8284 shows
Clear filtersIn overlapping scenes and dialogue, a young man named Liam drifts through contemporary London, buffeted, excluded and intimated by those around him. The play gives voice to his inarticulacy and portrays the aimlessness and alienation of young people living at the margins.
After an awkward blind date, Theresa Bedell politely ends things with Tony Ross. He begins intruding into her work and home life, and her efforts to get help and evade him cannot restore her sense of safety or identity.
"The story is too crack-brained to be intelligibly recorded here". --Brooks Atkinson
Ghanaian photographer Karl seeks an 'African Prince' and meets Donovan, a young Caribbean van driver. Their relationship grows from an unromantic first encounter to mutual love, while prejudice, machismo and Donovan's girlfriend's HIV diagnosis complicate his acceptance of his sexuality.
In 1980s Liverpool, Chrissie, Loggo, George, Dixie and Yosser struggle to support their families after steady work disappears. They search for jobs and ways around the benefits inspectors while trying to preserve their friendships and humour.
Three former college friends try to navigate adult life and relationships in the city. Married father Jack pursues affairs, Phil struggles with insecurity, and Don gambles a steady relationship on another conquest, exposing the prolonged adolescence beneath their claims to maturity.
In 1930s Yorkshire, coal magnate Harold faces closing a pit while his wife Elizabeth remains consumed by their son’s death in a disused mine. When family friend Terence appears possessed by the boy, the adults confront their grief and the truth behind the episodes.
Braganza is a 1775 tragedy by the Irish writer Robert Jephson. It portrays the overthrow of Spanish rule in Portugal during the seventeenth century, leading to the establishment of the Braganza Dynasty. The original Drury Lane cast included Mary Ann Yates as Duchess, William Smith as Velasquez, John Palmer as Ribiro, James Aickin as Almada, John Hayman Packer as Ramirez, William Brereton as Mendoza, Howard Usher as Lemos, Richard Hurst as Corea, James Wrighten as Antonio and Samuel Reddish as Duke. The prologue was written by Arthur Murphy.
The idealistic priest Brand demands uncompromising commitment from himself and others. He accepts a parish post, refuses to leave when his ill son needs a healthier climate, and later loses his wife after testing her devotion. He leads his congregation into the mountains seeking a boundless church, but the people turn against him; as an avalanche buries the valley, Brand asks God whether salvation considers human will.
Ruth, the daughter of an ex-convict, marries Arthur after nursing him back to health. When Arthur is presumed lost at sea and his family faces financial ruin, Ruth tries to save his father from foreclosure while hiding a truth about her marriage; the returning Arthur resolves the family's fate.
An episodic two-act play of monologues and scenes about different aspects of LGBTQ+ Americans’ lives, with recurring themes of overcoming discrimination and other obstacles. Its final scene addresses suicide.
The play follows Australian lieutenant Harry “Breaker” Morant's court-martial and final days during the Boer War, in the case that also involved fellow lieutenant George Witton and Peter Handcock.
It follows a radio celebrity couple with a morning show, similar to "Breakfast with Dorothy and Dick" and Tex and Jinx. This time the show is fictional "Breakfast with Les and Bess". The show follows them on- and off-air with their radical son David and strange daughter Shelby in 1961 in a Central Park South flat. Also appearing, a lost interview with Rainier III, Prince of Monaco and the new rock-music that threatens to change their way of life.
In 2022, Ross O’Carroll-Kelly is in his forties and alarmed when his daughter Honor brings home Traolach, whose resemblance to a young Ross unsettles him.
Hugh Whitemore’s drama portrays Alan Turing’s wartime codebreaking and pioneering computer work alongside his struggle to come to terms with his homosexuality.
A brief, wordless stage piece pairs a birth cry and one recorded inhalation and exhalation with a rise and fall in light over a stage scattered with miscellaneous rubbish. No people appear on stage.
Roger advertises online for someone willing to be killed, and two people respond. When he falls in love with Amy, desire and violence collide in an examination of the distance between intimate partners.
When a maid steals a fur for her employer, Dame Beatrice Appleby and her elderly housemates try to return it without exposing her. They then turn fur theft into a charitable scheme, narrowly evading detection and leaving open the possibility of stealing other things.
Told in reverse, the play begins when hotel maid Amy discovers Jim’s corpse, then moves backward through events involving a young woman’s body found in Jim’s warehouse and the despair that led to his suicide.
Breindele has driven five husbands to suicide; her sixth, Guberman, marries her believing he will fare differently, but she ultimately drives him to suicide too.
Brewster's Millions is a play written by Winchell Smith and Byron Ongley, based on the 1902 novel of the same name by George Barr McCutcheon. Producers Frederic Thompson and Elmer "Skip" Dundy staged it on Broadway in 1906. The play is about a young man who must spend a million dollars that he has inherited in order to inherit many millions more.
A fictitious terrorist group, the Kingsway Three, plans to brick up the tunnels joining Liverpool to the Wirral.
After losing his bride Victoria to an ancient family curse, Jabez Thorngall marries Daphne Dixon, an American heiress working as a Scottish bartender. A missing piece of leather and a man locked in the family vault draw suspicion toward the household handyman and the supposed Beast of Brackenloch.
