3280 shows
Clear filtersIn Egypt, Pharaoh initially agrees to release the Hebrews after Moses’s prayer ends the darkness, but reverses his decision. Pharaoh’s son Osiride loves the Hebrew Elcia and tries to prevent her departure. Though Pharaoh plans for Osiride to marry an Assyrian princess, Osiride refuses and orders Moses killed; he is struck by lightning. At the Red Sea, Moses parts the waters to lead the Hebrews across, and the pursuing Egyptians drown when the waters close.
The opera presents a highly fictionalized account of an episode in the life of the Aztec ruler Moctezuma II and has a happy ending, unlike the historical ruler’s death during the Spanish conquest.
Set in early sixteenth-century Mexico, the opera concerns Moctezuma II and the Spanish conquest.
In a poor part of Moravia, farmer Křen lives with his large family. After his first wife dies from hard work, he marries again. His second wife, Maruša, is dissatisfied with his lack of passion. Through maternal love, she softens his defiant nature, bears and raises children according to her understanding of God’s will, and becomes an observer of life’s continual renewal.
An English-language three-act opera by Marvin David Levy, with libretto by Henry W. Butler after Eugene O’Neill’s play Mourning Becomes Electra. The principal characters include Christine, Lavinia and Orin Mannon, and Captain Adam Brant.
Salieri, who has devoted himself to music, privately resents Mozart’s effortless talent and believes Mozart’s work is superior. He invites Mozart to dinner and poisons his drink. Mozart speaks of the Requiem commissioned by a mysterious stranger and asks whether genius can coexist with crime. As Mozart plays, Salieri weeps and urges him to continue. Mozart feels ill and leaves; Salieri remains troubled by Mozart’s belief that a genius could not be a murderer.
Rossini’s four-act French-language revision expands Mosè in Egitto with additional music and a substantial ballet.
In the final seconds before Mr Emmet dies by suicide on a railway line, thoughts, memories, ideas, and musical fragments pass through his mind over the work’s fifty-minute span.
A house cat is abandoned for being old and unable to catch mice. It meets Fox and gives an impressive name, leading Fox to believe it is fierce. Fox marries the cat and feeds it well. Forest animals want to meet the feared Mr. Kotsky, but when they peek in at the couple, the cat wakes suddenly and seems to confirm its fearsome reputation. At a dinner party, the animals hide while Fox and the cat eat. Hearing the cat meow for more soup, the animals are amazed at its appetite. When the cat mistakes the boar’s tail for a mouse and bites it, the boar overturns the table, startling Bear into a chain of mishaps that sends all the animals fleeing.
Earl Michael de Vere has lost his fortune, and his son Horace works undercover as an omnibus driver while longing for Winifred. Jam manufacturer Mr. Jericho arranges a customer testimonial from the Earl and offers Horace a partnership; Lady Bushey’s objection to the match is overcome, and the couple can marry.
An Albanian-language opera by Prenkë Jakova to a libretto by Llazar Siliqi, based on their earlier musical action Dritë mbi Shqipëri.
A four-act operatic setting of William Shakespeare’s comedy Much Ado About Nothing.
An opera originally written in Irish and mainly staged in English at the time.
An Italian opera based on the story of the Roman hero Gaius Mucius Scaevola.
As Tarquinio and Porsena attack Rome, Horatio defends the bridge and saves the city. Roman soldier Muzio tries to assassinate Porsena, fails, then earns the king’s respect by holding his hand in fire. Clelia escapes captivity, Tarquinio is defeated, and Porsena makes peace, allowing Muzio and Clelia and Horatio and Irene to marry.
A one-act children’s opera based on a book by Thacher Hurd, with roles for a cook, a criminal rat, an opera star, and a rat gang.
The henpecked cobbler Mârouf joins sailors to travel to Khaïtân, where he pretends to be a rich merchant expecting a caravan. The sultan offers him his daughter Saamcheddine, who falls in love with him. When the deception is uncovered, Mârouf flees with the princess. They find a ring that gives him power over a magician, who makes the promised caravan real. The sultan pardons Mârouf and allows the couple to marry.
Jeweller Julius Wander poses as an aristocrat and is tricked into promising to marry Aurora, daughter of Baron von Abendthau. He recognizes the bear-keeper Gregor as his father, and discovers that the dancing bear is his brother Richard in a bearskin. After Wander reveals his parentage, the baron rejects him, freeing him to marry Leontine.
