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Sweet Bird of Youth

Play · 1956

Chance Wayne, a failed actor who has become a gigolo, returns to his Southern hometown escorting faded film star Alexandra del Lago, whom he hopes will help him launch a movie career. He also seeks to reunite with Heavenly Finley, but her family holds him responsible for the disease that left her unable to have children. Alexandra learns that her comeback film has succeeded and declines to advance Chance's career; Chance stays in town to face the punishment her family intends for him.

Sweet Lavender

Play · 1888

The play is set in the Chambers of Mr Phenyl and Mr Hale, No 3, Brain Court, Temple. Springtime. The present day. Act 1 – Morning – "Nobody's business" Act 2 – Evening of the next day – "Somebody's business" Act 3 – A Week afterwards – "Everybody's business" Ruth Rolt, a housekeeper, has a daughter, Lavender, who is in love with Clement Hale, who is studying for the bar under a disreputable but lovable barrister, Dick Phenyl. Clement is the adopted son of Geoffrey Wedderburn, a banker, who wants him to marry his niece, Minnie. Minnie has another suitor, Horace, an American. Mrs. Rolt discovers that Wedderburn is not only Clement's adoptive father but also Lavender's real father. She is very angry and breaks off the relationship between Clement and Lavender. Wedderburn's bank is threatened with failure; he takes ill and learns humility. Mrs. Rolt forgives and nurses him, while Lavender flies back into Clement's arms to console him after the financial ruin. Phenyl unexpectedly offers his own fortune to save the bank and Wedderburn's reputation, and all ends happily.

Sweet Madness

Play · 1952

Sweet Madness is a 1952 comedy play written by the British actor Peter Jones. It premiered at the Q Theatre in Kew Bridge before transferring to the Vaudeville Theatre in the West End where it ran for 125 performances between 21 May and 6 September 1952. The cast featured Richard Attenborough, Laurence Naismith, Robin Bailey, Martin Miller, Sheila Burrell and Geraldine McEwan. It was originally known as The Song of the Centipede before being renamed for its West End transfer.

Sylvia

Play · 1995

The place is New York City, the time is the 1990s. Middle-aged, upper-middle-class Greg finds Sylvia, a dog (played by a human), in the park and takes a liking to her. He brings her back to the empty nest he shares with Kate. When Kate gets home, she reacts very negatively to Sylvia and wants her gone. They eventually decide that Sylvia will stay for a few days before they decide whether she can stay longer, but Greg and Sylvia have already bonded. Over the next few days, Greg spends more and more time with Sylvia and less time at his job. Greg and Sylvia go on long walks; they discuss life and astronomy. Already dissatisfied with his job, Greg now has another reason to avoid work. Tension increases between Greg and Kate, who still does not like Sylvia, nicknaming her Saliva. Eventually, Greg becomes completely obsessed with Sylvia, and Kate fears their marriage is falling apart. Kate and Sylvia are at odds with each other, each committed to seeing the other defeated. Greg meets a strange character at the dog run, who gives Greg tips on how to manage Sylvia and his predicament involving Kate. Greg has Sylvia spayed. Sylvia is angry and in pain, but she still loves him completely. Kate's friend pays a visit and is repulsed by Greg and Sylvia. Greg, Kate, and Sylvia sing "Every Time We Say Goodbye". Greg and Kate visit a therapist, Leslie, who is ambiguously male and female depending on her patients' state of mind. After a session with Greg, Leslie tells Kate to get a gun and shoot Sylvia: "I hope you get her right between the eyes." Kate is asked to teach abroad, in London, and tells Greg that the English have a six-month quarantine for any dogs coming into the country. Greg is unwilling, but eventually, he succumbs and gives the news to Sylvia, that he must give her away, to a family who have a farm in Westchester County. Greg and Sylvia have a heated and tender moment. Kate and Sylvia say goodbye; but, before Greg and Sylvia leave for Westchester, Sylvia returns the annotated and slightly chewed version of "Alls Well That Ends Well" that Kate has been looking for, and Kate has a change of heart. The last scene is directed toward the audience. Sylvia has died, and Greg and Kate still hold her memory in all fondness.

