Taking Sides
In a postwar denazification investigation, German conductor Wilhelm Furtwängler faces charges that he served the Nazi regime; the play draws in part on his diary of interrogation sessions and ends with his clearance by the tribunal.
Plays
8284 shows
Clear filtersTaking Steps
In a reputedly haunted, dilapidated house, Elizabeth tries to leave her husband Roland while her brother Mark and his fiancée Kitty struggle with their relationship and house plans. The farce uses a single-level stage arrangement to represent all three floors, so characters can appear side by side while occupying different levels.
Taledanda
Set in twelfth-century Kalyan, the play depicts Basavanna’s reform movement opposing idolatry and caste and advocating gender equality, and the bloodshed that follows a Brahmin girl’s marriage to a cobbler’s son.
Talent
Julie enters a talent contest at a run-down nightclub, with her awkward friend Maureen supporting her. Julie’s hopes of show-business glamour collide with domestic expectations and an encounter with the former boyfriend who abandoned her when she became pregnant; an oily compere exploits both women. The stage play combines dialogue and songs.
Talents and Admirers
Negina, a popular but poor provincial actress, receives lessons from her fiancé Meluzov while resisting a wealthy prince's attempt to exploit her financial need. After her benefit performance succeeds, the theatre entrepreneur refuses to renew her contract. Negina leaves the honest but dull Meluzov for rich Velikatov, choosing the chance to keep working on stage, her true passion.
Tales from Hollywood
Narrated by Ödön von Horváth, the play portrays German literary refugees in Hollywood from 1938 to 1950. It follows von Horváth's relationship with Jewish writer Helen Schwartz and introduces historical figures including Brecht and the Mann brothers.
Tales from the Vienna Woods
In late-1920s Austria, Marianne breaks her engagement to the conventional butcher Oskar for the charming but indifferent Alfred. Her choice leads to poverty and hardship, while the play exposes the cruelty and hypocrisy beneath Viennese bourgeois coziness.
Tales of Common Insanity
Peter, a bachelor in his mid-thirties, tries to win back his girlfriend Jana with help from his equally lonely friend Midge. Their effort unfolds amid Peter's eccentric parents and a neighbor-composer fighting for royalties from elevator music performances.
Talk
A panel discussion in a museum of Greek antiquities investigates the enigmatic identity of novelist and experimental filmmaker Archer Aymes. Conflicting accounts from people who claim to have known him turn the debate into an exploration of art, race, memory and power.
Talk Radio
The story follows Barry Champlain, a Cleveland-area shock jock, on the eve of his radio show's national syndication.
Talk to Me Like the Rain and Let Me Listen
An unnamed man and woman are bound together in an endless cycle by hopeless poverty. The small-scale, bare-room play gives both characters monologues, with the woman’s substantially longer.
Talking Heads
Talking Heads is a stage adaptation of the BBC series of the same title created by Alan Bennett. It consists of six monologues presented in alternating programmes of three each.
Talking With...
Eleven ten-minute monologues present different women speaking about their lives, spanning subjects from an aging rodeo star to an aspiring actress and combining comedy with personal hardship.
Talking to Terrorists
In verbatim-theatre form, interview-derived dialogues bring together former members of armed groups, people affected by terrorism, political figures and a British ambassador. The play presents negotiation and listening as alternatives to violence.
Talley & Son
Talley & Son is a play by Lanford Wilson, the third in his trilogy focusing on the Talley family of Lebanon, Missouri. It is set on July 4, 1944, the same day as Talley's Folly and thirty-three years prior to the events in Fifth of July.
Talley's Folly
Talley's Folly depicts one night in the lives of two unlikely sweethearts, Matt Friedman and Sally Talley. The one-act play takes place in a boathouse on the Talley farm in Missouri on the Fourth of July, 1944. The play opens with Matt directly addressing the audience, telling them that the play will take ninety-seven minutes and he hopes to relay his story properly in that time. Taking the time to point out some staging elements, he tells the audience that the gazebo-like structure next to him is a Victorian boathouse, which has fallen into disrepair. While on vacation in Lebanon, Missouri the previous summer, Matt met Sally and has sent her a letter every day since. Though the single reply from Sally gave him no hope for romantic encouragement, he has returned to ask her to marry him. Sally arrives at the boathouse and is in disbelief that Matt has shown up uninvited, even though he had written her that he planned to come for the holiday. Matt's arrival has created a stir in Sally's conservative Protestant household, where a Jewish man is not welcomed, especially when his intentions are to court their daughter, who is eleven years younger than he. Matt's interest in Sally had never waned. He once drove from his home in St. Louis to the hospital where she worked and waited hours for her, even after being informed that she was not available. The conversation turns to the boathouse structure. Sally tells him it was constructed by her uncle, who built follies all over town. Her uncle did only what he wanted to do, and Sally considers him the healthiest member of the family for his courage. Eventually, the couple begins to reminisce about the night they met and the time they spent together the previous summer. Matt takes it as a positive sign that she has changed into a nice dress before coming to see him tonight. Sally's protests do not match her behavior and he pushes forward. She is the most intriguing woman he has ever met, and he is determined to make her his wife. Admitting that he has called Sally's aunt every two weeks during the past year, Matt reveals that he knows Sally was fired from a Sunday school teaching job. Apparently, she had been encouraging the students to read Thortstein Veblen's The Theory of the Leisure Class in addition to the Methodist reader. The rise of labor unions was affecting the families of the children in her class and she felt obligated to help educate them. Her unorthodox methods earned her the consternation of the church elders as well as her own family, who own the garment factory on which the labor issue centered. Sally then tries to glean some information about Matt's background, a subject about which he is very guarded. He finally admits to Sally that he was probably born in Kaunas, Lithuania. His father had been an engineer. In 1911, his father was overheard in a French cafe discussing his work with nitrogen, a reference to the Haber process developed in 1909 by a Jewish-German chemist, Fritz Haber, to extract nitrogen from the air, which made the manufacture of gunpowder and fertilizer inexpensive. The family was later detained as they were attempting to cross the border. Matt's father and older sister were tortured until the French realized that the father had no information of any value to them. In the meantime, the sister had fallen into a coma from which she never awoke. They later went to the German authorities and were again detained. Matt escaped to America through the help of some relatives. Haunted by his childhood grief, Matt vowed never to bring another child into the world. He was content with his life until he met Sally. He now feels forever changed and hopeful for the first time in his life. Having risked the vulnerability of revealing his background, Matt presses Sally to share why she, a beautiful 31-year-old woman, has never married. She diverts the conversation to economics, which frustrates Matt. Sally finally reveals her disappointment in love many years ago, which makes her reluctant to fall in love again. Her family had partnered her with Harley Campbell, whose family was also wealthy. The match was supposedly made in heaven, especially for the business interests of the two families. Sally had been a cheerleader and Harley had been a basketball star. Unfortunately, the families' fortunes waned during the Depression. In addition, Sally was struck with tuberculosis and sequestered for a long time. A pelvic infection left her infertile, and Harley's family no longer condoned their marriage. Matt comments on the irony of their situation, that he'd been lamenting over the fact that he was in love with a woman but could never have children and now this woman presents him with the same situation. He believes that an angel has guided his path to her. Sally agrees to marry him and move to St. Louis, and they vow to return to the boathouse every year so they don't forget where they fell in love.
