A Country Girl
A Country Girl, or, Town and Country is a musical play in two acts by James T. Tanner, with lyrics by Adrian Ross, additional lyrics by Percy Greenbank, music by Lionel Monckton and additional songs by Paul Rubens.
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A Country Girl, or, Town and Country is a musical play in two acts by James T. Tanner, with lyrics by Adrian Ross, additional lyrics by Percy Greenbank, music by Lionel Monckton and additional songs by Paul Rubens.
Heliodorus, a Persian soothsayer, looks into the future love lives of his wealthy matrons of Imperial Rome. His daughter Maia pretends to have the gifts of an oracle, and utters incomprehensible prophecies at a suitable price. Among their servants is one Archias, a talented sculptor, whose most recent achievement is a statue of Eros, God of Love, for which his fellow slave Diomed has acted as model. Maia has fallen in love with Diomed. The princess Antonia comes to the soothsayer in disguise and Maia, egged on by the Prefect Pomponius, who has been spurned by the princess, plans a humiliating trick. She announces to the princess that the God of Love has fallen in love with her. The statue is brought forth, and Heliodorus prepares to 'bring it to life'. Diomed is substituted and serenades the princess. But Heliodorus is planning a double-cross. He disapproves of his daughter's fancy for a slave, and when the seance is over and Maia has intended that Antonia should walk off with the statue, Heliodorus arranges that the real Diomed falls to the princess. But it does her little good. The slave, in his luxurious new surroundings, pines for Maia, and Antonia's love-making goes for nothing. Pomponius, who was anxious to see his marble lady wasting her affection on a marble statue, is furious at the social slight involved, and Heliodorus finds himself in hot water. Eventually, in the middle of the Roman Saturnalia, all is cleared up, and the correct pairs of lovers are united.
Gerard, the Earl of Beverley, a philanderer, has pushed his father, The Duke of Crowborough, to the limit. The Duke storms into his son's home demanding that the younger man settle down with a wife and take on some responsibility. The young Earl, drunk and embarrassed in front of his friends, proposes to Betty, a kitchen maid, to spite his father. Gerard has no intention of following his father's wishes and makes plans to send Betty away and to continue with his profligate lifestyle. But the Duke is a step ahead of his son: He gives Gerard's allowance to his wife, Betty, so that Gerard must depend upon her. The charming Betty manages to become accepted by the society into which she has married and eventually charms her way into the heart of her wayward husband. He returns to her of his own accord and they find happiness.
King Ferdinand loves Felice, the adopted daughter of a woodman, while Princess Chloris loves Prince Max. Max devises a plan for Chloris to elope with him and for Felice to take her place. A trunk carried by Felice contains proof that she is Chloris’s older sister and the person originally intended to marry Ferdinand.
King of Cadonia is an English musical in two acts with a book by Frederick Lonsdale, lyrics by Adrian Ross and Arthur Wimperis and music by Sidney Jones and Frederick Rosse. It opened at the Prince of Wales Theatre in London on 3 September 1908, produced by Frank Curzon, and ran for 333 performances. It starred Isabel Jay, Huntley Wright, and Bertram Wallis. There was a brief Broadway production in 1910 with additional music by Jerome Kern at the Fifth Avenue Theatre and directed by Joseph W. Herbert. This was Lonsdale's first success. Famous songs included "The Wind of Love", "The Portrait" and "Disguises".
The foundling Mirette, raised among gypsies, falls for Gerard, nephew of the Marquise de Montigny, while Picorin loves her. After Mirette and Picorin enter the Marquise’s household, Mirette helps Gerard and Bianca reconcile and recognizes her own love for Picorin. The revised version also pairs the Marquise with the Baron and shifts the ending toward comedy.
In Bath, the disguised barber Monsieur Beaucaire is actually the Duc d’Orléans, heir to the French throne. He loves Lady Mary, who is courted by the Duke of Winterset. After Beaucaire exposes Winterset as a cheat, the rivals’ conflict escalates into a duel and a later attack that leaves Beaucaire wounded. He and Mary reconcile, and when the French Ambassador recognizes him as the king’s son, Beaucaire reveals his identity and names Mary his future Duchess.