A historical tragedy about Babek’s revolt against the Arab Caliphate, with Babek represented by the play’s protagonist Elkhan; Solmaz, a servant at a fire-worshippers’ temple, has a central plot line.
Sarah Jones performs a series of characters representing the diverse immigrant communities of New York City's boroughs outside Manhattan. Each character takes the stage at a poetry reading and talks about their life.
A readers’ theatre dramatization of Operation Auca: five missionaries prepare for contact with the Huaorani in Ecuador, carry out aerial gift drops, and are killed after entering Auca territory; Elisabeth Elliot narrates the later community’s redemption.
In a one-person performance, John Aubrey recalls the famous men he met and documented, including René Descartes, Thomas Hobbes and Christopher Wren.
Burned-out horror actor Jack Flynn retreats to a family cabin with his newspaper-editor brother and the brother's strange young ward after his marriage and career collapse. Against the backdrop of an ongoing funeral outside, tensions spiral into murder, madness, and grotesque acts.
Brighton Beach Memoirs is a semi-autobiographical play by Neil Simon. The play is a coming of age comedy focused on the main character of Eugene Morris Jerome, a Jewish teenager from a Polish immigrant family. It is set in September 1937 in the Brighton Beach section of Brooklyn, New York, during the Great Depression. According to Simon, the play tells its story "through the eyes of a 15-year-old boy who is writing his memoirs—which is what I did when I was 15". and was followed by Biloxi Blues (1984) and Broadway Bound (1986). The play was adapted into a film of the same name in 1986.
Adapted from Graham Greene's novel, the play portrays the downfall of an ambitious young criminal in Brighton, alongside the luckless waitress Rose.
A comedy about sexual harassment and political correctness examines conflicts in changing social values.
A mysterious young stranger, Martin Taylor, inserts himself into the home of Tom and Amy Bates, whose daughter Pattie has been left dependent after a hit-and-run. Martin claims a prior relationship with Pattie, gains the couple's trust, and reveals demonic power; his assault on Pattie and her recovery expose the danger he poses.
Roy Brown forms the Welsh pressure group Carreg Las to campaign for Stonehenge’s bluestones to be returned to the Preseli Hills. The group’s claim, inspired by debates over the Elgin Marbles, is a publicity-generating spoof that unexpectedly attracts real attention.
After the body of their son Jimmy, killed in Vietnam, arrives, his middle-class family faces a television station seeking to film their reactions. Jimmy rises and asks why he died, while the family’s earlier dysfunction and conflict become newly exposed.
Nero’s desire for Junia, Britannicus’s fiancée, drives him to assert himself against his mother Agrippina and plot against his adoptive brother, whose succession claim he has already usurped.
Broadway is a 1926 Broadway play produced by Jed Harris and written and directed by George Abbott and Philip Dunning. It was Abbott's first big hit on his way to becoming "the most famous play doctor of all time" after he "rejiggered" Dunning's play. The crime drama used "contemporary street slang and a hard-boiled, realistic atmosphere" to depict the New York City underworld during Prohibition. It opened on September 16, 1926, at the Broadhurst Theatre and was one of the venue's greatest hits, running for 603 performances.
Broadway Bound is a semi-autobiographical play by Neil Simon. It is the last chapter in his Eugene trilogy, following Brighton Beach Memoirs and Biloxi Blues.
Socialite Jackson "Broadway" Jones was born wealthy but has squandered his money through his life as an irresponsible playboy. Now indebted to creditors, he attempts to solve his financial problems by becoming engaged to an older but wealthy widow, Mrs. Girard, whom he does not love. Jones's path is altered after the unexpected death of his grandfather, who leaves Broadway a chewing gum factory in his will. Broadway travels to the factory in Jonestown, Ohio, intending to selling the factory to a chewing gum conglomerate to raise money to pay off his debts. He soon meets the factory's secretary, Josie Richards, who pleads with him not to sell the factory, as its prospective buyers plan to shut the factory after the sale. Broadway falls in love with Josie, and ultimately the play ends with the couple planning to get married and running the factory together as a couple.
In rural Wyoming in 1963, Ennis and Jack take jobs on the isolated Brokeback Mountain and fall in love. Across twenty years, they struggle to sustain a hidden relationship within a poor, conservative community, accompanied by a balladeer and a country band.
Phillip and Sylvia Gellburg are a Jewish married couple living in Brooklyn, New York City, in the last days of November 1938. Phillip works on foreclosures, at a Brooklyn mortgage bank. When Sylvia suddenly becomes partially paralyzed from the waist down, after reading about the events of Kristallnacht in the newspaper, Phillip contacts Dr. Harry Hyman. Dr. Hyman believes Sylvia's paralysis is psychosomatic, and though he is not a psychiatrist, he begins to treat her according to his diagnosis. Throughout the play, Dr. Hyman learns more about the problems Sylvia is having in her personal life, particularly in her marriage. After an argument with his boss, Philip suffers a heart attack and begins dying at his home. He and Sylvia confront each other about their feelings. Before Phillip dies (although his death is never confirmed), his final words are "Sylvia, forgive me!". Upon his "death", Sylvia is cured of her paralysis.
On an island where grieving women have turned their love to objects, Prince Florian secretly gives voice to their sundials and fountains. His play with Lady Vavir's feelings endangers her life, while the servant Mousta uses an invisibility veil to win a pledge from Lady Hilda; the women and rivals confront love, appearance and sacrifice.
