Mumsie
Mumsie or Mumsée is a 1920 play by the Anglo-American writer Edward Knoblock.
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Clear filtersMumsie or Mumsée is a 1920 play by the Anglo-American writer Edward Knoblock.
In a village where deaths have been mistaken for accidents, former police officer Luke Fitzwilliam investigates a suspected serial killer with Bridget Conway's help.
Murder Mistaken is a 1952 thriller play by the British author Janet Green. It first appeared at the Prince of Wales Theatre in Cardiff under the title Teddy Bare's Picnic. It then transferred to London's West End under its new title first at the Ambassadors Theatre and then at the Vaudeville Theatre. It's West End run lasted 156 performances between 4 November 1952 and 28 March 1953. The West End cast included Derek Farr, Anthony Marlowe, Phyllis Morris, Iris Hoey, Brenda de Banzie, Patricia Burke and Rosalie Crutchley. It appeared on Broadway under the alternative title Gently Does It, lasting for thirty seven performances at the Playhouse Theatre. Green wrote a novelisation in 1953 with Leonard Gribble.
Awaiting execution, Jim Tanner learns to read and write with help from prison staff and a chaplain. His growing understanding of life clashes with the death sentence he faces.
A woman and two men become involved in a love triangle and try to murder one another.
A body is found in the vicar’s home; amid numerous suspects and multiple confessions, Miss Marple works to unravel the murder.
Eliot's verse drama follows Thomas Becket's return to Canterbury and his struggle with temptations of safety, power, political resistance, and martyrdom. Becket rejects the knights' demands, is killed in the cathedral, and the knights defend the murder to the audience.
On New Year’s Eve, a car crash strands troubled singer Danny Sierra and his extended family at an isolated cottage in rural England. Strange, ghostly events begin as the lights go out.
A bride is murdered aboard the paddle steamer Lotus, and the passengers must work out who killed her. Christie recasts characters from her novel: Kay and Simon Mostyn are the newlyweds, while Jacqueline de Severac is Kay’s former friend and Simon’s former fiancée; Canon Pennefather combines three characters from the book.
When snow strands the Orient Express, a passenger is found murdered in a locked compartment. Hercule Poirot investigates the travelers aboard the isolated train, where the killer may still be among them.
In a Bloomsbury boarding house, struggling novelist Joseph Reynolds becomes obsessed with writing a murder mystery as real murders begin, blurring the line between his fiction and reality.
Painter Norman Bartholomew draws Sergeant Stenning into a murder-themed game at his Dorset home, using staged scenarios to deflect suspicion while concealing his plan to kill his wife, Elizabeth. When Elizabeth discovers his affair and fantasies, their contest of wits turns dangerous.
At night before a tower, a man and woman confront one another with their followers. After he orders her branded, she stabs him; when he recovers, he kills her and the others, then leaves through fire. The play emphasizes visual action and appearance over dialogue.
A dubious theft-and-kidnapping conviction is examined through police, lawyers, judges, and prison life, exposing injustices in Britain’s legal system. Though an innocent man remains imprisoned, a young barrister and police officer begin working to change the system.
At a widow’s house, a group of guests listen to a new violin concerto. Their wandering thoughts and reveries are theatrically enacted across three acts, each corresponding to a movement of the music.
A tragedy about Şehzade Mustafa, son of Suleiman the Magnificent, whom his father ordered executed.
Mustapha is a 1739 tragedy by the British writer David Mallet. It is based on Mustafa, the son of Ottoman ruler Suleiman the Magnificent. The original cast included James Quin as Solyman, William Milward as Mustapha, Thomas Wright as Zanger, William Mills as Rustan, Richard Winstone as Mufti, William Havard as Achmet, Elizabeth Barry as Roxalana and Anna Marcella Giffard as Emira. The prologue was written by Mallet's friend James Thomson. The play was dedicated to Frederick, Prince of Wales who had become a popular symbol of the Patriot Whigs including Mallet and Thomson.
A totalitarian organization targets ordinary people because their names contain the letter O. As the victims face siege and abuse, their responses range from fear and submission to resistance, exposing the absurd machinery of racial persecution.
In Thatcher-era London, young British Pakistani Omar takes charge of his uncle's run-down laundrette. After he meets his former school-friend Johnny in a confrontation with a racist gang, they work together to rebuild the business and fall in love.
My Big Gay Italian Wedding satirizes the controversies surrounding same-sex marriage as well as gay and Italian stereotypes. Anthony Pinnunziato, a gay Italian-American from a large chaotic family, wishes to marry his boyfriend Andrew Polinski in a traditional Italian ceremony. Anthony's overbearing mother won't give her blessing unless Andrew's estranged mother also gives her blessing and the ceremony is performed by a priest. Matters are further complicated by Andrew's ex-boyfriend, intent on breaking up the couple.
