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Arias with a Twist

Play · 2008

The play opens with a musical band of four marionettes, each playing an instrument; piano, drums, trumpet, and bass. After a brief song, the audience is introduced to Joey Arias. Arias has been kidnapped by aliens and is subjected to probing while she performs a version of Kashmir by Led Zeppelin. When the aliens are finished with the intrusion, they eject her from their spaceship and she crash lands in a jungle, presumably on earth. She follows her landing with Jungle of Eden, an original song by the Propellerheads' Alex Gifford. Alone and hungry, Arias searches for food only to find a mushroom that causes her to hallucinate. During the hallucination sequence, psychedelic imagery is projected onto a scrim at the front of the stage while Arias sings a Beatles medley comprising Lucy in the Sky with Diamonds and Within You, Without You. The scene shifts to an undisclosed location where objects float through the air accompanied by Arias's monologue on her sugar daddy. She is then sent to Hell, where she performs a musical number and some suggestive activities with two giant anatomically correct male devil puppets. Arias sings the Eric Carmen song All By Myself and is confronted by her doppelganger in puppet form who inspires her to return to New York City. This prompts another original Alex Gifford song, Lately. When Arias returns to New York, she arrives just in time to perform in a show with the aforementioned puppet band where she sings the Lambert, Hendricks & Ross song, Twisted, the Bill Carey and Carl T. Fischer song, You've Changed, and Ziegfeld Follies song, You've Gotta Pull Strings. The production ends in a Busby Berkeley-esque finalé, which includes mirrors and kaleidoscopic video images of Arias's face.

Arsenic and Old Lace

Play · 1941

The play is a farcical black comedy revolving around the Brewster family, descended from Mayflower settlers but now composed of maniacs, many of them homicidal. Act 1 Two elderly sisters, Abby and Martha Brewster, live in the old family home in Brooklyn. Their father was a doctor who made a fortune selling patent medicine, and their nephew Teddy, who lives with them, believes he is President Theodore Roosevelt, much to the consternation of the neighbours. Teddy's brother Mortimer, a theatre-hating drama critic, is seeing Elaine, daughter of the minister who lives next door. The other Brewster brother, Jonathan, left home years ago and has not been heard from since. Mortimer proposes to Elaine, much to the delight of his aunts, but is worried he'll inherit the family madness. After Elaine leaves, Mortimer is shocked to discover a dead body hidden in the window seat. He's even more horrified when his aunts glibly confess to killing the man. They've taken to murdering lonely old men by poisoning them with a glass of home-made elderberry wine laced with arsenic, strychnine, and "just a pinch" of cyanide. They've killed a dozen men. Teddy digs graves for them in the cellar, convinced he's digging locks for the Panama Canal and that the dead men all died of yellow fever. Mortimer is horrified, especially when he narrowly prevents them from poisoning another man. He breaks off his engagement without explanation. Later, Jonathan returns to the home, having escaped from prison in Indiana. He's accompanied by an alcoholic accomplice, Dr. Herman Einstein (a character based on real-life gangland surgeon Joseph Moran), who has performed plastic surgery on him to conceal his identity, and now looks like horror-film actor Boris Karloff (a self-referential joke — the part was originally played on Broadway by Karloff). They're looking for a hideout and a place to dispose of their own murder victim. Act 2 Mortimer and the aunts are not pleased to see Jonathan, but reluctantly agree to let him spend the night. Jonathan and Dr. Einstein plan to turn Grandfather Brewster's old lab into an illicit plastic surgery clinic for criminals who want to hide their identities. Mortimer and the aunts try to hide their body from the intruders, while Jonathan and Dr. Einstein try to bury their body in the cellar. They're interrupted by Elaine, who wants to know why Mortimer broke off the engagement, and local police officer O'Hara, who wants Mortimer to help him write a play. Mortimer threatens to tell O'Hara about Jonathan's murder victim, but Jonathan, who is alerted to the corpse in the cellar by Dr. Einstein, threatens Mortimer in kind. After getting rid of Elaine and O'Hara, the aunts tell Jonathan about their own murders. Jonathan is angry that the aunts have killed the same number of people as he has, and is determined to beat them. Act 3 Jonathan plans to kill Mortimer and Teddy, though Dr. Einstein is reluctant. The criminals tie up Mortimer, but are interrupted by O'Hara, who returns to work on the play and is oblivious to Mortimer's predicament. Elaine returns and rescues Mortimer. The police, led by surly Lt. Rooney, raid the house and recognize Jonathan as a fugitive. Jonathan, Teddy, and the aunts insist that there are thirteen bodies in the cellar, but the police think they are all crazy. Lt. Rooney orders Teddy to be committed to a sanitarium. The aunts refuse to abandon Teddy and insist they be committed as well. They leave the house to Mortimer, but confess that he is actually the illegitimate son of their old cook, and therefore not a Brewster by blood. This delights Mortimer, who feels he can now marry Elaine. Dr. Einstein glibly walks out the front door, unnoticed by the police. Jonathan is arrested and taken away, but taunts the aunts that he's still killed as many people as they have. The play ends with the aunts offering the superintendent of the sanitarium a nice glass of elderberry wine.