After an unexplained disaster, an old woman and five teenagers begin acting out stories for a mute, frightened child, gradually discovering who they were and what they might become.
A biographical drama about the Brontë sisters, their brother Branwell and their father Patrick, which also brings in characters from the sisters' novels, including Cathy and Heathcliff.
In 1977, Yogi Berra tries to reconcile Reggie Jackson and Billy Martin after their near-brawl, then dreams of dining with his wife and Yankees stars from different eras.
An African American family, the Goodwins, move from Mississippi to Los Angeles between 1942 and 1945. When they find Japanese American man Henry Tahara hiding in their attic, they must confront their values as they struggle to protect themselves and decide what is right.
Novelist Eric Weiss, critically celebrated but unsuccessful, "arrives" when his new, autobiographical novel becomes a best-seller. An outsider all his life, he is suddenly on the inside of everything: town cars, television studios, the Sunday book review. But as his career takes off, his personal life stutters. His father lies ill in Maimonides Hospital, Jewish Brooklyn's version of the river Styx, wondering when Eric will produce his first grandchild. His former friends and neighbors in Brooklyn celebrate his success while simultaneously being suspicious about his attitude toward them–in life and in his novel. And his success, rather than oiling the waters of his marriage, troubles them for him and his writer-wife.
In 1990s Ireland, the play follows house painters working in the black economy.
Brown Sugar is a melodrama in three acts and seven scenes by Mrs. Bernie Angus. It premiered on Broadway at the Biltmore Theatre on December 2, 1937, in a production directed and produced by George Abbott. It used sets designed by Cirker & Robbins and costumes designed by Helene Pons. Written by a white woman, it is set in Harlem and featured what was billed as an all-black cast. While the cast was praised for its performances, Angus was criticized for having an unfocused plot with too many ideas that presented a "tourist's idea of Harlem" which was widely panned in the American press. Some of the cast members included Butterfly McQueen as Lucille, Eric Burroughs as Musken, Alvin Childress as Slim, Ruby Elzy as Sarah, Georgette Harvey as Lily May, Juano Hernandez as Sam, and Canada Lee as Henry.
Titus, son of Rome's first consul Lucius Junius Brutus, falls in love with Tullie, daughter of the last Etruscan king, and is drawn into betraying Rome. The Senate hands Titus to his father, who forgives him but orders his execution to protect the Republic.
The Tragedy of Brutus; or, The Fall of Tarquin is an 1818 historical tragedy by the British-based American writer John Howard Payne. It premiered at the Theatre Royal, Drury Lane in London on 3 December 1818. The original cast included Edmund Kean as Brutus, David Fisher as Titus, Henry Kemble as Sextus Tarquin, Charles Holland as Valerius, William Penley as Aruns, Julia Glover as Tullia and Sarah West as Tarquinia. It draws heavily on Richard Cumberland's The Sibyl, published in 1813. It depicts the overthrow of the Roman monarchy, with Lucius Junius Brutus leading a plot against Lucius Tarquinius Superbus to establish the Roman Republic. James Northcote produced an 1819 painting Edmund Kean as Brutus, inspired by the play.
Brutus of Alba; Or, The Enchanted Lovers is a 1678 tragedy by the Irish writer Nahum Tate. It was first performed by the Duke's Company at the Dorset Garden Theatre in London. The name's of the original cast are unknown. The published version was dedicated to the Duke of Dorset. It was based on the fourth book of the Aeneid by Virgil, and was produced in the context of the Exclusion Crisis. Tate was at the time a supporter of James, Duke of York and the play is strongly propagandistic about the Stuart monarchy. Tate later took elements of the play for the libretto of Dido and Aeneas, scored by Henry Purcell.
An open-air bushranger drama about an Indian woman who refuses to marry a cowboy. During a test of courage, daggers are thrown around her; the cowboy tries to kill her, but Chief Wild Friday intervenes and frees her.
In a seedy motel room, lonely cocktail waitress Agnes becomes involved with Peter, a Gulf War veteran whose escalating conspiratorial delusions about UFOs and government experiments begin to consume them both.
An Indigenous mother and daughter, both struggling with addiction and unsure of its causes, are played by the same performer but never interact. The work addresses intergenerational trauma, colonial and racial violence, and queer and two-spirit leadership.
Four buglers outside Jalalabad keep watch for survivors of Elphinstone's army while Lady Florentia Sale reads from her diary.
This Middle Breton verse mystery play dramatizes Saint Barbara’s conversion to Christianity, her conflict with her pagan father Dioscurus, her miraculous escape and eventual martyrdom.
Bulldog Drummond is a 1921 play by H.C. McNeile and Gerald du Maurier. It is based on McNeile's 1920 novel of the same title featuring the gentleman adventurer Bulldog Drummond. Its original run at Wyndham's Theatre in London's West End lasted for 430 performances between 29 March 1921 and 1 April 1922. Du Maurier played Drummond alongside Ronald Squire as Algy Langworth, Claud Allister as Hiram G. Travers and Alfred Drayton as the villain Carl Peterson. It was revived in London on several occasions. The title role was played on Broadway by A.E. Matthews in a run lasting 162 performances.