Act I Mrs. Millicent Meebles, a remarried widow, habitually understates the age of her son, Hughie Cavanaugh, to make herself appear several years younger. Consequently, the 19-year-old lad is taken for a 14-year-old boy and appears to be precocious. Hughie, that "Sporty Boy", flirts with astonishing skill with his beautiful music teacher. Act II Hughie also precociously introduces his step-father, Mr. Meebles, a magistrate, to the nightclub in the Cosmos Hotel. They are followed by Millicent, who wishes to warn a friend not to divulge the boy's true age. When the nightclub is raided by the police, Mr. Meebles escapes without capture, having a comically difficult time. Mr. Meebles arrives at court just in time to hear the case that results from the raid and must, as magistrate, sentence his wife and sister-in-law, Diana Fairlie (whose lover is Albany Pope), to incarceration. Fortunately, a fellow magistrate, Mr. Burridge comes to the ladies' rescue by over-ruling the sentence on a technicality. At home, Millicent confesses that she has exaggerated Hughie's age. All is forgiven.
The Cingalee or Sunny Ceylon is an Edwardian musical comedy in two acts by James T. Tanner, with music by Lionel Monckton, lyrics by Adrian Ross and Percy Greenbank, and additional material by Paul Rubens. The story is set in the Edwardian era in the then-tranquil island of Ceylon (modern-day Sri Lanka) and follows the story of British colonial tea planters (one of the most popular songs in the score is called "Tea, tea, tea"). The piece opened at Daly's Theatre in London, managed by George Edwardes, on 5 March 1904 and ran until 11 March 1905 for a total of 365 performances. The musical had a short Broadway run, opening at Daly's Theatre in New York on 24 October 1904, and running for 33 performances. A production in Sydney, Australia, in May 1905 by J C Williamson's Royal Comic Opera Company, opened on 6 May, starring Margaret Thomas as Nanoya.
The Circus Girl is a Edwardian musical comedy in two acts with a book by James T. Tanner and Walter Apllant (Palings), lyrics by Harry Greenbank and Adrian Ross, music by Ivan Caryll, and additional music by Lionel Monckton. The musical was produced at George Edwardes's Gaiety Theatre, beginning 5 December 1896, and ran for a very successful 497 performances. Set in Paris, the plot concerns a group of English tourists who get mixed up with a circus troupe. Two of the famous songs from the show are "A Simple Little String" and "The Way to Treat a Lady".
The Grand Duke arranges for the penniless Count René to marry Angèle without seeing her, so she can gain a title and later marry the Duke. René and Angèle fall in love at the ceremony, then meet months later unaware that they remain married. Brissard reveals their identity, René repays the Duke and reunites with Angèle, while the Duke chooses a Russian countess.
Laundress Catherine helps young Napoleon and shelters aristocrat Philippe during the French Revolution, while her fiancé Lefebvre advances in the army. Fifteen years later, Napoleon orders the Duchess of Dantzic to divorce Marshal Lefebvre, but her old unpaid laundry bill reminds him of her kindness; he relents and permits their adopted son Adhémar to marry Renée.
Winifred disguises herself as a boy to join film producer Max Daly’s production of a Napoleon film. When Max falls for Italian actress Maria Gesticulata, Winifred mistranslates his love letter and Maria quits. Winifred takes Maria’s role, and Max does not discover that she is a girl until after the film is screened.
The Girls of Gottenberg is an Edwardian musical comedy in two acts by George Grossmith, Jr. and L. E. Berman, with lyrics by Adrian Ross and Basil Hood, and music by Ivan Caryll and Lionel Monckton. P. G.
Superstitious King Ouf learns from his astrologer Siroco that his life is bound to that of Lazuli, a travelling painter who loves the king’s intended bride, Princess Laoula. Ouf orders Siroco executed shortly after his own death, giving both men reason to keep Lazuli alive.