Art and Nature

Play · 1738

Art and Nature is a 1738 comedy play by the British writer James Miller. The play received a rough reception from what Miller described a "faction" in the Drury Lane audience, and its run was not extended beyond a single night. He described its subsequent publication as an attempt to vindicate himself. The original Drury Lane cast included Benjamin Griffin as Sir Simon Dupe, William Mills as Truemore, James Quin as Outside, Theophilus Cibber as Julio, Joe Miller as Jeffrey, Richard Winstone as Constable, Margaret Mills as Flaminia and Kitty Clive as Violetta.

As Is

Play · 1985

As Is portrays the effect that AIDS, a relatively new epidemic in the 1980s, has on a group of friends living in New York City. It was one of the early plays, and subsequent TV movies, depicting how the epidemic was affecting gay Americans. As Is opened shortly before Larry Kramer's play The Normal Heart. This play depicts a gay couple, Saul and Richard, who open the play, and their separation. Rich's firm decision to separate is reversed when he returns to Saul after contracting AIDS from his new lover. Seeking emotional support, Rich shows how people with AIDS were treated by the American family, doctors, and friends. Their impersonal and detached attitudes lead Rich to recognize the importance of the partner for the person with AIDS. The play begins, and ends, with a monologue by a middle-aged, female hospice worker, describing her new patient, Richard. In the second scene, Saul, one of the two main characters, states that he is Jewish while arguing about possessions with Richard, who makes an antisemitic remark and reveals he has AIDS during their ongoing breakup.

As It Is In Heaven

Play · 2001

As It Is In Heaven is a play by playwright/actor/director Arlene Hutton. It premiered at 78th Street Theater Lab, followed by performances at the Edinburgh Fringe Festival and at the Off-Broadway Arclight Theatre in New York City, where it ran from January 11 to February 5, 2002. The title comes from the Shaker song "The Saviour's Universal Prayer (Our Father Who Art in Heaven)", a Shaker rendition of the Lord's Prayer. The play is published by Dramatists Play Service, Inc.

As Long as They're Happy

Play · 1953

As Long as They're Happy is a comedy play by the British writer Vernon Sylvaine which was first staged in 1953. A successful hit, it ran at the Garrick Theatre in the West End for 370 performances between July 1953 and May 1954. Veteran entertainer Jack Buchanan directed and starred as a stockbroker trying to cope with the extravagant behaviour of his daughters. Other members of the cast included Dorothy Dickson, Nigel Green, David Hutcheson and Stephen Hancock.

As You Are

Play · 1939

As You Are is a 1939 comedy play by Hugh Mills and Wells Root. It premiered at Richmond Theatre under the title Stay Just As You Are during the early months of the Second World War. It then transferred to London's West End where it ran for 74 performances from 12 January 1940 to 16 March 1940, initially at the Aldwych Theatre before moving to the Whitehall Theatre. The West End cast included Diana Churchill, Morland Graham, Edward Chapman, Hugh Dempster, Elliott Mason, Muriel George, O.B. Clarence, Vincent Holman, Charles Mortimer and Joan Hickson. A review in the New Statesman considered that despite its complicated plot, the play had many of the "right ingredients" for a successful comedy.

