Den vægelsindede
The mercurial fashion-merchant widow Lucretia becomes entangled in a love dilemma involving two pairs of siblings; her shifting moods confound those around her.
Plays
8284 shows
Clear filtersDepositio (Barking Abbey version)
On Good Friday, two priests representing Joseph of Arimathea and Nicodemus remove an image of Christ from the cross above the altar, wash its wounds with wine and water, and lay it in a church niche.
Der Andere
Feared prosecutor Staatsanwalt Hallers secretly leads a criminal double life. Analie Frieben learns his secret but cannot expose him because of her own past; Hallers’ ego eventually brings about his downfall.
Der Bürgergeneral
A barber disguises himself as a revolutionary general to trick a wealthy peasant into giving him a meal. The imposture triggers suspicion of Jacobin conspiracy before a nobleman exposes him and restores order.
Der Kontrabaß
A state-orchestra double bassist addresses the audience from his soundproof apartment, drinking beer and praising the instrument he both depends on and resents. Through anecdotes and fantasies about chamber music and a young mezzo-soprano, he reveals his loneliness and disappointment in his own playing; the monologue ends as he leaves for a concert with his future unresolved.
Der Kreidekreis (Klabund play)
Klabund’s reworking of Li Qianfu’s story changes the ending so that the emperor marries the heroine, rather than her returning to live with her brother.
Der Neinsager
During an expedition over a mountain pass, a boy falls ill and cannot continue. Against the custom that the group sacrifice him to preserve the mission, he refuses and asserts the individual’s right to reject a harmful rule.
Der Silbersee: ein Wintermärchen
After the hungry Severin steals a pineapple and is shot by policeman Olim, Olim wins a lottery and quietly uses his fortune to help Severin recover. They travel to Olim's castle, where the scheming Frau von Luber takes the estate and money; Fennimore reconciles the two men, who leave together through winter toward the frozen Silbersee, resolved to face the future with hope.
Der Stellvertreter; The Representative (UK); The Deputy (US)
The play opens with a discussion between Gerstein and the Papal Nuncio of Berlin over whether Pope Pius XII should have abrogated the Reichskonkordat to protest the actions of the Nazi government of Germany. Father Riccardo Fontana, the priest protagonist, and Gerstein meet for the first time. A number of German aristocrats, industrialists, and government officials (including Adolf Eichmann) spend an evening in an underground bowling alley. Despite the commonplace setting the scene is rather macabre: conversations alternate between lighthearted pleasantries and equally dismissive discussions of the treatment of Jews. An icy Catholic industrialist—played by the same actor as Pius—defends his use of slave labor. The final scene ends with Riccardo meeting Gerstein at his apartment; at the latter's urging, he agrees to trade clothes and documents with a Jew, Jacobson, Gerstein has been hiding in order to help him escape. Act II repeatedly attempts to drive home the point that Hitler feared Pius more than any of his contemporaries and that Pius's commercial interests preclude him from condemning Hitler. One of the Cardinals argues that the Nazis are the last bulwark that remains against Soviet domination of Europe. As the Jews are rounded up for deportations "under the Pope's windows," Riccardo declares "doing nothing is as bad as taking part [...] God can forgive a hangman for such work, but not a priest, not the Pope!" and a German officer comments that the Pope has given "friendly audiences to thousands of members of the German army". Riccardo first voices his idea to follow the example of Bernhard Lichtenberg and to follow the Jews to the death camps in the East, and possibly to share in their fate. Pius, with a "cold, smiling face," "aristocratic coldness," and an "icy glint" in his eyes voices his concerns about the Vatican's financial assets and the Allied bombing of factories in Italy. Pius verbally reiterates his commitment to help the Jews but states that he must keep silent "'ad maioram mala vitanda" (to avoid greater evil). When angrily questioned by Riccardo, Pius pontificates on the geopolitical importance of a strong Germany vis-a-vis the Soviet threat. Ultimately, Riccardo shames the Pope into dictating a statement for public release; however, its wording is so vague that all are confident it will be ignored by the Germans. Riccardo views this as akin to the Crusades, a sin that forever stains Mother Church, and feels called on to prove to God that the Church is indeed worthy of his trust: " 'If God once promised Abraham that he would not destroy Sodom if only ten just men dwelt in it...maybe...God will still forgive the Church if even only a few of its servants - like Lichtenberg - stand with the persecuted...The Pope's silence burdens the Church with a guilt for which we have to atone...Not Auschwitz is at stake now! The idea of the papacy must be preserved pure in eternity, even if it is briefly embodied by an Alexander VI, or a -'" Riccardo breaks off, but clearly he, and possibly Hochhuth, want to imply a comparison between the Borgia Pope (Alexander VI) and Pius XII. Riccardo dons the yellow star and joins deportees to die at Auschwitz, where the rest of the act takes place. He is confronted by the Doctor, who is otherwise not named but closely resembles Josef Mengele. The Doctor is a nihilist to whom "Auschwitz refutes creator, creation and the creature... cursed is he who creates life. I cremate life." He takes Riccardo under his protection, hoping that the church will help him escape the hangman after Germany loses the war. Gerstein appears at the camp in an unsanctioned attempt to rescue Riccardo. Unfortunately in the end they are found out, and Riccardo momentarily loses in faith and violates his vow not to take up arms in order to shoot the maleficent Doctor, but is himself gunned down before he can pull the trigger. Gerstein is taken into custody, and Riccardo follows in a long tradition of tragic figures by showing himself partly redeemed with his dying declaration, a whispered "'in hora mortis meae voca me'" (Latin, and modally ambiguous: one could read subjunctive :"in the hour of my death may He call unto me" or imperative "in the hour of my death, call unto me!" In either case, Riccardo does not die entirely confident of salvation, which would lessen his status as a tragic hero. The play ends with a quotation from German ambassador Weizsäcker: Since further action on the Jewish problem is probably not to be expected here in Rome, it may be assumed that this question, so troublesome to German-Vatican relations, has been disposed of.