Eight commissioned fiction and nonfiction monologues respond to the 2022 Dobbs ruling and address women’s sexuality, bodily autonomy and freedom of choice, including abortion, miscarriage, abuse and end-of-life decisions.
The play follows Rudyard Kipling’s efforts to secure a military commission for his nearsighted teenage son Jack, and the family’s grief after Jack goes missing and is later confirmed killed in the First World War. Years afterward, Kipling interviews a soldier who recalls Jack’s final moments, while the family confronts the meaning of his death as another war threatens.
After her husband leaves her for another woman, middle-aged Angela mourns the marriage and learns to live on her own after her children have left home. She tries solo holidays and new experiences, eventually beginning a relationship with the doctor she has been visiting.
Mothers tell stories of the effects on their families when their children serve in the military in Iraq and Afghanistan.
The comedy is an ugly duckling tale about an overweight young woman who attracts the attention of a potential suitor. With the help of her friends/roommates, she undergoes a diet and exercise regime to burn the extra pounds she assumes she needs to lose in order to hold the man's attention.
Eight monologues draw on interviews with divorced women, telling stories of marriages to men, work, wealth, faith, and other wrong partners, with sardonic humor and affirming endings.
My First Time is an off-Broadway play that opened on July 12, 2007, at New World Stages and ran until January 22, 2010. The show is based on a website that grew in popularity in 1998. The site "allowed people to anonymously share their own true stories about their First Times" and "features four actors in hysterical and heartbreaking stories about first sexual experiences written by real people... just like you." Experiences submitted by the audience before the performance are featured during the show, and My First Time received press from CNN.com, TMZ and Forbes when it featured a promotion during which virgins could attend the play for free.
Set at the Berlin chancellery in summer 1934, the play depicts Hitler, industrialist Gustav Krupp, Gregor Strasser, and Ernst Röhm as they debate political power, loyalty, and fascism in the lead-up to the Night of the Long Knives.
A playwright, looking for material, invites a harlot to his flat, where she is shot by her protector. The playwright has to dispose of a body.
A one-act comedy about a young boy and his Armenian family.
A father’s indulgent devotion to his son helps ruin the young man, while the play contrasts him with a sturdy shoemaker’s apprentice and the son’s dutiful sister.
A one-woman autobiographical stage show in which Nancy Cartwright shares anecdotes, performs dialogue in her Simpsons characters' voices and uses video clips from the series. The scripted first section is followed by audience questions and sometimes an audience-participation game.
A married serviceman’s rehabilitation unfolds through his relationships with his wife, mother and lover.
Nellie returns to her family’s farm after years away at school, where Jack, Jim, and villainous Ralph all seek her affection. After Ralph kidnaps Nellie, Jim saves her by killing him, then escapes jail and wins a Melbourne horse race that restores the family’s finances.
Across four generations of women from the 1920s to 1987, a family secret shapes relationships between mothers and daughters. When unmarried Jackie becomes pregnant, she gives her baby Rosie to her mother Margaret to raise as her own, and the play follows the consequences of that decision through their family’s changing lives.
Recovering in hospital, Lucy Barton receives an unexpected visit from her estranged mother. Their conversations stir memories of rural poverty, family tensions, and the distance between Lucy’s childhood and her life as a writer.
A verbatim portrait of American activist Rachel Corrie, assembled from her diaries and emails. Her own writings convey her work in Gaza and her responses to the Israeli–Palestinian conflict.
In 1950s Japan, two girls, Satsuki and Mei, whose mother has been hospitalised with tuberculosis, relocate to a village in the countryside. Their new house, in which they live with their professor father, Tatsuo, is haunted with soot spirits, susuwatari, and they encounter Totoro, a "forest spirit who looks like the result of an experimental breeding programme involving a chinchilla, a barn owl and a bean-bag sofa". Mei is the first to discover him, and he comforts the girls with his presence.