In a prewar comic adventure, the villainous Otto and Lenya Von Brunno try to wreck the diamond market by kidnapping Professor Fenton. Hero Bullshot Crummond and the professor’s daughter pursue them through deliberately inept stage recreations of film effects and escalating comic mishaps.
A wheelchair-using officer injured in the Falklands War confronts a young private accused of throwing an eight-year-old boy down a well during a Middle East raid. The play examines their relationship and criticizes politicians who launch wars without regard for their consequences.
A 35-year-old woman who ‘gets around’ is the focus of this comedy by Norman Krasna.
A young would-be world betterer falls for the daughter of an elderly billionaire while her family debates how to protect the fortune from the new Labour government. The billionaire ultimately chooses to leave his wealth to the couple and disinherit his other children.
A dramatic series of scenes from the lives of famous actors at Vienna’s Burgtheater portrays them as shallow, petty tyrants and charges the theatre’s past with collaboration with the Nazi regime.
In an old farmhouse on a failed plot of land in Illinois, the characters Dodge (in his 70s) and Halie (in her 60s), an old married couple, are introduced. The scene begins with the couple having a conversation with one another, discussing events of their past. Halie is not visible in the scene as she is yelling from upstairs, while Dodge is sitting on the basement sofa. He occasionally sneaks drinks from a bottle hidden in the couch; it is evident that he is an alcoholic. They talk about their beloved son Ansel, who was purportedly murdered years earlier by his wife on their wedding night. They also talk about another son, Bradley, an amputee who comes to cut Dodge's hair forcefully while he sleeps; Dodge is wearing a baseball cap to ward off this inevitability. Halie leaves for church dressed in black and tells the oldest son, Tilden, to look after Dodge. Tilden then enters the scene with an armful of corn, which he claims grew in the field outside. Dodge states that nothing has grown in the field since the Dust Bowl, and accuses Tilden of stealing from a neighbor. Dodge and Tilden then begin to discuss Tilden's past; they speak of how he "got into trouble" in New Mexico, and how in failing his attempt to leave the family home for a new life, Tilden was forced to flee following this incident. Tilden is evidently mentally unwell as he sits, shucking corn into a bucket. When Dodge falls asleep at the end of their conversation, Tilden covers him with the corn husks, creating a blanket, before he goes outside into the rain. Bradley enters the room shortly after and shaves Dodge's head while he sleeps. The scene begins with the introduction of Vince and Shelly. Vince was headed to meet his father Tilden in New Mexico but has decided to stop over at his grandparents' house on the way there; Shelly is just tagging along for the ride. Vince is surprised when he enters the house as Dodge does not recognize him at all. Shelly then believes they have entered the wrong house and tries to convince Vince to leave, but he does not budge. Tilden then enters the room with a bundle of carrots and is uninterested in Shelly and Vince. Vince then gets Tilden's attention, but Tilden also does not recognize Vince. Vince tries different methods to convince Tilden and Dodge of his identity, while Shelly helps Tilden with the carrots. Dodge then motions to Vince and tells him to go buy him alcohol, and he does so. While he is gone, Shelly talks to Tilden and asks him questions about Vince. Tilden goes on saying that he does not recognize Vince but he does look familiar. Tilden also talks about a son he once had, whom Dodge killed and buried in the backyard. The text implies, though never states explicitly, that this child may have been conceived with Halie. Bradley then re-enters the scene and begins to harass Shelly by sticking his hand in her mouth. He then takes her fur coat and places it over Dodge and blacks out. The scene begins with Dodge presuming that Vince has run away and left Shelly. He also tells Shelly not to fear Bradley as he only has one leg. After some time, Halie enters the house with Father Dewis, with whom, the audience later learns, she is having an affair. Halie sees Dodge lying on the ground and Bradley lying shamelessly on the sofa and smiles in embarrassment to Father Dewis. She then starts a yelling match with Dodge and Bradley, and they exchange several words until Shelly intervenes. In frustration, Shelly grabs Bradley's wooden leg and waves off the rest of the family, expressing her anger with them and Vince. Father Dewis tries to calm Shelly down and places the wooden leg onto the table. Soon after, Vince returns drunk and hurls beer bottles at the house. He then climbs through the door's netting and states that he has to stay at the farmhouse with his family. Halie and Dodge then recognize Vince, and Dodge hands him the ownership of the house and land. With the land now his, Vince decides to stay at the house, while Shelly tries to convince him to leave. Shelly gives up on Vince and leaves, and Vince grabs the wooden leg and throws it outside the house; Bradley goes crawling for it. Father Dewis leaves the house and Halie heads upstairs to her room. Vince realizes that Dodge has died and places a blanket and rose on his body. Halie then begins to yell out that corn has bloomed in the backyard, while Vince sits motionless on the sofa. In the final scene, Tilden walks around the room with the corpse of a baby in his hands.
Burlesque performers Skid Johnson and Bonny King try to advance their careers as Skid’s Broadway success strains their marriage; after an affair, divorce plans and a lost job, they reconcile and return to performing together.
After the funeral of Robbie, a gay dancer killed in a boating accident alongside his lover Dom, his roommates Anna and Larry are joined in Robbie’s loft by Anna’s longtime boyfriend Burton and Robbie’s brother Pale. As the four confront their grief and conflicting relationships, Anna gains confidence, pursues choreography, and begins a relationship with Pale.