A prologue and five-act tragédie en musique.
Medusa competes with Minerva for the title of most beautiful and grows jealous when Prince Persée loves Princess Ismenie. Medusa and Neptune capture the couple, but Persée remains devoted to Ismenie. Jupiter transforms Medusa into a monster; she turns Ismenie to stone, and Minerva later reverses the transformation and celebrates the lovers’ marriage.
In Corinth, Jason abandons Médée to marry Créuse, and King Créon orders Médée into exile. She conspires with Oronte, then uses magic to kill Créuse with a poisoned robe and drive Créon mad. After Créuse dies, Médée announces she has killed her own children and escapes in a dragon-drawn chariot as Corinth burns.
At Corinth, Dircé prepares to marry Jason, who had taken the Golden Fleece with Médée’s help before abandoning her. Médée returns and demands that Jason return to her; he refuses, and she vows vengeance. Ordered to leave Corinth, she asks for one more day with her children and sends wedding gifts to Dircé. One gift poisons Dircé. Médée, Néris and the children take refuge in a temple; Médée emerges with a bloodied knife after killing her children, curses Jason and disappears as the temple burns.
An adaptation of the Medea myth that emphasizes its dark and violent elements, in a prologue and five acts.
Mélidore and Phrosine plan to elope, but her brothers oppose their marriage. After Mélidore appears to kill Aimar, he disguises himself as a dead hermit and secretly guides Phrosine to him with a nightly beacon. A storm extinguishes the light; Jule mistakes his torch for it and leaves Phrosine to drown, but Mélidore rescues her, and the brothers finally consent to the marriage.
A tragédie en musique based on the Greek legend of Meleager.
A one-act expressionist opera based on Oskar Kokoschka’s play of the same name and described as a mythic expression of a violent struggle between the sexes.
In Act I, Gotama leaves his privileged life to seek awakening and resists Māra and his daughter Taṇhā’s efforts to distract him. Act II follows the Buddha’s later life: a disciple rejects his teaching, he becomes ill, receives a final meal from Cunda the Smith, and dies in the company of Ānanda and the monastic community.
A four-scene Czech-language opera based on Božena Němcová’s novel The Grandmother. The entry does not describe the operatic plot.
In Jerusalem, Nabucco’s daughter Fenena is held hostage and falls in love with Ismaele. Nabucco conquers the city, while his other daughter Abigaille discovers she is the child of slaves and seizes the Babylonian throne. When Nabucco claims to be a god, a thunderbolt strikes him and he loses his senses. Abigaille orders the execution of the Israelites, including Fenena, but Nabucco regains his reason and faith in the God of the Hebrews. He frees the captives and orders the destruction of Baal’s idol. Abigaille takes poison, begs forgiveness, and dies.
Manfred Gurlitt’s German-language opera adapts Émile Zola’s novel Nana.
Nino Rota’s three-act Italian opera adapts Eduardo De Filippo’s 1945 play Napoli milionaria!. The available text does not provide the plot.
An Azerbaijani opera about peasants’ struggle for Soviet power, incorporating Azerbaijani folk songs.
Natalka waits for her fiancé Petro, who is away working, while the landowner Vozniy seeks to marry her. With help from Viborniy, Natalka’s mother is persuaded to favor Vozniy, and preparations begin despite Natalka’s distress. Petro returns and learns of the engagement. Natalka declares her love for him, but her mother objects. Petro offers to leave to prevent conflict; moved by this, Vozniy withdraws, and Natalka and Petro are united.
A serious grand opera set in Santa Barbara during the Spanish period around 1820, with Spanish and Native American themes.
Nausicaa shelters the shipwrecked Aethon, a Cretan nobleman who is a reimagining of Odysseus. When suitors plot against her father, Nausicaa arranges to marry Aethon, who defeats them and spares the singer Phemius at her request. She asks Phemius to sing her own version of Penelope’s story.
Neptune disguises himself as a mortal to win the nymph Naïs at the Isthmian Games. Her other suitors, Télénus and Astérion, misread a prophecy and plan to sacrifice their rival, but Neptune overwhelms them with waves. He reveals his identity, takes Naïs to his underwater palace, and transforms her into a goddess.
Alfred Bruneau’s drame lyrique adapts Émile Zola’s work Naïs Micoulin.
A three-act French opéra comique by Xavier Boisselot with a libretto by Eugène Scribe and Gustave Vaëz.