All three scenes are set in the sitting room of Guy's London apartment: during Guy's flatwarming party (Scene 1); after Reg's funeral, some years later (Scene 2); and after Guy's funeral (Scene 3). The group, most of them in their thirties, meet at irregular intervals, often at Guy's place. Guy himself is a lonely man. Ever since their university days, he has had a crush on John, but he has never dared to tell him about it. Rather, he lives a solitary life, which he only spices up with phone sex and an occasional visit to a gay pub – that is where he meets 18-year-old Eric, who then helps him decorate his new flat. On holiday on the island of Lanzarote, he meets a gay man who eventually forces himself on Guy and has unprotected sex with him. At his flatwarming party, he has just come back from his holiday and is still quite shocked about what happened. It is hard for him not to start crying when, as a present, John gives him a cookery book specialising in dishes for one. The most popular of the gay circle is Reg, who is conspicuously absent from the party. Reg has had a long-term relationship with Daniel, but Daniel himself suspects Reg of occasionally being unfaithful to him. In fact Reg seems to be sleeping with every man he can get hold of (as it seems, even with the vicar). In the course of the play, John, Benny and even his seemingly faithful companion Bernie have secret sex with Reg. They all confide in Guy. It hurts Guy most to hear that John – whom he himself fancies – is having an affair with Reg, thus betraying their mutual friend Daniel. After his fling with Reg, Benny panics because he thinks he might have contracted HIV, but he does not confess it to his partner, Bernie. When Reg is dying from AIDS, he is looked after by his partner, Daniel. The next one to die is Guy, the only one who has not had sex with Reg and who seems to have been infected with HIV when he was raped during his holiday in Lanzarote. Guy bequeaths his new flat to the love of his life, John who does not need it at all because he comes from a rich background. It is John who, somewhere in the flat, finds all kinds of memorabilia dating back to their student days. The play serves as a "tip of the hat" to iconic musician Sir Elton John, with the names of all the characters being part of Eltoniana: Reg (Elton's birth name); Daniel, Benny, Guy (all from Elton John hit songs), John (the singer's appropriated surname, his homage to Long John Baldry), and Bernie (the Christian name of Elton's longtime lyricist, Bernie Taupin). Eric may be a reference to Eric Clapton, with whom John toured in 1992. Daniel gives Guy a recipe book by a Gertrude Pinner, a reference to the town in which Elton John grew up.
On a GO Train home from Toronto to Oshawa, Jonathan Wilson performs a monologue about growing up gay and closeted and his flamboyant friend Gordon’s influence on his sense of self. The destination is Gordon’s funeral after his death from AIDS, revealed at the end.
After returning from America for her husband's death anniversary, Sopho learns that her husband Chito is alive, married to her pregnant former friend Shoka, and that they and her son Toko fabricated his death to extort money. She refuses to resume caring for an elderly man she once looked after, forcing the family to care for him; in the final scene, their roles reverse and she and Baxter look after the others.
My Sister Eileen is an American comedy stage production, written by Joseph A. Fields and Jerome Chodorov, based on autobiographical short stories by Ruth McKenney. The stories were originally published in The New Yorker and then collected and published as the book My Sister Eileen in 1938. The plot focuses on Ruth and Eileen Sherwood, sisters from Ohio who relocate to New York City in search of fame and fortune. Witty Ruth aspires to be a published writer, while pretty Eileen dreams of success as an actress. Their financial circumstances force them to rent a dingy basement studio apartment in a Greenwich Village building owned by Mr. Appopoulos, one of many colorful characters who cross their path. The Broadway production, produced by Max Gordon and directed by George S. Kaufman, opened 26 December 1940 at the Biltmore Theatre. It transferred three times during its run of 864 performances: to the Martin Beck Theatre, opening 4 August 1942; to the Ritz Theatre, opening 23 November 1942; and to the Broadway Theatre, opening 13 December 1942. The original cast included Shirley Booth as Ruth Sherwood, Jo Ann Sayers as Eileen Sherwood, Morris Carnovsky as Mr. Appopoulos, and Richard Quine as Frank Lippencott, a drugstore soda jerk with an eye for Eileen. Peggy Knudsen replaced Sayers in June 1942 (when she left to be married), and Quine was replaced by Henry Jones, who in turn was replaced by Max Showalter. Eileen McKenney, an executive assistant to Walt Disney and the inspiration for the play's title character, and her husband, novelist and screenwriter Nathanael West, were killed in an automobile accident in El Centro, California on December 22, 1940, four days before the Broadway opening, while they were driving to the Los Angeles Airport to board a plane for New York to attend the play's premiere. Her sister Ruth consequently did not attend the premiere and never saw the play. Fields and Chodorov adapted their play for the 1942 film that opened while the play was still running on Broadway, as well as the 1953 musical Wonderful Town. It also served as the basis for the 1960–1961 television sitcom of the same title.
Seventeen-year-old Luke finds a mysterious woman emerging from a helicopter crash who calls herself Sadie and resembles his dead sister. A military platoon pursues her because of a missing deadly weapon.
My Son's A Queer (But What Can You Do?) is a one-person biographical play by Rob Madge, with music composed by Pippa Cleary and lyrics by Madge and Cleary. The show revolves around Madge's childhood videos, and the shows they used to put on in their living room for their parents.
Set in French Guiana around the turn of the twentieth century, the comedy follows three prisoners repairing a warden’s house and their interactions with a French colonial family.
My Wife's Family is a comedy play by the British-based American writer Fred Duprez based on an earlier story by Harry B. Linton and Hal Stephens. It premiered at the Princes Theatre, Bradford before transferring to the Garrick Theatre in London's West End where it ran for 118 performances between 3 March and 13 June 1931. The original West End cast included Ernie Lotinga, Arnold Bell, Hugh E. Wright and Joan Ingram. It was revived on a number of occasions and made into several films. A farce, the play's comedy revolves around a newly-married wife who overhears her husband talking about a Baby grand piano and mistakenly believes he has an illegitimate child.