A play examining the relationships among John Dee, Edward Kelley, and Edward Dyer.
Best friends Lieutenants Daniel Lynch and Will Stephensen are U.S. Navy fighter pilots flying the McDonnell Douglas F/A-18 Hornet, hoping to become the youngest pilots to be accepted into the space program. After two accidents, one of which is due to Will's failing eyesight, their unit is subject to an NCIS investigation led by John Cokely. At the same time, a third pilot, Matt Blackwood, arrives on the carrier and quickly develops a close friendship with Dan, driving a wedge between Dan and Will. Cokely's investigation leads to him uncovering rumours about Dan and Matt's relationship just as they both begin to fall in love. When Matt decides to leave his wife and move in with Dan, there is a third accident and Cokely's investigation ramps up the pressure on Dan.
In a small town, a young Aboriginal girl’s brief success as a film actress intensifies racial tensions as white residents plan to move Aboriginal people from “The Flats” into new houses.
Bury Fair is a 1689 comedy play by the English writer Thomas Shadwell. It is part of the tradition of Restoration Comedy that flourished during the era. It was first staged by the United Company at the Theatre Royal, Drury Lane in London. The original cast included Thomas Betterton as Lord Bellamy, William Mountfort as Wildish, Cave Underhill as Oldwit, James Nokes as Noddy, John Bowman as Trim, Anthony Leigh as Le Roch, William Bowen as Valet, Charlotte Butler as Charles, Katherine Corey as Lady Fantast, Elizabeth Boutell as Mrs Fantast, Susanna Mountfort as Mrs Gertrude. Shadwell dedicated the play to the Whig politician the Earl of Dorset.
Bury the Dead (1936) is an expressionist and anti-war drama by the American playwright Irwin Shaw. It dramatizes the refusal of six dead soldiers during an unspecified war—who represent a cross-section of American society—to be buried. Each rises from a mass nameless grave to express his anguish, the futility of war, and his refusal to become part of the "glorious past". First the Captain and the Generals tell them it is their duty to be buried, but they refuse. Even a Priest and a Rabbi try to convince them to no avail. Newspapers refuse to print the story in fear it will hurt the war effort. Finally they bring in the women who have survived them, wives, sister and even mother. None succeed in the end. Bury the Dead was first staged in New York City in 1936 to great acclaim. It received its British premiere in 1938 at London's Unity Theatre.
The play is set in a diner about 25 miles west of Kansas City in early March 1955. A freak snowstorm has halted the bus, and the eight characters (five on the bus) have a weather-enforced layover in the diner from approximately 1 am to 5 am. Romantic or quasi-romantic relationships include Grace and Carl, Professor Lyman and Elma, and Cherie and Bo. Virgil and Will are the older authority figures outside the relationships.
In this comedy of manners, unscrupulous businessman Isidore Lechat seeks money and power through his children's lives, but he cannot command death or love: his son dies and his daughter rejects the marriage he arranged.
An English-language stage adaptation of Mirbeau's comedy of manners about businessman Isidore Lechat, whose pursuit of money and power puts his family at risk.
Busiris, King of Egypt is a 1719 tragedy by the British writer Edward Young. It is set in Ancient Egypt during the reign of Busiris. It was considered a success, enjoying a good run and was subsequently published by Jacob Tonson. The work was dedicated to the Duke of Newcastle who as Lord Chamberlain oversaw the theatres. The original Drury Lane cast included Thomas Elrington as Busiris, Barton Booth as Myron, John Mills as Nicanor, Robert Wilks as Memnon, Thomas Walker as Rameses, John Thurmond as Syphoces, William Mills as Auletes, Sarah Thurmond as Myris and Anne Oldfield as Mandane.
A stage drama featuring characters from Dorothy L. Sayers's Lord Peter Wimsey novels; Sayers and M. St. Clare Byrne wrote the stage script, which was later adapted into the final Wimsey novel.
Impoverished soldier Bussy enters the service of Monsieur, brother of France’s king, but his violent independence makes him a poor instrument for the prince’s ambitions. After a bloody duel and an affair with the Countess of Montsurry, her husband tortures her and lures Bussy into an ambush where he is killed.
