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A View from the Bridge

Play · 1955

The action is narrated by Alfieri, who was raised in 1900s Italy but is now working as an American lawyer, thereby representing the "Bridge" between the two cultures. In the opening speech, Alfieri describes the violent history of the small Brooklyn community of Red Hook and tells us that the second-generation Sicilians are now more civilized, more American, and are prepared to "settle for half" and let the law handle their disputes. But there are exceptions, and he then begins to narrate the story of Eddie Carbone, an Italian American longshoreman who lives with his wife Beatrice and her orphaned niece Catherine. Eddie is a good man who, although ostensibly protective and fatherly towards Catherine, harbors a growing passion for her as she approaches her 18th birthday. We learn that he has not had sex with his wife for nearly three months. Catherine is studying to become a stenographer and Eddie objects to her taking a job she has been offered until she finishes her coursework, expressing a dislike for the way she dresses and the interest she is beginning to show in men. Beatrice is more supportive of Catherine's ventures and persuades Eddie to let her take the job. Eddie returns home one afternoon with the news that Beatrice's two cousins, brothers Marco and Rodolpho, have safely arrived in New York as illegal immigrants. He has agreed to house them saying that he is honored to be able to help family. Marco is quiet and thoughtful, possessing remarkable strength, whereas Rodolpho is more unconventional, with plans to make a career singing in America. Marco has a family starving in Italy and plans to return after working illegally for several years, whereas Rodolpho intends to stay. Although Eddie, Beatrice, and Catherine are at first excellent hosts, cracks appear when Rodolpho and Catherine begin dating. Eddie convinces himself that Rodolpho is homosexual and is only expressing interest in Catherine so he can marry her and gain status as a legal citizen. He confronts Catherine with his beliefs and she turns to Beatrice for advice. Beatrice, starting to realize Eddie's true feelings, tells her that she should marry Rodolpho and move out. In the meantime, Eddie turns to Alfieri, hoping for help from the law. However, Alfieri tells him that the only recourse he has is to report Rodolpho and Marco as undocumented. Seeing no solution to his problem, Eddie becomes increasingly desperate and takes his anger out on Rodolpho and, in teaching him to box, "accidentally" injures him. Marco reacts by quietly threatening Eddie, showing his strength by holding a heavy chair above Eddie's head with one hand and "smiling with triumph". A few months have passed and Eddie reaches a breaking point when he discovers that Catherine and Rodolpho have slept together and are intent on marrying. Drunk, he kisses Catherine and then attempts to prove that Rodolpho is gay by suddenly and passionately kissing him. After a violent confrontation, Eddie orders Rodolpho to leave the apartment. Eddie visits Alfieri and insists that the kiss has proved Rodolpho is gay and that he is only marrying Catherine for citizenship, but once again Alfieri says the law cannot help. Out of desperation, Eddie phones immigration services but in the meantime, Beatrice has arranged for Marco and Rodolpho to move in with two other undocumented immigrants in the flat above. Eddie learns that Catherine and Rodolpho have arranged to marry within a week and about the two new immigrants that have moved into the building and, with both anger and fright, frantically urges Catherine and Beatrice to move them out. When immigration officials arrive and arrest Marco, Rodolpho, and the two other immigrants, Eddie pretends that the arrest comes as a complete surprise to him, but Beatrice and Marco see through this. Marco spits in Eddie's face in front of everyone and accuses Eddie of killing his starving children. Eddie tries to convince the neighborhood of his innocence but they turn away from him. Alfieri visits Marco and Rodolpho in custody, obtaining their release on bail until their hearing comes up. Alfieri explains that Rodolpho will be able to stay once he has married Catherine but warns Marco that he will have to return to Italy. Vengeful, Marco confronts Eddie publicly on his release, and Eddie turns on him with a knife, demanding that he take back his accusations and restore his honor. In the ensuing scuffle, Eddie is stabbed with his own knife by Marco and dies, as his stunned family and neighbors stand around. When he witnesses Eddie's death, Alfieri trembles because he realizes that, even though it was wrong, something "perversely pure" calls to him and he is filled with admiration. But, he tells the audience, settling for half-measures is better, it must be, and so he mourns Eddie with a sense of alarm at his own feelings.