Nine-year-old Winnie, home sick from school, writes an essay about her day while her mother cleans the house of television personality Kevin. Through the adults' conversations and conflicts, Winnie learns about Kevin's affair, the strained relationships around her, and her mother's early labour; the play presents the day's events through what Winnie sees and hears.
Recovering alcoholic and poet Paul Peplow interviews software entrepreneur Victor Quinn, who challenges his beliefs about sobriety and offers him a job. Paul’s attraction to Victor’s wife Elsa draws the three into a struggle over desire, dependency and control.
This two-act liturgical drama recounts the Dormition and Assumption of Mary. In the first act, the Apostles gather around her as her soul is taken to Heaven; the second depicts her burial, Assumption, and Coronation, using aerial stage devices within the Basilica.
Mayakovsky’s revolutionary political satire turns the biblical journey through the Ark, Hell and Paradise into a street-show-like drama of the Clean and Unclean. Combining mass-rally language, farce and poetic digression, it imagines the people’s passage toward a Promised Land and their ultimate victory.
After Jason leaves her for Créuse, Médée poisons his new bride and kills their twin sons. She escapes in a dragon-drawn chariot as Jason dies by suicide.
Éraste loves Mélite, but she falls for his friend Tircis. Jealous Éraste forges letters to make Tircis believe Mélite loves Philandre; the deception separates the lovers and sends Éraste into a delusion before he confesses and seeks pardon.
Pierre Belcroix and Marcel Blanc are violinists and lifelong friends living in Paris in the 1920s. While Marcel has become famous and Pierre has not, both are happy with their lives. Pierre is happily married to Romaine, a stylish young flapper. However, Marcel meets and falls in love with her, which Pierre little suspects. Romaine carries on her affair with Marcel, even as Pierre falls ill, which she may have deliberately exacerbated with her treatment in order to murder him. Soon Marcel goes on a concert tour, and Romaine abandons Pierre for a romantic tryst. When Marcel returns, Romaine reconsiders the affair, and realizes that she loves both Pierre and Marcel. She decides that she does not want to hurt either her husband or her lover, and as no other solution seems possible, she commits suicide. Three years later, Pierre visits Marcel to seek the truth, and Marcel tells him that no illicit affair occurred, thereby honoring her memory.
Merope believes the newcomer Egisthe responsible for her murdered husband's death and their son's disappearance. Egisthe is in fact her long-lost son; he kills the tyrannical usurper Polyphonte who murdered his father and installs Merope as queen.
Three former UCLA students combine theatre, stand-up, hip-hop, slam poetry and personal stories to examine racial slurs, stereotypes and the concept of race. The production opens with the performers chanting stereotypes before tracing the origins and effects of three derogatory terms.
Across fictional meetings from 2019 to 2023, Nancy Pelosi and Alexandria Ocasio-Cortez discuss political leadership, privilege, progress, public image, and their responsibilities as representatives while navigating their differing views.
NASSIM is a seventy five minute play by Nassim Soleimanpour that features new actors with no rehearsals performing each day, a format similar to Soleimanpour's prior play, White Rabbit Red Rabbit. When the actor opens the sealed envelope, it reveals the first page of the script, which eventually reunites them with the playwright, the one constant in each performance. Guest actor and playwright must navigate the boundaries, including the Persian language, throughout the performance's duration. The show premiered in London, won the 2017 Fringe First Award at Edinburgh Fringe Festival and was performed in 20 countries in a 200-day span in 2018. It was produced Off-Broadway by Barrow Street Productions at New York City Center from December 12, 2018 – April 20, 2019. Among the actors who took a turn in the role were: Jelani Alladin, Guillermo Diaz, Will Eno, Marin Ireland, Tracy Letts, Alison Fraser, Michael Shannon, Phillipa Soo and Michael Urie.
Set during the 1943 Bengal famine, the drama follows peasant Pradhan Samaddar and his family as they face starvation, malnutrition, disease, and other disasters in the food crisis. Its 1944 IPTA production also supported famine relief in rural Bengal.
Prince Jimutavahana renounces worldly power to save the Naga Shankhachuda from sacrifice to Garuda. He takes the serpent's place and dies, but Garuda's remorse leads him to restore Jimutavahana and the serpent victims to life.
Written during World War II while its author was imprisoned in Hazaribagh, this four-act play imagines a communist village where everyone is equal, wealth distinctions disappear, labor is honored, and the community has the facilities it needs. Batuk is the central character.
A four-part Kathakali drama follows King Nala and Damayanti from their courtship by messenger swan, marriage and exile through separation and hardship to reunion. Nala loses his kingdom in a rigged dice game, leaves Damayanti in the forest, and later disguises himself after a serpent’s bite; a false remarriage announcement brings the couple back together.