As You Find It

Play · 1703

As You Find It is a 1703 comedy play by the English writer Charles Boyle, later Earl of Orrery. His grandfather Roger Boyle, 1st Earl of Orrery had also been a playwright. In style it is much closer to traditional Restoration comedy, than the developing trend for Sentimental comedy. Staged at the Lincoln's Inn Fields Theatre in London, the cast featured John Verbruggen as Hartley, Thomas Doggett as Sir Abel Single, Thomas Betterton as Bevil, George Pack as Jack Single, George Powell as Ledger, John Bowman as Sir Pert, Anne Bracegirdle as Orinda, Elizabeth Bowman as Mrs Hartley, Elizabeth Barry as Eugenia and Elinor Leigh as Chloris.

August: Osage County

Play · 2007

The action takes place over the course of several weeks in August inside the three-story home of Beverly and Violet Weston outside Pawhuska, Oklahoma. The play opens with Beverly Weston, a once-famous poet, interviewing Johnna, a young Cheyenne woman, for a position as live-in cook and caregiver for his wife Violet, who is being treated for mouth cancer due to heavy cigarette use for most of her life. Violet is a heavy drinker addicted to several different kinds of prescription drugs and exhibits paranoia and mood swings. Beverly, who freely admits that he is an alcoholic, lightly converses about Violet's current problems, most of which Beverly concedes are the result of personal demons too powerful to be cured by drugs. Violet enters the scene clearly affected by her drugs. After an incoherent and combative argument with Beverly, Violet returns upstairs. Beverly hires Johnna, lends her a book of T.S. Eliot's poetry, and continues to drink. Several weeks later. Beverly Weston has not been seen for five days. Several family members have gathered in the house to provide support for Violet including her daughter Ivy, her sister Mattie Fae and Mattie Fae's husband Charlie. When Violet is not making calls attempting to track down her husband or popping pills, she spends the time sniping at her family, particularly Ivy, whom she criticizes for her mode of dress and lack of a romantic life. The news comes that Beverly's boat is missing, furthering the fear that he has died by suicide. Ivy's older sister Barbara arrives from Boulder, Colorado, with her husband Bill and 14-year-old daughter Jean. Barbara has not visited her mother in several years, and has mixed feelings about returning to the house because of the confrontational nature of their relationship. They fall into an argument almost immediately, during which Violet accuses her of abandoning her family and breaking her father's heart. Later in the evening, Jean bonds with Johnna after the older woman allows her to smoke some marijuana in her room. She confides to Johnna that her parents are separated and are attempting to hide the fact from the family. Bill and Barbara argue over the cause of their separation as they make a bed out of the fold-out sofa in the living room: Bill is sleeping with a much younger woman, one of his students at the university where he teaches. At five AM, the local sheriff, Deon Gilbeau (Barbara's high school boyfriend) rings the doorbell and breaks the news that Beverly has been found drowned. Barbara goes to identify the body as Violet comes downstairs in a drug-addled fog. The act ends with her spiraling into confusion. Several days later. The family has come from Beverly's funeral. Violet spends a quiet moment alone in Beverly's office, bitterly reproaching him for leaving her, and takes some more pills. Before the memorial dinner prepared for the family by Johnna, several family arguments and scenes arise. Ivy and Barbara's sister Karen has flown in from Florida with her new fiancé and can talk about nothing except her wedding plans, distressing Barbara. During an argument with her mother and Mattie Fae, Ivy unwittingly confesses that she is seeing someone romantically but refuses to say whom. Mattie Fae and Charlie's son Little Charles has overslept and missed the funeral. His father is sympathetic but Mattie Fae is, as usual, rude to and critical of her son. Karen's fiancé Steve discovers that Jean is a pot-smoker and offers to share his stash with her, lewdly flirting with the teenaged girl. In a private moment, it is revealed that Ivy's lover is actually Little Charles, her first cousin. Dinner is served, and Violet