Tamara
Set in Gabriele d'Annunzio's Italian villa, the play reimagines his historical meeting with painter Tamara de Lempicka, who hopes he will commission her portrait. Ten actors perform simultaneous scenes across many rooms of a large house; spectators choose which characters and sequences to follow, creating distinct experiences of the story.
Tamburlaine the Great
In two parts, Tamburlaine rises from Scythian shepherd to conqueror, defeats rival rulers, and pursues further dominion as his sons inherit his ambition.
Tamerlane
Tamerlane is a 1701 history play by the English writer Nicholas Rowe. A tragedy, it portrays the life of the Timur, the fourteenth century conqueror and founder of the Timurid Empire. Rowe, a staunch Whig, used the historical story as an allegory for the life of William III who resembles his portrayal of Tamerlane while his opponent the Ottoman leader Bayezid I was equivalent to William's longstanding opponent Louis XIV of France. An earlier version of the story Tamburlaine was written by Christopher Marlowe during the Elizabethan era with a very different focus in the context of the English Renaissance. It was first performed in December 1701 at the Lincoln's Inn Fields Theatre in London, one of the two patent theatres of the era, and was published the following year by Jacob Tonson. The original cast included Thomas Betterton as Tamerlane, John Verbruggen as Bajazet, Barton Booth as Axalla, William Powell as Moneses, George Pack as Stratocles, William Fieldhouse as Prince of Tanais, John Freeman as Omar, John Corey as Mirvan, Benjamin Husband as Zama, Elizabeth Barry as Arpasia and Anne Bracegirdle as Selima. Betterton spoke the prologue and the play was dedicated to the Whig politician Lord Hartington, the future Duke of Devonshire. Rowe's play was partly framed as a riposte to the Tory-supporting work about Timur The Generous Conqueror by Bevil Higgons, which endorsed direct hereditary monarchy. It was first performed following the death of the deposed James II and the succession of his French-backed young son James as the Jacobite claimant to the throne, and in this context Rowe arguably used it to suggest that the coming war with France was "an obligation, not a choice". In addition the character of the Italian Prince Axalla was modelled on Prince Eugene of Savoy, an Austrian commander who had come to fame in the Great Turkish War and would subsequently become a popular figure in Britain fighting alongside the Duke of Marlborough.
Tancred and Gismund
King Tancred’s widowed daughter Gismund falls in love with his courtier Guiszard. Tancred has Guiszard killed and sends Gismund his heart in a golden cup; she drinks poison, and her grief-stricken father kills himself.
Tancred and Sigismunda
Tancred and Sigismunda is a 1745 tragedy by the British writer James Thomson. It is inspired by one of the story's from Giovanni Boccaccio's The Decameron. The original cast included David Garrick as Tancred, Thomas Sheridan as Siffredi, Dennis Delane as Osmond, William Havard as Rodolpho and Susannah Arne as Sigismunda.
Tancrède
In Norman-ruled Syracuse, Aménaïde loves Tancrède but is betrothed to Orbassan. When a letter to Tancrède is falsely said to be meant for Saracen Solamir, she is imprisoned; Tancrède, believing her faithless, attacks and kills Solamir. As he dies, Aménaïde proclaims her innocence and love, then dies beside him.
Tango
In a disordered household without rules or shared values, student Artur tries to restore order and tradition, including through a conventional wedding. His plans fail amid his parents' hypocrisy, his fiancée's affair with Edek, and his grandmother's death. Edek kills Artur, then takes control of the home; the final tango signals the triumph of force and conformity.
Tantalus
A tragedy on a mythological subject, written in the dramatic structure of Aeschylean tragedy and in obscure, archaic language.
Tape
In a motel room during a film festival, Vince records a conversation in which he pressures his old friend Jon to confess to raping their former classmate Amy. When Amy arrives, her account complicates the men’s versions of the past and the recording’s purpose.
Tara Sasankam
In a mythological love story, Tara, wife of the teacher Brihaspati, seduces his student Sasank and bears a child. The teacher and student dispute the child's paternity before the gods, leaving Tara to identify the father.
Tartuffe
Orgon trusts the pious-seeming Tartuffe so completely that he plans to marry him to his daughter and gives him the family’s property. With help from the maid Dorine, Orgon’s family exposes Tartuffe’s attempted seduction of Elmire and fraud; the King ultimately arrests Tartuffe and restores the family’s home.