A two-act stage portrait traces Albert Namatjira's life from his childhood at Hermannsburg through his artistic partnership with Rex Battarbee, national and international fame, racism and exploitation, imprisonment, and death. Family members and descendants help tell the story through direct address, reenactment, music, and live painting, reclaiming the account of their grandfather and his work.
In a speculative Brazil where the government orders people of African descent deported to Africa, two men stay inside their apartment and debate their lives and the consequences of the decree.
At Yoritomo's residence, a mask-maker arrives to entertain the ailing ruler and displays a series of masks. The visitor is actually the warrior Kagekiyo, who uses the performance to pursue his revenge; the play combines this disguise and mask-changing episode with a larger narrative drawn from the Kagekiyo cycle.
A young woman consents to marry a count across the divide of social class. The comedy questions prejudice and the unequal choices available to a woman caught between marriage and the convent.
Nap Hand is a 1940 comedy play by Vernon Sylvaine and Guy Bolton. The title refers to the sporting term, a nap hand. The farce revolves around quintuplets. After premiering at the Manchester Opera House, it ran for 83 performances at the Aldwych Theatre in London between 2 March and 11 May 1940. The cast included Ralph Lynn, Kay Walsh, William Hartnell, Marjorie Corbett, Francis de Wolff, Frederick Piper and Bertha Belmore. It was produced by Austin Melford.
A satirical political parable set in Edo-period Japan, following the poet Basho amid a changing political landscape over about 35 years and addressing British imperialism.
To restore rain, Princess Taema seduces the Buddhist priest Narukami, who has imprisoned the rain dragon. After she frees the dragon, the rain returns; Narukami discovers the deception and pursues her in anger.
Natalka and Petro plan to marry, but her father rejects him for his poverty. Petro leaves to earn a fortune; after five years without news, Natalka reluctantly accepts a wealthier official’s proposal. Petro returns just before the marriage, and the lovers are reunited amid comic village encounters.
In Crusade-era Jerusalem, the Jewish merchant Nathan, Sultan Saladin, and a Christian Templar become linked through a rescued girl and a family secret. Nathan’s ring parable answers Saladin’s question about the true religion by urging tolerance among the three faiths.
In Chicago's South Side during the 1930's, 20-year-old Bigger Thomas struggles to realize his dreams in a world that has shut him out. After taking a job in a wealthy white man's house, Bigger unwittingly unleashes a series of events that violently seal his fate.
A play about digital natives—young people who grew up in the Information Age—and the ways networked culture shapes their experience.
A puppet retelling of the Christmas story, performed with live sacred music.
In a Czech village, a dispute over the new night watchman becomes a power struggle between factions; a forged blackmail letter intensifies the conflict, exposing villagers' vanity and pride before reconciliation.
Isaac Newton battles the Royal Society to prove his theory of universal gravity; the play draws on his relationships with Edmund Halley, Mary Newton and Robert Hooke.
A verse drama presents Ned Kelly as a contradictory figure: boisterous and popular yet arrogant and murderous, capable of extraordinary courage as well as loneliness, pride and self-destruction. Stewart frames Kelly as a study of freedom and courage in Australian life.
Set during the Paris Commune, the play follows pacifist teacher Gabrielle Langevin and the revolutionary uprising’s historical events. It asks whether evil can be fought with evil, as the rebels’ defeat and executions give the conflict a tragic outcome.
Neglected Virtue is a 1696 tragedy by the Irish writer Charles Hopkins. It is also known by the longer title Neglected Virtue; or, The Unhappy Conquerour. The original Drury Lane cast included George Powell as Phraates, Hildebrand Horden as Artaban, Thomas Disney as Memnon, John Mills as Castillio, William Pinkethman as Castillio junior, William Bullock as Bretton, Thomas Simpson as Curio, Jane Rogers as Alinda, Mary Powell as Eudora, Frances Maria Knight as Thermusa and Margaret Mills as Emilia.
A brother and sister form a neighbourhood watch after petty crime nearby, but the group grows out of control and becomes an authoritarian force that controls the people it was meant to protect.
A theatrical exposé of corruption and abuse in health centers, focusing on personnel who misuse their profession and on illicit medicine supply, exploitation of bodies, and robbery.
Georges De Valera, a wanted swindler, evades arrest by convincing a right-wing newspaper editor that he is Nikita Nekrassov, a defected Soviet minister with secret information. As the paper exploits the story for anti-communist propaganda, De Valera’s imposture draws in the government, police and a rival journalist, while he and the journalist’s daughter develop an attachment.
A historical comedy about Nell Gwynn's rise from playhouse heckler to actress and mistress of Charles II, and her struggle to balance court life with the theatre.