A Walk With Mr. Heifetz

Play · 2018

The play revolves around the true-life story in 1926 of a visit by famed violinist Jascha Heifetz to British Mandatory Palestine, where he performed in a stone quarry at the Ein Harod kibbutz. After the concert, Heifetz goes on a long walk with Yehuda Sharett, the kibbutz movement pioneer, composer and brother to Zionist leader (and later first Foreign Minister and second Prime Minister of Israel) Moshe Sharett. The play deals with the reverberations of that visit on the Sharett brothers and the implications of Yehuda's conversation with Heifetz on the creation of Israel, as 20 years later the brothers meet as war looms on the horizon.

A Wife to be Lett

Play · 1723

A Wife to be Lett is a 1723 comedy play by the British writer Eliza Haywood. Better known for her novels, it was Haywood's first theatrical play. Staged at the Drury Lane Theatre the cast included Theophilus Cibber as Toywell, William Wilks as Sir Harry Beaumont, Roger Bridgewater as Captain Gaylove, James Oates as Courtly and John Harper as Shamble. Haywood herself played the part of the wife Mrs. Graspall, due to an illness of the original actress.

A Woman's Revenge

Play · 1715

A Woman's Revenge, or a Match in Newgate is a 1715 comedy play by the British writer Christopher Bullock. It was originally performed as an afterpiece to another work The Lucky Prodigal. With its Newgate Prison setting and cynical references to corruption, it could be regarded as a precursor to John Gay's hit The Beggar's Opera of a decade later. The cast included William Bullock as Thinkwell, John Thurmond as Bevil, Christopher Bullock as Vizard and Sarah Thurmond as Corinna. George, Prince of Wales attended the first performance.

A Word to the Ladies

Play · 1818

A Word to the Ladies or A Word for the Ladies is an 1818 comedy play by the British writer James Kenney. It premiered at the Theatre Royal, Covent Garden on 17 December 1818. The original cast included William Macready as Winterland, Charles Mayne Young as Larum, Charles Kemble as Dorrington, Elizabeth Yates as Miss Singleton, Harriet Faucit as Clara Winterland, Charles Connor as Adamant, William Abbot as Young Bowerscourt, William Farren as Old Bowerscourt, John Liston as Silvertongue and John Emery as Snugg.

Abe Lincoln in Illinois

Play · 1938

Abe Lincoln in Illinois is a play written by the American playwright Robert E. Sherwood in 1938, based principally on the 1926 biography Abraham Lincoln: The Prairie Years by Carl Sandburg. The play, in three acts, covers the life of President Abraham Lincoln from his childhood through his final speech in Illinois before he left for Washington. The play also covers his romance with Mary Todd and his debates with Stephen A. Douglas, and uses Lincoln's own words in some scenes. Sherwood received the Pulitzer Prize for Drama in 1939 for his work.

Abie's Irish Rose

Play · 1922

Nichols' original Broadway play has the couple meeting in France during World War I. The young man is a wounded soldier and the girl a nurse who tended him. The priest and the rabbi from the wedding are veterans of the same war, and recognize one another from their time in the service. The rest of the plot was summarized by Judge Learned Hand in his opinion on the copyright lawsuit filed by Nichols: There have been some variations of the plot, as to setting, or how the characters meet, in later versions of the play or in adaptations for film.

Accolade

Play · 1950

Accolade is a 1950 play by the Welsh playwright Emlyn Williams. Accolade was first presented in London by H. M. Tennent Ltd, in association with Leland Hayward and Joshua Logan, at the Aldwych Theatre, on 7 September 1950, with Emlyn Williams as Will Trenting and a cast including Diana Churchill, Anthony Nicholls, Dora Bryan, John Cavanah and Noel Willman. It ran for 180 performances. The play was revived in 2011 at the Finborough Theatre with a cast including Graham Seed, Aden Gillett and Saskia Wickham, and again in 2024, with a cast including Ayden Callaghan and Honeysuckle Weeks.