The story is set in Revolutionary France in the closing years of the 18th century, during the period when the Directoire, led by Barras, held power. Fashionable Parisian society is led by the Incroyables, or dandies, and their feminine equivalents, the Merveilleuses. The latter have adopted classical robes as their form of dress and the succouring of distressed conspirators as their mission. Act I — The Tent of the Café du Caveau in the Palais Royal Gardens Illyrine, who had been led to believe that Dorlis had deserted her and had divorced him in consequence, has just been married to a second husband, St. Amour, the rich but low-bred secretary to Barras. Dorlis intrudes on the wedding party at the Café du Caveau and demands that Illyrine return to him. She explains what had happened and tells him that she still loves him. Act II — The Stock Market; St. Amour's Town House After a visit to the stock market on the Perron at the Palais Royal, Dorlis, accompanied by his friend Lagorille, one of the Incroyables, goes to the wedding reception at St. Amour's Town House determined to kill St. Amour. However, the latter is warned by police agents, who have learned of the plot. Illyrine hides Dorlis in her private apartment, but St. Amour forces him to reveal his whereabouts by giving a false alarm of "Fire!", whereupon Dorlis and Lagorille are arrested. Act III — Tricolour Fête at the Palais of the Luxembourg At a fete given by Barras, Illyrine manages to persuade Barras to pardon Dorlis, with whom, after divorcing St. Amour, she is re-united. Meanwhile, the Merveilleuses, led by Lodoiska, succeed in freeing Lagorille, only to see him carried off by Pervenche.
The Messenger Boy is a musical comedy in two acts by James T. Tanner and Alfred Murray, lyrics by Adrian Ross and Percy Greenbank, with music by Ivan Caryll and Lionel Monckton, with additional numbers by Paul Rubens.
The New Aladdin is an Edwardian musical comedy in two acts by James T. Tanner and W. H. Risque, with music by Ivan Caryll, Lionel Monckton, and additional numbers by Frank E. Tours, and lyrics by Adrian Ross, Percy Greenbank, W. H. Risque, and George Grossmith, Jr. It was produced by George Edwardes at the Gaiety Theatre, opening on 29 September 1906 and running for 203 performances. The London production starred Grossmith, Harry Grattan (who also choreographed), Lily Elsie, Edmund Payne and Gaby Deslys (making her London debut). Gertie Millar, the established star of the Gaiety soon became available and replaced Elsie in the leading role, but shortly thereafter The Merry Widow made Elsie a big star. The Aladdin story had been dramatised extensively in England before and was very popular in pantomime versions, but this was the first book musical on the subject. P. G. Wodehouse wrote a comic dramatisation of the creation of The New Aladdin called "The Cooks and the Gaiety Broth" as part of Plum Punch: The Life of Writers.
Two figures in a toy weather house emerge from opposite doors according to the weather, so they cannot meet. They fall in love and finally wrench themselves free of their supports to be together.
A Country Girl, or, Town and Country is a musical play in two acts by James T. Tanner, with lyrics by Adrian Ross, additional lyrics by Percy Greenbank, music by Lionel Monckton and additional songs by Paul Rubens.
Heliodorus, a Persian soothsayer, looks into the future love lives of his wealthy matrons of Imperial Rome. His daughter Maia pretends to have the gifts of an oracle, and utters incomprehensible prophecies at a suitable price. Among their servants is one Archias, a talented sculptor, whose most recent achievement is a statue of Eros, God of Love, for which his fellow slave Diomed has acted as model. Maia has fallen in love with Diomed. The princess Antonia comes to the soothsayer in disguise and Maia, egged on by the Prefect Pomponius, who has been spurned by the princess, plans a humiliating trick. She announces to the princess that the God of Love has fallen in love with her. The statue is brought forth, and Heliodorus prepares to 'bring it to life'. Diomed is substituted and serenades the princess. But Heliodorus is planning a double-cross. He disapproves of his daughter's fancy for a slave, and when the seance is over and Maia has intended that Antonia should walk off with the statue, Heliodorus arranges that the real Diomed falls to the princess. But it does her little good. The slave, in his luxurious new surroundings, pines for Maia, and Antonia's love-making goes for nothing. Pomponius, who was anxious to see his marble lady wasting her affection on a marble statue, is furious at the social slight involved, and Heliodorus finds himself in hot water. Eventually, in the middle of the Roman Saturnalia, all is cleared up, and the correct pairs of lovers are united.
Gerard, the Earl of Beverley, a philanderer, has pushed his father, The Duke of Crowborough, to the limit. The Duke storms into his son's home demanding that the younger man settle down with a wife and take on some responsibility. The young Earl, drunk and embarrassed in front of his friends, proposes to Betty, a kitchen maid, to spite his father. Gerard has no intention of following his father's wishes and makes plans to send Betty away and to continue with his profligate lifestyle. But the Duke is a step ahead of his son: He gives Gerard's allowance to his wife, Betty, so that Gerard must depend upon her. The charming Betty manages to become accepted by the society into which she has married and eventually charms her way into the heart of her wayward husband. He returns to her of his own accord and they find happiness.