Nellie Grey is a young woman who works in the cloak department of a department store. She lives in a boarding house with her abusive great uncle and his handicapped son, Tom. Long separated from her mother, she is unaware that she has a fortune coming to her. Her nefarious cousin, Walter Hilton, hopes to secure the money for himself. He first intends to marry Nellie, but her co-worker Hortense Drake has her own eyes on Walter, so Hortense convinces him that it is better to dispose of Nellie completely. Nellie is then subjected to four acts of plots against her by Walter and Hortense. They tie her to train tracks, but she is rescued by Jack Carroll, a handsome young man who lives in the boarding house. They try to crush her with an elevator, but Tom saves her. Walter ties her to the mast of a yacht, but a co-worker from the store frees her. She is blown off a bridge with a bomb, but Jack pulls her from the water. Only in the fourth act is Walter finally thwarted, and Nellie is reunited with her mother.
This one-character monodrama follows schoolteacher Surojit Nandi, who recalls his past and his moral decline under pressure to earn money to satisfy his wealthy father-in-law. Set against the Bengal famine, the play uses the character’s recollections and conversations with unseen others to explore greed and moral responsibility.
A French-language tragedy based on the life of Beatrice Cenci, an Italian noblewoman executed after a plot to murder her father.
Setting: New York City John Kallan in enraged over his wife Marcia's infidelity with the young artist, Mr. Jovaine. He plots revenge, and murder's Marcia while carefully planting manufactured evidence that implicates Jovaine as the killer. A court trial ensues and Jovaine is convicted of the crime. He is sentenced to death and is executed. John Kallan stands outside the gates of Sing Sing at the time of the execution, and delivers a monologue on the infallibility on circumstantial evidence.
A court masque planned for the return of Prince Charles from Spain: a poet and cook plan to represent Albion’s homecoming, followed by mythological figures and sea gods in a spectacle of songs and dances.
After Patroclus’s death, Thetis visits Achilles with her Nereid sisters, consoles him and brings new armor forged by Hephaestus. The sisters form the chorus as Achilles prepares to return to battle against Hector.
The Tragedy of Nero, Emperour of Rome is a 1674 tragedy by the English writer Nathaniel Lee. It was originally performed at the Theatre Royal, Drury Lane by the King's Company. The first Drury Lane cast included Charles Hart as Nero, Michael Mohun as Britannicus, Nicholas Burt as Petronius, William Wintershall as Otho, Edward Lydall as Piso, William Cartwright as Seneca, Thomas Clark as Drusillus, John Coysh as Plautus, Marmaduke Watson as Silvius, Martin Powell as Mirmilon, Philip Griffin as Caligula's Ghost, Rebecca Marshall as Poppea, Katherine Corey as Agrippina, Elizabeth Cox as Octavia and Elizabeth Boutell as Cyara.
Adapted from the 1976 film, the play stages its story as a live television studio with an onstage restaurant, making audience members diners and studio spectators. Its Howard Beale closes with a warning about absolute beliefs and an appeal for compassion and connection.
Across four acts, Harold Macmillan’s life moves from his youth and First World War service through his political career, the Suez Crisis and his premiership, whose reputation is damaged by the Profumo affair. Macmillan’s younger self remains beside him, commenting on events.
Never Too Late is a 1962 Broadway play by Sumner Arthur Long. Never Too Late starred Paul Ford and Maureen O'Sullivan as Harry and Edith Lambert, a middle-aged couple about to become parents once again. Starring as the couple's adult daughter Kate and her husband Charlie Clinton were Fran Sharon and Orson Bean, as well as Leona Maricle and House Jameson as Grace and James Kimbrough.
Four managers from a Salford mineral-water company become stranded on a wooded Lake District island during a team-building exercise. With little food and fog closing in, they quarrel, panic at noises in the woods and turn against one another.
In 1954 Queens, a Caribbean-American family gathers for the fiftieth birthday of Jared Philibert, a paralyzed patriarch confined to an iron lung. A friend brings rum that acts like a truth serum, bringing concealed tensions and questions about euthanasia to the surface among Jared and his family.
A bride arrives from India in a Canadian university town in 1970, meeting a husband she has never known. Her arrival unsettles a close immigrant community’s ideas about marriage, freedom, and belonging.
In Amsterdam, the young philosopher Baruch Spinoza is interrogated by Jewish authorities over ideas considered heretical, while the community weighs his expulsion against its effort to preserve religious freedom under Dutch rule.
A masque's heralds, printer, chronicler and correspondent debate new astronomy and news reporting, culminating in a report from the Moon whose imagined inhabitants and customs satirize earthly society.
Middle-aged divorcé Marion Cheever is mistakenly called for military service and faces Sergeant Thech, an examining officer determined to enlist him. Their comic battle of wills turns into Cheever’s expression of hatred and contempt for his country.
