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Lord Byron

Opera · 1972

In Westminster Abbey, Byron’s friends, wife, and sister ask the Dean to permit a statue and the poet’s burial there. The arrival of the statue prompts memories of Byron’s courtship, his incestuous relationship with his half-sister Augusta Leigh, and his exile. Fearing what his memoirs might reveal, they burn the manuscript without reading it. When the Dean learns what they have done, he denies Byron burial in the Abbey. The shades of the poets in Poets’ Corner welcome Byron at the end.

Louise

Opera · 1900

Louise, a seamstress, loves her neighbor Julien, an artist, but her parents oppose their marriage. When Julien asks her to run away with him, Louise hesitates because she loves her parents too. She eventually leaves home and moves with Julien to a cottage overlooking Paris, where she is celebrated by their bohemian friends. Her mother arrives with news that her father is ill. Moved by her parents’ distress, Julien lets Louise return home. Her father recovers and welcomes her, but Louise longs to be with Julien again. When her father angrily orders her to leave, she runs back to Julien.

Love Counts

Opera · 2005

Patsy Bear, a boxer who cannot read or recognize numbers reliably, meets Avril Ainger, a mathematics lecturer. She helps him learn basic arithmetic, though Patsy is more interested in sex. Avril discusses her abusive first marriage and asks Patsy to leave boxing; after she cuts up his gear, he becomes ill and falls into a coma. His doctor says conversation may restore his memory. In the final scene, Avril pushes him in a wheelchair along the street where they met, and they repeat their counting routine.

Lucio Silla

Opera · 1772

Roman dictator Lucio Silla seeks to marry Giunia, whose father, Gaius Marius, was his enemy. Giunia loves the exiled senator Cecilio, whom Silla has falsely reported dead. Silla threatens Giunia and imprisons Cecilio, but his sister Celia and Giunia’s friend Cinna work to protect the couple. At a public assembly, Silla surprises Rome by freeing Cecilio and allowing him to marry Giunia. He also pardons Cinna, arranges Cinna’s marriage to Celia, and relinquishes his dictatorship to restore liberty to Rome.

Luisa Miller

Opera · 1849

In a Tyrolean village, Luisa loves a young man she knows as Carlo, who is actually Rodolfo, son of Count Walter. Wurm, who wants Luisa for himself, tells her father Miller the truth and later coerces Luisa into writing a false letter to save her father from execution. Rodolfo believes the letter and agrees to marry Federica. After Miller is freed, Rodolfo gives Luisa poisoned water; as they die, she tells him the letter was forced. Rodolfo kills Wurm and dies.

Lurline

Opera · 1860

Lurline, a Rhine nymph, falls in love with Count Rudolph. After he loses his engagement to Ghiva, Lurline gives him a magic ring and brings him to her underwater palace. Rudolph misses his former life and returns to the surface with Rhine treasure, promising to come back. Ghiva steals and throws away his ring, and Rudolph forgets Lurline. When his friends plot to murder him for his wealth, Lurline returns the ring and calls on the Rhine spirits. The flood drowns the conspirators, while Rudolph is spared and returns with Lurline to her palace.

L’Africaine

Opera · 1865

In Lisbon, Vasco da Gama seeks support for an expedition and is imprisoned. Sélika, queen of a newly encountered land, saves him, but Vasco later joins Don Pédro’s voyage. Nélusko steers the ship into a storm and leads an attack on the Europeans, sparing Vasco. Sélika saves Vasco from execution and calls him her husband, but when he hears Inès’s voice, Sélika releases the lovers to return to Europe and takes her own life beneath a poisonous tree; Nélusko follows her.

L’Alidoro

Opera · 1740

Luigi, a servant in Giangrazio’s household, is actually the missing son Alidoro and uses the name Ascanio to remain near Faustina, whom he loves. Giangrazio plans to marry his son Don Marciello to Faustina, though Don Marciello loves innkeeper Zeza, who loves miller Meo. Misunderstandings and jealous rivalries end when a birthmark reveals Ascanio’s identity. He marries Faustina, Zeza and Meo reconcile, and Giangrazio suggests that Don Marciello marry Elisa.

L’Egisto, ovvero Chi soffre speri

Opera · 1637

The impoverished Egisto loves the young widow Alvida, who refuses him unless he destroys what he values most: his inherited tower and favorite falcon. He does so, and Alvida marries him. In the tower’s ruins they discover buried treasure and a stone that cures Alvida’s gravely ill son. In a subplot, Lucinda disguises herself as a man to pursue Egisto; after he rejects her, she nearly kills herself, but is revealed as his long-lost sister.

L’Olimpiade

Opera · 1734

Megacle enters the Olympic Games under the name of his friend Licida, who hopes to win Aristea’s hand. Megacle and Aristea already love each other, but he has promised to compete for Licida. Argene, Licida’s former betrothed, arrives in disguise. Megacle wins, reveals the truth, and leaves; Licida is rejected and banished. Megacle survives a reported drowning, while Licida considers killing the king. Argene offers herself to save him and reveals a chain that identifies Licida as the king’s abandoned son. Licida is reinstated and accepts Argene, while Megacle and Aristea reunite.