Tamira has been forced by her parents to marry the wealthy Montfurry, despite her love for the Bussy D'Ambois. Teresia, Tamira's governess, preaches the virtues of temperance, but Tamira feels unable to heed her advice as she has an intense desire to give herself to D'Ambois. Tamira tells Teresia to give the impoverished D'Ambois, who being heartbroken, now spends a life in solitude, a purse of money, in part because he spent much of his expenses on gifts for Tamira during their courtship. Tamira also asks that Teresia tell D'Ambois of her esteem for him. Teresia agrees to do so, as charity. Tamira then enjoins Teresia to lead D'Ambois to a secret chamber in her apartments; Tamira plans to explain to D'Ambois that she married Montfurry against her will. Teresia, once again, gives her friend her approval and her assent. In a solitary grove, a bedraggled D'Ambois expounds the meaningless of pomp and status and the importance of virtue. He is soon joined by the king's brother (known only as "Monsieur") and his page. The gentleman plans to revolt against the King of France, and take his place on throne. He has followed D'Ambois with the intention of using him as muscle in his bid for the throne, thinking D'Ambois will be sufficiently motivated by poverty to aid him. Monsieur flatters D'Ambois, encouraging him to become part of courtly life. D'Ambois, seeing through his manipulation, refuses his offers. The gentleman leaves, but promises to send D'Ambois a gift. Although D'Ambois suspects that Monsieur will try to tempt him with money, he remains loyal to the king. Monsieur Masse, steward to Monsieur, enters, with instructions to give D'Ambois one thousand crowns. D'Ambois insults Masse, who then decides to save 900 crowns for his wife and give 100 to D'Ambois. D'Ambois perceives that Masse is cheating him out of money, and says as much. The two continue to exchange insults before D'Ambois pulls on his nose and spins him around. D'Ambois' behavior sufficiently intimidates Masse into handing D'Ambois the money. D'Ambois then physically assaults Masse and leaves. Masse, embarrassed by the incident, resolves to keep it a secret. At court, Tamira tells her maid, Charlotte, of her surprise and excitement at the news that the gentleman, referred to only as "Monsieur", has brought D'Ambois to court. Tamira hopes that Teresia will fulfill her promise. The two are then joined by King Henry III, the Duke of Guise, and an array of followers and attendants. Brissac, who numbers among the retinue, suspects that the newly gained peace between the King and the Duke is sure to be temporary. The King expresses his disapproval of the decadent French court, comparing it unfavorably to that of England. The Duke of Guise disagrees, and two clash. Suddenly, Mellinel spots Monsieur approach, along with the Bussy D'Ambois. The King sings D'Ambois' praises and commiserates with Monsieur as Teresia furtively approaches D'Ambois.
But for the Grace of God is a play by the British writer Frederick Lonsdale. A murder melodrama, different from his standard light comedies, it ran for 203 performances at St James's Theatre in the West End between 3 September 1946 and 1 March 1947. The original cast included Michael Gough, A. E. Matthews, Mary Jerrold and Yvonne Owen.
Butley is a play by Simon Gray set in the office of an English lecturer at a university in London, England. The title character, a T. S. Eliot scholar, is an alcoholic who loses his wife and his close friend and colleague – and possibly male lover – on the same day. The action of the dark comedy takes place over several hours on the same day during which he bullies students, friends and colleagues while falling apart at the seams. The play won the 1971 Evening Standard Award for Best Play.
Butterflies Are Free is a play by Leonard Gershe. The plot revolves around a blind man living in downtown Manhattan whose controlling mother disapproves of his relationship with a free-spirited hippie. Directed by Milton Katselas, the original Broadway production opened on October 21, 1969, at the Booth Theatre, where it ran for 1,128 performances. The original cast consisted of Keir Dullea, Blythe Danner, Eileen Heckart, and Paul Michael Glaser. In 1972, it was adapted into a film starring Edward Albert and Goldie Hawn. Silent film star Gloria Swanson, well known for her role of Norma Desmond in the film Sunset Boulevard, played the mother role (Mrs. Baker) in Butterflies Are Free in 1971–72 in the national tour and on Broadway.
Ex-child film star Jordan Sable finances a Broadway production of Sounding Brass, written by Professor Oscar Nimrod, to buy himself a role. His chaotic behavior becomes so disruptive that he is fired from his own production.
At a theatre, mostly Black actors read a fictional play by a white writer-director with schizophrenia, in a satire about race and the theatre.
The play is a one-man comedy that follows Alex More, a struggling gay actor working in Los Angeles, who is down on his luck after being recently fired from Disneyland. He lands a job curating the Malibu basement of Barbra Streisand. (The real-life Streisand constructed a series of "Main Street" storefronts beneath her Malibu barn inspired by the Winterthur Museum in Delaware in order to house her collection of dolls and other trinkets). More at first does not meet his employer, but eventually Streisand comes down to peruse her collection, and the two strike up a friendly relationship. The play chronicles the fictional exchanges between More and his idol, the source of both admiration and frustration on More's part. The entire play is narrated from More's point of view and is presented as a story told to his screenwriter boyfriend Barry.
A dramatic portrait of George Bernard Shaw based on his writings.
A melodrama dramatizing the sensational Hawley Harvey Crippen case while Crippen was still on trial, retaining much of the real names and circumstances.
On an Irish bog, Hester Swane refuses to leave her home when her former lover Carthage plans to marry a wealthy farmer’s daughter. As the wedding approaches, ghosts and family secrets surface; Hester’s fight to remain with her daughter ends in a fire, murder and her own death.
A three-part beachside triptych: in Dawn, a husband, wife and his sister scatter their mother's ashes; in Day, a gardener is seduced by a young woman before his girlfriend arrives; in Dusk, two women long for a handsome young man.
A headstrong African-American maid and aspiring actress in 1930s Hollywood navigates her relationship with her white star employer while seeking a film career. Later scenes revisit Vera's legacy through a 1973 talk show and a modern academic seminar.
A wealthy Gulf Arab man visits London for leisure and adventure, but his misreadings of British customs and encounters with local society expose tensions between traditional Gulf values and Western life. The satire also targets the excess, privilege and cultural pretensions of wealthy Arab visitors abroad.