Take Me Out

Play · 2002

Much of the play is set in the locker room of a professional baseball team, and as such has an all-male cast that explores themes of homophobia, racism, class, and masculinity in sports. Darren Lemming, a star mixed-race center fielder for the fictional Empires Major League Baseball team, comes out as gay. His friend and teammate Kippy Sunderstrom warns Darren that the team will feel uncomfortable about his sexual orientation, but is brushed off by Darren. As Kippy wonders why Darren chose that particular moment in time to come out, a flashback to a week earlier shows Darren having drinks with his best friend Davey Battle, a religious player on a rival team. Davey tells Darren that he should want his true nature known to the world. Later, Darren meets with his new accountant Mason Marzac, a gay man uninterested in baseball until Darren's coming out. The Empires fall into a slump, prompting relief pitcher Shane Mungitt to be brought up from the minor leagues. Shane tells the team that as a child, he was raised in orphanages after his father killed his mother and then himself in a murder-suicide. The team begins winning games again, but in a television interview, Mungitt expresses his discomfort with "colored people" on the team, and that he has to shower every night with a "faggot." Shane is suspended due to the interview, causing the team to fall back into its slump. He writes an apology letter that is leaked to the public, which combined with the details about his tragic childhood, causes public sympathy to shift in his favor. Shane returns to the team, despite Darren's threat to retire in protest. In the locker room showers, Darren derides Shane for his racism and homophobia, and mockingly kisses him. In the game, Shane is sent to pitch against Davey Battle; the ball hits Davey's head, killing him. In a flashback to Darren and Davey's final encounter, Davey angrily accuses Darren of using his straight-and-narrow public reputation to conceal his sexuality. Shane is permanently suspended from major league baseball, and arrested for questioning after players say they heard him muttering about wanting to "kill someone" before the game. He refuses to speak to the police, stating that he will only talk to Kippy. Kippy is joined by Darren, and as Kippy attempts to determine whether the pitch that killed Davey was intentional, Shane discloses that the apology letter was written by Kippy on Shane's behalf. In narration, Kippy states to the audience that the Empires went on to win the World Series, and no charges were ever filed against Shane. Kippy expresses to Darren his desire to again be friends, and Darren invites Mason to the end-of-season party.

Take a Chance

Play · 1931

Take a Chance is a comedy play by the British-American writer Walter Hackett, with a plot revolving around gambling on a horseracing. It was performed at the Whitehall Theatre, running for 93 performances between 28 July and 17 October 1931. It followed closely on the heels of another of Hackett's plays at the theatre Good Losers. The original cast of Take a Chance included Ian Hunter, Ronald Shiner, Charles Quatermaine, Anthony Holles, Francis Lister, Hugh Wakefield, Barbara Hoffe and Marion Lorne.