Der Theatermacher
Touring actor Bruscon stops with his family in the small village of Utzbach to perform his own play, The Wheel of History. He tyrannizes his family during rehearsal and boasts of his artistry, but the performance fails when a storm damages the inn and the audience leaves.
Der biblische Weg
In a modern political setting, the chief protagonist’s attempt to combine the principles of Moses and Aaron leads to his downfall. Schoenberg used the drama to promote the idea of a militant United Jewish Party.
Der neue Menoza
Tandi, a Kalmyk prince travelling through Europe, and Count Camäleon both seek to marry Wilhelmine, daughter of Captain von Biederling. A returning visitor reveals Tandi is the Biederlings' son, apparently making the pair siblings, but a later revelation shows Wilhelmine is the daughter of a Spanish count and the infants were switched. Tandi and Wilhelmine can marry, while Diana's efforts to avenge the Count's betrayal end in a knife attack.
Des Teufels General
The title character, General Harras, is modeled on Ernst Udet. The play follows his wartime struggle to work within the Nazi regime while openly opposing the Nazi Party, using a serious scenario with a comic and satirical tone.
Descensus Christi and Elevatio (Barking Abbey version)
In this Barking Abbey liturgical play, the convent represents the souls held in Hell as Christ descends to free them. The action continues with the officiating priest entering the tomb and raising a glass vessel containing the Lord’s body before the congregation, singing that Christ is risen.
Desdemona
Toni Morrison responds to Othello by centering Desdemona’s relationship with Barbary, the African woman who served Desdemona’s mother. This connection gives Desdemona an emotional relationship to African people and a perspective on her past beyond Shakespeare’s play.
Desert Rats
Desert Rats is a 1945 play by the British writer Colin Morris. It revolves around a patrol of the British Eighth Army operating in the desert outside Tripoli during the North African Campaign. It premiered at the Theatre Royal, Brighton before transferring to the Adelphi Theatre in London's West End where it ran for 44 performances between 26 April to 2 June 1945. The original West End cast included Richard Greene, Bill Owen, Kieron Moore, Ian Colin, Larry Noble, Manning Whiley and Michael Whittaker.
Design for Living
The artist Gilda and her former lover, writer Leo, are living with painter Otto, with whom Gilda is also involved. Across Paris, London, and New York, the trio repeatedly separate and reunite as each pursues other relationships and careers, until Gilda returns to Otto and Leo and the three laugh together at their unconventional arrangement.
Desire Caught by the Tail
A surreal, nonlinear farce pairs Big Foot and his love interest Tart with abstract figures such as Onion, Silence and the Bow-wows. Its stage directions call for impossible-looking visions, including transparent doors and the dancing shadows of monkeys.
Desire Under the Elms
On a New England farm, Eben resents his father Ephraim for his mother’s death. When Ephraim remarries, Eben and his stepmother Abbie become lovers; their struggle over the farm ends in the killing of their child and their joint arrest.
Desperate for Magic
A one-man, seventeen-character performance billed as a magical mystery tour through Generation X, with each character searching for something magical in life.
Destruzione di Saul e il pianto di Davit
This biblical drama follows Saul and David during a war whose enemies are portrayed as Turks. Alongside the defeat and the deaths of Saul’s sons, Pulci introduces the torture and martyrdom of Saul’s wife.
Details Cannot Body Wants
An unnamed woman delivers a 45-minute monologue about Asian women’s societal, cultural and emotional restrictions in a mixed-influence society. Its four linked concepts—details, cannot, body and wants—examine women’s struggles, limits on identity, gendered perceptions of the body and women’s desires, supported by a chorus, props, music and parody.
Detective Story
Over a day in a New York police station, detective McLeod pursues suspects with uncompromising severity. When one investigation exposes a secret from his wife’s past, his rigid view of justice collides with his personal life.
Detroit
Mary and Ben live in an unnamed suburb near a midsize American city, but the city is never specified. Ben has just lost his job as a bank loan officer, and is starting a new job operating an Internet site to give help to people who are in debt. Mary and Ben are hosting their new neighbors, Sharon and Kenny, with a backyard barbecue. Sharon and Kenny live next door in a rented house which has no furniture. During the course of the play, the characters discuss suburban angst related to upward mobility, spousal relationships and economic anxiety.
Deuce
Two former successful tennis partners, now retired, reunite to be honored at a women's quarterfinals match at the US Open. As the two women watch the match, they reminisce about athletes including Althea Gibson and Babe Didrikson Zaharias and complain about the lack of form and scanty dress of the players, while commentators Kelly Short and Ryan Becker share patter, and a starstruck middle-aged fan offers soliloquies about his idols.
Devakshara Charita
A Bhojpuri social play arguing for Devanagari’s supremacy over the Persian script.
Di shkhita
A young woman is married to a butcher who has a mistress and three adult children from an earlier marriage. His oppressive treatment drives her mad, and she kills him with a ritual slaughter knife; the play protests arranged marriage.
Dial M for Murder
A husband arranges his wife’s murder for financial gain. When the plan fails, he tries to frame her, while an inspector works out the deception.
Diamond Lil
A racy woman in the 1890s anchors Mae West's comedy and her first major Broadway success.