A historical drama depicting the life of the early nineteenth-century writer Lord Byron.
A documentary theatre testimony follows the September 11 attacks from moments before impact through New York City's immediate aftermath, including the return to work in Financial District offices. A narrator and New Yorkers share and divide the text among the performers.
On the final day of the Byzantine Empire, Emperor Constantine XI and his Genoese mercenaries attempt to defend Constantinople. Superior Ottoman forces, internal conflict, and betrayals lead to the city's fall.
Bánk’s effort to fulfill his political duties pulls him away from his wife and children. His tragedy turns on the collision between public responsibility, moral judgment, and the bonds of love that sustain his private world.
The indulged Gaston, nicknamed Bébé, pursues affairs while engaged to marry an heiress. His eccentric tutor encourages the exploits, and overlapping infidelities lead to farcical confusion before Gaston’s father forgives him and the marriage is approved.
When a quartet’s tenor dies shortly before a music festival, the members recruit Paul Schippel, a socially disdained clarinet player with an exceptional singing voice. He wins the contest but is cast aside, then faces a duel after revealing the Prince’s affair with Thekla; surviving the duel earns Schippel acceptance into the middle class.
Cactus Flower is a farcical play by Abe Burrows. It played for years on Broadway before being adapted by I.A.L. Diamond into a 1969 feature film directed by Gene Saks. Based on the play Fleur de cactus by Pierre Barillet and Jean-Pierre Gredy, the comedy focuses on the relationship between young, wild Toni and her older, married lover Julian, a dentist. Convinced the two have no future together, Toni attempts suicide, and a guilt-ridden Julian rashly proposes he leave his wife so the couple can be together. However, Julian has never revealed to Toni that his "marriage" is actually an elaborate lie concocted to keep Toni at arm's length. Toni refuses to break up his household without first meeting and talking with Julian's soon-to-be-ex, so Julian enlists the aid of his shy spinster assistant Stephanie to pose as his non-existent wife. Complications arise when Toni decides the two must find her a new beau so everyone concerned can live happily ever after. After two previews, the Broadway production, directed by Burrows, opened on December 8, 1965, at the Royale Theatre. There it ran for two years and nine months before transferring to the Longacre, for a total run of 1,234 performances, ending on November 23, 1968. The original cast included Lauren Bacall, Barry Nelson, Brenda Vaccaro, and Burt Brinckerhoff. Lloyd Bridges, Kevin McCarthy, and Betsy Palmer were replacements later in the run. Both Vaccaro and Brinckerhoff were nominated for Tony Awards for their featured performances. The play was adapted for film several times: first in 1969 as the Egyptian movie Half an Hour of Marriage, (Arabic: نص ساعة جواز"); then, the same year, as Cactus Flower with Walter Matthau, Ingrid Bergman and Goldie Hawn (for which Hawn won the Academy Award for Best Supporting Actress); in 2005 as a Bollywood movie Maine Pyar Kyun Kiya? (Why did I fall in love?) with Salman Khan, Sushmita Sen and Katrina Kaif; and again in 2011, as Just Go With It starring Adam Sandler, Jennifer Aniston and Brooklyn Decker.
Caelia, or, The Perjur'd Lover is a 1732 comedy play by the British writer Charles Johnson. The play's epilogue was written by Henry Fielding. The original Drury Lane cast included Jane Cibber as Caelia, John Mills as Meanwell, Thomas Hallam as Bellamy, Roger Bridgewater as Lovemore, William Mills as Wronglove, James Oates as Keeper of Prison, Edward Berry as Gentleman, John Harper as the Constable, Frances Cross as Wag and Charlotte Charke as Mrs Lupine.
Welles's modern-dress adaptation recasts Shakespeare's Roman tragedy as an anti-fascist political melodrama. A bare stage and stark lighting evoke contemporary dictatorships, and Cinna the Poet is killed by secret police rather than a mob.
An apocalyptic sequence of distorted Christian images gives way to Père Ubu, who appears as the new Messiah and Antichrist. The work's symbolic, book-oriented form resists conventional staging, though a student production was mounted in Melbourne in 1978.
Caesar Borgia, Son Of Pope Alexander The Sixth is a 1679 tragedy by the English writer Nathaniel Lee. It was first staged at the Dorset Garden Theatre by the Duke's Company. The prologue was provided by John Dryden. The original cast included Thomas Betterton as Cesar Borgia, Joseph Williams as Palante, William Smith as Machiavel, Thomas Gillow as Paul Orsino, Anthony Leigh as Ascanio Sforza, Thomas Percival as Vitellozzo, Mary Lee as Bellamira and Emily Price as Adorna. The published version was dedicated to the Earl of Pembroke.
In Shaw’s fictionalized account of Roman intervention in Egypt, Caesar encounters a young Cleopatra, helps her secure joint rule with her brother, and navigates a palace siege and political intrigues before departing for Rome.
Chapman’s tragedy depicts the conflict between Julius Caesar and Pompey that ended Rome’s First Triumvirate, emphasizing their antagonism and Pompey’s pupil-master relationship with the Stoic Cato.
