find a way to relate to their children. Josh suggests dancing ("Cross The Line"). He gets everyone to do a line dance, during which Susan gives him a kiss unlike any he had ever received as a boy from his mother. When Billy arrives with the list of carnivals which has finally arrived, he chooses to go off with her. The adult world is beginning to attract him. Act II In a suburban mall, Billy, angry at being jilted by Josh, seeks the company of other kids ("It's Time"). He meets Josh's mother: today is his birthday and the party would have been at the mall. Billy reassures her that he is coming home, which only makes her more aware of how fast Billy and all the children have grown up ("Stop Time"). The mall turns surreal and becomes the scene of the birthday Josh is missing ("The Night-Mare"). He wakes up in Susan's office. They have been up all night trying, unsuccessfully, to invent a toy. They try thinking as children instead of adults—she can't remember how she felt as a 13-year-old, but under his prodding the memory returns ("Dancing All The Time"). The moment fills with emotion and she moves to him. The scene freezes. Young Josh appears to sing a duet with Big Josh about his inner feelings. ("I Want To Know"). The next morning, Josh barrels into the office as a new man ("Coffee Black"). His secretary, Miss Watson, is bowled over. Not only does he feel like an actual adult, but during the night, he thought up a Christmas toy. The executives help him develop it for MacMillan. Billy returns with the list of carnivals, having located the machine. Josh is, however, full of himself and does not want to return to his former self. Billy accuses him of betraying himself, but at that moment Susan appears and kisses him. Billy finally understands why he has been dismissed, and leaves. Susan invites Josh to a dinner party with her friends, and he excitedly exclaims that he is going to a real "grown-up dinner party with Susan's grown-up friends". The party is a disaster ("The Real Thing"). Josh humiliates himself and realizes how far he is from being an adult. Susan takes this moment to tell him her true feelings for him ("One Special Man"), feelings that he is too young to return. (In the tour and rental versions, this is replaced by a reprise of "The Real Thing.") He tells her the truth: that he is really a 13-year-old boy. She, seeing only a grown man, assumes this is some kind of elaborate brush-off. It breaks her heart to have been wrong about another man. For the first time, he understands that being an adult is more than just being big. It is being responsible – in this case, for someone who you care for and who does so in return. He realizes that everything you say and do carries a certain weight that a kid can't imagine when you're an adult ("When You're Big"). He returns to his neighborhood, and watches boys go through the first nervous motions of pairing-off events appropriate to being 13 ("Skateboard Ballet"). He finds Billy and tells him he wants to go home. Billy has found the machine in a warehouse filled with discarded remnants of amusement parks. Josh asks Susan to meet him there. Before he can make his wish and leave the adult world for the time being, he must say goodbye to make sure she understands. Arriving, she finally accepts the magic of what has happened to him. She tells him how he changed her life ("I Want To Go Home/Stars, Stars, Stars (reprise)") and, understanding that it's the only way, tells him to make his wish. As he does, his mother enters with Billy. Josh returns to his former self, and as he and his mother embrace, the curtain closes with Billy examining the machine. (In the touring and rental versions, the finale number is "We're Gonna Be Fine")
Closer Than Ever is a musical revue in two acts, with words by Richard Maltby, Jr. and music by David Shire. The revue contains no dialogue, and Maltby and Shire have described this show as a "bookless book musical." The show was originally conceived by Steven Scott Smith as a one act revue…