L’Orfeide

Opera · 1925

This three-part opera opens as Orpheus disrupts an impresario’s commedia dell’arte performance, locks the masked players away, and introduces new figures of human life. The middle part, Sette canzoni, consists of seven unrelated mini-operas: a girl abandons her blind companion; a friar hurries a praying woman from church; a mother fails to recognize her son returned from war; a drunkard is mistaken for a lover; a serenader goes unheard beside a death; a bellringer sings while warning of a fire; and a clown meets a masked woman after a funeral procession. In the final part, courtiers watch a violent puppet drama about Nero and Agrippina. Orpheus sings, puts the audience to sleep except for the queen, and escapes with her.

L’Ormindo

Opera · 1644

Princes Amida and Ormindo both love Erisbe, the unhappy wife of the elderly King Hariadeno. Amida is reminded that he abandoned Princess Sicle, who he believes died after his betrayal. A séance reveals Sicle is alive, and Amida realizes he still loves her. Erisbe and Ormindo plan to elope, but the King orders his captain Osmano to poison them. At the urging of Erisbe’s confidante Mirinda, Osmano substitutes a sleeping potion. The King later learns that Ormindo is his son and forgives the lovers, ceding the kingdom to him.

L’amant jaloux, ou Les fausses apparences

Opera · 1778

Merchant Don Lopez opposes the remarriage of his widowed daughter Léonore, who loves the jealous Don Alonze. A veiled Isabelle is mistaken for Léonore’s secret lover, while Florival also arrives seeking a woman he rescued and mistakenly believes the housekeeper is her. When Alonze recognizes his sister, the lovers’ misunderstandings clear; an inheritance permits Alonze to marry Léonore, and Florival marries Isabelle.

L’ebreo

Opera · 1855

During the siege of Granada, Issachar, magician to King Boabdil, betrays him in hopes of gaining freedom for his people under Spanish rule. His daughter Leila loves the Moorish general Adèl-Muza. The Inquisition sentences Issachar to the stake, but he escapes by burning the Spanish camp. Leila is taken to Ferdinand and Isabella, who try to convert her. At her baptism Issachar appears and stabs her; Adèl-Muza reveals himself, and both men are sentenced to the stake.

L’enfant et les sortilèges

Opera · 1925

After his mother scolds him, a child throws a tantrum, destroys objects in his room, and harms nearby animals. The furniture, decorations, homework figures, and animals come to life and tell him how he has hurt them. The room becomes a garden, where the creatures initially reject him. The child calls for his mother, and the animals attack one another in the ensuing confusion. When he bandages a squirrel’s wound, they change their minds, help him return home, and sing in his praise. The child greets his mother.

L’incontro improvviso

Opera · 1775

Ali, Prince of Balsora, and Princess Rezia eloped but were separated when pirates captured her. In Cairo, Ali discovers that Rezia is in the Sultan’s harem. His slave Osmin becomes a mendicant dervish under the Qalandar, who recognizes Ali and helps the couple plan an escape. The Sultan returns unexpectedly, and the Qalandar later betrays them for a reward. Ali disguises himself as a French painter but is caught. The Sultan forgives him and Rezia and blesses their union; at their request, he pardons the Qalandar but banishes him from Cairo.

L’infedeltà delusa

Opera · 1773

Filippo plans to marry his daughter Sandrina to wealthy farmer Nencio, though she loves Nanni. Nanni and his sister Vespina, who herself loves Nencio, plan revenge. Vespina uses four disguises to make Filippo believe Sandrina will marry a marquis, while Nencio thinks she will marry one of the marquis’s servants. Nanni, disguised as a servant, signs the marriage contract; when the ruses are revealed, Sandrina is married to Nanni. Filippo accepts the outcome, and Vespina expects to marry Nencio.

L’inganno felice

Opera · 1812

After Isabella rejects Ormondo, he spreads rumors about her and bribes Batone to cast her adrift. A miner, Tarabotto, rescues her and hides her as his niece Nisa. Ten years later, Isabella reveals her identity to Tarabotto just before her husband, Duke Bertrando, visits the mines. Bertrando still loves Isabella but believes the rumors that she was unfaithful. Batone recognizes Isabella and conspires with Ormondo to abduct her, but Tarabotto overhears their plan. The two villains are exposed, and Isabella reveals her duchess’s clothes and a portrait of Bertrando. The couple are reunited.

L’occasione fa il ladro

Opera · 1812

During a storm, Alberto and Don Parmenione take shelter at an inn. Alberto is travelling to meet his betrothed, while Parmenione is searching for a friend’s missing sister. After the storm, they accidentally exchange luggage. Finding a portrait among Alberto’s papers, Parmenione decides to pose as Alberto and claim the bride. At Don Eusebio’s house, Berenice also disguises herself as a maid so she can judge her intended husband, while her friend Ernestina pretends to be Berenice. Parmenione courts Ernestina, and the real Alberto falls for Berenice. When both men claim to be Alberto, Berenice’s questioning exposes Parmenione’s deception. Berenice marries Alberto, and Parmenione marries Ernestina, who proves to be the friend’s sister he had sought.