Caesar in Egypt is a 1724 tragedy by the British writer Colley Cibber. It is inspired by Pierre Corneille's 1642 French play The Death of Pompey about Julius Caesar's intervention in the Egyptian Civil War between Cleopatra and her brother. Cibber also incorporated elements of Plutarch and John Fletcher's The False One. The Drury Lane company invested lots of resources to make it a particularly extravagant production in the traditional style of a Restoration heroic drama. The cast included Barton Booth as Julius Caesar, Robert Wilks as Antony, Theophilus Cibber as Ptolemy, Charles Williams as Decius, John Mills as Photinus, Colley Cibber as Achoreus, John Roberts as First Centurion, John Thurmond as Second Centurion, Mary Porter as Cornelia and Anne Oldfield as Cleopatra. The play was not well-received, its style increasingly regarded by audiences as old-fashioned. This effectively ended Cibber's career as a playwright.
In Cairo, young Violet is married to the much older British consular agent Sir Arthur Little but falls in love with his secretary, Ronald Parry. As Arthur must decide whether to recommend Parry for a post in Paris, Violet struggles with her feelings and with her husband’s uncompromising sense of public duty.
A close-knit group of Yiddish theatre people—amiable squatters and regulars at a Second Avenue restaurant—conducts business in bursts of temperament. Their cafe community is clannish, emotional, cultivated, and loyal to Second Avenue.
Under the watch of a secret-police officer, actors perform a shortened Macbeth in a living-room setting; the play's coded language evokes artistic dissent in communist Czechoslovakia.
Cain refuses to thank God for life and resents his mortality. Lucifer takes him on a journey through space and a vision of Earth's violent natural history; Cain returns disillusioned and kills Abel, ending in banishment.
Caius Gracchus is a tragedy by the Irish playwright James Sheridan Knowles. It is based on the life of Gaius Gracchus, a politician in Ancient Rome. The play premiered at the Belfast Theatre in 1815 and enjoyed a good reception. It debuted in London's West End at the Theatre Royal, Drury Lane on 18 November 1823, following the success of the author's Virginius. The London cast included William Macready as Caius Gracchus, William Penley as Licinius, Alexander Pope as Drusus, Daniel Terry as Titus, Charles Mayne Young as Vettius, George Yarnold as Fulvius Flaccus, Thomas Archer as Opimius, Mrs. West as Licinia and Margaret Bunn as Cornelia.
After Annie’s husband dies of leukaemia, she and Chris persuade fellow Yorkshire Women’s Institute members to pose for a charity calendar to fund a hospital waiting-room settee. Their unexpected publicity brings fame that strains the friends’ relationships.
In a community masque loosely inspired by The Tempest, Caliban represents humanity's curious, passionate drive toward knowledge and art. The work alternates scenes from Caliban's symbolic journey with anachronistic vignettes from other Shakespeare plays, combining poetry, pageantry, song and dance.
After Prospero returns to Milan, a female Ariel follows him, while Caliban leads a coup against his former master. Once the revolt succeeds, Caliban begins imitating Prospero’s virtues, extending Shakespeare’s island conflict into a political sequel.
In "Visitor from New York", Hannah Warren is a Manhattan workaholic who flies to Los Angeles to retrieve her teenage daughter Jenny after she leaves home to live with her successful screenwriter father William. The bickering, divorced couple is forced to decide what living arrangements are best for the girl. Conservative, middle-aged businessman Marvin Michaels is the "Visitor from Philadelphia", who awakens to discover a prostitute named Bunny unconscious in his bed after consuming a bottle of vodka. With his wife Millie on her way up to the suite, he must find a way to conceal all traces of his uncharacteristic indiscretion. The "Visitors from London" are British actress Diana Nichols, a first-time nominee for the Academy Award for Best Actress, and her husband Sidney, a once-closeted antique dealer who increasingly has become indiscreet about his sexual orientation. The Oscar is an honor that could revive her faltering career, but Diana knows she doesn't have a chance of winning. She is in deep denial about the true nature of her marriage of convenience, and as she prepares for her moment in the spotlight, her mood fluctuates from hope to panic to despair. The "Visitors from Chicago" are two affluent couples who are best friends. Stu Franklyn and his wife Gert and Mort Hollender and his wife Beth are taking a much-needed vacation together. Things begin to unravel quickly when Beth is hurt during a tennis match, and Mort accuses Stu of causing her injury.
After the death of his sister and lover Drusilla, Emperor Caligula pursues an absolute freedom through murder and the systematic overturning of values, ultimately arranging his own assassination.
Call It a Day is a play by the British writer Dodie Smith first staged in 1935. Her most successful play, its initial West End run at the Globe Theatre lasted for 509 performances. The original cast included Owen Nares, Fay Compton, Austin Trevor, Muriel George, Patricia Hilliard, Valerie Taylor and Marie Lohr. The play was produced by the impresario Basil Dean. In 1936 it transferred to Broadway where it ran for 194 performances at the Morosco. In 1937 it was adapted into a film of the same title by the Hollywood studio Warner Brothers. Archie Mayo directed a cast featuring Olivia de Havilland, Ian Hunter, Roland Young and Anita Louise. A 1956 German film The First Day of Spring was also inspired by the play.
William plans a surprise in an attempt to save his marriage to Tara, enlisting a colleague who needs a favour of his own. The arrival of Tara’s estranged cousin forces the women to confront the roles expected of them and consider different futures.
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