King Ferdinand loves Felice, the adopted daughter of a woodman, while Princess Chloris loves Prince Max. Max devises a plan for Chloris to elope with him and for Felice to take her place. A trunk carried by Felice contains proof that she is Chloris’s older sister and the person originally intended to marry Ferdinand.
King of Cadonia is an English musical in two acts with a book by Frederick Lonsdale, lyrics by Adrian Ross and Arthur Wimperis and music by Sidney Jones and Frederick Rosse. It opened at the Prince of Wales Theatre in London on 3 September 1908, produced by Frank Curzon, and ran for 333 performances. It starred Isabel Jay, Huntley Wright, and Bertram Wallis. There was a brief Broadway production in 1910 with additional music by Jerome Kern at the Fifth Avenue Theatre and directed by Joseph W. Herbert. This was Lonsdale's first success. Famous songs included "The Wind of Love", "The Portrait" and "Disguises".
The foundling Mirette, raised among gypsies, falls for Gerard, nephew of the Marquise de Montigny, while Picorin loves her. After Mirette and Picorin enter the Marquise’s household, Mirette helps Gerard and Bianca reconcile and recognizes her own love for Picorin. The revised version also pairs the Marquise with the Baron and shifts the ending toward comedy.
In Bath, the disguised barber Monsieur Beaucaire is actually the Duc d’Orléans, heir to the French throne. He loves Lady Mary, who is courted by the Duke of Winterset. After Beaucaire exposes Winterset as a cheat, the rivals’ conflict escalates into a duel and a later attack that leaves Beaucaire wounded. He and Mary reconcile, and when the French Ambassador recognizes him as the king’s son, Beaucaire reveals his identity and names Mary his future Duchess.
Act I Mrs. Millicent Meebles, a remarried widow, habitually understates the age of her son, Hughie Cavanaugh, to make herself appear several years younger. Consequently, the 19-year-old lad is taken for a 14-year-old boy and appears to be precocious. Hughie, that "Sporty Boy", flirts with astonishing skill with his beautiful music teacher. Act II Hughie also precociously introduces his step-father, Mr. Meebles, a magistrate, to the nightclub in the Cosmos Hotel. They are followed by Millicent, who wishes to warn a friend not to divulge the boy's true age. When the nightclub is raided by the police, Mr. Meebles escapes without capture, having a comically difficult time. Mr. Meebles arrives at court just in time to hear the case that results from the raid and must, as magistrate, sentence his wife and sister-in-law, Diana Fairlie (whose lover is Albany Pope), to incarceration. Fortunately, a fellow magistrate, Mr. Burridge comes to the ladies' rescue by over-ruling the sentence on a technicality. At home, Millicent confesses that she has exaggerated Hughie's age. All is forgiven.
The Cingalee or Sunny Ceylon is an Edwardian musical comedy in two acts by James T. Tanner, with music by Lionel Monckton, lyrics by Adrian Ross and Percy Greenbank, and additional material by Paul Rubens. The story is set in the Edwardian era in the then-tranquil island of Ceylon (modern-day Sri Lanka) and follows the story of British colonial tea planters (one of the most popular songs in the score is called "Tea, tea, tea"). The piece opened at Daly's Theatre in London, managed by George Edwardes, on 5 March 1904 and ran until 11 March 1905 for a total of 365 performances. The musical had a short Broadway run, opening at Daly's Theatre in New York on 24 October 1904, and running for 33 performances. A production in Sydney, Australia, in May 1905 by J C Williamson's Royal Comic Opera Company, opened on 6 May, starring Margaret Thomas as Nanoya.
The Circus Girl is a Edwardian musical comedy in two acts with a book by James T. Tanner and Walter Apllant (Palings), lyrics by Harry Greenbank and Adrian Ross, music by Ivan Caryll, and additional music by Lionel Monckton. The musical was produced at George Edwardes's Gaiety Theatre, beginning 5 December 1896, and ran for a very successful 497 performances. Set in Paris, the plot concerns a group of English tourists who get mixed up with a circus troupe. Two of the famous songs from the show are "A Simple Little String" and "The Way to Treat a Lady".