A setting of a 16-line poem by Samuel Beckett for soprano soloist and orchestra.
This three-act comic opera by Robert Planquette is based on William Thomas Moncrieff's play Rochester and features Nell Gwynne, King Charles II, the Duke of Buckingham, and the Earl of Rochester.
In Naples in 1798, fortune-teller Mme. Serafina tells Nelson he will have to choose between love and duty. He meets Emma Hamilton and they realize they love each other. In London in 1800, Nelson’s wife rebukes him over the affair, while Emma declares her love. In 1805, Lord Minto and Captain Hardy urge Nelson to end the affair, but he and Emma reaffirm their attachment before he is summoned to command the fleet. They say farewell at Portsmouth. During the Battle of Trafalgar, the dying Nelson thinks of Emma. Hardy later brings Emma the news of Nelson’s death, recalling Serafina’s prophecy.
Queen Nephté mourns her husband Séthos and suspects that his brother Pharès murdered him. Pharès commands the army, seeks the throne and threatens Nephté’s son; the high priest Amédès helps protect the child. Nephté finally agrees to marry Pharès, but poisons their wedding cup. Both die, allowing her son to succeed as king of Egypt.
Near Novgorod in the early 16th century, boyar's daughter Salomonida is made to believe she is ugly by her father, who also perpetuates slander about her mother. The disguised Tsar Vasili encounters Salomonida and falls in love with her. He uses a mirror to disprove the lie about her appearance, demands her hand from her father, and clears her mother's name. The story ends happily.
Set in Imperial Rome during Nero’s reign, the opera explores tensions between the Imperial religion and Christianity and concludes with the Great Fire of Rome.
A three-act opera depicting Nero and figures of ancient Rome; the plot is not detailed.
A lost Italian dramma per musica by Antonio Vivaldi; the libretto and plot are unavailable in the source.
A comic opera satirizing modern life, celebrity, and marriage through parodies of opera and Berlin cabaret.
Princess Isabella makes peace between her feuding sons, Manuel and César, and reveals their sister Beatrice, hidden away since childhood. When Manuel falls in love with Beatrice without knowing their kinship, César kills him in jealousy; learning the truth, César kills himself.
Jo Ann, a child psychologist, is too afraid to leave home to help young victims of violence in Terror Town. Visitors from the future arrive by spaceship, bringing Jo Ann together with the pilot Pelegrin. After she saves her foster brother Donny from a violent New Year’s crowd, Jo Ann overcomes her fear and returns to the outside world.
In Broken Pieces, a Manhattan woman and an Italian immigrant repairing her bathroom share their stories and a romantic moment. In Just for the Night, a woman turns away her brother, who is living in a shelter. In Cradle Song, a composer couple return from a night out and struggle to put their child to bed.
In Room 7 of a run-down hotel called Nigredo, the woman who runs the hotel encounters Raymond, a brain surgeon who has taken refuge there after crashing his car.
A Croatian-language opera by Ivan Zajc retelling the 1566 Battle of Szigetvár, where Croatian and Hungarian forces under Nikola IV Zrinski made a last stand against Ottoman armies led by Suleiman the Magnificent.
Nina loves Germeuil, but her father, Count Lindoro, favors another suitor. After Germeuil fights a duel with his rival, Nina believes he has been killed and loses her reason. She recovers when Germeuil returns unharmed and her father allows them to marry.
Nina has lost her reason after her father broke his promise that she could marry Lindoro. When a richer suitor arrived on their wedding day, Lindoro challenged him to a duel and was presumed killed. Nina waits at a crossroads for her lover, while the remorseful Count is tormented by his decision. The Count’s valet later reports that Lindoro is alive and at the castle. Lindoro explains he was wounded and nursed back to health. He and Nina are reunited, and she regains her sanity.
British soldier Don Hanwell’s indifference allows German prisoner Otto Suder to escape and later become a concentration camp guard. Years afterward, an allegorical trial condemns humanity and directs Don to kill Suder; Suder ultimately dies by grenade, forcing Don to confront his own responsibility and the distinction between guilt and damnation.
In 1640 Paris, Cyrano de Bergerac and Ninon de Lenclos love each other, while Gontran and Diane are also a couple. After Cyrano wounds Gontran in a quarrel, he and Diane mistake each other’s jealousy for love and agree to marry if they can keep a 30-day pact. Ninon secures Gontran’s release, and the couples rediscover their love. Cyrano deliberately breaks the pact by duelling, freeing them to marry their true loves.