Diana of Dobson's
Underpaid department-store worker Diana inherits £300 and spends it on a holiday in Switzerland, where she rejects a wealthy suitor and exposes a poorer man's dependence on a rich wife. Later, both she and the man confront homelessness and hardship before renewing their engagement.
Diarmuid and Grania
A three-act poetic-prose dramatization of the Fenian tale of Diarmuid and Grania, written collaboratively by George Moore and W. B. Yeats.
Diary of a Mad Black Woman
Helen McCarter’s wealthy husband Charles ends their marriage after an affair with her friend Brenda and leaves Helen physically and emotionally abused. With support from her mother Myrtle and Madea, Helen confronts the betrayal, forms a friendship with Orlando, and ultimately chooses to reconcile with Charles after he is paralyzed in a car accident and begs forgiveness.
Dick of Devonshire
A Jacobean stage play based on the autobiography of the English sailor Dicke of Devonshire.
Dickens’ Women
In a one-person performance, Miriam Margolyes presents 23 characters—21 women and two men—based on or inspired by Dickens’s fiction and life. Character sketches, readings, biographical material and mordant commentary focus on Dickens as storyteller, his interest in youthful beauty and his relationships with his sisters-in-law.
Dickie Dick Dickens
A comic crime spectacle set in Chicago's underworld follows Dickie and his fiancée Effie through chases and shootouts, with human actors and puppets sharing the stage.
Dido, Queen of Carthage
After Aeneas arrives in Carthage, Dido falls in love with him after Cupid’s intervention and rejects her suitor Iarbas. Aeneas’s duty to sail to Italy ends the affair; Dido kills herself, followed by Iarbas and Anna.
Die Entführung, oder: die zärtliche Mutter
A five-act dramatic adaptation of Frances Sheridan's novel in the sentimental-comedy style, moving through a tragic narrative toward a happy ending.
Die Gefährtin
After his wife Eveline dies, Professor Robert Pilgram plans to bury himself in academic work. Conversations with his neighbor Olga and his friend Alfred reveal that he misunderstood Eveline's relationships and kept her lonely. Learning that Olga had concealed the truth from him as well, Robert leaves the summer resort.
Die Hermannsschlacht
Prince Hermann resists Roman pressure and an alliance offer while navigating conflict with Marbod and the Roman general Varus. After Roman violence against his people, Hermann turns them against Rome and leads the Germanic forces to victory in the Battle of the Teutoburg Forest.
Die Huldigung der Künste
Written for the newly married Grand Duke and Maria Pavlovna, the dramatic poem depicts a farming family preparing a festival for their new queen. They plant a tree as a symbol of the country, and the seven arts greet the sovereign.
Die Kontrakte des Kaufmanns. Eine Wirtschaftskomödie
Investors pursue ever-rising returns while bankers chase maximum turnover. Jelinek’s dark economic comedy follows their excess toward financial catastrophe, then the cycle’s swift return as crashes are followed by renewed speculation and million-euro adviser bonuses.
Die Panne (1979 stage version)
In Dürrenmatt’s 1979 stage reworking, Traps receives two verdicts: metaphysical guilt and legal innocence. The judge leaves the choice to him; Traps ultimately shoots himself and hangs himself.
Die Probe (Der brave Simon Korach)
A family drama about paternity and identity, in which a self-absorbed older generation's pursuit of a legacy drives away those who might carry it forward.
Die Schutzbefohlenen
Refugees fleeing Africa reach Europe across the Mediterranean, where most are denied protection. Jelinek intertwines their modern experience with allusions to Aeschylus' The Suppliants, contrasting the ancient story's asylum granted to refugees with contemporary European policy and questioning the relationship between humanitarian ideals and human rights.
Die letzte Kommune
After 78-year-old Friedrich nearly burns down his kitchen, his family considers sending him to a nursing home. Instead, he uses his hoarded savings to found a commune with his old friend Hannes. Their experiment changes when Hannes’s granddaughter, who has studied Kommune 1, arrives.
Die! Mommy! Die!
A camp parody of 1960s gothic-horror films crossed with Sophocles’ Electra. Busch developed the work from his plan to adapt Electra and play Clytemnestra, shifting the setting to 1967 and adding a horror element.
Diff'rent
Setting: The parlor of home on a side street of a seaport village in New England in 1890. Emma is engaged to an older man, a sea captain named Caleb. She discovers that he was briefly unfaithful while at sea and calls off the wedding. In the seaport village, the women tended to accept the promiscuity of the men who work at sea. Emma however, expected her future husband to be of different nature than the sailors in the village. Setting: The same location in 1920. 30 years go by, but the ageing sea captain still hopes that he can marry his former fiancé from 1890, Emma. Caleb's sister Harriet and her husband, Alfred, have raised their son Benny, who has now returned to the seaside from a tour of duty in World War I, where he had been stationed in France. Benny becomes good friends with Emma, who he sometimes calls Aunt Emma. On the stage, the audience sees that Benny is having various financial problems and has hatched a plan. However, the audience does not know what it is. Emma does not know that Benny was actually a grifter and charlatan. Caleb later arrives and notices how her home has changed. Emma explains that in the last two weeks, the "gloomy and old-timey" look of the house started to bother her so changed the style to "light and airy and young-looking". Caleb explains to Emma Benny's real character, his dishonesty and so on. Caleb also points out that he, however, has always been honest with her, especially after expressing regret for the unfortunate act. Emma declares that she is going to marry Benny. Caleb, clearly upset, tells Emma that he would rather pay Benny to cancel the wedding than see Emma suffer with a terrible mistake. Caleb tells Emma that he had always thought she was "diff'rent" than the rest of the people in the village. However, he now finds her the same as everyone else, but just more mentally ill. After Caleb leaves, Benny returns. Benny tells Emma that he will take the bribe from Caleb to not marry her. Benny was using Emma as if she were property that he could negotiate with. Emma is overwhelmed with shock of Benny explaining this to her. Emma later learns of Caleb's suicide, and she begins to exit, intending to join Caleb.