Tatiana Repina
At a church wedding for Olenina and Sabinin, a woman known as the Lady in Black creates hysteria after the crowd mistakes her for Tatiana Repina, an actress associated with a fatal poisoning.
Tchin-Tchin
Pamela and Cesareo discover that their spouses are having an affair and meet through that betrayal. The initially prim Englishwoman is drawn to the lively Italian, but his exuberance is rooted in alcohol; Pamela also becomes dependent on it, and their lives decline.
Tea Party
In a London sanitary-engineering business, self-made businessman Disson hires a secretary, marries a young woman and brings her brother into the company in one day. As ordinary events take on a sinister cast, Disson becomes suspicious of his eyes and of a possible conspiracy around him.
Tea and Sympathy
Tea and Sympathy is a 1953 stage play in three acts by Robert Anderson about a male private school student, Tom Lee, who faces accusations of homosexuality. A woman, Laura, who is married to an instructor, opposes the students' shaming of Lee and romantically pursues him so he can prove that he has a masculine character. The title refers to what someone in Laura's position was supposed to offer a boy such as Tom. Writing in 2013, Everett Evans of the Houston Chronicle called it "one of the first plays to tackle the then-taboo topic of sexual orientation and related prejudice." Evans stated that the play's final line, "Years from now, when you speak of this, and you will, be kind", is "one of the most quoted curtain lines in stage history".
Tea at Five
In a monologue at her Connecticut home, Katharine Hepburn reflects on two moments in her life: in 1938, after being labeled box-office poison, she recalls her childhood and early career; in 1983, recovering from a car accident, she considers her career and romance with Spencer Tracy.
Teahouse
Across the final years of the Qing dynasty, the warlord period, and the Second Sino-Japanese War, the Beijing Yutai Teahouse and its owner Wang Lifa mirror social upheaval and the changing lives of its patrons.
Technogamia
In an allegorical courtship among personified arts and sciences, Astronomia is pursued by Poeta, Geographicus and Geometres while other figures form competing couples. Magus and Astrologia oppose the emerging scientific order, but are banished after attacking Astronomia; marriages restore order among the disciplines.
Teechers
Three students stage an account of their time at Whitewall High School, playing many roles in a spare theatrical setup. They depict how idealistic drama teacher Mr. Nixon inspires their interest in theatre and equal treatment, then confront his departure as they near the end of school.
Teeth 'n' Smiles
The play is set around the performances of a failing rock band fronted by lead singer Maggie Frisby at the May Ball on the night of 9 June 1969 at Jesus College, Cambridge.
Telstar
A biographical play about record producer Joe Meek.
Tempe Restored
At the Vale of Tempe, the sorceress Circe pursues a fugitive lover through comic animal and barbarian anti-masques. Harmony replaces her in the serious portion, where mythological figures appear and Queen Henrietta Maria descends in a chariot as Divine Beauty.
Temple
A drama about the 2011 United Kingdom anti-austerity protests.
Temptation
At a science institute campaigning against black magic, Dr. Foustka secretly studies the occult and summons Fistula, a Mephistophelean figure who offers help in exchange for public credit. Foustka tries to use the arrangement for his own advantage while denying it to the institute and Fistula; both sides expose his duplicity, and the institute’s final costume party ends with Foustka engulfed in flames.
Ten Minute Alibi
Ten Minute Alibi is a 1933 crime thriller play by the British author Anthony Armstrong. It premiered at the Embassy Theatre in Swiss Cottage on 2 January 1933, before transferring to London's West End. It ran for 857 performances between 8 February 1933 and 26 January 1935, initially at the Haymarket Theatre before switching to the Phoenix Theatre. The London cast included Anthony Ireland, Robert Douglas, Bernard Lee, George Merritt, Charles Hickman, Celia Johnson, Jessica Tandy, Gillian Maude and Aileen Marson. It was directed by Sinclair Hill. A Broadway version at the Ethel Barrymore Theatre ran for 89 performances.
Ten Nights in a Bar-Room
Ten Nights in a Bar-Room, sometimes given as Ten Nights in a Barroom, is a temperance play in three acts by William W. Pratt. It was adapted from Timothy Shay Arthur's 1854 novel Ten Nights in a Bar-Room and What I Saw There. It was first performed in 1858 in a touring production by Bidwell and Marston's Company. Newspapers report that the BMC company performed the play at Hampden Hall in Springfield, Massachusetts in July 1858 with Yankee Locke leading the cast as Sample Twichell and Pratt taking on the role of Mr. Romaine. The tour included a stop on Broadway at Purdy's National Theatre; opening there on August 23, 1858 and running for just 7 performances. The cast was led by Yankee Locke as Sample Swichel and Mrs. J. J. Prior as Mrs. Morgan. It played at the National Theatre in Boston after the close of the New York run. While the play only lasted a week in New York, it had a tremendously successful life as a road show with multiple different companies touring in the play simultaneously for decades. The play had a significant impact in engendering support for the temperance movement in America and was credited with inspiring the creation and passage of temperance laws in multiple states in the United States. The play was revived on Broadway in 1932. The play has been adapted into multiple films; including at least five different short films made between 1897 and 1911. Multiple feature length films have also been made.
Tenants
A widowed Englishman opposes the love between his son Norman and ward Mildred, sending Norman to India. His former mistress Eleanor arrives with Claude, who is secretly Sir Frederick's illegitimate son. After complications, Norman and Mildred reunite, Claude learns his parentage, and Eleanor refuses Sir Frederick's marriage offer.
Tender Napalm
A Man and Woman speak in poetic, volatile dialogue, imagining improbable adventures while expressing desire and violence toward one another. The play shifts between fantasy and reality as it explores a couple's intense relationship.