A three-act tragedy about the Greek mythological queen Niobe, punished by the gods for her pride, with a libretto by Luigi Orlandi after Ovid’s Metamorphoses.
A two-act serious opera offering a fictionalized account of Egyptian queen Nitocris. The principal characters include Nitocri, her sister Emirena, general Mirteo, and Prince Feraspe.
A tragédie en musique with a prologue, based on the mythological history of Ancient Egypt.
During Richard Nixon’s 1972 visit to China, Nixon, Pat Nixon, Henry Kissinger, Mao Zedong, Jiang Qing, and Zhou Enlai encounter one another in public ceremonies and private conversations. Nixon and Chou Enlai exchange toasts; Pat tours Beijing and watches a revolutionary ballet, which Jiang Qing interrupts to assert her role in the Cultural Revolution. In the final act, the principals reflect on their histories and choices, while Chou Enlai questions what their actions have accomplished.
In Ganja, poet Nizami and Rena declare their love, angering Azra, who also loves Nizami, and the ruler who desires Azra. The ruler orders Rena sent to Baghdad. At a palace feast, Nizami refuses to praise the ruler and rejects Azra; the ruler retaliates by ordering Rena branded. Nizami later leaves Gizil Arslan’s court after witnessing the ruler’s cruelty to his son. Azra and the ruler plot to kill Rena, while the ruler tries to draw Nizami to his side with gifts and threats. When Gizil Arslan’s troops surround Ganja, the ruler orders the city burned and Nizami refuses to mediate. The people gather around the poet, convinced that justice will prevail.
A one-act chamber opera based on Jean-Paul Sartre’s play No Exit.
Shipwrecked Frederick and Robin reach farmer George Crop’s home. Frederick had pretended to be poor and was rejected by Crop’s daughter Louisa; he later disguises himself to convince her he died at sea, then reveals himself. Robin loves Margaretta, while Mr. Endless schemes to dispossess Crop and take his wife Dorothy. Robin’s keg from the ship reveals gold, and Margaretta exposes Endless hiding in a sack. Crop and Dorothy reconcile, and Frederick and Louisa reunite.
A one-act Ukrainian opera with a modern setting, contrasting a folk song and a romantic salon song as representations of the past and present.
A setting of an abridged selection of text from Shakespeare’s The Tempest, arranged in seventeen sections. The first version was an opera-ballet titled La Princesse de Milan, with dancers portraying characters; later opera-only version includes more of Shakespeare’s text.
Juan Crisostomo Ibarra returns to San Diego after seven years in Europe and learns that his father’s death remains mysterious. He plans a schoolhouse in his father’s memory and reunites with Maria Clara. At the cemetery, he learns that a priest ordered his father’s remains exhumed and thrown into the river; Ibarra’s anger leads to his excommunication. Meanwhile, Basilio escapes after being punished with his brother Crispin, and their mother Sisa is abused by the Guardia Civils. Ibarra later saves Elias from a crocodile and is warned that he has powerful enemies. Padre Damaso mocks Ibarra’s school project, and Maria Clara prevents Ibarra from attacking him. In the final act, Maria Clara is ordered to marry Alfonso Linares. Ibarra clears his name and reunites with her, but is arrested for rebellion. He and Elias escape and say goodbye to Maria Clara before gunshots are heard. Sisa, now insane and searching for her children, finds Basilio and dies; the mortally wounded Elias tells Basilio to build a pyre for them and use buried treasure to fund education.
A one-act piano-accompanied opera based on Genesis and inspired by Thomas Hardy’s poem At the Altar-Rail.
Nordisa, believed to be a peasant girl, falls in love with Count Oscar, who is due to marry Minna to honor a promise to his dying father. After Nordisa saves Oscar in an avalanche, they survive together beneath the snow and later appear at Minna’s wedding. A confession reveals that the girls’ identities were exchanged at birth, allowing the romantic pairings to change.
Norma, a Druid high priestess in Roman-occupied Gaul, has secretly borne two children by Pollione, the Roman proconsul. She discovers that he has fallen in love with the young priestess Adalgisa. Norma tries to persuade him to return, but later confesses her own broken vows and is condemned to die at the stake. Moved by her sacrifice, Pollione joins her on the pyre.