Dili Supari Baikochi
Two husbands are thrown out by their wives on the same anniversary day: a clerk after a stolen necklace goes missing and a jewel thief after his wife discovers a fake. The men meet at a bar and contract with each other to get even with their wives.
Dimboola
At the wedding of Protestant Morrie McAdam and Catholic Reen Delaney, their two families try to maintain decorum as drink, insults, and fights unleash comic chaos. The audience is treated as wedding guests, served food and drink, and drawn into the action.
Dinner
Paige Janssen invites friends to dinner to celebrate the publication of her husband Lars's book. Unusual courses and an unexpected guest bring surprising revelations and eventually death.
Dinner Party
During an apparently innocent dinner at the Oldofredi home on the night Italy wins the 1982 World Cup, the guests engage in a parallel game of coups, betrayals, revelations and ambiguity.
Dinner at Eight
Dinner at Eight is a 1932 American play by George S. Kaufman and Edna Ferber. The plot deals with the Jordan family, who are planning a society dinner, and what they, as well as various friends and acquaintances—all of whom have their own problems and ambitions—do as they prepare for the event. The film adaptation Dinner at Eight followed, and Mentone Productions released a spoof, Supper at Six. Several revivals, a made-for-TV movie, and an opera followed.
Dinner with Friends
During a dinner at Gabe and Karen's home, their longtime friend Beth reveals that she is divorcing Tom after his infidelity. A flashback to the couples' introduction and subsequent scenes show how the breakup makes Gabe and Karen question their own marriage and friendships.
Dinny and the Witches
A young musician, Dinny, accidentally gains control of the world by playing his trumpet to three witches. After time leaps forward a century, the witches trick him into surrendering the world in exchange for making his beloved Amy perfect; the seven deadly sins kill her, and the cycle returns to its beginning with Dinny and Amy imagining their future child.
Dionysus in 69
The Performance Group’s environmental adaptation of The Bacchae deconstructs Euripides’ text with performer-devised material and draws spectators into the action, using a flexible shared space and participatory ritual staging.
Diplomacy
Among English officers and diplomats, the theft of an official dispatch entangles a marriage in suspicion and espionage. The husband’s brother takes a central role in uncovering the intrigue, while the Russian spy Countess Zicka becomes a more sympathetic figure as the deception is exposed.
Diplomatie
In August 1944, Swedish diplomat Raoul Nordling meets German general Dietrich von Choltitz in his Paris hotel suite to persuade him not to carry out Hitler’s order to destroy the city; their tense, largely dialogic cat-and-mouse conversation imagines the encounter.
Director’s Cut
An independent filmmaker begins his first big-budget Canadian movie with money, stars, and a clear artistic vision. As the production falls apart, the compromises of mainstream filmmaking become increasingly difficult to ignore.
Dirty Blonde
Dirty Blonde is a play by Claudia Shear. The play ran Off-Broadway and on Broadway in 2000. It involves two fans of Mae West who discover their shared passion for her, and for each other.
Dirty Hands
Set in fictional Illyria near the end of World War II, the play follows young Communist Hugo Barine, ordered to assassinate party leader Hoederer for negotiating a coalition. Told largely in flashback, it examines whether Hugo's act was driven by political conviction or personal jealousy.
Dirty Linen and New-Found-Land
In Dirty Linen, a parliamentary committee investigates a tabloid sex scandal while its members try to hide their own affairs with their secretary, the woman behind the accusations. New-Found-Land interrupts the play with a short exchange between two Home Office officials debating an American’s naturalization; the committee later returns to finish its report.
Dirty Story
The political relationship between Israel and Palestine is allegorically staged as a turbulent sexual and sadomasochistic relationship between a man and a woman, refereed by an armed American cowboy and his British sidekick.
Dirty Work
Shop-walker James Milligan is suspected when a jewel disappears, and a corrupt house detective plants it on him. Milligan, junior employee Evie Wynne and several colleagues stage a fake burglary to lure the real jewel thieves back into the shop, exposing the gang and clearing Milligan.
Disengaged
At Brisket Place, naïve army captain Llewellyn Prime is manipulated into proposing to Blandina Wigmore, who accepts. Mrs. Jasper, one of the original plotters, repents and frees Prime from the engagement before accepting his proposal; Blandina meanwhile accepts Percy Trafford and later regrets it.
Disgraced
Lawyer Amir Kapoor, who has distanced himself from his Muslim upbringing, hosts a dinner with his wife, a colleague, and her husband. A discussion of religion and politics exposes conflicts over identity, ambition, and belonging, with consequences for Amir’s marriage and career.
Disraeli
In a fictionalized 1875, Prime Minister Benjamin Disraeli seeks financing to buy the Suez Canal shares and secure Britain's route to India while outmaneuvering Russian spies. He also tries to bring young Clarissa and Charles together and reunite with his ailing wife, Lady Beaconsfield. The play invents characters and incidents around the historical transaction.