Tereus
In the reconstructed tragedy, Tereus rapes and mutilates Philomela, his wife Procne's sister. Philomela reveals the crime through a woven message; Procne takes revenge by killing their son Itys and serving him to Tereus. The sisters and Tereus are transformed into birds. The surviving play is lost, and this account is reconstructed from an ancient hypothesis and fragments.
Terminal Bar
After a plague annihilates civilization, a Texan woman, a sex worker and a teenage schoolboy shelter in a ramshackle New York bar, accompanied only by an unseen radio announcer.
Terminator the Second
The Terminator 2 story is recreated as a theatrical assemblage using Shakespeare’s dialogue verbatim, with changes limited to names, pronouns and corresponding verb tenses.
Terminus
A rhymed monologue play following three characters over one night in Dublin: a former schoolteacher, her lonely estranged daughter, and a serial killer who has sold his soul to the Devil.
Terms of Endearment
Aurora and her daughter Emma speak daily about their troubles as their lives change: Aurora finds new love and becomes a reluctant grandmother, while Emma struggles in a troubled marriage. Their strained bond is tested when they need each other most.
Terra baixa
Marta, the poor lover of landowner Sebastià, is married off by him to the unsuspecting shepherd Manelic so Sebastià can marry a socially prominent woman without losing Marta. When Manelic learns the truth, he forgives Marta and turns against Sebastià.
Terre Haute
It deals with a fictional encounter between the 1995 Oklahoma City bomber Timothy McVeigh and a character similar to author Gore Vidal in the days prior to the former's 2001 execution inside a prison complex in Terre Haute, Indiana.
Terror of the Tug
Jean Battlo’s historical drama follows police chief Sid Hatfield in the aftermath of the Matewan Massacre, drawing on the Coal Wars and the mining labor conflicts of West Virginia.
Tesla’s Letters
In 1997, American doctoral student Daisy Archer travels to Belgrade to research Nikola Tesla’s letters. The museum director offers access in exchange for a dangerous trip to Tesla’s birthplace in war-scarred Smiljan; Daisy’s encounters across Serbia and Croatia force her to confront nationalism and the region’s renewed violence.
Tessa
In the Tyrol, the Sanger children rehearse for their father’s birthday under family friend Lewis, whom Tessa loves. After their father dies, Lewis marries Florence and the children are sent to school in England. Lewis and Tessa later confess their love and flee to a modest Belgian boarding house, where Tessa dies young.
Tethys' Festival
At Prince Henry's investiture as Prince of Wales, Anne of Denmark appears as sea goddess Tethys in a court masque set at Milford Haven. Allegorical sea figures and river nymphs present the royal family with symbolic gifts, including a sword representing Henry's inheritance and rule.
Thamos, King of Egypt
Thamos, believed to be Ramesses’s son, loves Sais, who is actually Tharsis, daughter of the rightful king Menes. When Menes reveals his identity, the treacherous general Pheron is struck by lightning and the high priestess Mirza kills herself. Menes gives the crown to Thamos and Tharsis, and all ends happily.
Thank You, Mr. Pepys!
Thank You, Mr. Pepys! is a historical play by the British writer W.P. Lipscomb. It was inspired by the three-volume biography of Samuel Pepys by historian Arthur Bryant, focusing in particular on his administration of the Royal Navy, and takes place in London and Oxford during the seventeenth century. It premiered at the Hippodrome, Golders Green on 18 October 1937, under the title Ninety Sail. After altering its title it ran for 126 performances in London's West End between and 30 November 1937 and 26 March 1938, initially at the Shaftesbury Theatre before transferring to the Savoy. The West End cast included Edmund Gwenn as Pepys, Barry K. Barnes as Charles II, Henry Oscar as Lord Shaftesbury, Hugh Latimer as Sir Edmund Godfrey, Stella Bonheur as Marry Skinner and Marjorie Mars as Nell Gwynn. It was produced by Miles Malleson while the costumes were designed by Elizabeth Haffenden.
Tharavo Igilethi
A Sri Lankan stage drama based on the story of twin brothers in Bangkok. The production uses music by Gunadasa Kapuge and includes eleven songs.
Thark
Sir Hector Benbow's nephew Ronny and their household are drawn to a country house called Thark, which its buyer believes is haunted. As family members and guests investigate, romantic misunderstandings, an investigative journalist, nocturnal noises, and a falling tree leave the occupants convinced they have encountered a ghost.
That Championship Season
The setting is 1972 at the Coach's home in Scranton, Pennsylvania. On the 20th anniversary of their victory in the Pennsylvania state championship game, four members of the starting lineup of a Catholic high school basketball team have gathered to celebrate. This reunion may be their last chance to reminisce with each other due to their Coach's illness. The fifth member of the starting lineup, Martin (who made the game-winning shot), has refused to attend the reunion. He bears a grudge against the Coach for reasons that do not become clear until late in the play. George Sitkowski has become Scranton's mayor, but he has proven inept and unpopular, and he is likely to lose his re-election bid. The fact that his challenger is Jewish is particularly irritating to him. Phil Romano has become a millionaire in the strip mining business, using his close ties to Sitkowski to obtain mining permits. Though Romano helps George financially, he is carrying on an affair with George's wife. James Daley is a local junior high school principal. His brother Tom is an unsuccessful, embittered, cynical alcoholic and good-for-nothing writer. None of the men's lives have turned out as they had hoped. On some level, all still look to the Coach for guidance. The Coach has always been the embodiment of old-school Catholicism (Senator Joseph McCarthy and Father Charles Coughlin are heroes of his). He was also the one person in their lives who was sure of everything, and his absolute certainty and confidence gave them a sense of security. While the Coach thought he was teaching his players how to be men, they instead became emotional adolescents who still needed him to tell them how to live their lives. The Coach's pep talks, which had always inspired them, were beginning to sound hollow. Only now do they realize that the Coach was a bigot, a bully, and a fraud.
