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A multi-part poetic drama drawing on the Slavic commemoration of the dead. Its parts combine folk morality and ghosts, a romantic account of love and despair, an unfinished love-centered fragment, and a patriotic vision of Polish persecution and hoped-for liberation.
Following Adam Mickiewicz’s epic, the opera portrays Konrad Wallenrod and his wife Aldona. They sacrifice themselves in the final act, while the Teutonic Knights triumph.
A multi-part poetic drama drawing on the Slavic commemoration of the dead. Its parts combine folk morality and ghosts, a romantic account of love and despair, an unfinished love-centered fragment, and a patriotic vision of Polish persecution and hoped-for liberation.
Following Adam Mickiewicz’s epic, the opera portrays Konrad Wallenrod and his wife Aldona. They sacrifice themselves in the final act, while the Teutonic Knights triumph.