Bother! The Brain of Pooh
A one-man stage performance by Peter Dennis using selections from A. A. Milne’s Winnie-the-Pooh stories and poems.
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A one-man stage performance by Peter Dennis using selections from A. A. Milne’s Winnie-the-Pooh stories and poems.
Michael and Mary is a play by the British author A.A. Milne. It was staged at the Charles Hopkins Theatre in New York City, running for 246 performances between December 1929 and July 1930. It had by then transferred to the St James's Theatre in London's West End where it ran for 159 performances between 1 February and 21 June 1930. The original West End cast included Herbert Marshall, Edna Best, Elizabeth Allan, Frank Lawton, D.A. Clarke-Smith, Reginald Bach, Oliver Wakefield, J. Fisher White, Torin Thatcher, Olwen Brookes and Margaret Scudamore.
The eccentric Mr Latimer intercepts eloping couples bound for Dover and keeps them in his house for a week so they can test their compatibility. Two couples discover each other's irritating habits and abandon their plans; the men instead leave together for Cannes, as another eloping couple arrives.
In a fictional kingdom, young King Perivale and his betrothed pass through a feared ivory door and return to find themselves branded as demons; their account that the passage is ordinary threatens the people’s cherished belief in the legend.
King and Queen arrange for Princess Camilla to marry Prince Simon without telling him she appears plain under a spell. Each disguises themself as a servant, and the servants exchange places with them. Simon and Camilla meet in disguise, recognize one another, and Simon reveals the spell's origin.
Milne's stage version follows Toad's reckless motor-car obsession, imprisonment after stealing a car, escape, and return to Toad Hall, which has been taken over by weasels, ferrets, and stoats. With Mole, Rat, and Badger, he retakes his home.
Politician Robert Crawshaw can inherit fifty thousand pounds only if he takes the name Wurzel-Flummery. His family and friends challenge his attempts to reconcile the windfall with his dignity and public reputation.
A one-man stage performance by Peter Dennis using selections from A. A. Milne’s Winnie-the-Pooh stories and poems.
Michael and Mary is a play by the British author A.A. Milne. It was staged at the Charles Hopkins Theatre in New York City, running for 246 performances between December 1929 and July 1930. It had by then transferred to the St James's Theatre in London's West End where it ran for 159 performances between 1 February and 21 June 1930. The original West End cast included Herbert Marshall, Edna Best, Elizabeth Allan, Frank Lawton, D.A. Clarke-Smith, Reginald Bach, Oliver Wakefield, J. Fisher White, Torin Thatcher, Olwen Brookes and Margaret Scudamore.
The eccentric Mr Latimer intercepts eloping couples bound for Dover and keeps them in his house for a week so they can test their compatibility. Two couples discover each other's irritating habits and abandon their plans; the men instead leave together for Cannes, as another eloping couple arrives.
In a fictional kingdom, young King Perivale and his betrothed pass through a feared ivory door and return to find themselves branded as demons; their account that the passage is ordinary threatens the people’s cherished belief in the legend.
King and Queen arrange for Princess Camilla to marry Prince Simon without telling him she appears plain under a spell. Each disguises themself as a servant, and the servants exchange places with them. Simon and Camilla meet in disguise, recognize one another, and Simon reveals the spell's origin.
Milne's stage version follows Toad's reckless motor-car obsession, imprisonment after stealing a car, escape, and return to Toad Hall, which has been taken over by weasels, ferrets, and stoats. With Mole, Rat, and Badger, he retakes his home.
Politician Robert Crawshaw can inherit fifty thousand pounds only if he takes the name Wurzel-Flummery. His family and friends challenge his attempts to reconcile the windfall with his dignity and public reputation.