Adam and Eva

Play · 1919

Act I (Library of the King home on Long Island. Morning.) Appalled by the stack of bills brought in by Corinthia, James King tries to reason with his extravagant daughter Julie and her husband Clinton about clothing purchases. They are unmoved by his sarcasm, as are Aunt Abby with club bills, and daughter Eva about the expenses of horse-riding with Lord Andrew. King suggests the family will go to the Newark farm instead of a fashionable resort this season. The others come up with a plan to get Dr. Delamarter to prescribe a solitary vacation for father, leaving them free. Meanwhile, Adam Smith comes to plead for a re-assignment; he is so lonely on the rubber plantation in South America. The solitary life up the Amazon stirs King's fancy. He decides to exchange positions with Adam, whose honesty and resourcefulness he admires. Adam will take over managing the family finances, while King goes up the river. Uncle Horace tips King to the medical plot, but he satisfies the family with his proposed Amazon voyage. They eye Adam speculatively, particularly Eva, who announces she will call him "Father". (Curtain) Act II (Scene 1:Same as Act I. Ten days later, 5:30 pm.) Adam quickly realizes that no amount of reasoning or cajolery will divert the family from its spendthrift ways. He incurs resentment from Julie and Eva for denying them money. Lord Andrew, sincere about Eva, gives up his title to show his commitment to staying in America. Dr. Delameter, however, proves to be a mere fortune-hunter. Adam is working at the headquarters of King Rubber Company while serving in loco parentis. When Dr. Delameter suggests a scheme to get rid of Lord Andrew by faking a bankruptcy, Adam turns the tables by saying it has really happened. Dr. Delameter, convinced of the disaster, now awkwardly backs out of the running for Eva. Adam burgles the old safe so the girls' will not try to sell their jewels. (Quick curtain) (Scene 2:Same as Act I. One hour later.) Adam now plays a touching scene for the family. He tells them that James King has gone bankrupt, and they must immediately relocate to the New Jersey farm where King grew up, so the Long Island home can be sold. He pleads with them not to mention the ruin in their letters to King, and insures the office also co-operates. Surprisingly, Andrew (no longer a Lord) decides to go with the family; it appears he has more money than they realized. (Curtain) Act III (The King farm, near Newark, New Jersey. Thanksgiving Day, three months later.) The family rallies to the working farm life, with Eva, Corinthia, and Julie managing the apple trees, chickens and eggs, and beehive honey, for sale to local markets. Uncle Horace becomes a life insurance salesman, Andrew has started a livery business, while Clinton sells neckties at a local store. Aunt Abby has married a wealthy old man and moved away. Adam gets covert assistance from Corthinia, who though she herself likes him, decides to help win Eva from Andrew. King, returning from the Amazon, is surprised at the family's productivity and embrace of the work ethic, but horrified when he hears of the supposed ruin. Adam confesses it was merely a trick. Andrew tells Adam and Eva they are in love with one another, and gracefully withdraws as they embrace and kiss. (Curtain)

Adelaide

Play · 1814

Adelaide is an 1814 tragedy by the Irish writer Richard Lalor Sheil. It premiered at the Crow Street Theatre in Dublin on 19 February 1814. The Dublin cast included Elizabeth O'Neill in the title role and Charles Connor as Count Luneburg. On 23 May 1816 it appeared for the first time in London's West End at the Theatre Royal, Covent Garden. The first London cast featured Elizabeth O'Neill reprising her Dublin role as Adelaide, Charles Mayne Young as Count St. Evermont, Charles Kemble as Count Lunenburg, William Abbot as Albert, Charles Murray as Godfrey, Daniel Egerton as Colbert, Sarah Egerton as Madame St. Evermont and Maria Foote as Julia. It takes place in Germany amidst emigres who have fled from the French Revolution.

Adelgitha

Play · 1807

Adelgitha is a tragedy by the British writer Matthew Lewis. It premiered at the Theatre Royal, Drury Lane on 30 April 1807 having originally been published the year before. The cast included Henry Siddons, Robert William Elliston, George Frederick Cooke and Jane Powell while the incidental music was composed by Michael Kelly. It was one in a run of Gothic plays Lewis produced following the success of The Castle Spectre. The play is set in Otranto around 1080 which was ruled over by Robert Guiscard following the Norman conquest of southern Italy. It appeared again at the Theatre Royal, Covent Garden in 1817 where the cast included William Macready as the Emperor of Byzantium, Charles Mayne Young as the Prince of Apulia, Elizabeth O'Neill as Adelgitha, Sarah Booth as Imma and Maria Foote as Claudia. In May 1817 it appeared at the Crow Street Theatre in Dublin.