Talley's Folly

Play · 1979

Talley's Folly depicts one night in the lives of two unlikely sweethearts, Matt Friedman and Sally Talley. The one-act play takes place in a boathouse on the Talley farm in Missouri on the Fourth of July, 1944. The play opens with Matt directly addressing the audience, telling them that the play will take ninety-seven minutes and he hopes to relay his story properly in that time. Taking the time to point out some staging elements, he tells the audience that the gazebo-like structure next to him is a Victorian boathouse, which has fallen into disrepair. While on vacation in Lebanon, Missouri the previous summer, Matt met Sally and has sent her a letter every day since. Though the single reply from Sally gave him no hope for romantic encouragement, he has returned to ask her to marry him. Sally arrives at the boathouse and is in disbelief that Matt has shown up uninvited, even though he had written her that he planned to come for the holiday. Matt's arrival has created a stir in Sally's conservative Protestant household, where a Jewish man is not welcomed, especially when his intentions are to court their daughter, who is eleven years younger than he. Matt's interest in Sally had never waned. He once drove from his home in St. Louis to the hospital where she worked and waited hours for her, even after being informed that she was not available. The conversation turns to the boathouse structure. Sally tells him it was constructed by her uncle, who built follies all over town. Her uncle did only what he wanted to do, and Sally considers him the healthiest member of the family for his courage. Eventually, the couple begins to reminisce about the night they met and the time they spent together the previous summer. Matt takes it as a positive sign that she has changed into a nice dress before coming to see him tonight. Sally's protests do not match her behavior and he pushes forward. She is the most intriguing woman he has ever met, and he is determined to make her his wife. Admitting that he has called Sally's aunt every two weeks during the past year, Matt reveals that he knows Sally was fired from a Sunday school teaching job. Apparently, she had been encouraging the students to read Thortstein Veblen's The Theory of the Leisure Class in addition to the Methodist reader. The rise of labor unions was affecting the families of the children in her class and she felt obligated to help educate them. Her unorthodox methods earned her the consternation of the church elders as well as her own family, who own the garment factory on which the labor issue centered. Sally then tries to glean some information about Matt's background, a subject about which he is very guarded. He finally admits to Sally that he was probably born in Kaunas, Lithuania. His father had been an engineer. In 1911, his father was overheard in a French cafe discussing his work with nitrogen, a reference to the Haber process developed in 1909 by a Jewish-German chemist, Fritz Haber, to extract nitrogen from the air, which made the manufacture of gunpowder and fertilizer inexpensive. The family was later detained as they were attempting to cross the border. Matt's father and older sister were tortured until the French realized that the father had no information of any value to them. In the meantime, the sister had fallen into a coma from which she never awoke. They later went to the German authorities and were again detained. Matt escaped to America through the help of some relatives. Haunted by his childhood grief, Matt vowed never to bring another child into the world. He was content with his life until he met Sally. He now feels forever changed and hopeful for the first time in his life. Having risked the vulnerability of revealing his background, Matt presses Sally to share why she, a beautiful 31-year-old woman, has never married. She diverts the conversation to economics, which frustrates Matt. Sally finally reveals her disappointment in love many years ago, which makes her reluctant to fall in love again. Her family had partnered her with Harley Campbell, whose family was also wealthy. The match was supposedly made in heaven, especially for the business interests of the two families. Sally had been a cheerleader and Harley had been a basketball star. Unfortunately, the families' fortunes waned during the Depression. In addition, Sally was struck with tuberculosis and sequestered for a long time. A pelvic infection left her infertile, and Harley's family no longer condoned their marriage. Matt comments on the irony of their situation, that he'd been lamenting over the fact that he was in love with a woman but could never have children and now this woman presents him with the same situation. He believes that an angel has guided his path to her. Sally agrees to marry him and move to St. Louis, and they vow to return to the boathouse every year so they don't forget where they fell in love.

Tamerlane

Play · 1701

Tamerlane is a 1701 history play by the English writer Nicholas Rowe. A tragedy, it portrays the life of the Timur, the fourteenth century conqueror and founder of the Timurid Empire. Rowe, a staunch Whig, used the historical story as an allegory for the life of William III who resembles his portrayal of Tamerlane while his opponent the Ottoman leader Bayezid I was equivalent to William's longstanding opponent Louis XIV of France. An earlier version of the story Tamburlaine was written by Christopher Marlowe during the Elizabethan era with a very different focus in the context of the English Renaissance. It was first performed in December 1701 at the Lincoln's Inn Fields Theatre in London, one of the two patent theatres of the era, and was published the following year by Jacob Tonson. The original cast included Thomas Betterton as Tamerlane, John Verbruggen as Bajazet, Barton Booth as Axalla, William Powell as Moneses, George Pack as Stratocles, William Fieldhouse as Prince of Tanais, John Freeman as Omar, John Corey as Mirvan, Benjamin Husband as Zama, Elizabeth Barry as Arpasia and Anne Bracegirdle as Selima. Betterton spoke the prologue and the play was dedicated to the Whig politician Lord Hartington, the future Duke of Devonshire. Rowe's play was partly framed as a riposte to the Tory-supporting work about Timur The Generous Conqueror by Bevil Higgons, which endorsed direct hereditary monarchy. It was first performed following the death of the deposed James II and the succession of his French-backed young son James as the Jacobite claimant to the throne, and in this context Rowe arguably used it to suggest that the coming war with France was "an obligation, not a choice". In addition the character of the Italian Prince Axalla was modelled on Prince Eugene of Savoy, an Austrian commander who had come to fame in the Great Turkish War and would subsequently become a popular figure in Britain fighting alongside the Duke of Marlborough.