That Face
Mia is at boarding school and has access to her mother's drugs. She gets into trouble for drugging a fellow student and this causes her father to be brought back to England from Hong Kong. Henry, her brother, has dropped out of school and has to stay at home and look after his alcoholic mother. Martha, their fading glamorous mother, controls their lives whilst her own sick mind and world crumble around her.
That Good Night
Terminally ill screenwriter Ralph, in his seventies, wants to reconcile with Michael, the son he abandoned, and secretly arrange a painless death so he will not burden Anna, his devoted younger wife. Michael arrives at their Tuscan villa with his girlfriend Debbie, but Ralph ruins the reunion by provoking a fight. Alone with the hired Visitor, Ralph is forced to consider the life that remains to him.
That They May Win
During World War II, wounded soldier Danny returns from Italy to find his wife Delia and their baby struggling on his army allotment as prices soar. Their argument over her accepting food and possible work broadens into a call for women to resist profiteering and demand effective price controls.
That Time
A silent old man is confronted by three recorded voices recalling episodes from youth, maturity, and old age. Their fragmented memories circle his self-imposed isolation and blur the boundary between lived events and imagined stories.
That's Not Funny, That's Sick
A fast-moving comedy revue of social satire, impressions, parodies, and songs. Its sketches range from a condensed Moby-Dick and a Waiting for Godot spoof to scenes about drug culture, religion, romantic relationships, and professional sports.
The "Mind the Paint" Girl
The "Mind the Paint" Girl is a four-act play by Arthur Pinero, first published in 1912. The play has a large cast of twenty eight named characters. The play was written to incorporate a song written by Jerome Kern. It premiered at the Duke of York's Theatre, London, in February 1912. A film based on the play was made by director Wilfrid North in 1919, but it is considered lost.
The 39 Steps
Four actors retell the spy story of Hitchcock’s The 39 Steps, with one actor playing Richard Hannay, one playing his three romantic counterparts, and two clowns rapidly portraying the remaining characters—often several in the same scene.
The 39 Steps
Four actors recreate the serious spy story of Hitchcock’s The 39 Steps as a fast comic parody, doubling more than a hundred roles; two clowns switch among characters, sometimes within a scene, while one actor remains Richard Hannay and an actress plays his three romantic counterparts.
The 47th
Ahead of the 2024 United States presidential election, Donald Trump picks his daughter, Ivanka, as his personal heir, and is introduced to her assistant and driver, Rosie Takahashi. Ted Cruz asks for Trump's endorsement in the Republican primaries, as Trump is no longer running for president. Later, at the funeral of Jimmy Carter, Joe Biden tells Kamala Harris that he is still uncertain over whether to run for election as the Democratic nominee. Trump crashes the funeral and, in secret, reveals to Biden that he knows compromising information about Jill Biden. Ivanka chastises her father for such a display, and is shown to be weary of her father's underestimation of her, which she plans to use for her own gain. Cruz invites Trump to a rally to announce Trump's endorsement of him, but caught up in the crowd's cheers, Trump turns on Cruz and promptly announces that he will be running for president again. Backstage, Rosie encounters her brother, political reporter Charlie Takahashi, and both spar over their differing political views, with Charlie being a liberal Democrat and Rosie a Trump-supporting Republican. Ivanka confirms Trump's announcement to a crowd of skeptical congressmen, and reveals that she will run as his vice president. Later, a day before the first presidential debate, Harris encounters a restless and paranoid Biden late at night, who is revealed to have been in that state since the encounter with Trump at Carter's funeral. Biden is fearful about the threat posed by Trump, but reveals he is no longer in the position to run for president and begs Harris to take his place, and resigns as president on the spot. Harris is promptly sworn in as president and Democratic nominee. A day later, while waiting to attend the debate with Rosie at a Michigan bar filled with Trump supporters, Charlie questions one about an apparent plan to attack an event and reveals his status as a reporter; he is promptly escorted away by them, leaving Rosie to search for him. The debate between Harris and Trump is then interrupted by the Trump supporters storming the venue, as Trump ends the debate and disappears into the crowd. Harris is evacuated as the street descends into chaos and violence. In the Situation Room, Harris observes the mob violence and is persuaded by her staff to arrest Trump to end the chaos and prevent further fatalities. Trump is arrested and imprisoned as Ivanka seizes control of his assets. Harris visits the incarcerated Trump and they exchange words, with her ultimately deciding free Trump out of fear that keeping him in prison will only make him a martyr. While celebrating her father's freedom alongside him, Ivanka is misogynistically chastised by Donald, leaving her to formulate a plan of revenge. Harris is told by her staff that newly-emboldened Trump supporters have now enforced mob rule on the streets, despite the National Guard's best efforts. Charlie, now blinded from his torture at the hands of the mob, is brought before Harris by an aide, as her staff persuades her to orchestrate Trump's death to end the violence, to which she refuses. As Harris leaves, the aide who brought Charlie in is then revealed to be Rosie. A week before the election, Trump leaves for a motorcade across D.C. with Rosie as his driver, as Ivanka sees him off. Shortly afterwards, a severely injured Trump is admitted to the hospital; Harris arrives to meet with him, and it is revealed that Rosie had crashed the car with her and Trump at the cost of her own life. Angered with Harris and with no health insurance due to Ivanka's efforts, Trump tears off his IV tubes to get the nurse's attention, but promptly collapses and dies. Ivanka arrives and discusses her father with Harris, and reveals how both of them have been alleged to be behind Donald's fate. Ivanka then reveals her anticipation for the upcoming election, for which she is now the Republican nominee, as Harris realizes the extent of Ivanka's machinations and displays anxiety over the future.