Adelmorn, the Outlaw

Play · 1801

Adelmorn, the Outlaw is an 1801 play by the British writer Matthew Lewis. The overture and incidental music was composed by Michael Kelly. It was first staged at the Theatre Royal, Drury Lane in London. The manager Richard Brinsley Sheridan chose the play ahead of the author's historical tragedy Alfonso, King of Castile, because he hoped it would enjoy the same success as his melodramatic hit The Castle Spectre. The original cast included Charles Kemble as Adelmorn, William Barrymore as Father Cyprian, Richard Suett as Hugo, John Bannister as Lodowick, Marie Therese Du Camp as Herman, Dorothea Jordan as Innogen and Rosemond Mountain as Orilla.

Admirals All

Play · 1934

Admirals All is a 1934 adventure comedy play by the British writers Ian Hay and Stephen King-Hall about a film star who becomes mixed up with the Royal Navy and Chinese pirates. It premiered at the Kings Theatre, Southsea in the naval town of Portsmouth before transferring to the West End. It ran for 192 performances at the Shaftesbury Theatre and then the Cambridge Theatre between 6 August 1934 and 19 January 1935. It marked the West End debut of Hollywood film actress Laura La Plante, then in London making films for Warner Brothers at Teddington Studios. The cast also included Diana Beaumont, Jack Hobbs, Frederick Burtwell, Geoffrey Sumner and Aubrey Mather.

Adventure Story

Play · 1949

Adventure Story is a 1949, play by the English dramatist Terence Rattigan. The play tells the story of Alexander the Great and his conquests. In this play Rattigan portrays the historical Alexander faithfully, at the same time revealing that his life was what it was because he was the kind of person who very well might have wept because nothing remained to conquer. The play focuses on the transformation of Alexander after his conquest of Persia from a military adventurist to an uncompromising despot with grand vision of a world empire which estranges him from his erstwhile friends. Driven by a deep-felt insecurity, he has to kill people close to him including even the father figure Cleitus. He tries to justify his actions in the name of his dreams of the world empire, but is haunted by loneliness in the end The play holds a deeper significance, that the conquests of Alexander were actually trials to find himself and achieve spiritual enlightenment, through becoming a god (see Theosis). The play ends with a nihilistic tone, that Alexander was to die and fade after all, his last words in the play are 'Who is to succeed me to the throne of Asia? Who shall I condemn to death?'

Adventures in Madrid

Play · 1706

Adventures in Madrid or The Adventures in Madrid is a 1706 comedy by the English writer Mary Pix. It was her final staged work. It premiered at the Queen's Theatre in the Haymarket. The original cast featured John Freeman as Gomez, Barton Booth as Gaylord, Benjamin Husband as Bellmour, William Bowen as Gusman, John Corey as Don Philip, George Pack as Jo, William Fieldhouse as Pedro, Anne Bracegirdle as Laura, Elizabeth Barry as Clarinda, Elizabeth Bowman as Emelia and Margaret Bicknell as Lisset.

After the Dance

Play · 1939

David and Joan Scott-Fowler were 'bright young things' of the 1920s, whose ambition is to treat everything as trivial and to live lives of pure sensation. They always maintained that they married for amusement and not for love. However, Helen Banner, a serious young woman, has fallen in love with David and is determined to change his lifestyle, free him from Joan, stop him from drinking and re-awaken the serious historian in him. Unfortunately, Joan does indeed love David very deeply and is trapped by her posture of carelessness. At a party they are holding, Joan is bruised by the clash between private agony and public joy and she kills herself. The characters are shattered by the revelation and even though David and Helen plan to get away from this life, the play ends with a clear sign that David will continue as he did.

Agamemnon

Play · 1738

Agamemnon is a 1738 tragedy by the British writer James Thomson. It is based on the story of Agamemnon from Greek Mythology. The original Drury Lane cast included James Quin as Agamemnon, William Milward as Egistus, Theophilus Cibber as Melisander, William Havard as Talthybius, Mary Porter as Clytemnestra, Sussanah Arne as Cassandra, Anne Brett as Electra and Thomas Wright as Arcas. The prologue was written by Thomson's friend David Mallet, with Thomson returning the favour by adding a prologue to Mallet's Mustapha the following year.