Next Door Neighbours is a 1791 comedy play by the British writer Elizabeth Inchbald. It premiered at the Theatre Royal, Haymarket on 9 July 1791. The Irish premiere took place at the Crow Street Theatre in Dublin on 29 April 1795. The original Haymarket cast included John Palmer as Sir George Splendorville, Stephen Kemble as Mr Manly, Robert Baddeley as Mr. Blackman, Robert Palmer as Mr. Lucre, Robert Evatt as Lord Hazard, James Aickin as Willford, John Bannister as Bluntly, Elizabeth Heard as Lady Bridget Squander and Elizabeth Kemble as Eleanor.
Luke believes in God. Adam believes in everything else. "Next Fall" portrays the ups and downs of this unlikely couple’s five-year relationship with sharp humor and unflinching honesty. And when an accident changes everything, Adam must turn to Luke’s family and friends for support... and answers. "Next Fall" offers a picture of modern romance, asking questions about commitment, love, and faith.
Returning to her East Coast marae after the First World War, Rongomai learns that her father was allowed to drown by the community leader Paikea. Seeking revenge, she lets Paikea’s young son die, then sets a chain of betrayal and violence in motion that ends with the marae burning and her own death.
In post-independence Kenya, peasant farmer Kĩgũũnda and his wife Wangeci face a visit from wealthy businessman Kĩoi, whose son has courted their daughter Gathoni. As the family considers a church wedding, Kĩoi uses their land deed to secure a loan, then rejects them when Gathoni returns pregnant and abandoned. Kĩgũũnda and Wangeci lose their land and livelihood, and the household’s private crisis becomes part of a wider struggle against elite exploitation.
Performer Trevor Jamieson recounts his family's story against the history of British nuclear testing at Maralinga and the displacement of Pitjantjatjara people. The bilingual work combines family testimony, Indigenous storytelling, tragedy, humor, popular songs, video, and audience participation to explore dispossession, cultural loss, and survival.
A tragedy in the traditional Thai lakhon nai form, Ngo Pa follows Sompla and Hanao as rivals for Lamhab's affection. Its conception draws on Chulalongkorn's impressions of the Maniq people of southern Thailand.
A comic, melancholy play adapted from Louis Jenkins's poems and inspired by an ice-fishing trip. Its original version uses comic counterparts of figures from Wagner's Das Rheingold.
Nice People was a 1921 Broadway four-act comedy written and staged by Rachel Crothers, produced by Samuel H. Harris and starring Tallulah Bankhead and Francine Larrimore. After working with Bankhead in 39 East, Crothers wrote Nice People expressly for her. The general manager was William G. Norton, the scenic was designed by Navon Bergman, and John Kirkpatrick was the stage manager. It ran for 120 performances from March 2, 1921 to June, 1921, at the Klaw Theatre. It was included in Burns Mantle's The Best Plays of 1920-1921. It was also Katharine Cornell's Broadway debut. It was adapted into the 1922 silent film Nice People, now believed to be lost.
An aging, talkative frontiersman takes the central role in this comic melodrama. Nick Whiffles’s fatherly leadership and verbal exuberance replace the youthful, physically heroic figure typical of frontier adventures.
In Paris, English composer Horace Villiers discovers that his former friend has stolen the opera he wrote while he was ill. Singer Héléne loves Horace and stages a deception to expose the theft and learn whether he loves her.
In Bithynia, Nicomède's Roman-backed half-brother Attale and their stepmother Arsinoé threaten his position as heir. After Nicomède is placed in Roman custody and the people rise in revolt, he returns, pardons his opponents, and negotiates an alliance with Rome.
A married couple in their forties sit over coffee and recall their first meeting and courtship, but their conflicting memories reveal an emotional distance in their present relationship.
At the Little Casino nightclub, manager Chris Miller cheats proprietor Ben Fischer and uses henchmen to rob customers. After a robbery ends in murder, Miller’s jealousy over hostess Buddy and attempts to hide his crimes lead to another killing, a tangled investigation, and his fatal fall down an elevator shaft.
Film-studio employee Steve Takis travels to New York to collect two trained monkeys and return them to Hollywood. When a monkey discards his wallet and papers, the ensuing confusion lands Steve in jail, where he befriends a detective and falls for a young actress.
Night Must Fall is a play, a psychological thriller, by Emlyn Williams, first performed in 1935. There have been four filmed adaptations: Night Must Fall (1937); a 1954 adaptation on the television anthology series Ponds Theater starring Terry Kilburn, Una O'Connor, and Evelyn Varden; a 1957 British television version; and Night Must Fall (1964).
The morning after an affair, two lovers scramble to find the man’s keys and conceal evidence from the woman’s husband.
Night Over Taos was a 1932 Broadway three-act drama written by Maxwell Anderson, produced by the Group Theatre and staged by Lee Strasberg. It was the Group Theatre's third production. It ran for 13 performances from March 9, 1936 closing that month at the 48th Street Theatre. It was revived off Broadway in 2007, directed by Estelle Parsons.
Astronomer Anna is struck by a car and develops aphasia, disrupting her academic career and relationships with her daughter and lover. She later tries to recover and deliver her research at a conference in Paris. The play was inspired by director Joseph Chaikin's experience of aphasia after a stroke.