Tea and Sympathy

Play · 1953

Tea and Sympathy is a 1953 stage play in three acts by Robert Anderson about a male private school student, Tom Lee, who faces accusations of homosexuality. A woman, Laura, who is married to an instructor, opposes the students' shaming of Lee and romantically pursues him so he can prove that he has a masculine character. The title refers to what someone in Laura's position was supposed to offer a boy such as Tom. Writing in 2013, Everett Evans of the Houston Chronicle called it "one of the first plays to tackle the then-taboo topic of sexual orientation and related prejudice." Evans stated that the play's final line, "Years from now, when you speak of this, and you will, be kind", is "one of the most quoted curtain lines in stage history".

Ten Minute Alibi

Play · 1933

Ten Minute Alibi is a 1933 crime thriller play by the British author Anthony Armstrong. It premiered at the Embassy Theatre in Swiss Cottage on 2 January 1933, before transferring to London's West End. It ran for 857 performances between 8 February 1933 and 26 January 1935, initially at the Haymarket Theatre before switching to the Phoenix Theatre. The London cast included Anthony Ireland, Robert Douglas, Bernard Lee, George Merritt, Charles Hickman, Celia Johnson, Jessica Tandy, Gillian Maude and Aileen Marson. It was directed by Sinclair Hill. A Broadway version at the Ethel Barrymore Theatre ran for 89 performances.

Ten Nights in a Bar-Room

Play · 1858

Ten Nights in a Bar-Room, sometimes given as Ten Nights in a Barroom, is a temperance play in three acts by William W. Pratt. It was adapted from Timothy Shay Arthur's 1854 novel Ten Nights in a Bar-Room and What I Saw There. It was first performed in 1858 in a touring production by Bidwell and Marston's Company. Newspapers report that the BMC company performed the play at Hampden Hall in Springfield, Massachusetts in July 1858 with Yankee Locke leading the cast as Sample Twichell and Pratt taking on the role of Mr. Romaine. The tour included a stop on Broadway at Purdy's National Theatre; opening there on August 23, 1858 and running for just 7 performances. The cast was led by Yankee Locke as Sample Swichel and Mrs. J. J. Prior as Mrs. Morgan. It played at the National Theatre in Boston after the close of the New York run. While the play only lasted a week in New York, it had a tremendously successful life as a road show with multiple different companies touring in the play simultaneously for decades. The play had a significant impact in engendering support for the temperance movement in America and was credited with inspiring the creation and passage of temperance laws in multiple states in the United States. The play was revived on Broadway in 1932. The play has been adapted into multiple films; including at least five different short films made between 1897 and 1911. Multiple feature length films have also been made.

Thank You, Mr. Pepys!

Play · 1937

Thank You, Mr. Pepys! is a historical play by the British writer W.P. Lipscomb. It was inspired by the three-volume biography of Samuel Pepys by historian Arthur Bryant, focusing in particular on his administration of the Royal Navy, and takes place in London and Oxford during the seventeenth century. It premiered at the Hippodrome, Golders Green on 18 October 1937, under the title Ninety Sail. After altering its title it ran for 126 performances in London's West End between and 30 November 1937 and 26 March 1938, initially at the Shaftesbury Theatre before transferring to the Savoy. The West End cast included Edmund Gwenn as Pepys, Barry K. Barnes as Charles II, Henry Oscar as Lord Shaftesbury, Hugh Latimer as Sir Edmund Godfrey, Stella Bonheur as Marry Skinner and Marjorie Mars as Nell Gwynn. It was produced by Miles Malleson while the costumes were designed by Elizabeth Haffenden.