Distressed Innocence
Distress'd Innocence; Or, The Princess Of Persia is a 1690 tragedy by the English writer Elkanah Settle. It was first performed by the United Company at the Theatre Royal, Drury Lane in London. Incidental music was composed for the play by Henry Purcell. The original cast included John Bowman as Isdigerdes, William Mountfort as Hormidas, George Powell as Theodosius, John Hodgson as Audas, George Bright as Cleontes, Edward Kynaston as Otrantes, Samuel Sandford as Rugildas, John Freeman and John Verbruggen as Persian Magi, Elizabeth Barry as Orundana, Anne Bracegirdle as Cleomira and Katherine Corey as Doranthe.
Diversion
Young Wyn Hayward becomes infatuated with Rayetta Muir, an actress who treats their Italian holiday affair as brief. When she rejects him in London, his fixation grows; after she turns him away, he strangles her. He confesses to his surgeon father, who gives him poison to avoid the legal consequences.
Dividing the Estate
Dividing the Estate is a play by Horton Foote. The play premiered at the McCarter Theatre in 1989 and Off-Broadway in 2007, winning the Outer Critics Circle Award for Outstanding New Off-Broadway Play.
Diving for Pearls
Set in Port Kembla against the economic rationalism of the 1980s, this Australian play places its drama in the industrial community’s changing economic climate.
Divorçons
Cyprienne seeks to leave her husband Des Prunelles for Adhemar after a mistaken belief that divorce has become legal. Des Prunelles feigns an affair, making Cyprienne jealous and leading the couple to reconcile.
Djungelboken
In a post-apocalyptic Stockholm overgrown by jungle, wolves find an abandoned human baby, Mowgli. When Shere Khan demands the child, Akela calls a council and Mowgli is accepted into the pack after Baloo and Bagheera speak for him. The production recasts the animals as contemporary social groups.
Do Androids Dream of Electric Sheep?
In a post-apocalyptic world, bounty hunter Rick Deckard is assigned to kill escaped androids while wrestling with the distinction between human and machine. The novel’s plot centers on his hunt, the androids’ attempts to survive, and his growing uncertainty about empathy and identity.
Do You Come Here Often?
Do You Come Here Often? is a 1997 play written by Sean Foley and Hamish McColl of the two-person theatre company, The Right Size.
Dobytí severního pólu
A performance begins with mock lectures about the fictional polymath Jára Cimrman before turning to four Czech winter swimmers on a comic expedition to the North Pole. Their journey is beset by melancholy, hunger, a mistaken penguin encounter, and a frozen explorer who revives after serving as part of a supposed cryogenic experiment. The expedition's triumph is kept secret so Austria will not receive credit.
Doc
Catherine returns home after her father suffers a heart attack. Their confrontation summons memories of her childhood and her mother’s unhappiness, forcing both to revisit the family history they have understood differently.
Doctor Almasaro, or The Jews of Palermo
Historical Yiddish drama in rhymed couplets about the Jews of Palermo, centered on a doctor whose calm demeanor conceals power he has vowed to use only if all else fails.
Doctor Faustus
The scholar Faustus turns from conventional learning to necromancy and makes a pact with Lucifer through Mephistopheles, trading his soul for twenty-four years of power. He uses magic for spectacle and mischief, repeatedly considers repentance, but fails to turn back before the devils claim him at the end of the term.
Doctor Irabu
Psychiatrist Dr. Ichirō Irabu encounters three patients: aspiring actress Hiromi Yasukawa, who fears stalkers; timid office worker Tetsuya Taguchi, who has priapism; and young yakuza leader Seiji Ino, who fears spiky objects. The linked stories adapt material from Hideo Okuda’s collections In the Pool and Flying Trapeze.
Doctor Knock
The ambitious Dr. Knock arrives in a rural village, Saint-Maurice, to step into Dr. Parpalaid's footsteps as the local physician. Unfortunately, most of the villagers are in good health. He therefore decides to make everybody believe they are actually far sicker than they actually are... The magazine Esperanto summarized the play in 1932 as being about an old-fashioned doctor and a very modern doctor, both tricking each other, with the modern doctor Knock winning.
Doctor Scroggy’s War
During the First World War, Jack Twigg abandons his Oxford scholarship to enlist. After serving in the Battle of Loos and suffering a facial injury, he is treated at Harold Gillies’s hospital, where Gillies’s comic alter ego Dr Scroggy tries to lift patients’ spirits; Twigg ultimately returns to the Western Front.
Doctor Who Live: The Monsters Are Coming!
Showman Vorgenson uses a Minimiser to summon monsters and tries to lure the Doctor into his travelling show. When he accidentally draws Winston Churchill from the past and threatens a temporal paradox, the Doctor intervenes; the Daleks later reveal they inspired the device and attempt to trap the Doctor before the Cybermen and Daleks battle on stage.
Doctor X
A series of murders draws an editor of the New York Ledger and his reporter into a mystery filled with concealed passages, secret panels and sudden alarms.
Dodsworth
Samuel Dodsworth sells his share in an automobile company and travels to Europe with his wife Fran, who grows dissatisfied with him and pursues other men. When she says she will leave him for a European royal, Sam reconnects with Edith Cortright, but breaks off their relationship before realizing how much he loves her.
Does a Tiger Wear a Necktie?
The story is a racially charged drama about teen drug addicts at a rehabilitation center, located on an island in a river bordering a large industrial city. An English teacher tries to make a difference in his students' lives. He encounters barriers in trying to do this—the same barriers created by the system that hinders the addicts' development and keeps them coming back. One addict, Bickham, is a tough white teenager who searched for his father and found him working in a seedy barber shop. Upon meeting his son, the barber shows him a dirty photograph. Contrasting Bickham is Conrad, an African-American addict. Conrad wants to recover and marry his love Linda. During the play, his character leaves the rehabilitation group to live with his sister, who is also an addict. Aside from the students, there are only four characters in the rehabilitation center – a teacher, a psychiatrist, a policeman, and the center's principal.
