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Jone, ossia L’ultimo giorno di Pompei

Opera · 1858

Both Glauco and the high priest Arbace love Jone, while the slave Nidia loves Glauco. Arbace’s servant Burbo gives Nidia poison to pass to Glauco as a love potion. Arbace then tries to force Jone into the temple of Isis; Glauco rescues her but is condemned for sacrilege. Nidia exposes Arbace to the praetor, freeing Glauco. When Vesuvius erupts, Arbace dies; Jone and Glauco escape, while Nidia returns to the city.

King and Charcoal Burner

Opera · 1874

During a hunt, the lost King Matyáš arrives incognito at the charcoal burner Matěj’s hut. Matěj welcomes him, while his daughter Liduška and the young charcoal burner Jeník love each other but are kept apart by their poverty. The disguised king kisses Liduška, prompting Jeník’s jealousy; after the royal party discovers the king, Jeník leaves for the army. Later, at the Prague court, the king stages a mock trial of Matěj’s family and arranges for Jeník to marry Liduška. Jeník accepts when he learns she is his intended bride; the king ultimately blesses their union and that of Jindřich and Eva. The king thanks the charcoal burner’s family for the hospitality and lessons they gave him.

Krútňava

Opera · 1949

The original version is framed as a wager between a Poet and his Double over whether conscience can overcome human nature. After Jan Štelina is found murdered, his father accuses Katrena, who marries Ondrej against her will. A year later, Ondrej drinks and beats her; she confesses that Jan was her true love. Ondrej sees Jan’s ghost in the woods and resists the Double’s urging to conceal the crime. At Easter he confesses, and Katrena says the child is his. Old Štelina reconciles himself to helping raise the child. The communist-era revisions change Ondrej’s confession and the child’s paternity and fate.

Kullervo

Opera · 1992

After Unto destroys Kalervo’s house, he takes Kalervo’s son Kullervo as a slave. Kullervo grows into an angry youth, kills the smith’s wife after finding stones in his bread, and later reunites with parents who survived the fire. In a dream, Kullervo learns that the girl he seduced was his lost sister Ainikki. He retaliates against his father, burns Unto’s house and kills Unto’s clan. Finding his friend Kimmo insane, Kullervo throws himself onto a fire and dies.

Kuningas Lear

Opera · 2000

Lear disinherits Cordelia after she refuses to compete with her sisters in declarations of love, then loses his authority as Goneril and Regan reject him. Meanwhile Edmund deceives Gloucester and turns him against Edgar, who disguises himself as Poor Tom. The sisters and Edmund maneuver against Albany as the French and British prepare for battle; after Edmund loses a duel to Edgar, he orders Lear and Cordelia killed. Lear enters carrying Cordelia’s body and dies beside her.

Kuningas lähtee Ranskaan

Opera · 1984

In an encroaching ice age, the English prince becomes king and leads an army across the frozen Channel to France with four prospective brides and Parliament, represented by a giant cannon. The campaign follows the Hundred Years’ War: the English win at Crécy, then besiege Calais. The king grows increasingly cruel, ordering the English archer mutilated and threatening the starving people of Calais, though he later spares six burghers after the Queen and Caroline plead for them. He plans to conquer Paris and continue south, while chronicler Froissart asks him to read his account; the king replies that Time shaped history, not him.

L'Orfeo

Opera · 1607

At their wedding in Thrace, Orfeo and Euridice celebrate their love. A messenger arrives with news that Euridice has died from a snakebite. Orfeo descends to the Underworld and persuades Pluto to release her, on the condition that he not look back as they return. Doubt overcomes Orfeo and he turns to look; Euridice vanishes. In the ending used in Monteverdi’s 1609 score, Apollo descends and invites Orfeo to join him in the heavens, where he may see Euridice among the stars. The original 1607 libretto instead ends with Bacchantes threatening Orfeo, leaving his fate uncertain.

L'Upupa und der Triumph der Sohnesliebe

Opera · 2003

Al Radshi sends his three sons to find his vanished golden hoopoe, but only the honest Al Kasim undertakes the quest. With a demon’s help, he finds the bird, rescues a captive princess, and obtains a magic chest. His jealous brothers push him and the princess into a well and claim his achievements, but the pair are rescued and the brothers expelled. Al Kasim must complete another quest before he can marry the princess, and the ending leaves their union unresolved.

L'elisir d'amore

Opera · 1832

Nemorino, a poor peasant, loves Adina, a wealthy landowner, but she rebuffs him. He buys a bottle of red wine from the traveling quack Dulcamara, believing it to be a love potion. After he acts indifferent, Adina agrees to marry Sergeant Belcore, first in six days and then before Belcore’s regiment departs. Nemorino enlists for money to buy more of the fake elixir. Meanwhile, Adina learns of Nemorino’s devotion and buys back his military contract. She declares her love, and the couple reconcile. Nemorino also learns he has inherited money from his uncle, while Dulcamara credits the elixir for the happy outcome.

L'heure espagnole

Opera · 1911

In 18th-century Toledo, clockmaker Torquemada leaves his shop to tend the municipal clocks. His wife Concepción uses his absence to arrange assignations with poet Gonzalve and banker Don Iñigo. Muleteer Ramiro repeatedly carries grandfather clocks upstairs, hiding the men inside them. When Torquemada returns, the two men are trapped in clocks, which they eventually escape and buy to preserve their dignity. Lukas, suspecting an affair, goes to the Corregidor’s house wearing the official’s clothes. The Corregidora untangles the confusion and reconciles Lukas and Concepción.

L'incoronazione di Poppea

Opera · 1643

In Rome around AD 60, Poppea’s affair with Emperor Nerone displaces both his wife Ottavia and her former lover Ottone. Seneca warns Nerone against divorcing Ottavia and marrying Poppea, so Nerone orders Seneca to commit suicide. Ottavia then orders Ottone to kill Poppea, but Cupid prevents the attempt. When Ottone confesses and takes the blame to protect Drusilla, Nerone spares them but banishes them and Ottavia. Nerone crowns Poppea empress, and they celebrate their union in a duet.

L'italiana in Algeri

Opera · 1813

In Algiers, Bey Mustafà plans to marry his Italian slave Lindoro to his wife Elvira, while seeking a new Italian woman for himself. Isabella, who is searching for Lindoro, is captured with her companion Taddeo. Reunited, Isabella and Lindoro plan to escape. Isabella tricks Mustafà into accepting the role of pappataci, which requires him to eat, drink, and remain silent. The Italians escape while Mustafà is distracted, and he reconciles with Elvira.

La Basoche

Opera · 1890

In Paris in 1514, law-clerk guild members elect Clément Marot as their ceremonial king. Because the guild’s king must be unmarried, Clément hides his wife Colette. When Colette arrives at the tavern where King Louis XII will meet his new bride, Princess Mary, both women mistake Clément for the real king. The confusions continue as Colette is taken to the palace and Louis mistakes her for his wife. The Basoche procession reveals the identities; Roland is arrested in Clément’s place, and Louis pardons Clément, who leaves Paris with Colette. Louis marries Mary.

La Belle au bois dormant

Opera · 1900

Princess Loyse wakes from a hundred-year sleep and falls in love with Olivier, the falconer who accompanies the timid Prince Charming. An old wizard has vowed that she will scorn the prince; Loyse must marry him by midnight or sleep another century. A fairy reveals that the supposed prince is actually a forester’s son, while the real prince was raised by the forester’s family. Loyse marries Olivier, who assumes his true identity.

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