That Championship Season

Play · 1972

The setting is 1972 at the Coach's home in Scranton, Pennsylvania. On the 20th anniversary of their victory in the Pennsylvania state championship game, four members of the starting lineup of a Catholic high school basketball team have gathered to celebrate. This reunion may be their last chance to reminisce with each other due to their Coach's illness. The fifth member of the starting lineup, Martin (who made the game-winning shot), has refused to attend the reunion. He bears a grudge against the Coach for reasons that do not become clear until late in the play. George Sitkowski has become Scranton's mayor, but he has proven inept and unpopular, and he is likely to lose his re-election bid. The fact that his challenger is Jewish is particularly irritating to him. Phil Romano has become a millionaire in the strip mining business, using his close ties to Sitkowski to obtain mining permits. Though Romano helps George financially, he is carrying on an affair with George's wife. James Daley is a local junior high school principal. His brother Tom is an unsuccessful, embittered, cynical alcoholic and good-for-nothing writer. None of the men's lives have turned out as they had hoped. On some level, all still look to the Coach for guidance. The Coach has always been the embodiment of old-school Catholicism (Senator Joseph McCarthy and Father Charles Coughlin are heroes of his). He was also the one person in their lives who was sure of everything, and his absolute certainty and confidence gave them a sense of security. While the Coach thought he was teaching his players how to be men, they instead became emotional adolescents who still needed him to tell them how to live their lives. The Coach's pep talks, which had always inspired them, were beginning to sound hollow. Only now do they realize that the Coach was a bigot, a bully, and a fraud.

The 47th

Play · 2022

Ahead of the 2024 United States presidential election, Donald Trump picks his daughter, Ivanka, as his personal heir, and is introduced to her assistant and driver, Rosie Takahashi. Ted Cruz asks for Trump's endorsement in the Republican primaries, as Trump is no longer running for president. Later, at the funeral of Jimmy Carter, Joe Biden tells Kamala Harris that he is still uncertain over whether to run for election as the Democratic nominee. Trump crashes the funeral and, in secret, reveals to Biden that he knows compromising information about Jill Biden. Ivanka chastises her father for such a display, and is shown to be weary of her father's underestimation of her, which she plans to use for her own gain. Cruz invites Trump to a rally to announce Trump's endorsement of him, but caught up in the crowd's cheers, Trump turns on Cruz and promptly announces that he will be running for president again. Backstage, Rosie encounters her brother, political reporter Charlie Takahashi, and both spar over their differing political views, with Charlie being a liberal Democrat and Rosie a Trump-supporting Republican. Ivanka confirms Trump's announcement to a crowd of skeptical congressmen, and reveals that she will run as his vice president. Later, a day before the first presidential debate, Harris encounters a restless and paranoid Biden late at night, who is revealed to have been in that state since the encounter with Trump at Carter's funeral. Biden is fearful about the threat posed by Trump, but reveals he is no longer in the position to run for president and begs Harris to take his place, and resigns as president on the spot. Harris is promptly sworn in as president and Democratic nominee. A day later, while waiting to attend the debate with Rosie at a Michigan bar filled with Trump supporters, Charlie questions one about an apparent plan to attack an event and reveals his status as a reporter; he is promptly escorted away by them, leaving Rosie to search for him. The debate between Harris and Trump is then interrupted by the Trump supporters storming the venue, as Trump ends the debate and disappears into the crowd. Harris is evacuated as the street descends into chaos and violence. In the Situation Room, Harris observes the mob violence and is persuaded by her staff to arrest Trump to end the chaos and prevent further fatalities. Trump is arrested and imprisoned as Ivanka seizes control of his assets. Harris visits the incarcerated Trump and they exchange words, with her ultimately deciding free Trump out of fear that keeping him in prison will only make him a martyr. While celebrating her father's freedom alongside him, Ivanka is misogynistically chastised by Donald, leaving her to formulate a plan of revenge. Harris is told by her staff that newly-emboldened Trump supporters have now enforced mob rule on the streets, despite the National Guard's best efforts. Charlie, now blinded from his torture at the hands of the mob, is brought before Harris by an aide, as her staff persuades her to orchestrate Trump's death to end the violence, to which she refuses. As Harris leaves, the aide who brought Charlie in is then revealed to be Rosie. A week before the election, Trump leaves for a motorcade across D.C. with Rosie as his driver, as Ivanka sees him off. Shortly afterwards, a severely injured Trump is admitted to the hospital; Harris arrives to meet with him, and it is revealed that Rosie had crashed the car with her and Trump at the cost of her own life. Angered with Harris and with no health insurance due to Ivanka's efforts, Trump tears off his IV tubes to get the nurse's attention, but promptly collapses and dies. Ivanka arrives and discusses her father with Harris, and reveals how both of them have been alleged to be behind Donald's fate. Ivanka then reveals her anticipation for the upcoming election, for which she is now the Republican nominee, as Harris realizes the extent of Ivanka's machinations and displays anxiety over the future.

