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Hippolyte et Aricie

Opera · 1733

Hippolyte and Aricie love each other, but Aricie is held captive by Theseus and forbidden to marry. When Theseus journeys to the Underworld, Phaedra reveals her desire for her stepson Hippolyte, who rejects her. On his unexpected return, Theseus believes Phaedra’s false accusation and asks Neptune to punish Hippolyte. A sea monster appears to kill him, and Phaedra dies by suicide. Diana later reveals Hippolyte alive and reunites him with Aricie, while Theseus is left unable to see his son again.

Holger Danske

Opera · 1789

Oberon and Titania have vowed to reconcile only if they find a human couple who remain faithful through danger and temptation. They choose Holger, a knight of Charlemagne, and Rezia, daughter of the Sultan of Baghdad. Holger must fulfill a punishment by cutting a lock from the sultan’s beard and kissing Rezia. After the couple recognize each other, they are shipwrecked, enslaved and threatened with death, but Oberon and Titania free them. Holger uses a magic horn to overcome their enemies, and both couples are reunited.

Hulda

Opera · 1894

Aslak and his sons murder Hulda’s family, and she vows revenge. Two years later, she is to marry Gudleik, but she falls in love with the king’s emissary Eiolf; Gudleik is killed in a fight with him. Aslak later kills another son, Arne, after finding him with Hulda. Eiolf leaves Hulda and reconciles with Swanhilde, so Hulda recruits the remaining Aslak brothers to murder him. After they kill Eiolf, the brothers turn on Hulda. She welcomes death and throws herself into the fjord.

Hunyadi László

Opera · 1844

After the death of military leader János Hunyadi, his son László and brother Mátyás face hostility from the weak king László V and regent Ulrik Cillei. Cillei plots against them but is killed by László’s followers. The king pardons the brothers, then falls in love with Mária, László’s fiancée. Mária’s father Gara falsely accuses László of plotting to kill the king. Though Mária urges him to escape prison, László trusts the king’s promise. Gara orders the executioner’s fourth strike, and László is beheaded.

Háry János

Opera · 1926

At a village inn, veteran soldier Háry János recounts fantastic exploits to his listeners. He claims to move a frontier gate to help Marie Louise cross into Hungary, then joins the imperial court with his sweetheart Örzse. He describes riding a wild horse, becoming a captain, and defeating Napoleon single-handedly. Though the princess wants to marry him, Háry and Örzse return to their village. In the epilogue, the innkeeper says he never received the gold watch Háry claims was sent to the village.

Hänsel und Gretel

Opera · 1893

Hansel and Gretel are sent into the forest after their mother accidentally breaks the milk jug they were meant to watch. As night falls, the Sandman puts them to sleep, and angels guard them. In the morning they find a gingerbread house and are captured by a witch who plans to eat them. Gretel steals the witch’s wand, frees Hansel, and tricks the witch into the oven. The gingerbread children are restored to human form, and the children reunite with their parents.

Héléna

Opera · 1803

Constantin, count of Arles, is falsely accused of murdering his father. He and his wife Héléna flee, entrusting their young son to a farmer. Héléna later hides with the farmer in disguise, while Constantin returns to Arles and is hunted by the new count Edmond. The people threaten Héléna and her son unless Constantin surrenders. Edmond then reveals that his own father, Romuald, confessed to the murder on his deathbed, clears Constantin's name, and the opera ends happily.

Hérodiade

Opera · 1881

In Jerusalem, Salomé searches for her absent mother and loves the prophet Jean. King Hérode is also in love with Salomé, while his wife Hérodiade wants Jean punished for insulting her. Jean is arrested and refuses to help Hérode against Rome. Hérode condemns Jean and Salomé to death after she rejects him. After Jean is executed, Salomé asks Hérodiade to let her die too. Hérodiade’s silence enrages Salomé, who tries to kill her; the queen reveals she is Salomé’s mother, and Salomé stabs herself.

I Lombardi alla prima crociata

Opera · 1843

In Milan, Pagano is reconciled with his brother Arvino but still desires Arvino’s wife, Viclinda. During an attack on the family palace, Pagano mistakenly kills his father and is exiled. Years later, as a hermit in the Holy Land, he helps the Crusaders capture Antioch, where Arvino’s daughter Giselda is held. Giselda falls in love with Oronte, the son of Antioch’s ruler; after Oronte is wounded, he converts and dies. Pagano’s guidance leads the Crusaders to water and victory, and he dies after revealing his identity and receiving Arvino’s forgiveness.

I due Figaro, o sia Il soggetto di una commedia

Opera · 1835

At Count Almaviva’s castle near Seville, Torribio schemes to marry Inez using the assumed identity Don Alvaro, with Figaro’s help. Inez loves Cherubino, who disguises himself as another Figaro and enters the Count’s service. After misunderstandings and confrontations, Cherubino reveals that Torribio is a former servant and exposes the deception. Almaviva agrees to Inez and Cherubino’s marriage and forgives Figaro.