L’oiseau bleu

Opera · 1919

Tyltyl and Mytyl, the children of a poor woodcutter, see a wealthy neighbour preparing for Christmas. Fairy Berylune asks them to find the blue bird to restore her sick child’s happiness. A magic cap makes objects and animals speak. The children visit the Land of Memory, the Palace of the Night, the Garden of Happiness, a cemetery, and the Kingdom of the Future but cannot capture the bird. In the morning, they discover their own turtle dove has turned blue and give it to a neighbour’s sick child. The bird eventually escapes.

L’ultimo giorno di Pompei

Opera · 1825

Appio, a tribune in love with magistrate Sallustio’s wife Ottavia, conspires with Pubblio and his son Clodio to dishonour her. Disguised among Ottavia’s attendants, Clodio is exposed and claims she seduced him. Sallustio must put her on trial to uphold Roman law. Despite her protestations of innocence, omens lead to a sentence of burial alive. As Ottavia is taken to the tomb, Vesuvius erupts; Sallustio halts the execution, and Pubblio confesses Appio’s role. Appio and Pubblio are sealed in the tomb instead. Their son Menenio rescues his parents by chariot as the eruption consumes Pompeii.

L’étoile

Opera · 1877

King Ouf searches his city in disguise for someone to execute as a birthday celebration. A visiting ambassador and his party are traveling incognito, with Princess Laoula disguised as the ambassador’s wife, and they intend her to marry Ouf. Laoula and the peddler Lazuli fall in love. When Lazuli insults the disguised king, Ouf orders his execution, but the astrologer Siroco warns that their fates are linked. Lazuli escapes harm, and after plans to elope and a failed attempt to flee, Ouf blesses his marriage to Laoula.

L’île de Tulipatan

Opera · 1868

Romboïdal blames his wife Théodorine for their daughter Hermosa’s boyish behavior, while Hermosa finds Prince Alexis charming. The young pair fall in love, and Alexis asks Romboïdal to seek the Duke’s consent to their marriage. Théodorine reveals that Hermosa is really a boy, whom she registered as a girl to spare him military service. Romboïdal then reveals that Alexis is really a girl; the Duke and Romboïdal had hidden this to secure a male heir. Hermosa appears dressed as an officer, and Alexis wears a dress. The confused parents confess their deception, and the Duke agrees to the marriage before deciding to marry again and try for a son.

Macbeth

Opera · 1847

After witches prophesy that Macbeth will become king and that Banco’s descendants will rule, Macbeth and Lady Macbeth murder Duncan and seize the throne. Macbeth orders Banco and his family killed, but Banco’s son escapes; haunted by Banco’s ghost and emboldened by further prophecies, Macbeth continues his rule through violence. Malcolm and Macduff lead an assault that fulfills the apparitions’ warnings, and Macbeth is killed. The 1847 version ends with Macbeth’s death aria, while the 1865 revision concludes with a victory chorus.

Madame Chrysanthème

Opera · 1893

French sailor Pierre arrives in Nagasaki and falls in love with a geisha. Through marriage broker Kangourou, he contracts a temporary Japanese marriage with Chrysanthème. She is affectionate but rebuffs Pierre’s declarations, while their friends celebrate. At a festival, jealousy sparks arguments between Pierre and his friend Yves. The couple reconcile before Pierre and Yves sail for Brittany. At sea, Pierre reads Chrysanthème’s letter: she asks him to remember that Japanese women also love and grieve. He casts the lotus flowers she gave him into the sea and asks to forget the marriage.

Madame Sans-Gêne

Opera · 1915

In 1792 Paris, laundress Caterina Hubscher hides wounded Austrian officer Count Neipperg, with help from her fiancé Sergeant Lefebvre. Years later, Lefebvre has become Duke of Danzig and Caterina his duchess, whose frank behavior scandalizes Napoleon’s court. Napoleon orders Lefebvre to divorce her, while Neipperg is suspected of an affair with the Empress. When Neipperg is sentenced to death, Caterina proves his innocence and wins his pardon. Napoleon accompanies her into the salon for a hunt.

Man and Boy: Dada

Opera · 2004

Twelve-year-old Michael meets aging Dada artist Kurt Schwitters while collecting bus tickets. Schwitters, a refugee facing deportation, befriends Michael and gradually earns his mother’s trust. He hopes the mother will marry him so he can become a naturalized citizen, though she has no romantic interest. When Schwitters gives Michael an unrideable Dada bicycle instead of the bicycle he wanted, the boy explains that he values its uniqueness. Schwitters, believing he is too eccentric for the family, decides to leave, but Michael asks him to stay.

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