Dog Day Afternoon
Dog Day Afternoon is a play by American playwright Stephen Adly Guirgis, based on the 1975 film of the same name directed by Sidney Lumet.
Dog Sees God: Confessions of a Teenage Blockhead
CB and CB's sister have a funeral for their dog, who recently contracted rabies and was put down after killing "a little yellow bird" and nearly biting CB. The funeral ends in failure as they argue over who should say a prayer for him. After the funeral, CB approaches Van and asks him what happens to humans when they die. He answers that they get reincarnated. When CB asks Matt the same question, Beethoven walks by and Matt calls him a fag. At lunch, Marcy and Tricia tell their friends about an upcoming party at Marcy's house. Later on, CB goes to Beethoven's practice room to listen to his piano playing, but ends up monologuing over his dead dog. An irritated Beethoven tells CB about how he cannot go through his day without someone bullying him in some sort, including CB himself. CB claims that he never meant any harm, but Beethoven counters that people "messing around" with him is just a front for harassment and violence. CB makes a truce with Beethoven and invites him to the party to re-establish their friendship. They share a kiss. Beethoven arrives at the party to everyone's surprise. Matt insults Beethoven again, but CB comes to Beethoven's defense and kisses him, this time in front of everyone. After abruptly leaving the party with CB, Beethoven demands an explanation for what happened. CB explains he revealed his feelings not out of obligation to Beethoven, but because he truly wanted to do so. The morning after, Matt, Tricia, and Marcy all wake up together, half-naked and wondering what happened between them the night before. CB goes to visit Van's sister, who was institutionalized for setting the Little Red-Haired Girl's hair on fire. CB tells her the whole story, also revealing to her that he and Beethoven had sex after the party. A few days later, Matt, Tricia, Marcy, and Van eat lunch together and are all stunned at what happened at the party. Matt vows to make Beethoven pay for "fucking with [his] best friend's head." Meanwhile, CB and Beethoven argue over whether or not they should be in a relationship. CB leaves disappointed but hopeful for the future between them. Matt then enters and threatens Beethoven to stay away from CB. Beethoven refuses, calls him by his old nickname, Pig-Pen, and implies he knows Matt's "secret": that Matt has repressed homosexual feelings for CB. This angers Matt, who slams the piano top over Beethoven's hands, breaking them. During class later on, CB's friends take turns sharing fond memories of Beethoven, who had committed suicide (Matt, meanwhile, was suspended from school for a week). However, knowing they all bullied Beethoven, CB berates them for pretending that they actually cared about him. CB receives a letter from his pen pal. In the letter, he tells CB that he must keep strong, even in rough times. It also mentions a boy "who plays piano just like [CB's] friend" that moved in near the pen pal, that "he's had a tough life, but things are better for him, now," and that he found a dog who likes to sing along to the piano (like CB's dog did, alluding that Beethoven is now caring for CB's dog in the afterlife). The letter is signed "CS", an allusion to Peanuts creator Charles M. Schulz.
Dogfall
Soldier Will and medic Jack move through trenches and bunkers in different wars as the play links them into one unending conflict. A semi-pacifist joins them amid shifting battlefields and an impossible rain of cats, dogs, and other animals.
Dogg's Hamlet
Schoolchildren rehearse Hamlet in English, which they treat as a foreign language, while the actors otherwise speak Dogg, a language made of familiar English words with different meanings.
Dogg's Hamlet, Cahoot's Macbeth
A paired bill: Dogg's Hamlet turns ordinary English words into a language with different meanings as schoolchildren rehearse Hamlet; Cahoot's Macbeth stages a shortened Macbeth under scrutiny by a secret-police officer, using the pair's coded language as artistic dissent.
Dolly West’s Kitchen
In wartime Buncrana, Dolly West runs her family household while three foreign visitors—a former lover serving with the British, and two American soldiers—arrive at her mother’s invitation. Their presence brings the war and its disputes over Irish neutrality into the kitchen, where the West family confronts loyalty, jealousy, sexual identity and love.
Domesticated
Politician Bill Pulvar and his wife Judy confront the fallout from a sex scandal, in a comic drama examining gender issues and marriage.
Don Carlos
Prince Carlos loves Elisabeth of Valois, his former fiancée and now his stepmother, while his friend the Marquis of Posa urges him to support liberty in the Netherlands. Court intrigue and Philip II's growing suspicion end with Posa's sacrifice and Carlos's delivery to the Inquisition.
Don Carlos, Prince of Spain
Don Carlos, Prince of Spain is a 1676 tragedy by the English writer Thomas Otway. It portrays the relationship between Philip II of Spain and his son and heir Don Carlos. The play is based on the novel by Abbe de Saint-Réal. It was staged by the Duke's Company at the Dorset Garden Theatre. The cast featured Thomas Betterton as Philip II, William Smith as Don Carlos, Henry Harris as Don John, John Crosby as Marquis of Posa, Matthew Medbourne as Rui Gomez, Henry Norris as an Officer of the Guards, Mary Lee as the Queen of Spain, and Anne Shadwell as the Duchess of Eboli.
Don Gil of the Green Breeches
Betrayed by Martin, who plans to marry the wealthier Ines, Dona Juana disguises herself as a man in green breeches. Her pursuit produces rival claimants to the name Don Gil.
Don Juan
The libertine Don Juan seduces and abandons women, evades the consequences of his actions, and rejects repeated warnings to repent; the statue of a man he killed ultimately brings him to a supernatural judgment.