The 49th Cousin
The 49th Cousin is a play by Florence Lowe and Caroline Francke. The work premiered on Broadway at the Ambassador Theatre on 27 October 1960 and closed after 102 performances on January 21, 1961. The production was directed by Jack Smight and starred Menasha Skulnik as Issac Lowe, Marian Winters as Tracy Lowe, Martha Scott as Fanny Lowe, Evans Evans as Carrie Lowe, Eli Mintz as Simon Lowe, Gerald Hiken as Moishe (Morris) Golub, John Boruff as Rabbi Ansbacher, David Kurlan as Mr. Kronfeld, Alfred Leberfeld as Mr. Miller, and Paul Tripp as Mr. Cronyn.
The AIDS Show
A collaboratively created revue of vignettes drawn mainly from cast members’ experiences portrays how HIV/AIDS affected the LGBTQ community. Scenes take the perspectives of nurses, mothers, gay men and their friends, romantic partners, older people and those who lost loved ones.
The Absence of War
The Absence of War is a play by English playwright David Hare, the final instalment of his trilogy about contemporary Britain. The play premiered in 1993 at the Royal National Theatre, London, England. The play is based on his behind the scenes observations of the Labour Party leadership during their unsuccessful General Election campaign of 1992. The central character, party leader George Jones, is so smothered and constricted by his cautious advisers that eventually none of the great talents that brought him to prominence is visible to the public.
The Accidental Caregiver
An aspiring actor accepts a temporary job caring for Maria Altmann, an elderly Austrian Holocaust refugee. Their unexpected bond forces him to confront love, loss and his own ambitions.
The Accidental Pervert
After discovering his father’s pornography collection as a boy, Andrew develops an addiction that follows him into adulthood. When he meets his future wife, he struggles to balance sexual fantasy with reality.
The Accomplices
The play portrays Hillel Kook and the Emergency Committee for the Rescue of European Jewry as they press the United States to help Europe's Jews during the Holocaust, despite opposition from Stephen Samuel Wise and other mainstream Jewish and Zionist leaders.
The Accrington Pals
During the First World War, the play contrasts the experiences of the Accrington Pals at the front and at the Somme with the lives of the women left behind in Accrington.
The Acharnians
Dikaiopolis, weary of the Peloponnesian War, obtains a private peace treaty with Sparta through Amphitheus. The old men of Acharnae oppose him, but he argues that profiteers and political leaders perpetuate the war. He establishes a private market where he trades with Athens' enemies, while the warlike general Lamachus is summoned to battle and returns injured; Dikaiopolis returns from a feast celebrating peace.
The Actor and His Wife
An actor and his wife confront their relationship during an obligatory journey.
The Actor's Nightmare
An accountant finds himself backstage and is mistaken for an actor’s understudy. Forced into scenes from several plays he has never rehearsed, he cannot recall lines or even his identity and tries to navigate a performance that culminates in an execution scene.
The Adding Machine
Mr. Zero lives in an unnamed major city where he has worked for 25 years in an accounting office adding figures together by hand. His coworker, Miss Devore, dreams of having the courage to kill herself and detests Zero. His wife, Mrs. Zero, spends her days gossiping, going to see lowbrow movies, and nagging Mr. Zero for being a disappointing husband. One day, after work, Zero's boss unceremoniously fires Zero and informs him he will be replaced by a mechanical adding machine. Zero murders his boss on the spot and then returns home in time for his wife's dinner party. The guests' inane chatter is interrupted by a cop who arrives to arrest Zero. At his trial, Zero tries to justify his actions and explain his frustrations but the jury declares him guilty. Before his execution, Zero is kept in a zoo-like exhibit where tour groups view him and buy souvenirs. Mrs. Zero visits him but leaves after their conversation enrages her. Zero is then visited by a winged, otherworldly "Fixer" who taunts Zero before having two henchmen drag Zero to his execution. Zero, dead, awakens in a cemetery where he befriends a man named Shrdlu. Shrdlu considers himself innately evil and recounts his religious upbringing with his mother, whom he eventually murdered. After another corpse screams at Shrdlu and Zero to be quiet, they relocate to the Elysian Fields, where Zero encounters the soul of Miss Devore, who has killed herself. Zero and Miss Devore begin a romance and try to be happy together in the afterlife. Shrdlu, however, is distraught and confused at the lack of divine punishment in the afterlife. Zero, finding his existence aimless, begins obsessively operating an enormous adding machine. Eventually, Lieutenant Charles, the boss of the Elysian Fields, comes to tell Zero that he is a waste of space and his soul is scheduled to be recycled and reborn on Earth. Zero resists, but Charles lures him away using an attractive woman named Hope, leaving Charles to grumble about his own unpleasant job.
The Admirable Crichton
After a family of aristocrats and their servants are shipwrecked, the practical butler Crichton becomes the island's leader while his former masters become his subjects. Lady Mary falls in love with him, but once rescued the group returns to conventional social roles.
The Adventures of Five Hours
The Adventures of Five Hours is a 1663 comedy play by the English writer Sir Samuel Tuke, 1st Baronet. Based on the play Los empenos de seis horas by Antonio Coello, It is an early example of the developing Restoration comedy tradition. Its success led to a series of sentimental plays in the Spanish style about love and honour, very different to the more sophisticated and cynical comedies which the Restoration era became known for. Performed by The Duke's Company, it premiered at the Lincoln's Inn Fields Theatre in London. The original cast included Thomas Betterton as Don Henriq, Henry Harris as Antonio, Cave Underhill as Diego, Samuel Sandford as Ernesto, William Smith as Corrigidor, John Young as Octavio, Hester Davenport as Camilla, Jane Long as Flora and Mary Betterton as Portia. It ran for thirteen straight performances, a considerable hit by the time.