Shchedrin’s first opera, with Varvara among its roles and a humorous quadrille in Act 2.
Pierre leaves class for a plum tree and declares that nothing matters. His classmates first give up possessions to a bonfire, then demand increasingly extreme sacrifices from one another to prove that life has meaning. Pierre finally declares that life is beautiful because it means nothing; the children attack him. Years later, the former classmates gather by the tree as adults and hang purple baubles in his memory.
During the Second World War, Alicia Hauser, the daughter of a Nazi, is recruited by U.S. intelligence to infiltrate a group of German émigré scientists in Brazil developing a destructive weapon. She is attracted to her recruiter, Devlin, but marries scientist Alex Sebastian as part of the mission.
Esmeralda’s story unfolds among Gringoire, Phoebus, Quasimodo and the Archdeacon in Schmidt and Wilk’s operatic adaptation of Victor Hugo’s novel. The opera grew from an unfinished orchestral fantasia; its Intermezzo and Carnival Music were performed before Schmidt began composing the opera.
A Latvian operatic melodrama based on motifs from Victor Hugo’s The Hunchback of Notre-Dame.
God warns Noye that a flood will destroy the sinful world and tells him to build an ark. Noye and his family construct it and bring animals aboard in pairs, while his wife and her friends initially refuse to join. A storm fills the ark; after it subsides, Noye sends out a raven and then a dove, which returns with an olive branch. God tells everyone to leave the ark, promises not to destroy the earth by water again, and sets a rainbow as a sign.
Marussa and Lorenzo, two young villagers, love each other. Her miserly father Menico is persuaded by the village fiddler Biaggio to marry her to the wealthier Nicola, who offers to waive a dowry. Marussa is tricked into believing Lorenzo has been unfaithful, and the wedding is arranged. Shortly before the ceremony, she begs Nicola to release her, but he refuses. Lorenzo, hidden behind a curtain, attacks Nicola with a knife; Nicola stabs him, and Lorenzo dies in Marussa’s arms.
An opera based on the Biblical story of Noah, begun by Fromental Halévy and completed by Georges Bizet.
Text compiled from Guillaume Apollinaire’s poems frames a meeting between Alice, a war correspondent, and Wilhelm, a soldier. Per Nørgård’s two-act chamber opera is written for two singers.
A two-act German-language opera by Gaspare Spontini, with a libretto by Carl Alexander Herklots based on Thomas Moore’s Lalla Rookh. No plot description is available in the reviewed text.
In Rome, Nero pursues Chrysa, daughter of Epicharis, while Vindex tries to protect her. After Nero starts the great fire and Chrysa reveals she is Christian, the two women die in a collapsing house. Haunted by his victims and pursued by Vindex, Nero kills himself.
A four-act Hungarian opera by Ferenc Erkel, titled Nameless heroes in English.
Across three parts, the opera follows dreamers and explorers from Walter Raleigh’s journey to the New World, to a Houston teenager’s relationship with a Space Shuttle Columbia astronaut, and on to future astronauts exploring the Solar System.
A Portuguese-language opera based on José de Alencar’s novel O Garatuja.
After Emil returns from Mexico, he rekindles a clandestine romance with Marie, now married, while his sister Alexandra’s friendship with Carl grows into love. Frank discovers Emil and Marie together and shoots them; Alexandra grieves before Carl returns and they begin a life together.
In Baku, Gulnaz loves student Sarvar, but her father plans to marry her to the wealthy older merchant Mashadi Ibad. Sarvar and Gulnaz resist the arrangement through a series of comic deceptions, and when Mashadi Ibad discovers his supposed bride is Sarvar, he is persuaded to marry Senem instead.
A five-act romantic Singspiel about the knight Huon and the fairy king Oberon, inspired by Christoph Martin Wieland’s poem.
Oberon hopes to reconcile with Titania by finding faithful human lovers. He sends knight Huon to Baghdad, where Huon meets Reiza and they fall in love. After surviving shipwreck and capture, the couple face execution in Tunis; Oberon and Titania intervene, transport them to Charlemagne’s court, and Huon is pardoned.
Presumed dead after being buried at the Battle of Eylau, Colonel Chabert survives and returns to Paris ten years later to reclaim his property and wife Rosine, who has remarried. Rosine first denies knowing him, then admits the truth; after she rejects him, Chabert shoots himself. Rosine realizes she loved him, takes poison, and dies beside his body.