Don Juan
Tolstoy recasts Don Juan as a Romantic seeker of ideal love, which links the human soul to higher realms, rather than as a mere philanderer. The drama is dedicated to Mozart and E. T. A. Hoffmann and includes Faustian and Goethean influences.
Don Juan
Brecht’s version follows the notorious womanizer Don Juan and his servant Sganarelle through much of Molière’s comic plot, recast with an anti-aristocratic emphasis.
Don Juan Comes Back from the War
Set in late 1918, the play follows Don Juan's disorientation on returning from the First World War as a celebrated hero, his love for a woman who died in the war, and his death at her grave.
Don Juan Tenorio
After betting that he can seduce more women and kill more men than his rival, Don Juan abducts Doña Inés and kills her father and his rival. Five years later, he returns to find Inés dead and his own time nearly gone. Her spirit offers her soul for his; he repents, and they are redeemed together.
Don Juan in Soho
Don Juan in Soho is a play by the British playwright Patrick Marber after Molière (see Dom Juan).
Don Juan und Faust
In Rome, Don Juan pursues Donna Anna and kills her father and fiancé. The magician Faust abducts Anna after bargaining with the Devil for power, but when she resists him, he kills her; Don Juan continues his conquests and is ultimately dragged to Hell for refusing to repent.
Don Parties On
Forty years after Don’s Party, Don and his old friends gather at his home on Australian federal election night in 2010. As election results come in, the now older group compares the turns their lives have taken and mixes politics, strong personalities, and alcohol.
Don Pedro
Don Pedro is a tragic play by the British writer Richard Cumberland. It was first staged at the Theatre Royal, Haymarket in London on 23 July 1796. The original cast included James Aickin as Count Valdesoto, Charles Kemble as Henrique, John Palmer as Pedro De Rascifiria, John Bannister as Basco de Robeldondo, Richard Suett as Nicolas Sassenigo, Thomas Caulfield as Tayo, George Wathen as Roca, Robert Palmer as Cerbero and Elizabeth Kemble as Celestina, Sarah Harlowe as Mariguita, Maria Kemble as Cattania and Elizabeth Hopkins as Benedicta. The epilogue was written by George Colman the Younger.
Don Pedro, King of Castile
Blanche has been forced to marry King Peter, although she is really in love with his brother Henry. The king mistreats her and spends much of his time with his mistress Maria de Padilla. Maria schemes with her Jewish ally Raban to bring about the Queen's death, while Peter and Henry do battle with each other.
Don Pèdre, roi de Castille
At the medieval Castilian court, Don Pèdre and his half-brother Transtamare contend for the throne and Léonore's hand. With Church backing and French military aid, Transtamare defeats and murders Pèdre, takes the throne, and drives Léonore to choose death rather than marry him.
Don Sebastian
Don Sebastian, King Of Portugal is a 1689 tragedy by the English writer John Dryden. It is based on the reign of King Sebastian of Portugal leading up to his defeat and death at the Battle of Alcácer Quibir in 1578. An Elizabethan play The Battle of Alcazar also portrays the events. It was first staged by the United Company at the Theatre Royal, Drury Lane. The original cast included Joseph Williams as Don Sebastian, Edward Kynaston as Muley Moluch, Thomas Betterton as Dorax, Samuel Sandford as Benducar, Cave Underhill as Mufti, William Mountfort as Don Antonio, John Bowman as Don Alvarez, Anthony Leigh as Mustapha, Elizabeth Barry as Almeyda, Susanna Mountfort as Morayma and Elinor Leigh as Johayma. It was published in 1690 and dedicated to the politician the Earl of Leicester.
Don Special
During a newspaper night shift in Pune, editor Milind Bhagwat prepares to name the builders responsible for a fatal collapse. A former lover working for the firm asks him to suppress its name, testing his professional principles against their personal history.
Don's Party
During the 1969 Australian federal election, schoolteacher Don hosts friends to celebrate an expected Labor victory. As the results disappoint, drinking and increasingly ugly exchanges expose the guests' frustrated ambitions and relationships.
Don't Dress for Dinner
Bernard plans a weekend with his mistress while his wife Jacqueline is away, but Jacqueline stays home and Bernard’s friend Robert arrives. A caterer, a mistress, and a series of mistaken identities and cover stories entangle the couples until the caterer’s husband appears.
Don't Drink the Water
In an unnamed European country behind the Iron Curtain, the American Ambassador must leave the embassy for business. In his absence he places his incompetent son Axel Magee in charge. Almost immediately the embassy is thrust into a crisis as the Hollanders, an American family of tourists, come rushing in on the run from the Communist police. Walter Hollander, the father, had accidentally sneaked into a high security area and taken pictures, causing the communists to believe that the family are spies. Axel digs the hole deeper and the embassy is surrounded, leaving the Hollanders trapped. The parents, Walter and Marion, act buffoonishly and make business at the embassy difficult, especially after Walter insults a high-class Sultan. The family's adult daughter Susan bonds with Axel, causing him to develop feelings for her even though she is engaged. After the incident with the Sultan, Axel's father demotes him and elevates his favor-seeking assistant Kilroy in charge instead. Kilroy almost immediately fixes the problem and arranges an exchange for a communist spy in jail in America. The communist police head Krojack still believes that the Hollanders are spies and confronts Walter. Walter, assuming that he is free, jokingly admits that he is. Kilroy then announces that the exchange has been called off, as the spy has committed suicide. Krojack plans to increase the hostilities against the embassy. Susan, having recently announced her engagement has been called off, kisses Axel to Walter's horror. Though there are now riots outside the embassy, Walter is much more concerned with Axel's and Susan's relationship. Axel and Susan come up with a plan to escape by using a party in the Sultan's honor as a cover while Father Drobney, a priest who has been hiding in a small room in the embassy for six years, works out the details. Walter is given a gun for the escape and accidentally shoots and wounds Kilroy. During the party Walter and Marion go through several problems, mainly due to a number of revelations or near-revelations of their own secret identities. Upon finally making it out, Walter accidentally shoots someone again—it proves to be Axel's own father. The escape appears to have failed till Axel discovers that the Sultan and his wife are still in the house, severely hungover from the night before. Disguising Walter and Marion as the couple, they plan to continue with the original escape. As for Susan, Axel plans to give her diplomatic immunity as the wife of a diplomat: himself. Walter and Marion escape as Father Drobney marries Axel and Susan.