The Grand Duke arranges for the penniless Count René to marry Angèle without seeing her, so she can gain a title and later marry the Duke. René and Angèle fall in love at the ceremony, then meet months later unaware that they remain married. Brissard reveals their identity, René repays the Duke and reunites with Angèle, while the Duke chooses a Russian countess.
Laundress Catherine helps young Napoleon and shelters aristocrat Philippe during the French Revolution, while her fiancé Lefebvre advances in the army. Fifteen years later, Napoleon orders the Duchess of Dantzic to divorce Marshal Lefebvre, but her old unpaid laundry bill reminds him of her kindness; he relents and permits their adopted son Adhémar to marry Renée.
Winifred disguises herself as a boy to join film producer Max Daly’s production of a Napoleon film. When Max falls for Italian actress Maria Gesticulata, Winifred mistranslates his love letter and Maria quits. Winifred takes Maria’s role, and Max does not discover that she is a girl until after the film is screened.
The Girls of Gottenberg is an Edwardian musical comedy in two acts by George Grossmith, Jr. and L. E. Berman, with lyrics by Adrian Ross and Basil Hood, and music by Ivan Caryll and Lionel Monckton. P. G.
Superstitious King Ouf learns from his astrologer Siroco that his life is bound to that of Lazuli, a travelling painter who loves the king’s intended bride, Princess Laoula. Ouf orders Siroco executed shortly after his own death, giving both men reason to keep Lazuli alive.
The story is set in Revolutionary France in the closing years of the 18th century, during the period when the Directoire, led by Barras, held power. Fashionable Parisian society is led by the Incroyables, or dandies, and their feminine equivalents, the Merveilleuses. The latter have adopted classical robes as their form of dress and the succouring of distressed conspirators as their mission. Act I — The Tent of the Café du Caveau in the Palais Royal Gardens Illyrine, who had been led to believe that Dorlis had deserted her and had divorced him in consequence, has just been married to a second husband, St. Amour, the rich but low-bred secretary to Barras. Dorlis intrudes on the wedding party at the Café du Caveau and demands that Illyrine return to him. She explains what had happened and tells him that she still loves him. Act II — The Stock Market; St. Amour's Town House After a visit to the stock market on the Perron at the Palais Royal, Dorlis, accompanied by his friend Lagorille, one of the Incroyables, goes to the wedding reception at St. Amour's Town House determined to kill St. Amour. However, the latter is warned by police agents, who have learned of the plot. Illyrine hides Dorlis in her private apartment, but St. Amour forces him to reveal his whereabouts by giving a false alarm of "Fire!", whereupon Dorlis and Lagorille are arrested. Act III — Tricolour Fête at the Palais of the Luxembourg At a fete given by Barras, Illyrine manages to persuade Barras to pardon Dorlis, with whom, after divorcing St. Amour, she is re-united. Meanwhile, the Merveilleuses, led by Lodoiska, succeed in freeing Lagorille, only to see him carried off by Pervenche.
The Messenger Boy is a musical comedy in two acts by James T. Tanner and Alfred Murray, lyrics by Adrian Ross and Percy Greenbank, with music by Ivan Caryll and Lionel Monckton, with additional numbers by Paul Rubens.
The New Aladdin is an Edwardian musical comedy in two acts by James T. Tanner and W. H. Risque, with music by Ivan Caryll, Lionel Monckton, and additional numbers by Frank E. Tours, and lyrics by Adrian Ross, Percy Greenbank, W. H. Risque, and George Grossmith, Jr. It was produced by George Edwardes at the Gaiety Theatre, opening on 29 September 1906 and running for 203 performances. The London production starred Grossmith, Harry Grattan (who also choreographed), Lily Elsie, Edmund Payne and Gaby Deslys (making her London debut). Gertie Millar, the established star of the Gaiety soon became available and replaced Elsie in the leading role, but shortly thereafter The Merry Widow made Elsie a big star. The Aladdin story had been dramatised extensively in England before and was very popular in pantomime versions, but this was the first book musical on the subject. P. G. Wodehouse wrote a comic dramatisation of the creation of The New Aladdin called "The Cooks and the Gaiety Broth" as part of Plum Punch: The Life of Writers.
Two figures in a toy weather house emerge from opposite doors according to the weather, so they cannot meet. They fall in love and finally wrench themselves free of their supports to be together.