In 1228, Leonora arrives at Ezzelino da Romano’s castle to confront Riccardo, who seduced and abandoned her and is about to marry Cuniza. Leonora reunites with her father, Oberto, and Cuniza agrees to help them. Cuniza ultimately tells Riccardo to return to Leonora, but Oberto insists on a duel. Riccardo kills Oberto, then leaves in exile and bequeaths his possessions to Leonora, who decides to become a hermit.
Oceane, a sea spirit, becomes human to experience life on land. The work is based on Theodor Fontane’s unfinished novel Oceane von Parceval.
In a village in Roman Syria, Nersa is being courted by the elderly Vadar. A sea spirit, Ers, tells her stories of the sea and its god Init. After the villagers punish Nersa for trying to leave by sending her to spend three days and nights alone on the shore, Init appears and courts her, naming her Oceàna. Vadar and his brother Hareb arrive by boat; Init’s sirens drive the men toward madness. Nersa returns to the village with Vadar and agrees to marry him, though she still dreams of Init. On the wedding day, Init persuades her to flee with him. Vadar lets her go and asks the god to cure Hareb and make him insane instead.
Nero’s court is shaped by plots against his stepsister and wife Octavia and by the Pisonian conspiracy and its suppression. The political action is interwoven with a contrast between Seneca’s philosophical counsel and the clown Davus’s comic observations.
Oedipus solves the Sphinx’s riddle and becomes king of Thebes, where a plague leads him to investigate the unsolved murder of the former king, Laius. The seer Tiresias identifies Oedipus as the killer. Oedipus gradually learns that Laius and Jocasta were his parents and that he killed his father and married his mother, as foretold. Jocasta dies by suicide; Oedipus blinds himself and is banished by Creon, leaving his children behind. Rihm fragments and reframes the myth across scenes drawing on Sophocles, Nietzsche and Heiner Müller.
To end a plague in Thebes, Oedipus seeks the killer of the former king Laius and gradually discovers that he himself killed Laius and is the son and husband of Jocasta. Jocasta hangs herself, and Oedipus blinds himself; he asks for exile and entrusts his daughters to Creon before returning to the palace.
To end a plague in Thebes, Oedipus vows to find Laius’s murderer. Clues reveal that Oedipus killed his father and married his mother, Jocasta, who kills herself. Oedipus blinds himself and leaves Thebes.
Migrant workers George and Lennie arrive at a ranch after fleeing trouble. They dream of owning a small farm, and the old ranch hand Candy offers his savings to join them. Lennie’s strength and limited judgment repeatedly cause trouble. After Lennie accidentally kills Curley’s wife, George finds him in a clearing and shoots him before the ranch hands can lynch him. Lennie dies imagining the farm they had hoped to own.
An opera based on the life of Olga Benário Prestes.
After Alexander the Great’s death, his daughter Olimpie lives disguised as the slave Aménais, while her mother Statira hides as a priestess. Statira accuses Cassandre of murdering Alexander, but Olimpie defends him because he once saved her life. Torn between her love for Cassandre and loyalty to her mother, Olimpie sees Cassandre’s army clash with Antigonus’s. In the revised ending, the mortally wounded Antigonus confesses to Alexander’s murder, freeing Cassandre and Olimpie to marry.
Merchant Olivo wants his daughter Isabella to marry the wealthy Le Bross, but she loves her apprentice Camillo. Le Bross helps the young couple, and their supposed suicide threat finally persuades Olivo to accept their marriage; the lovers appear alive, and he blesses their union.
Born into a scholarly family in West Africa, Omar ibn Said is captured and enslaved, separated from his mother and transported to Charleston. After helping Julie escape an abusive enslaver, he is sold to Johnson, then escapes and is jailed in Fayetteville. James Owen buys him and tries to convert him; Omar studies an Arabic Bible, prays and, urged by Julie and his mother’s spirit, begins writing about his experiences and faith.
A prologue and five-act tragédie en musique by André Cardinal Destouches, with a libretto by Antoine Houdar de La Motte.
A five-act tragédie en musique using a libretto previously set by André Cardinal Destouches.
In Cromwellian Hackney, mystic Hannah Trapnell leads residents to London Fields and prophesies a new kingdom of heaven. When Puritan soldiers suppress the gathering, Abel is killed; his pregnant widow sings a lullaby to their unborn child.
A chamber opera for soprano, video, and soundtrack.