Set in the fictional African nation of Kambawi, the play follows British journalists covering an impending internal war. Through reporter Ruth Carson's unspoken thoughts and the characters' wordplay, it examines colonialism, media objectivity, and the way language shapes events.
The plot of Night of January 16th centers on the trial of secretary Karen Andre for the murder of her employer, business executive Bjorn Faulkner, who defrauded his company of millions of dollars to invest in the gold trade. In the wake of a financial crash, he was facing bankruptcy. The play's events occur entirely in a courtroom; Faulkner is never seen. On the night of January 16, Faulkner and Andre were in the penthouse of the Faulkner Building in New York City, when Faulkner apparently fell to his death. Within the three acts, the prosecutor Mr. Flint and Andre's defense attorney Mr. Stevens call witnesses whose testimonies build conflicting stories. At the beginning of the first act, the judge asks the court clerk to call jurors from the audience. Once the jurors are seated, the prosecution argument begins. Flint explains that Andre was not just Faulkner's secretary, but also his lover. He says Faulkner jilted her to marry Nancy Lee Whitfield and fired Andre, motivating Andre to murder him. Flint then calls a series of witnesses, starting with the medical examiner, who testifies that Faulkner's body was so damaged by the fall that it was impossible to determine whether he was killed by the impact or was already dead. An elderly night watchman and a private investigator describe the events they saw that evening. A police inspector testifies to finding a suicide note. Faulkner's very religious housekeeper disapprovingly describes the sexual relationship between Andre and Faulkner, and says she saw Andre with another man after Faulkner's marriage. Nancy Lee testifies about her and Faulkner's courtship and marriage, portraying both as idyllic. The act ends with Andre speaking out of turn to accuse Nancy Lee of lying. The second act continues the prosecution's case, with Flint calling John Graham Whitfield—Faulkner's father-in-law and president of Whitfield National Bank. He testifies about a large loan he made to Faulkner. In his cross-examination, defense attorney Stevens suggests the loan was used to buy Faulkner's marriage to Whitfield's daughter. After this testimony, the prosecution rests and the defense argument begins. A handwriting expert testifies about the signature on the suicide note. Faulkner's bookkeeper describes events between Andre's dismissal and the night of Faulkner's death, and related financial matters. Andre takes the stand and describes her relationship with Faulkner as both his lover and his partner in financial fraud. She says she did not resent his marriage because it was a business deal to secure credit from the Whitfield Bank. As she starts to explain the reasons for Faulkner's alleged suicide, she is interrupted by the arrival of "Guts" Regan, an infamous gangster, who tells Andre that Faulkner is dead. Despite being on trial for Faulkner's murder, Andre is shocked by this news and faints. The final act continues Andre's testimony; she is now somber rather than defiant. She says that she, Faulkner, and Regan had conspired to fake Faulkner's suicide so they could escape with money stolen from Whitfield. Regan, who was also in love with Andre, provided the stolen body of his already-dead gang associate, "Lefty" O'Toole, to throw from the building. In cross-examination, Flint suggests Andre and Regan were using knowledge of past criminal activities to blackmail Faulkner. Stevens then calls Regan, who testifies that he was due to meet Faulkner at a getaway plane after leaving the stolen body with Andre; however, Faulkner did not arrive and the plane was missing. Instead of Faulkner, Regan encountered Whitfield, who gave him a check that was, according to Regan, to buy his silence. Regan later found the missing plane, which had been burned with what he presumes is Faulkner's body inside. Flint's cross-examination offers an alternative theory: Regan put the stolen body into the plane to create doubt about Andre's guilt, and the check from Whitfield was protection money to Regan's gang. In the play's Broadway and amateur versions, the next witness is Roberta Van Rensselaer, an exotic dancer and wife of O'Toole, who believes Regan killed her husband. This character does not appear in Rand's preferred version of the play. Stevens then recalls two witnesses to follow up on issues from Regan's testimony. The defense and prosecution then give their closing arguments. The jury retires to vote while the characters repeat highlights from their testimony under a spotlight. The jury then returns to announce its verdict. One of two short endings follows. If found not guilty, Andre thanks the jury. If found guilty, she says the jury have spared her from committing suicide. In Reeid's amateur version, after either verdict the judge berates the jurors for their bad judgment and declares that they cannot serve on a jury again.
The action takes place aboard a spacecraft returning from the first crewed Moon landing, the crew of which witnesses nuclear war break out on Earth. In his foreword to the published edition of the play, Oboler expressed the hope that its vision of a potential future would prove to be "a playwright's fancy".
In post-Crimean War Adelaide, teacher Marcus Higson seeks to marry Victoria Beauchamp and promote public education, while her father, Colonel Beauchamp, prioritizes defense. A rumored Russian invasion lets the colonel whip up public fear to fund a standing army.
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