Agnes de Castro

Play · 1695

Agnes de Castro is a 1696 tragedy by the English writer Catharine Trotter. Based on the novel of the same title by Jean-Baptiste de Brilhac, it was first staged by John Rich's company at the Theatre Royal, Drury Lane. The original Drury Lane cast included Thomas Simpson as King, George Powell as Prince, John Verbruggen as Alvaro, Colley Cibber as Lorenzo, John Mills as Pedro, Jane Rogers as Agnes de Castro, Mary Kent as Bianca and Frances Maria Knight as Elvira. The prologue was written by William Wycherley. The published version was dedicated to the Duke of Dorset.

Ah, Wilderness!

Play · 1933

Ah, Wilderness! is a comedy play by American playwright Eugene O'Neill that premiered on Broadway at the Guild Theatre on October 2, 1933. It differs from a typical O'Neill play in its happy ending for the central character, and depiction of a happy family in turn-of-the-century America. It is O'Neill's only well-known comedy. The play was successful in its first Broadway production and the touring production that followed. It has since become a staple of community repertory.

Ain't No Mo'

Play · 2019

On November 4, 2008, Pastor Freeman performs a funeral service for "Righttocomplain", claiming that with the election of Barack Obama, the African-American community will no longer face hardships. However, the congregation's joyous celebration is undercut by the years that follow as they witness events such as the Flint water crisis and the deaths of unarmed Black Americans at the hands of police. A Black drag queen flight agent, Peaches, prepares a boarding gate at the airport while giving instructions over the phone to her friend Ladarius. As the play continues, it is revealed the flight is the last one in a program of government subsidized one-way tickets to Africa for all Black people who want it. The play frequently cuts back to Peaches at the gate, checking in various passengers and offering counsel to those who are hesitant. She also prepares Miss Bag, a suitcase she claims holds "our entire story as a people in this country" and encourages passengers to drop their stories in the bag so they may bring it to Africa. She also warns that all black people who elect not to board the flight will be subjected to "extreme racial transmogrification" by "The Powers That Be": they will be turned into white people. The rest of the play consists of vignettes showing the lives of black people in different settings, and how news of the flight affects them. In the first vignette, a black couple Damien and Trisha wait for her number to be called at an abortion clinic; Damien is actually a ghost after being killed in an act of police brutality, and Trisha sees the abortion as the only way to keep their child safe from both death and the spectacle of being a symbol of police brutality. The second vignette depicts the filming of The Real Baby Mamas of the South-Side, a reality show focused on stereotypical black women; brief moments where the camera stops rolling reveal the artificial nature of the show, as well as tensions among the cast due to the presence of "Rachonda" (Rachel), a self-proclaimed "transracial" black woman who is the only one who keeps up the stereotype when the camera are not rolling. In the third segment, a rich black family ignore the notice about the last flight, only to be confronted by the arrival of Black, the human personification of their family's "blackness", locked away in the basement by the family's deceased patriarch forty years prior when he became rich. In the last vignette, three inmates at a women's prison, along with one of the officers, prepare to be released so that they may board the planes while dealing with their complex feelings of what their new "freedom" entails. In the final scene, Peaches finishes getting all the passengers on the plane, but just as she is ready to board herself, she discovers she is unable to move Miss Bag. She tries to get it to move, protesting that leaving it behind means leaving behind all of African-American culture and history. Due to her efforts, the last plane leaves without her. Realizing that Miss Bag has disappeared, Peaches angrily protests to The Powers That Be to "give it back" as her drag is violently removed until she is left as a man. Before he is subjected to extreme racial transmogrification, he makes one last attempt to rally black solidarity to get back Miss Bag and thus reclaim African-American identity, but is met with silence—for there are no more Black people left.

Airline Highway

Play · 2014

Airline Highway takes place in the parking lot of The Hummingbird Motel, off the titular highway near New Orleans, where the residents have gathered to celebrate the life of Miss Ruby, an iconic burlesque queen who has been a mother figure to them all. Miss Ruby's life is nearing its end, and she requests that her funeral takes place while she is still alive. As the Mardi Gras-esque celebration continues into the night, the stories of the residents, their pain and disappointments unfold.

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