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In Lucy Prebble’s dramatization of the Enron scandal, executives Kenneth Lay and Jeffrey Skilling build a company around inflated stock values while Andy Fastow devises shell-company schemes to conceal losses. A fictional executive, Claudia Roe, challenges Skilling’s direction, but the company’s financial deceptions and political influence ultimately unravel.
Residents of an Ipswich street describe the disruption caused by a series of murders and the efforts to rebuild community life. Their recorded speech is transformed into music that preserves its rhythms, repetitions, and hesitations.
In 1983, Nick Guest moves into his university friend’s wealthy Notting Hill household, led by a newly elected Tory MP. His attraction to its privileged world brings desire into conflict with class, sexuality and public image.
In Lucy Prebble’s dramatization of the Enron scandal, executives Kenneth Lay and Jeffrey Skilling build a company around inflated stock values while Andy Fastow devises shell-company schemes to conceal losses. A fictional executive, Claudia Roe, challenges Skilling’s direction, but the company’s financial deceptions and political influence ultimately unravel.
Residents of an Ipswich street describe the disruption caused by a series of murders and the efforts to rebuild community life. Their recorded speech is transformed into music that preserves its rhythms, repetitions, and hesitations.
In 1983, Nick Guest moves into his university friend’s wealthy Notting Hill household, led by a newly elected Tory MP. His attraction to its privileged world brings desire into conflict with class, sexuality and public image.