Don't Worry Be Happy
Career-focused couple Akshay and Pranoti have agreed to remain child-free for five years, but when Pranoti is diagnosed with PCOD, they try to identify and reduce the stress in their lives amid marriage and extended-family tensions.
Donkeys' Years
Donkeys' Years is a play by English playwright Michael Frayn that premiered at the Globe Theatre, London, in 1976. The play is a West End farce, a genre that Frayn parodied five years later in his play within a play "Nothing On" from Noises Off. The play featured Penelope Keith, who subsequently won the 1976 Olivier Award for Best Comedy Performance.
Doormats
Artist Noel Gale’s wife Leila becomes involved with Captain Harding while Noel is away. After returning, Noel offers to leave so the two can be together, but Harding refuses the sacrifice and Leila reconsiders; the play frames their conflict through the contrast between yielding “doormats” and assertive “boots.”
Dos groyse gevins
Poor Jewish tailor Shimele Soroker from a small town in the Russian Empire wins a 200,000-ruble jackpot.
Double Dan
Double Dan is a 1927 comedy crime play by the British writer Edgar Wallace. It is inspired by the 1924 novel Double Dan by Wallace. The plot concerns high finance and a criminal who is a master of disguise. It ran for nine performances at the Savoy Theatre in the West End having premiered at the Opera House Theatre in Blackpool. The cast included Alfred Drayton, Peter Haddon, Reginald Bach and Josephine Wilson.
Double Falsehood
Henriquez rapes Violante and pursues Leonora while his brother Julio is away, betraying both women and his friendship with Julio. Roderick later brings the four together and engineers a confrontation that leads to Julio and Leonora's reunion and Henriquez's attempt to marry Violante in repentance.
Doubt, A Parable
The play is set in the fictional St. Nicholas Church School, in the Bronx, during the fall of 1964. It opens with a sermon by Father Flynn, a beloved and progressive parish priest, addressing the importance of uncertainty: "Doubt can be a bond as powerful and sustaining as certainty." The school's principal, Sister Aloysius, a rigidly conservative nun who is vowed to her order, the Sisters of Charity, insists upon constant vigilance. During a meeting with a younger nun, Sister James, Aloysius reveals a deep mistrust toward her students, her fellow teachers, and society in general. Naïve and impressionable, James is easily upset by Aloysius's severe manner and harsh criticism. Aloysius and Flynn are put into direct conflict when she learns from James that the priest had a one-to-one meeting with Donald Muller, St. Nicholas's first African-American student. Mysterious circumstances lead her to believe that sexual misconduct occurred. In a private meeting, purportedly regarding the Christmas pageant, Aloysius, in the presence of James, openly confronts Flynn with her suspicions. He angrily denies wrongdoing by insisting that he was disciplining Donald for drinking altar wine and claims to have been protecting the boy from harsher punishment. James is relieved by the explanation. Flynn's next sermon is on the evils of gossip. Aloysius, dissatisfied with Flynn's story, meets with Donald's mother, Mrs. Muller. Despite Aloysius's attempts to shock her, Mrs. Muller says she supports her son's relationship with Flynn. She ignores Aloysius's accusations. Before departing, she hints that Donald may be "that way", which may cause her husband to be beating him. Flynn eventually threatens to remove Aloysius from her position if she does not back down. Aloysius informs him that she phoned the last parish to which he was assigned and that she discovered a history of past infringements. After declaring his innocence, the priest begins to plead with her, but she blackmails him and demands that he resign immediately, or she will publicly disgrace him with his history. Disgusted, she leaves the office. Flynn calls the bishop to apply for a transfer, and is subsequently promoted to pastor of a nearby parochial school. After hearing the news, Aloysius reveals to Sister James that the decisive phone call to Flynn's previous parish was a fabrication and that she has no evidence of past wrongdoing. As a result, Aloysius is left with ambiguous doubt, and the audience is left to wonder if the doubt is in either herself or the Church. With no proof of Father Flynn's guilt or innocence, the audience is left with its own doubt.
Douglas
Lady Randolph reveals that her infant son by Douglas was lost after being sent away. Raised as Young Norval by a shepherd, he returns and wins distinction, but jealous Glenalvon deceives Lord Randolph into killing him. Lady Randolph takes her life, while the conspirators are exposed.
Down Came a Blackbird
Down Came a Blackbird is a 1953 comedy play by the British writer Peter Blackmore. It was first staged at Q Theatre in London before transferring to the West End where it ran for 53 performances at the Savoy Theatre between 22 December 1953 and 6 February 1954. Directed by Henry Kendall the cast included Peter Arne, Viola Keats, John Loder and Betty Paul. The title is taken from a line in the traditional nursery rhyme Sing a Song of Sixpence. It takes place entirely in the garden room of the Egyptian villa of Sir Clive Dawson.
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