The Adventures of Stoke Mandeville, Astronaut and Gentleman
In an alternate history where Victorian Britain pioneered space travel, stoic Englishmen confront French schemes against the British Empire. The comedy draws on science fiction and farce, with a small cast doubling many roles.
The Adventures of a Black Girl in Search of God
After her daughter’s death, Dr. Rainey Baldwin-Johnson struggles with grief and faith while her father and his friends organize to reclaim Black history in Negro Creek. Their resistance to the renaming of Negro Creek Road and a museum heist over a militia jacket bring the family together as her father nears death.
The Advertisement
Teresa rents a room to Elena, a young student, and the two develop a close bond as Teresa explains that her former lover Lorenzo left her. When Lorenzo arrives, he begins an affair with Elena, transforming their three-way relationship.
The Affair
A group of professors at Cambridge University try to hire an old colleague back even though they all don't like him, they all agree he was dismissed unfairly.
The Affair of the Poisons
A historical play about the Affair of the Poisons during Louis XIV’s reign and the downfall of his mistress, Madame de Montespan.
The Afghan Women
After the US invasion of Afghanistan, an Afghan woman returns from the United States to establish an orphanage. When a warlord attempts a coup and uses orphans as human shields, she kills him and urges his son to reject violence.
The After-Dinner Joke
Selby leaves a corporate job for charity work, where campaigns are repeatedly blocked by political interests. After her colleague's efforts to promote hard-hitting but inoffensive appeals fail, Selby travels to a hurricane-struck country and is kidnapped by guerrillas; comic sketches expose the contradictions of charitable fundraising.
The Age of Innocence
The Age of Innocence is play in five scenes by Margaret Ayer Barnes that was adapted from Edith Wharton's 1920 novel of the same name.
The Ages of Man
A solo theatrical recital arranges speeches from Shakespeare’s plays into three parts—Youth, Manhood and Old Age—to trace the journey of life from birth to death.
The Agitators: The Story of Susan B. Anthony and Frederick Douglass
The play follows Susan B. Anthony and Frederick Douglass across a 45-year friendship. It begins with Douglass playing the violin while Anthony is at a picnic and traces their distinct paths toward equality.
The Album
At Bedford’s country house, Sir Ralph Damant and the supposedly dead artist Mark Bernal both claim the inheritance. Mark produces an album of sketches that complicates the succession. Mark and Grace Jesmond marry, as do Teddy Ashdown and Maud Vincent; Sir Ralph rejects Lady Basset’s fortune hunting and gives the inheritance to Mark.
The Alchemedians
A physical comedy built around a clown and a juggler, combining clowning, juggling and mime.
The Alchemist
During a London plague, servant Jeremy takes over his absent master's house and joins conman Subtle and Dol Common in a series of frauds. They promise gamblers, merchants, religious zealots, and a wealthy would-be alchemist impossible gains, until the returning master and the victims expose the scheme. Jeremy saves himself by helping his master marry the widow the trio had targeted.
The Aleph
An actor’s memories of South America merge with a story about a mysterious point containing everything in the universe. Personal anecdotes give way to an exploration of desire, perception, and the limits of storytelling.
The Aliens
Behind a Vermont coffee shop, two disaffected men in their thirties talk about music and poetry and the band they never launched. When Evan, a high-school student who works at the shop, arrives, they take him under their wing. Baker builds the character study through silences, pauses, and understated conversation.
The Ally
A Jewish college professor agrees to sign a student manifesto responding to police brutality, then reconsiders when its criticism of Israel challenges his beliefs and identity.
The Amazing Dr. Clitterhouse
Act I, Scene 1 Nurse Ann is in love with Dr. Clitterhouse. She has been waiting for him to return to the office at one in the morning. When he arrives he immediately wants to check his blood pressure and other vitals. She discovers some white paint on his coat. She gets a bottle of ether from his bag and discovers that he has stolen jewels from Cranston Lodge in his bag, which she promises to keep a professional secret even though she doesn't like it. Detective-Inspector Charles sees the lights on and drops in for a visit, being friends with Dr. Clitterhouse. Lady Challing, one of the previous burglary victims, has involved Scotland Yard based on the value of the stolen jewels as 2,000 pounds, and because each crime was committed four days apart, the Yard expects the next one to follow quickly. Over coffee, Charles and Clitterhouse, who know each other affectionately as Charley and Clit, discuss the burglar's methods in the Challing burglary, which Charles dismisses as the work of a rank amateur, identifying the use of the gardener's ladder, a table-knife, and a tyre-lever. As casual conversation, Clitterhouse asks Charles how one gets rid of his "swag," and Charles tells him about fences, saying that there wouldn't be any crime without them. He tells him that fences aren't very smart except for one named Benny Kellerman, who has a club of Theobald's Road. Charley is soon called at Clitterhouse's by the constable in the police box to let him know that Cranston Lodge, the home of Councillor Anderson, has been burgled and leaves to investigate. After Charles leaves, Clitterhouse explains to Ann that criminals need to be caught much earlier through investigations of their medical state and has begun studying crime by committing crimes himself in order to experiment on himself in order to learn the pathology of crime. Ann reiterates her promise to keep what he us doing confidential and promises to unload the loot at Benny Kellerman's in the morning.
The Amazons: A Farcical Romance
Three sisters are raised by their aristocratic father as male heirs and struggle to adjust to society. Pinero’s farcical romance follows the social complications of their upbringing and gender expectations.
The Ambitious Slave
The Ambitious Slave; Or, A Generous Revenge is a 1694 tragedy by the English writer Elkanah Settle. It was first staged at the Theatre Royal, Drury Lane by the United Company. The original cast included John Bowman as King of Persia, John Verbruggen as Tygranes, George Powell as Orontes, John Freeman as Briomar, Jane Rogers as Mirvan, Frances Maria Knight as Herminia, Anne Bracegirdle as Clarismunda, Elizabeth Barry as Celestina and Elinor Leigh as Rosalin.