begins insulting and needling all of her family members. After inappropriately discussing Beverly's will at the table, she cruelly exposes Barbara and Bill's separation. When Barbara starts to fight back, Violet tauntingly reveals the full extent of her addiction, and the tensions develop into a violent confrontation, culminating in Barbara physically attacking her mother. After family members separate them, Barbara takes control of the situation, ordering that the family raid the house to discover all of Violet's hiding places for her pills. Several hours later things have calmed down, but the pain of the dinner confrontation has not gone away. Barbara reports that Violet's doctor thinks she has brain damage, and the three sisters share a drink in their father's study, discussing their mother. Ivy reveals that she and Little Charles are planning to run away to New York, and refuses to acknowledge the need for someone to take care of Violet. She reveals that it was Violet, not Beverly, who was heartbroken when Barbara left Oklahoma. Violet enters, now more coherent and off her drugs but no less incorrigible, is resigned to dealing with her demise on her own terms. She discusses a depressing story from her childhood with her daughters. In a private moment, Barbara and Violet apologize to each other, but it is uncertain how long the peace will last. Mattie Fae observes a tender moment between Little Charles and Ivy, and begins taunting him again when the ever-patient Charlie finally loses his temper with his wife, berating her for her cruelty to her own son and promising her that unless she can find a way to be kind to Little Charles, he is going to leave her. The lecture is accidentally overheard by Barbara, who confirms when pressed that Little Charles and Ivy are lovers. She is shocked when Mattie Fae reveals that Little Charles is not just Ivy's first cousin but also her half-brother, the result of a long-ago affair between Mattie Fae and Beverly. Mattie Fae refuses to tell Ivy or Little Charles the truth, leaving it up to Barbara, who knows that the news will destroy Ivy, to find a way to end the incestuous affair. Later that night, Steve and Jean share a joint, and before long, Steve attempts to molest Jean. Johnna walks in on the scene and attacks Steve with a skillet; the noise brings Jean's parents and Karen to the scene. An ugly argument follows when Jean defensively lashes out at her parents with hurtful comments about her father's affair, and Barbara slaps her. Karen leaves with Steve, choosing to lie to herself and mistakenly blaming Jean for what happened. Bill elects to return to Boulder with Jean and admits, when Barbara confronts him, that he is not going to come back to her. He leaves as Barbara tells him she loves him. Two weeks pass. Barbara, now drinking heavily, offers Johnna a chance to quit and leave the toxic environment of the Weston house, but she chooses to stay. Sheriff Gilbeau drops by the house with the news that Beverly had stayed at a motel shortly before he died by suicide. He and Barbara nearly share a tender moment, but she is too emotionally exhausted and drunk to consummate it. Several days later, Ivy has dinner with Barbara and Violet. Ivy attempts to tell her mother, over Barbara's objections, of her plans with Little Charles but Violet suddenly confesses that she already knows that Little Charles is Beverly's son. Ivy recoils in shock and horror, rebuffing Barbara's attempts to comfort her, and says that she will never tell him and leaves for New York anyway. Before she goes, Ivy angrily accuses Barbara of turning into Violet, stunning Barbara. Violet calmly reveals that she has deliberately destroyed Ivy and Charles' affair, which she knew of the entire time. Barbara and her mother have one last angry confrontation during which Violet blames Barbara for her father's suicide. Violet also reveals his suicide might have been preventable since she knew which motel he stayed in the night he left the house, but did nothing to help him until after she removed money from the couple's joint safe deposit box. Barbara, realizing that her mother has slipped beyond her help, leaves the house. Violet breaks down and is left only with Johnna, who ends the play with a quotation from a T.S. Eliot poem: "This is the way the world ends, this is the way the world ends."