One-act opera by Finnish composer Olli Kortekangas and librettist Michael Baran. The work was composed in 2009–2010 for the Sibelius Academy; its narrative is not described in the source.
A conceptual visual opera in three movements based on the Orpheus and Eurydice legend. Its tableaux and compositions follow visual and auditory principles rather than a conventional dramatic sequence.
An unfinished satirical opera planned as a prologue and three acts, centered on Orango, a human-ape hybrid created in a medical experiment. Only about a quarter of the prologue survives; the completed fragment was first performed in an orchestration by Gerard McBurney.
A three-act tragedia lirica based on the Roman legend of the Horatii and the Curiatii.
Haunted by the Furies after killing his mother, Oreste is shipwrecked in Tauris, where his sister Ifigenia serves as a priestess. She does not initially recognize him and must sacrifice foreigners; his wife Ermione and friend Pilade are also captured. When the king refuses mercy, Ifigenia and Filotete turn against him, ending the sacrifices and reuniting the family.
The opera is based on Aeschylus’ Oresteia trilogy and covers Agamemnon, The Libation Bearers and The Eumenides; the source provides no plot narrative beyond the parts and tableau headings.
Venus schemes to separate Orpheus and Eurydice, but Eurydice rejects her efforts to make her love Aristaeus. During a dance, Eurydice is bitten by a snake and dies. Orpheus descends to the underworld, where Juno persuades Proserpina and Pluto to release Eurydice on condition that he not look back before they reach the upper world. He turns and loses her again. Jupiter transforms Orpheus, Eurydice, and the lyre into constellations. The epilogue presents the lyre as a symbol of France and wishes King Louis a long life.
Aristaeus, Orpheus’s brother, also loves Eurydice, making Orpheus jealous. Aristaeus rejects Autonoe, who disguises herself as a gypsy and enlists Achilles and Hercules to help. Orpheus plans Eurydice’s murder, but she dies from a snakebite while trying to flee Aristaeus. Orpheus descends to the underworld and persuades Pluto to release her, provided he does not look back before they reach the living world. Orpheus turns and loses Eurydice again. Aristaeus accepts Autonoe, and they marry.
Domenico Belli’s early Baroque work consists of five interludes associated with the Orpheus myth. They were first performed as intermedi during a production of Tasso’s play Aminta; the available text does not supply a plot summary.
At Euridice’s tomb, Orfeo mourns his wife. Amore lets him travel to the Underworld and bring her back, on condition that he not look at her before they return to earth. Orfeo wins passage through the Furies with his singing and finds Euridice among the blessed spirits. On the way back, Euridice is distressed that Orfeo will not look at or explain himself to her. When she refuses to continue, Orfeo turns to her and she dies again. He grieves and prepares to kill himself, but Amore intervenes, restores Euridice to life, and reunites the couple.
An Italian opera in a prologue and three acts by Francesco Cavalli with a libretto by Niccolò Minato.
Orion loves Alphisa, a nymph of Diana, and saves her from a monster. Diana falls in love with Orion, while Scythian king Pallantus also seeks Alphisa’s hand. Diana eventually orders Alphisa to marry Pallantus or be sacrificed, but Pallantus gives his life to save her. Moved by his death, Diana reunites Orion and Alphisa, who marry and ascend among the stars.
This three-act dramma per musica features Oristeo, King of Epirus, his son Euralio, and the princesses Diomeda and Corinta, alongside Trasimede, Prince of Archaea.
The knight Orlando loves Angelica, who loves Medoro, while the shepherdess Dorinda also loves Medoro. When Orlando discovers the lovers’ relationship, jealousy drives him into madness. The magician Zoroastro protects Angelica and Medoro and restores Orlando’s reason. Orlando accepts their love and wishes them happiness, and Dorinda joins the celebration.
Sorceress Ersilla sends her champion Argillano to destroy Orlando, but Orlando defeats him and enters her garden. Ersilla becomes enamored of Brandimarte, who twice helps rescue Orlando; meanwhile Grifone and Origille disguise themselves, and romantic rivalries lead to imprisonment and attempted poisoning. Orlando breaks the spells holding Ersilla’s victims, who awaken and are reunited with their partners.
A three-act setting of Orlando furioso attributed to Antonio Vivaldi and surviving incompletely in manuscript.
Showing 2,137–2,256 of 3,280 shows
Load more shows