I due Foscari

Opera · 1844

In 1457 Venice, Jacopo Foscari, son of Doge Francesco, is tried by the Council of Ten and sentenced to further exile for murder. His wife Lucrezia pleads with the Doge to intervene, but he insists he must uphold Venetian law. Jacopo is sent away; before departure, he dies. Evidence later arrives proving his innocence, but the Council orders Francesco to surrender his office. He renounces the trappings of power and dies as the bell announces his successor.

I gioielli della Madonna

Opera · 1911

In Naples, Gennaro is in love with his adoptive sister Maliella. Rafaele, leader of a Camorra band, pursues Maliella and promises to steal the Madonna’s jewels for her. Gennaro warns Maliella about Rafaele, but she rejects him and prepares to leave home. Gennaro steals the jewels and brings them to her; in a trance, Maliella mistakes him for Rafaele and yields to him. When Rafaele learns what happened, he rejects her. Maliella drowns herself, and Gennaro finds a knife and stabs himself.

I masnadieri

Opera · 1847

Carlo Moor, the elder son of Count Massimiliano, joins a band of robbers after believing that his father has rejected him. His brother Francesco has intercepted Carlo’s plea for forgiveness and plots to inherit the estate, telling their father and Carlo’s beloved Amalia that Carlo is dead. Servant Arminio later reveals that Carlo and the Count are alive. Carlo reunites with Amalia and discovers his father, but when the robbers capture Amalia and she insists she still loves him, Carlo kills her rather than draw her into his criminal life.

Idomeneo

Opera · 1781

After escaping a storm at sea, the Cretan king Idomeneo remembers his vow to sacrifice the first person he meets to Neptune. That person is his son Idamante, who loves the Trojan princess Ilia. Idomeneo tries to send Idamante away with Electra, but Neptune sends a sea monster to ravage Crete. Idamante kills the monster and accepts his fate; Ilia offers her life in his place. Neptune instead orders Idomeneo to abdicate in favor of Idamante and Ilia, while Electra is consumed by despair.

Il Bellerofonte

Opera · 1767

Bellerofonte, whose birthright to the throne of Corinth has been usurped, is separated from Argene because her father Ariobate considers him an unsuitable match for a princess without a kingdom. Bellerofonte proves his worth by killing the monster that demands a noble virgin as a yearly sacrifice. When news arrives that the usurper Clearco has been overthrown, Bellerofonte can reclaim Corinth and Ariobate agrees to his marriage with Argene. Briseide, who was to be sacrificed, also finds a husband.

Il Palazzo incantato

Opera · 1642

The magician Atlante traps Christian and pagan knights and ladies in his palace of illusions. Orlando, Ferraù, and Sacripante enter searching for Angelica. Bradamante finds Ruggiero with Angelica and threatens him, but Atlante reminds Angelica that she loves Medoro. When Astolfo arrives immune to magic, Atlante persuades the captives he is their enemy. Ruggiero breaks the spell; Atlante disguises himself as Ruggiero but loses a duel to the real knight. The palace vanishes and the captives are freed.

Il Ruggiero

Opera · 1771

Ruggiero, missing after defending Bulgaria, returns to Paris after being rescued by Leone, the Greek emperor. Leone loves Bradamante, who vows to marry only a man who can defeat her in combat, while Ruggiero is torn between his love for her and his debt to Leone. Leone asks Ruggiero to fight Bradamante in disguise. After Leone wins the contest, Bradamante believes she has lost Ruggiero, but Leone reveals Ruggiero’s sacrifice and confesses that he had already pledged his heart to Clotilde. Emperor Carlo blesses both couples: Ruggiero and Bradamante, and Clotilde and Leone.

Il burbero di buon cuore

Opera · 1786

Ferramondo, a wealthy and bad-tempered old man, lives with his niece Angelica and nephew Giocondo. Angelica loves Valerio, but Giocondo’s wife Lucilla has spent the money needed for Angelica’s dowry. Giocondo proposes that Angelica enter a convent, while Ferramondo considers arranging her marriage to his friend Dorval. Misunderstandings about Angelica and Valerio fuel Ferramondo’s suspicions. Eventually Giocondo admits that Lucilla’s spending depleted their funds, and Ferramondo agrees to pay the dowry, let Lucilla stay in the household, and allow Angelica to marry Valerio.

Il campiello

Opera · 1936

In a small Venetian square in the mid-eighteenth century, visiting Neapolitan gentleman Astolfi flirts with several women, provoking jealousy among their suitors. Haberdasher Anzoleto and Luçieta plan to marry, though their relationship is marked by quarrels. Gasparina’s uncle Fabrizio discovers that Astolfi is bankrupt and that he himself is a lottery winner; Astolfi asks to marry Gasparina. As Anzoleto and Luçieta’s neighbors quarrel, Astolfi invites them all to dinner and announces that he and Gasparina will marry and leave Venice.

Il cappello di paglia di Firenze

Opera · 1955

On his wedding day, Fadinard’s horse eats a straw hat belonging to Anaide, whose jealous husband will punish her if she returns without it. Fadinard and his wedding party search across Paris, causing misunderstandings and chaotic encounters while pursuing a replacement. His deaf uncle’s wedding gift turns out to be the needed hat, and Anaide returns home reconciled with her husband as Fadinard’s marriage finally proceeds.

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