The 49th Cousin

Play · 1960

The 49th Cousin is a play by Florence Lowe and Caroline Francke. The work premiered on Broadway at the Ambassador Theatre on 27 October 1960 and closed after 102 performances on January 21, 1961. The production was directed by Jack Smight and starred Menasha Skulnik as Issac Lowe, Marian Winters as Tracy Lowe, Martha Scott as Fanny Lowe, Evans Evans as Carrie Lowe, Eli Mintz as Simon Lowe, Gerald Hiken as Moishe (Morris) Golub, John Boruff as Rabbi Ansbacher, David Kurlan as Mr. Kronfeld, Alfred Leberfeld as Mr. Miller, and Paul Tripp as Mr. Cronyn.

The Absence of War

Play · 1993

The Absence of War is a play by English playwright David Hare, the final instalment of his trilogy about contemporary Britain. The play premiered in 1993 at the Royal National Theatre, London, England. The play is based on his behind the scenes observations of the Labour Party leadership during their unsuccessful General Election campaign of 1992. The central character, party leader George Jones, is so smothered and constricted by his cautious advisers that eventually none of the great talents that brought him to prominence is visible to the public.

The Adding Machine

Play · 1923

Mr. Zero lives in an unnamed major city where he has worked for 25 years in an accounting office adding figures together by hand. His coworker, Miss Devore, dreams of having the courage to kill herself and detests Zero. His wife, Mrs. Zero, spends her days gossiping, going to see lowbrow movies, and nagging Mr. Zero for being a disappointing husband. One day, after work, Zero's boss unceremoniously fires Zero and informs him he will be replaced by a mechanical adding machine. Zero murders his boss on the spot and then returns home in time for his wife's dinner party. The guests' inane chatter is interrupted by a cop who arrives to arrest Zero. At his trial, Zero tries to justify his actions and explain his frustrations but the jury declares him guilty. Before his execution, Zero is kept in a zoo-like exhibit where tour groups view him and buy souvenirs. Mrs. Zero visits him but leaves after their conversation enrages her. Zero is then visited by a winged, otherworldly "Fixer" who taunts Zero before having two henchmen drag Zero to his execution. Zero, dead, awakens in a cemetery where he befriends a man named Shrdlu. Shrdlu considers himself innately evil and recounts his religious upbringing with his mother, whom he eventually murdered. After another corpse screams at Shrdlu and Zero to be quiet, they relocate to the Elysian Fields, where Zero encounters the soul of Miss Devore, who has killed herself. Zero and Miss Devore begin a romance and try to be happy together in the afterlife. Shrdlu, however, is distraught and confused at the lack of divine punishment in the afterlife. Zero, finding his existence aimless, begins obsessively operating an enormous adding machine. Eventually, Lieutenant Charles, the boss of the Elysian Fields, comes to tell Zero that he is a waste of space and his soul is scheduled to be recycled and reborn on Earth. Zero resists, but Charles lures him away using an attractive woman named Hope, leaving Charles to grumble about his own unpleasant job.

The Adventures of Five Hours

Play · 1663

The Adventures of Five Hours is a 1663 comedy play by the English writer Sir Samuel Tuke, 1st Baronet. Based on the play Los empenos de seis horas by Antonio Coello, It is an early example of the developing Restoration comedy tradition. Its success led to a series of sentimental plays in the Spanish style about love and honour, very different to the more sophisticated and cynical comedies which the Restoration era became known for. Performed by The Duke's Company, it premiered at the Lincoln's Inn Fields Theatre in London. The original cast included Thomas Betterton as Don Henriq, Henry Harris as Antonio, Cave Underhill as Diego, Samuel Sandford as Ernesto, William Smith as Corrigidor, John Young as Octavio, Hester Davenport as Camilla, Jane Long as Flora and Mary Betterton as Portia. It ran for thirteen straight performances, a considerable hit by the time.

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