The Ambitious Statesman
The Ambitious Statesman; Or, The Loyal Favourite is a 1679 tragedy by the English writer John Crowne. It was originally staged by the King's Company at the Theatre Royal, Drury Lane in London. The original cast is unknown except for Joseph Haines who played La Marre, and also spoke the epilogue.
The Ambitious Stepmother
The Ambitious Stepmother is a 1700 tragedy by the British writer Nicholas Rowe. It was his debut play. Rowe set his play in Biblical times, but it had strong subtexts of the contemporary questions about the British succession that led to the Act of Settlement in 1701. At the court of Persia, Artemisa schemes against her stepson Artaxerses. The original cast included John Verbruggen as Artaxerses, Barton Booth as Artaban, Thomas Betterton as Memnon, John Bowman as Magas, George Pack as Cleanthes, Elizabeth Barry as Artemisa, Elizabeth Bowman as Cleone and Anne Bracegirdle as Amestris. The play was dedicated to Edward Villiers, the Right Honourable Earl of Jersey, Lord Chamberlain of His Majesty's Household.
The Amen Corner
In a Harlem church community, pastor Margaret Alexander's authority is shaken when her long-estranged, ill husband returns and reveals that she left him rather than the reverse. Her son and congregation confront her perceived hypocrisy; as she loses her family and pulpit, Margaret recognizes that faith cannot be used to avoid the struggles of human relationships.
The America Play
A Black gravedigger who resembles Abraham Lincoln becomes an impersonator at the Great Hole of History, where visitors pay to reenact Lincoln’s assassination. A second act follows his wife Lucy and son Brazil as they confront his absence and the replica hole he left behind.
The American Clock
The Baum family loses its wealth during the Great Depression and must leave its Manhattan home to live with relatives in Brooklyn. Their son Lee, who hopes to become a writer, narrates the family’s experience.
The American Dream
In a middle-class home, Mommy and Daddy receive Mrs. Barker while Grandma exposes what happened to the couple's adopted child. A young man arrives who embodies an emptied, idealized version of the American Dream and is welcomed as a replacement for their dead child.
The American Plan
In 1960 Eva Adler, who is a widow, has a vacation home in the Catskill Mountains, in New York, across a lake from a resort. Her daughter, Lili Adler, is a socially awkward 20-year old who feels trapped by her mother's constant attention. Lili meets Nick Lockridge, an aspiring architect who is engaged to a woman from a wealthy family. Lili and Nick develop a romantic relationship over the course of the summer. Eva, Lili's controlling mother, is against any relationship and works to discredit Nick.
The American Way
A spectacle of American history, set first at Ellis Island in 1896 and later in a small American town, depicting an American life against the country's historical and democratic ideals.
The Amish Project
In the aftermath of a shooting at an Amish school, a community responds to loss with an unexpected act of forgiveness. One performer portrays several fictional characters whose lives intersect around the tragedy, exploring grief, compassion and the limits of understanding.
The Amorous Old Woman
The Amorous Old Woman; Or, 'Tis Well If It Take is a 1674 comedy play by the English writer Thomas Duffet. It was originally staged by the King's Company at the Lincoln's Inn Fields Theatre. It was part of the tradition of Restoration comedy. Given the number of younger actors in the cast, it may have been a lenten play. The original cast included William Beeston as Amante, Carey Perin as Cicco, John Coysh as Riccamare, Martin Powell as Furfante, Elizabeth Cox as Constantia, Elizabeth James as Arabella, Elizabeth Boutell as Clara and Katherine Corey as Strega.
The Amorous Prince, or, The Curious Husband
In Florence, Prince Frederick pursues Cloris and Laura, his friend Curtius's fiancée, with little regard for consequences. Meanwhile Antonio devises a test of his wife Clarina's fidelity, but she and Ismena outwit him through disguises and counterplots.
The Anarchist
In a prison parole office, an officer questions a former domestic terrorist who killed two police officers. Their argument turns on the prisoner’s lack of remorse and the officer’s decision about parole.
The Andersonville Trial
A courtroom drama about the 1865 court-martial of Andersonville prison commander Henry Wirz. Prosecutor Norton P. Chipman seeks justice for Union prisoners who died in the camp, while Wirz is presented as a tragic and sympathetic defendant.
The Anger in Ernest and Ernestine
Ernest and Ernestine move into a small apartment, certain that love will make their life together work. Their conflicting habits and unspoken frustrations gradually turn everyday domestic problems into an escalating battle.
The Angry Brigade
A political play centred on the Angry Brigade anarchist group.
The Anorak
A 90-minute dramatic monologue about the École Polytechnique massacre, told from Marc Lépine’s point of view; performances address male and female audience members separately before bringing them together during the massacre account.
The Ant and the Cicada
In rural Greece after the financial crisis, indebted theatre director Zoe is tricked by her finance-career sister Selina and Selina’s hedge-fund colleague into signing a plan to turn the family estate into a hotel and tourist attraction. Zoe resists their plans for the olive trees and her avant-garde theatre.
The Antiphon
The Hobbs family gathers at its dilapidated ancestral home in 1939, where Augusta, her brother and her estranged adult children revive old grievances. Her sons Dudley and Elisha torment Augusta and Miranda; Augusta kills Miranda, and the coachman reveals himself as Jeremy, who arranged the reunion to force the family's conflicts into the open.
The Antipodes
A physician and a theatrical troupe stage an imagined upside-down England to cure Peregrine Joyless of his obsession with travel and help address his family’s marital distress. Their improvised play-within-the-play turns into a social satire as Peregrine takes control and tries to reform the Antipodes.
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