Aunt Edwina

Play · 1959

Aunt Edwina is a 1959 comedy play by the British writer William Douglas Home. It premiered at Devonshire Park Theatre in Eastbourne, before beginning a run of 101 performances in London between 3 November 1959 and 6 February 1960.The production was staged initially at the Fortune Theatre in the West End before transferring to the Lyric Theatre in Hammersmith. The London cast included Henry Kendall, Margaretta Scott, Cyril Raymond (later replaced by Geoffrey Lumsden), Nicholas Selby, Peter Cellier and Hilary Tindall.

Aurelio and Miranda

Play · 1798

Aurelio and Miranda is a 1798 play by the British writer James Boaden, inspired by Matthew Gregory Lewis 1796 novel The Monk. It premiered at the Theatre Royal, Drury Lane on 29 December 1798. The original cast included John Philip Kemble as Aurelio, Sarah Siddons as Miranda, William Barrymore as Raymond, Charles Kemble as Lorenzo, John Bannister as Christoval, Walter Maddocks as Hilario, Ralph Wewitzer as Pedro, Jane Powell as Agnes, Charlotte Tidswell as St. Agatha, Maria Bland as Zingarella, Sarah Sparks as Leonella and Elizabeth Heard as Antonia.

Bab

Play · 1920

The play was colored by the then recent passage of the Volstead Act, which lent possession of alcohol an illicit air, and mention of drinking a clandestine glamor. Act I (The library at the Archibald's country house. An afternoon late in May.) Bab's school has shut due to an outbreak of measeles, so she has returned home. A family crisis has occurred over Leila inviting Clinton Beresford, whom her father detests, for the weekend. Carter Brooks and James Archibald are dragged to a tea party with Mrs. Archibald and Leila. While they're gone, Jane Raleigh comes over. Bab opens her suitcase to show Jane a play she wrote at school, but it turns out to be filled with men's clothing and a whisky bottle. Bab realizes she mixed up suitcases with a young man on the train. William brings that young man, holding Bab's suitcase, into the library. He turns out to be Beresford. Bab is incensed when her mother nixes attendance at a party for Beresford. Bab decides to invent a lover named Harold Valentine, to display her maturity, and enlists Eddie Perkins' help in carrying out the deception. (Curtain) Act II (Scene 1:Same as Act I. The next day.) Bab returns home from a store with a postcard photo of a handsome young man. She inscribes the photo as if he had given it to her, and "hides" it in the library. She then writes a letter to "Harold Valentine", including a love poem, and addresses the envelope. She asks Hannah to mail it, knowing the maid will instead give it to her mother. Flowers arrive for Bab from "H" (sent by Eddie). Mrs. Archibald confronts Bab with the missive and burns the letter. She threatens to pack Bab off to Great Aunt Veronica. Carter finds the photo and recognizes the image; he quickly tumbles to Bab's scheme. He intercepts a second letter in which Bab suggests marriage with "Harold", intending to put more pressure on her mother. (Three Minute Curtain) (Scene 2:Same as Act I. That night at 11pm.) Jane and Eddie are surprised to see Bab at the party, wearing Leila's old evening frock. Eddie, trying to act grownup in front of the girls, smokes a cigar and becomes ill. Carter arrives with a new guest: the young man in the photo! Carter tells an astonished Bab he has brought "Harold" just for her, but will tell everyone else he is Guy Grosvenor. Harold invites Bab to dance, pretending they are close, while she denies knowing him. Mr. Archibald, tipped off by Carter, puts his arm around "Harold" and pronounces him a fine young man, fit for joining a good family. Guy then asks to speak alone with Mr. Archibald, as if he were planning to ask for Bab's hand. Thoroughly alarmed, Bab realizes she must get back the letter. (Curtain) Act III (Bachelor's Quarters in the Archibald Boathouse. Just before midnight.) Beresford, having retired to his guest quarters, is surprised to find an armed burglar in his room. Bab, wearing a shabby old cap and coat of her father, has come looking for the letter. She hadn't realized Guy and Beresford shared a room. After a talk, Bab learns Beresford has a contract from the British Government to award to Mr. Archibald's company, but didn't want to seem like he was trying to buy Leila. He helps Bab search Guy's things; the letter is found and destroyed. But Carter and Guy turn up, a bit snockered, and insist on Beresford joining them in a drink. Bab, hiding in a closet, hears the details of Carter's plan. Guy has called it off, afraid Bab might commit suicide if pushed any further. Suddenly there is a gunshot from the closet, shocking the three men. Pulled into the room, Bab is unhurt. She had sneezed, causing her to jerk the trigger. Her parents and Leila, alarmed by the gunshot, rush into the boathouse. Bab sneezes again; she has the measeles. (Curtain) Act IV (Same as Act III. An afternoon, three weeks later.) Recovered from the measeles, Bab has been confined to the family property for her sins. She is determined on another scheme, Leila's elopement. A carefully worded message brings Beresford with the British Government contract options he holds. Bab briefs him on bringing a motorboat to the dock when he sees a signal flag go to half-mast. Jane and Eddie are to lower the flag when Leila enters the boathouse. But Bab's father comes in after Leila, whom Bab hastily conceals behind the door. Bab maneuvers her father so he no longer can see the doorway; Leila slips out unseen as the motorboat horn sounds. Mrs. Archibald now strolls in, guessing what happened. Bab mollifies her father with the contract options signed over to his company by Beresford. Carter comes to say goodbye; he is on his way to Poland, to help with its post-war reconstruction. Bab finally learns Carter loves her, but now must wait for his return. (Curtain)

Baby with the Bathwater

Play · 1983

Two parents who are completely unprepared for parenthood bring home their newborn baby. The two cannot seem to name the baby. John thinks the baby is a boy, but Helen says the doctors said they could decide later. When the baby cries, the two cannot quite decide what to do. To their rescue comes Nanny – who enters their apartment as if by magic, and is full of abrupt shifts of mood, first cooing at the baby soothingly, then screaming at it. In subsequent scenes, John and Nanny have an affair, Helen takes baby and leaves, only to come back a moment later rain-soaked and unhappy. By the time the baby is a toddler, Daisy has finally been named. At this age Daisy has a penchant for running in front of buses and for lying, depressed, in piles of laundry. The audience hears an alarming essay Daisy has written in school, and the principal, the terrifying Miss Willoughby, is oblivious to the essay’s cry for help, and instead gleefully awards it an "A" for style. Years later, Daisy enters dressed as a girl, but obviously a young man. The audience follows his years of therapy, where he alternates between feelings of depression and anger, and is unable to complete his freshman essay on Gulliver’s Travels despite having been in college for five years. In a scene reminiscent of the beginning of the play, Daisy (who has since chosen a new name) and his young bride fondly regard their own baby, determined not to repeat their parents' calamitous mistakes.

Bad Habits

Play · 1974

Wheel-chaired marriage counselor Dr. Jason Pepper treats his patients in a country club setting complete with a clay tennis court and freely flowing cocktails. Roy and April Pitt arrive as the play opens; they are recently married movie stars who are already seeking couples therapy because of their frequent bickering. Anal-retentive Harry Scupp has been at Dunelawn for three months, and on this day his wife Dolly decides to drive up to encourage him to come home. Hiram and Francis are old friends of questionable sexuality who have been at Dunelawn since it opened years ago, content to stay indefinitely courtesy of Francis' family fortune. Meanwhile, manservant Otto mixes the drinks, carries luggage, and keeps the grounds. Over the course of the play the various couples meet, interact, argue, and even wrestle, with Dr. Pepper encouraging them to do whatever feels good. Very little has changed by the end of the day, except that Harry has decided to return home while Dolly is going to check in. A day in a rehab centre that deals with various "bad habits". The three patients that are introduced through the dialogue are an alcoholic, a drag queen and a perverted sadistic deluded man. Doctor Toynbee, the man in charge of the centre, is described throughout as a great man, a saint, revered by everyone in his presence. The doctor has developed a “serum” that is meant to help get rid of his patients' flaws and worries. However, it lasts momentarily and the effects don't seem to eliminate any amount of the patients’ previous bad habits as a sign of gradual elimination of their bad habits. The play takes place over the course of a sunny afternoon at the centre. Bruno, a worker who helps out Ruth Benson and Becky Hedges, the nurses, and tends to the garden, brings the patients out one by one, where the nurses are giving patients serum, some sun and some fresh air. As he goes back and forth, he “leers” at Hedges, attempting to seduce her. As they wait for Bruno to bring along the next patient, we learn about the two nurses, their own bad habits, past lives, regrets and their striving for reformation. We learn of the trigger for their quest: men; at least in Ruth Benson's case, one man: Hugh Gumbs.

Badger's Green

Play · 1930

Badger's Green is a 1930 British comedy play written by R.C. Sheriff. A company has ambitious plans to redevelop the quiet, picturesque village of Badger's Green. The inhabitants mount a resistance campaign and it is eventually decided to settle the future of the village by playing a cricket match. The play originally opened in June 1930 at London's Prince of Wales Theatre, where it ran for only 35 performances. It has however, been adapted for the screen three times: a 1934 version starring Valerie Hobson, a 1938 version starring Maurice Denham and a 1949 version starring Garry Marsh. It was also adapted for television twice: a now-lost 1938 version on BBC television and a 1958 version as part of ITV Television Playhouse, also lost.

Barefoot in the Park

Play · 1963

Corie and Paul Bratter are a newlywed couple. For their first home, they live in an apartment on the top floor of a brownstone in New York City. Corie is optimistic about their future together, while Paul, the more anxious and grounded half of the couple, worries about the various flaws in the apartment, such as a hole in the skylight, their leaky closet, and the lack of a bathtub. Shortly after moving in, Corie attempts to set her mother up with their eccentric neighbor Mr. Velasco. During the course of four days, the couple learns to live together while facing the usual daily ups-and-downs. Corie wants Paul to become more easy-going: for example, to run "barefoot in the park".

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